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?n fiecare zi moare un celebru
￥35.15
Dinu are 25 de ani, o carier? ?n presa de scandal ?i nemul?umiri pe toate planurile: e convins c? iubita ?l ?n?al?, a scris o carte pe care nu reu?e?te s-o publice, iar jobul s?u, de a scoate senza?ionalul din necazurile altora, nu-i aduce nici o satisfac?ie. ?n loc s?-?i accepte cu demnitate condi?ia de t?n?r intelectual rom?n, e decis s?-?i rezolve toate problemele, ?n doar o s?pt?m?n?. ?ntr-o astfel de situa?ie, de o gravitate medie, c?teva sfaturi ra?ionale ar putea fi exact ce are nevoie. Din p?cate, persoanele din jurul s?u nu se obosesc cu a?a ceva. Luca, prietenul s?u cel mai bun ?i fost coleg de facultate, ?l ?mpinge, de fiecare dat?, spre cea mai simpl? sau imoral? solu?ie. De cealalt? parte, fratele s?u Andrei ?ncearc? s?-l transforme ?ntr-un bun cre?tin, precum ceilal?i membrii ai sectei. Obsesia fa?? de starul hip-hop Ty Julius, impus? de cerin?ele publicului de tabloid, e singurul lucru care reu?e?te s?-i mai st?rneasc? sentimente puternice. Asta p?n? c?nd o ?nt?lne?te pe Simona, care i-ar putea schimba via?a complet, ?n bine, sau ?n r?u, sau poate chiar deloc.
The Double
￥18.80
-THE DOUBLE- centers on a government clerk who goes mad. It deals with the internal psychological struggle of its main character, Yakov Petrovich Golyadkin, who repeatedly encounters someone who is his exact double in appearance but confident, aggressive, and extroverted, characteristics that are the polar opposites to those of the toadying "pushover" protagonist. ??The motif of the novella is a doppelganger (Russian "dvoynik"), known throughout the world in various guises such as the fetch. * * *? It was a little before eight o’clock in the morning when Yakov Petrovitch Golyadkin, a titular councillor, woke up from a long sleep. He yawned, stretched, and at last opened his eyes completely.?For two minutes, however, he lay in his bed without moving, as though he were not yet quite certain whether he were awake or still asleep, whether all that was going on around him were real and actual, or the continuation of his confused dreams. ??Very soon, however, Mr. Golyadkin’s senses began more clearly and more distinctly to receive their habitual and everyday impressions. The dirty green, smoke-begrimed, dusty walls of his little room, with the mahogany chest of drawers and chairs, the table painted red, the sofa covered with American leather of a reddish colour with little green flowers on it, and the clothes taken off in haste overnight and flung in a crumpled heap on the sofa, looked at him familiarly. At last the damp autumn day, muggy and dirty, peeped into the room through the dingy window pane with such a hostile, sour grimace that Mr. Golyadkin could not possibly doubt that he was not in the land of Nod, but in the city of Petersburg, in his own flat on the fourth storey of a huge block of buildings in Shestilavotchny Street.
The Fairy Ring
￥37.85
"THERE was once upon a time a king who had a garden; in that garden was an apple tree, and on that apple tree grew a golden apple every year."?These stories are the golden apples that grew on the tree in the king's garden; grew and grew and grew as the golden years went by; and being apples of gold they could never wither nor shrink nor change, so that they are as beautiful and precious for you to pluck today as when first they ripened long, long ago.??Perhaps you do not care for the sort of golden apples that grew in the king's garden; perhaps you prefer plain russets or green pippins? Well, these are not to be despised, for they also are wholesome food for growing boys and girls; but unless you can taste the flavor and feel the magic that lies in the golden apples of the king's garden you will lose one of the joys of youth.??No one can help respecting apples (or stories) that gleam as brightly today as they did hundreds and thousands of years ago, when first the tiny blossoms ripened into precious fruit.??"Should you ask me whence these stories,?Whence these legends and traditions?With the odors of the forest,?With the dew and damp of meadows?"—??I can say only that the people were telling fairy tales in Egypt, in Joseph's time, more than three thousand years ago; and that grand old Homer told them in the famous "Odyssey," with its witches and giants, its cap of darkness, and shoes of swiftness. Old nurses and village crones have repeated them by the fireside and in the chimney corner; shep-herds and cowherds have recounted them by the brookside, until the children of the world have all learned them by heart, bequeathing them, generation after generation, as a priceless legacy to their own children. Nor must you fancy that they have been told in your own tongue only. Long, long before the art of printing was known, men and women of all nations recited these and similar tales to one another, never thinking that the day would come when they would be regarded as the peculiar property of youth and childhood. ?
Baletul fantasmelor
￥47.01
Un nou gen de proz? literar?? A?a s-ar p?rea, dac? pornim de la separarea ?n con?tient ?i incon?tient a sinelui uman, aprofundat? magistral de marele psihiatru elve?ian C.G. Jung ?n celebra ?i monumentala sa Carte Ro?ie. Dumitru Popescu are o bogat? oper? literar?-fic?ional? ?i nonfic?ional? – inspirat? din yona con?tientului. Baletul fantasmelor ne propune sondarea cu mijloace literare a celeilalte zone a spiritului, cu origini ?i mecanisme ?nc? greu decelabile ?i care deschide o alt? fabuloas? perspectiv? a l?untricului omenesc.
Momente ?i schi?e. Nuvele ?i povestiri
￥16.35
Caragiale a delimitat si impus teritoriul dramaturgiei romanesti cu numai cinci piese patru comedii si o drama scrise pe durata a doar unsprezece ani. Timp de un secol si peste trei decenii cat a trecut pana astazi de la prima lectura publica a Noptii furtunoase cea dintai dintre marile lui piese perimetrul problematic de viziune stilistic si tipologic al teatrului romanesc atat in registrul comediei cat si in cel al dramei fie aceasta ?de idei“ fantastica ori mitologizanta a ramas cel stabilit de Caragiale. Pentru literatura dramatica romaneasca el a avut si are acelasi rol ca in literatura franceza Corneille Racine si Molière laolalta. I-a fixat pentru eternitate probabil tiparele si ?ntinderea specificul si frontierele. MIRCEA IORGULESCU
Ela escolheu esperar
￥8.18
Ela escolheu esperar
A história por trás de um cadáver encontrado em um rio
￥8.18
A história por trás de um cadáver encontrado em um rio
Corninho
￥8.18
Corninho
Amborlaine
￥24.44
Amborlaine
Silicone breasts
￥8.18
Silicone breasts
Como e por que eu abri uma igreja evangélica
￥8.18
Como e por que eu abri uma igreja evangélica
Baree, Son of Kazan
￥8.09
According to Wikipedia: "Baree, Son of Kazan is the eponymous name of a 1917 novel about a wild wolfling pup named Baree. It was written by James Oliver Curwood as the sequel to Kazan. Baree, Son of Kazan is a story about a wild wolfdog pup sired by Kazan (1/4 wolf, 3/4 dog) and born of blind Greywolf (pure wolf). This story is about Baree's survival after being separated from his parents as a young pup. He eventually finds himself in the care of Nepeese and her father Pierrot, a trapper. He bonds with Nepeese, and the story goes from there. James Oliver Curwood took the well used "a boy and his dog" formula, and created a great adventure story about a girl and her dog. A successful formula featuring a strong heroine, rather than a male hero, that he used in many of his stories."
The Wind in the Willows
￥8.09
With 10 illustrations. According to Wikipedia: "Kenneth Grahame (July 20, 1859 – July 6, 1932) was a British writer, most famous for The Wind in the Willows (1908), one of the classics of children's literature. He also wrote The Reluctant Dragon, which was much later adapted into a Disney film."
The Bobbsey Twins at Snow Lodge
￥8.09
According to Wikipedia: "Laura Lee Hope is a pseudonym used by the Stratemeyer Syndicate for the Bobbsey Twins and several other series of children's novels. Actual writers taking up the pen of Laura Lee Hope include Edward Stratemeyer, Howard and Lilian Garis, Elizabeth Ward, Harriet (Stratemeyer) Adams, and Nancy Axelrad. Laura Lee Hope was first used as a pseudonym in 1904 for the debut of the Bobbsey Twins. Series: The Bobbsey Twins (1904-), The Outdoor Girls (23 vols. 1913-1933), The Moving Picture Girls (7 vols. 1914-1916), Bunny Brown (20 vols. 1916-1931), Six Little Bunkers (14 vols. 1918-1930), Make Believe Stories (12 vols. c. 1920-1923), Blythe Girls (12 vols. 1925-1932)."
The Bobbsey Twins in a Great City
￥8.09
According to Wikipedia: "Laura Lee Hope is a pseudonym used by the Stratemeyer Syndicate for the Bobbsey Twins and several other series of children's novels. Actual writers taking up the pen of Laura Lee Hope include Edward Stratemeyer, Howard and Lilian Garis, Elizabeth Ward, Harriet (Stratemeyer) Adams, and Nancy Axelrad. Laura Lee Hope was first used as a pseudonym in 1904 for the debut of the Bobbsey Twins. Series: The Bobbsey Twins (1904-), The Outdoor Girls (23 vols. 1913-1933), The Moving Picture Girls (7 vols. 1914-1916), Bunny Brown (20 vols. 1916-1931), Six Little Bunkers (14 vols. 1918-1930), Make Believe Stories (12 vols. c. 1920-1923), Blythe Girls (12 vols. 1925-1932)."
The Sea Fairies
￥8.09
According to Wikipedia: "Baum had decided to end the Oz series with The Emerald City of Oz in 1910, after six installments over the first decade of the twentieth century. The Sea Fairies was intended to be the first in a new series of fantasy novels, which Baum and Reilly & Britton continued the next year with Sky Island. Unfortunately for author and publisher, the two volumes of the new projected series did not meet with the same success as the Oz books previously had. The first edition of The Sea Fairies sold 12,400 copies in its initial year on the market, where The Emerald City of Oz had sold 20,000. Even when Baum's books experienced a major resurgence in interest and sales in 1918, The Sea Fairies sold only 611 copies that year while the Oz books and even Baum's non-Oz works were selling thousands of copies. Once Baum returned to writing Oz books with The Patchwork Girl of Oz in 1913, the Trot series was retired — but the main characters lived on. Trot and Cap'n Bill are the main protagonists in The Scarecrow of Oz (1915) — the plot of which was reworked from the projected third book in their aborted series — and they play a significant role in The Magic of Oz (1919). Trot appears in The Lost Princess of Oz (1917) and Glinda of Oz (1920) as well."
The Heptameron, Volume 1
￥8.09
With 23 illustrations. According to Wikipedia: "The Heptameron is a collection of 72 short stories written in French by Marguerite of Navarre (1492-1549), published posthumously in 1558. It has the form of a frame narrative and was inspired by The Decameron of Giovanni Boccaccio. It was originally intended to contain one hundred stories covering ten days just as The Decameron does, but at Marguerite’s death it was only completed as far as the second story of the eighth day. Many of the stories deal with love, lust, infidelity and other romantic and sexual matters. One was based on the life of Marguerite de La Rocque, a French noblewoman abandoned, as punishment, with her lover on an island off Quebec... Marguerite de Navarre (French: Marguerite d'Angoulême) (April 11, 1492 – December 21, 1549), also known as Marguerite of Angouleme and Margaret of Navarre, was the queen consort of King Henry II of Navarre. As patron of humanists and reformers, and as an author in her own right, she was an outstanding figure of the French Renaissance. Samuel Putnam called her "The First Modern Woman"."
The After House
￥8.09
According to Wikipedia: "Mary Roberts Rinehart (August 12, 1876-September 22, 1958) was a prolific author often called the American Agatha Christie. She is considered the source of the phrase "The butler did it", although she did not actually use the phrase herself, and also considered to have invented the "Had-I-But-Known" school of mystery writing.... Rinehart wrote hundreds of short stories, poems, travelogues and special articles. Many of her books and plays, such as The Bat (1920) were adapted for movies, such as The Bat (1926), The Bat Whispers (1930), and The Bat (1959). While many of her books were best-sellers, critics were most appreciative of her murder mysteries. Rinehart, in The Circular Staircase (1908), is credited with inventing the "Had-I-But-Known" school of mystery writing. The Circular Staircase is a novel in which "a middle-aged spinster is persuaded by her niece and nephew to rent a country house for the summer. The house they choose belonged to a bank defaulter who had hidden stolen securities in the walls. The gentle, peace-loving trio is plunged into a series of crimes solved with the help of the aunt. This novel is credited with being the first in the "Had-I-But-Known" school."[3] The Had-I-But-Known mystery novel is one where the principal character (frequently female) does less than sensible things in connection with a crime which have the effect of prolonging the action of the novel. Ogden Nash parodied the school in his poem Don't Guess Let Me Tell You: "Sometimes the Had I But Known then what I know now I could have saved at least three lives by revealing to the Inspector the conversation I heard through that fortuitous hole in the floor." The phrase "The butler did it", which has become a cliché, came from Rinehart's novel The Door, in which the butler actually did do it, although that exact phrase does not actually appear in the work."
The Bat
￥8.09
According to Wikipedia: "Mary Roberts Rinehart (August 12, 1876-September 22, 1958) was a prolific author often called the American Agatha Christie.[1] She is considered the source of the phrase "The butler did it", although she did not actually use the phrase herself, and also considered to have invented the "Had-I-But-Known" school of mystery writing.... Rinehart wrote hundreds of short stories, poems, travelogues and special articles. Many of her books and plays, such as The Bat (1920) were adapted for movies, such as The Bat (1926), The Bat Whispers (1930), and The Bat (1959). While many of her books were best-sellers, critics were most appreciative of her murder mysteries. Rinehart, in The Circular Staircase (1908), is credited with inventing the "Had-I-But-Known" school of mystery writing. The Circular Staircase is a novel in which "a middle-aged spinster is persuaded by her niece and nephew to rent a country house for the summer. The house they choose belonged to a bank defaulter who had hidden stolen securities in the walls. The gentle, peace-loving trio is plunged into a series of crimes solved with the help of the aunt. This novel is credited with being the first in the "Had-I-But-Known" school."[3] The Had-I-But-Known mystery novel is one where the principal character (frequently female) does less than sensible things in connection with a crime which have the effect of prolonging the action of the novel. Ogden Nash parodied the school in his poem Don't Guess Let Me Tell You: "Sometimes the Had I But Known then what I know now I could have saved at least three lives by revealing to the Inspector the conversation I heard through that fortuitous hole in the floor." The phrase "The butler did it", which has become a cliché, came from Rinehart's novel The Door, in which the butler actually did do it, although that exact phrase does not actually appear in the work."
The Heart's Desire, The Story of a Contented Town
￥8.09
Classic western. According to Wikipedia: "Emerson Hough (1857-1923) was an American author, best known for writing western stories. Hough was born in Newton, Iowa, and graduated from the University of Iowa with a law degree. He moved to White Oaks, New Mexico, and practiced law there but eventually turned to literary work by taking camping trips and writing about them for publication. He is best known as a novelist, writing The Mississippi Bubble as well as The Covered Wagon, about Oregon Trail pioneers, which later became successful as a movie, running 59 weeks at the Criterion Theater in New York City, passing the record set by Birth of a Nation. Other notable works included Story of the Cowboy, Way of the West, Singing Mouse Stories, and Passing of the Frontier, and writing the "Out-of-Doors" column for the Saturday Evening Post."
The Sagebrusher, A Story of the West
￥8.09
Classic western. According to Wikipedia: "Emerson Hough (1857-1923) was an American author, best known for writing western stories. Hough was born in Newton, Iowa, and graduated from the University of Iowa with a law degree. He moved to White Oaks, New Mexico, and practiced law there but eventually turned to literary work by taking camping trips and writing about them for publication. He is best known as a novelist, writing The Mississippi Bubble as well as The Covered Wagon, about Oregon Trail pioneers, which later became successful as a movie, running 59 weeks at the Criterion Theater in New York City, passing the record set by Birth of a Nation. Other notable works included Story of the Cowboy, Way of the West, Singing Mouse Stories, and Passing of the Frontier, and writing the "Out-of-Doors" column for the Saturday Evening Post."
