A collection of stories and legends written by Washington Irving. Apart from Rip Van Winkle and The Legend of Sleepy Hollow which made both Irving and The Sketch Book famous , the other tales include Roscoe, The Broken Heart, A Royal Poet, The Spectre Bridegroom, Westminster Abbey, Little Britain, and others. The book also marks Irving's first use of the pseudonym Geoffrey Crayon.

The King in Yellow is a book of mysteries and supernatural stories by American writer Robert W. Chambers. The stories inspired production of the new hit HBO series True Detective. There are ten stories, the first four of which, The Repairer of Reputations, The Mask, In the Court of the Dragon, and The Yellow Sign, mention The King in Yellow, a forbidden play which induces despair or madness in those who read it.

Our narrator is hired by the New York Zoological Society to assist a professor who is in charge of their gardens and exhibits. He embarks on his search for a Great Auk, a species that was extinct for fifty or so years.

Le classique Shakespeare joue en traduction fran?aise. Selon Wikipédia: "Périclès, prince de Tyr est une pièce jacobéenne écrite au moins en partie par William Shakespeare et incluse dans les éditions modernes de ses ?uvres rassemblées malgré des questions sur sa paternité, car elle n'était pas incluse dans le premier folio. conviennent que Shakespeare est responsable de presque exactement la moitié du jeu - 827 lignes - la partie principale après la scène 9 qui suit l'histoire de Périclès et Marina.Les études textuelles modernes indiquent que les deux premiers actes de 835 lignes détaillant les nombreux voyages de Périclès ont été écrits par un collaborateur médiocre, qui suggère fortement d'avoir été l'aviateur, pander, dramaturge et pamphlétaire George Wilkins.

A beautiful Christmas story of love, forgiveness and uneasy life. Set in Chicago on a bitterly cold Christmas night, William, considers stealing both to satisfy his hunger and to find excitement in his dull life, but when a woman drops a parcel he gives it to her instead of running off with it. He feels as if he is a failed thief, in the same manner as he has failed at everything - college, journalism, real estate, performing. He then walks into a house in an attempt to steal the jewellery, and his own mother finds him there.

Do you want to be in full control over where your weed grows? Maybe you are tired of dealing with that shady dealer or you are simply tired of paying for it. If you are here for the above reasons or any other one, then you are in the best place a stoner can be! Growing marijuana at home might seem complicated but the truth is that it's quite easy if you have the right information and attitude. Simply put, anyone who loves weed can grow weed! I mean, which stoner would not like to see this beautiful plant growing taller every morning when he or she wakes up? Personally, I decided to start growing cannabis for the heck of it, I got engaged to sweet Maryjane back in campus and it was only right that I should get married to her. That's why I have weed growing in my house, I am just a guy who enjoys his blunt and I want it close to me all the time.

Moscow in the 1930s: A Novel from the Archives reveals Moscow as it was in a bygone age, a city now found only on old maps, but an era that continues to haunt us today. The novel features a wide cast of characters, who are all tied together by the author herself. The reader plunges into the remarkable Moscow literary scene of those days, and literature aficionados will encounter within a number of important locations for the history of Russian letters: the Dobrov house, Peredelkino, Lavrushinsky Lane, Borisoglebsky Lane – and also the names of legendary figures such as Olga Bessarabova, Maria Belkina, and Lydia Libedinskaya. History is brought to life: the author introduces the reader to Leonid Andreyev, leads us on a tour of the side-streets and alleyways of the Arbat district, and shows us the tattered notebooks of Olga Bessarabova. All this has long since fallen away into history, but now it proves so easily accessible to us.

The two sisters Norah and Magdalen live in peace and contentment, looked after by their governess, Miss Garth. Magdalen likes nothing better than to read at her window while her personal maid combs through and through her long hair. She finds herself a talented actress and falls in love with Frank Clare, the good for nothing but handsome son of a neighbour, whom she entices into the play. And then the sisters experience sudden death of their parents leaving them with no property, no rights and no name as a result of a legal defect with their inheritance.

Space and Time are pleased to bring you The Seagull by Anton Checkov. This classic is presented as a wonderfully presented edition with a fully interactive table of contents.

WANT TO LEARN THE ESSENTIALS OF BONSAI GROWING FOR BEGINNERS? Here Is A Preview Of What You'll Learn... Picking the Right Environment for Your Bonsai Tree Giving Your Bonsai the Proper Nutrients Pruning the Bonsai Tree The Best Tools for Taking Care of Your Bonsai Tree Repotting the Bonsai Tree Much, Much, More!!

Inspired by the real life experiences of Rwandan refugees in the UK, the play tells the story of two people from entirely different worlds who meet at a Refugee Centre in London: Juliette is a young Rwandan asylum seeker, detemined to write a book on the genocide that killed her famiily; Simon is a middle-aged failing novelist, whose job is to help people write. The play follows their funny and touching relationship and tackles issues that face many refugees who live in the UK today. Nominated as Time Out Critics’ Choice, the play has been broadcast by the BBC World Service and was toured nationally by iceandfire in Autumn 2004 with the support of the Arts Council England.

Το ?χουμε ξεπερ?σει, πλ?ον, το προπατορικ? αμ?ρτημα... δεν πα?ρνουμε το ρ?λο ο?τε τη? Ε?α?, ο?τε του Αδ?μ... αλλ? του φιδιο?! ?να βιβλ?ο γεμ?το απ? σκ?ψει? και σχ?δια τη? Φρ?νσι? Γι?φκα!

Three Sisters was written for the Moscow Art Theatre and was directed by Staniskavski himself on first opening. The play is often included in Chekhov's list of four outstanding plays and part of the classic repertoire of many world theatres. The play follows Chekhovian tradition of subtle character development and humour which often makes it a challenge for both performers and directors.

This edition of 'Hamlet' is an adaptation of Shakespeare's eponymous play 'The Tragedy of Hamlet, Prince of Denmark'. Set in Denmark, the story dramatises the revenge Prince Hamlet is called to wreak upon his uncle, Claudius, by the ghost of Hamlet's father, King Hamlet. Narrated in plain modern English, capturing the very essence and key elements of the original Shakespeare's drama.

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When Oedipus, King of Thebes, realized he had married his own mother and had two sons and two daughters with her, he blinded himself and cursed his sons to divide their kingdom by the sword. The two sons, Eteocles and Polynices, in order to avoid bloodshed, agreed to rule Thebes in alternate years. After the first year, Eteocles refused to step down, leading Polynices to raise an army of Argives captained by the eponymous Seven to take Thebes by force. This is where Aeschylus' tragedy starts.

Deadly Seven is a combination of monologues and ‘light’ script engagement of a psychologist with her seven clients, who each represent a deadly sin. Once the psychologist realises she lacks control over each of her clients’ lives, she decides to put an end to their madness. All characters represent an obsession which ultimately destroys them; leading to their deaths.

Galveston Architecture: A Visual Journey is a photographic journey of the architecture and history of select 100 buildings in Galveston, Texas, with photographs by Pino Shah, World Heritage Photographer and narratives by Galveston Historical Foundation (GHF). The book includes full illustrations of 100 buildings re ecting Greek Revival, Victorian, Italianate and Mid-century Modern architectural styles from 1840s through 1990s. Pino Shah is a world heritage photographer based in McAllen, Texas and Ahmedabad, India. Galveston Historical Foundation preserves and revitalizes the architectural, cultural and maritime heritage of Galveston Island. The Foundation is a 501 (c) (3) non-pro t charitable corporation.

Indezirabilii, publicat sub egida Institutului de Istorie ?George Bari?iu“ al Academiei Rom?ne, scoate la lumin? informa?ii pu?in cunoscute despre exodul etnicilor evrei, rom?ni, ru?i ?i ucraineni din URSS ?n Rom?nia.Cauzele, mijloacele emigr?rii, reac?ia autorit??ilor, a popula?iei autohtone ?i a organiza?iilor interna?ionale, fenomenele conexe sunt relevate ?n contextul profundelor transform?ri sociale ?i politice din perioada 1919-1939. Prezentarea unor texte scrise de ?i despre emigran?i ofer? detalii asupra atrocit??ilor comise de regimul sovietic, a modului ?n care au fost percepu?i ?i a celui ?n care au perceput indezirabilii statul na?ional unitar rom?n.Fragment din subsec?iunea ?Trecerea Nistrului ?n ambele sensuri: motive ?i consecin?e“Unul din efectele masacrelor de la Nistru din lunile februarie-martie 1932 ?i ale noului val de refugia?i din RASS Moldoveneasc? asupra opiniei publice din Rom?nia a constat ?n exprimarea pozi?iei fa?? de evenimentele tragice ?n publica?ii. Jurnali?tii ?i cercet?torii nu s-au limitat la analiza evenimentelor, ci au publicat o serie ?ntreag? de materiale despre istoria regiunii transnistrene ?i a rom?nilor de acolo. De exemplu, potrivit lui Pamfil ?eicaru, amplificarea represiunilor din URSS reprezenta unul din aspectele luptei ?mpotriva tradi?iei (familia, p?m?ntul, religia), iar rom?nii transnistreni – un bastion de ?nd?r?tnic? rezisten?? a tradi?iei. ?n fapt, purificarea regiunii transnistrene, echivala cu desfiin?area pseudo-autonomiei moldovene?ti, iar dispari?ia entit??ii intra ?n linia necesit??ilor de via?? ale centraliz?rii Moscovei, trec?nd peste particularit??ile provinciale. Motivele extermin?rii sunt rezumate ?n finalul analizei: ?Moldovenii n-au fost buni, n-au slujit scopurilor pentru care li se d?duse chiar ?i titlul de Republic? Moldoveneasc?, dispari?ia lor a ap?rut ca o porunc? nivelatoare a standardului na?ional conceput de Stalin. ?i de pe p?m?nturile unde tr?iesc de veacuri, de pe malurile Nistrului, sunt porni?i ?n dep?rt?rile pustii ?i ?nghe?ate ale Siberiei. Drumul lung ?i greu, foamea, bolile, le va tot ?mpu?ina num?rul, p?n? ce nu va mai r?m?ne niciunul din neamul blestemat al moldovenilor, ace?ti ?nd?r?tnici adversari ai uniformiz?rii staliniste. De-a lungul Rusiei ro?ii (tot at?t de milostiv? ca ?i Rusia ?arist?) mormintele lor vor ?nsemna drumul crucific?rii moldave. ?i ieri ?i azi Pohod na Sibir! Numai imbecilii ??i ?nchipuie c? esen?a na?iilor se schimb? prin revolu?ii“. La 23 martie 1932, sub impresia cazurilor, individuale sau de grup, aproape zilnice, de ?mpu?care a ??ranilor rom?ni care ?ncercau s? p?trund? din Transnistria ?n Rom?nia, Pamfil ?eicaru dezvolta ideea de standardizare spiritual? prin represiune masiv?, exterminatorie, ?ntr-un articol cu accente directe antiminoritare ?i indirecte antiguvernamentale. Raportat la incapacitatea sau imposibilitatea opririi crimelor de la frontiera sovieto-rom?n?, directorul Curentului propunea efectuarea unui schimb de popula?ie cu URSS, mediat de Societatea Na?iunilor: ?[…] exact ?n propor?ia numeric? a moldovenilor de peste Nistru ce ni s-ar trimite, am expedia comuni?ti ruteni, oameni converti?i ce nu ar mai necesita at?ta trud? uciga?? c?te sunt constr?nse autorit??ile sovietice s? fac?“. O critic? explicit? viza rolul activ pe care ar fi trebuit s?-l joace Societatea Na?iunilor: ?Un mijloc foarte simplu de a curma un asasinat, un semn de prezen?? uman? a institu?iei de asisten?? a popoarelor, de activ? prezen?? a Societ??ii Na?iunilor“. Trebuie men?ionat ?ns? faptul c?, ?ntr-un articol ulterior, se consemna sprijinul acordat de A. ?ulghin, reprezentantul ucrainean la Geneva, delega?iei Rom?niei, care a cerut condamnarea masacrelor de la Nistru ?n format multilateral. Mai mult dec?t at?t, putem observa c? ucrainenii sunt men?iona?i pe l?ng? etnicii rom?ni ca victime ale atrocit??ilor: ?Masacrele s-au repetat, ??ranii au fost ?mpu?ca?i f?r? mil?, rom?ni ?i ucraineni laolalt?“.

Specialist ?n domeniul avangardei, scriitorul – extrem de incomod uneori! – Ovidiu Morar, scrie despre scriitorii evrei din Rom?nia ?ntr-un stil incomod, m?nat de un zeu al drept??ii, impar?ial ?i feroce. Cine sunt scriitorii evrei? ?n ce m?sura ei se deosebesc de rom?ni, unguri, francezi, ?i ?n ce m?sur? se aseam?n?? Aceste ?i multe alte ?ntreb?ri mai mult sau mai pu?in comode revin aidoma unui laitmotiv pe parcursul c?r?ii, scrise ?ntr-un stil alert, incitant, cu note v?dit incomode, iar pe aclouri de-a dreptul provocatoare.

Doamna Marusia CIRSTEA, doctor in stiinte istorice, a investigat, in baza cercetarii unei extrem de bogate bibliografii si a unor studii intense in arhivele diplomatice si militare interne (Arhiva Ministerului de Externe al Romaniei - Bucuresti, Arhivele Militare Nationale – Bucuresti si Pitesti, Arhivele Nationale ale Romaniei - Bucuresti, Biblioteca Nationala si Biblioteca Academiei Romane, ambele din Bucuresti), o problema de mare interes, abordata pana acum de numerosi istorici romani si straini (Paul D. Quinlan, Elisabeth Barker, V. F. Dobrinescu, Gh. Pascalau, Ion Patroiu s.a.). Tocmai de aceea, meritul autoarei este cu totul deosebit, intrucat, bazandu-se pe rezultatele cercetarilor anterioare, dar, aprofundandu-le si completandu-le substantial cu documente inedite, este in masura sa realizeze o contributie stiintifica de reala valoare pe marginea evolutiei raporturilor politico-diplomatice intre Romania si Marea Britanie intr-una din perioadele cele mai captivante si mai dificile ale epocii contemporane – ajunul conflagratiei mondiale din 1939-1945. Asa dupa cum se subliniaza in ampla Introducere, problema cercetata ?constituie o tema de studiu si de reflectie importanta, interesanta si plina de invataminte, nu numai pentru istoricul de astazi, dar si pentru omul simplu, pasionat de istorie si, indeosebi, pentru politicianul si diplomatul care trebuie sa gaseasca solutii practice unor aspecte interesand raporturile internationale“ (p. 3). Astfel, dupa o pertinenta si documentata Introducere, care elucideaza si aspectele istoriografice ale cercetarii, autoarea realizeaza o consistenta monografie privind relatiile dintre Bucuresti si Londra intre 1936 si 1939, in cuprinsul a patru capitole judicios repartizate pentru a se asigura tratarea globala si unitara a materiei. De un mare interes si cu o importanta pondere in economia lucrarii se dovedesc, nu mai putin, Concluziile (pp. 200-213), Bibliografia (pp. 214-232) si cele 25 de Anexe (pp. 233-350).Ultimele luni de pace si inceputul celui de-al doilea razboi mondial, evolutia raporturilor anglo-romane in context fac obiectul celui de-al IV-lea capitol. Principalele evenimente tratate sunt, in ordine cronologica, faimosul caz Tilea; garantiile franceze si britanice acordate Poloniei, Greciei si Romaniei; rostul pactului sovieto-german din 23 august 1939 in politica europeana; declansarea razboiului si atitudinea Romaniei si, in sfarsit, proclamarea neutralitatii Romaniei in razboi vizavi de implicarea Marii Britanii in ostilitati. Temeinicia cercetarii este atestata de o bogata si sistematica Bibliografíe, care, fara indoiala, intregeste, in chip fericit, textul lucrarii. In acelasi timp, Anexele ingaduie specialistului si cititorului interesat sa aprecieze amploarea si seriozitatea investigatiilor arhivistice.