Twenty-three-year-old Jo Green knows that if she has to spend one more night in ultra-provincial Niblet-Upon-Avon she'll go completely bonkers! So she answers an ad in the paper, bids her devoted boyfriend Shaun adieu, and heads off to the big city. With a new job that offers excitement; a cool car; and her own suite with a TV, DVD player, and a cell phone, how can she go wrong?Then she meets . . . the Fitzgeralds -- Dick and Vanessa and their unruly brood of rugrats who have suddenly been entrusted into Jo's care. There's eight-year-old "psycho-babe" Cassandra; bloodthirsty Zak, the six-year-old Terminator; and timid little Tallulah.So what else could go wrongHow about the arrival of Dick's children from his first marriage: teenage Toby and (gulp!) all-grown-up-and-very-nicely-at-that Josh the accountantAnd now that she has to temporarily share her room with Josh, Jo's head is really in a spin -- because with her hometown beau still in the picture and a sexy possibility sleeping just a foot away, life has suddenly gotten very complicated indeed!

Master mystery spinner Carolyn Hart gives us the tenth high-spirited entry in her Agatha, Anthony and Macavity Award-winning Death on Demand series.The most delectable sleuthing couple since Nick met Nora, Annie and Max Darling manage to find quite a bit of murder in their allegedly safe and serene South Carolina island resort town. After all, murder is Annie's business -- well, sort of. She's the proprietor of the popular Death on Demand mystery bookstore and cafe, and her establishment seems to attract trouble like Annie's pesky felines, Dorothy L. and Agatha, attract hairballs. Now, Annie and Max watch their Fourth of July holiday explode not only with fun and fireworks, but with murder as well.The library board wants to declare its independence from new member, retired Brigadier General Charlton "Bud" Hatch, a man accustomed to being in charge. Hatch's takeover attitude has alienated everyone in town, especially the women. But Annie finds it difficult to ignore him at a crowded patriotic festival -- particularly when he's shot dead before her eyes...

With a nose for crime and grime, Callahan Garrity has handled dirty killers on the streets as an Atlanta cop and on the job as a house cleaner. But she's always been able to keep her private life neatly separated from work -- until her cousin, Patti, is found dead. Exchanging her House Mouse cleaning uniform for a detective's cap, Callahan is hellbent to find the culprit. It's notthat she doesn't trust the Atlanta PD. She just knows that her suburbanite cousin's death is too strange to be accidental.Callahan's search takes her on a convoluted trail from Patti's priest, who may have provided more than spiritual counsel, through Atlanta's inner city and into the shady deals of her cousin's newly prosperous husband. Yet, as the pieces start to fall into place, Callahan faces an even bigger challenge -- staying alive.

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories—and reveals another level of mastery.Lippman sets many of the stories in this sterling anthology, Hardly Knew Her, in familiar territory: her beloved Baltimore, from downtown to its affluent suburbs, where successful businessmen go to shocking lengths to protect what they have or ruthlessly expand their holdings, while dissatisfied wives find murderous ways to escape their lives. But Lippman is also unafraid to travel—to New Orleans, to an unnamed southwestern city, and even to Dublin, the backdrop for the lethal clash of two not-so-innocents abroad. Tess Monaghan is here, in two stories and a profile, aligning herself with various underdogs. And in her extraordinary, never-before-published novella, Scratch a Woman, Lippman takes us deep into the private world of a high-priced call girl/madam and devoted soccer mom, exploring the mystery of what may, in fact, be written in the blood.Each of these ingenious tales is a gem—sometimes poignant, sometimes humorous, always filled with delightfully unanticipated twists and reversals. For people who have yet to read Lippman, get ready to experience the spellbinding power of "one of today's most pleasing storytellers, hailed for her keen psychological insights and her compelling characterizations," (San Diego Union-Tribune), who has "invigorated the crime fiction arena with smart, innovative, and exciting work" (George Pelecanos). As for longtime devotees of her multiple award-winning novels, you'll discover that you hardly know her.

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories—and reveals another level of mastery.Lippman sets many of the stories in this sterling anthology, Hardly Knew Her, in familiar territory: her beloved Baltimore, from downtown to its affluent suburbs, where successful businessmen go to shocking lengths to protect what they have or ruthlessly expand their holdings, while dissatisfied wives find murderous ways to escape their lives. But Lippman is also unafraid to travel—to New Orleans, to an unnamed southwestern city, and even to Dublin, the backdrop for the lethal clash of two not-so-innocents abroad. Tess Monaghan is here, in two stories and a profile, aligning herself with various underdogs. And in her extraordinary, never-before-published novella, Scratch a Woman, Lippman takes us deep into the private world of a high-priced call girl/madam and devoted soccer mom, exploring the mystery of what may, in fact, be written in the blood.Each of these ingenious tales is a gem—sometimes poignant, sometimes humorous, always filled with delightfully unanticipated twists and reversals. For people who have yet to read Lippman, get ready to experience the spellbinding power of "one of today's most pleasing storytellers, hailed for her keen psychological insights and her compelling characterizations," (San Diego Union-Tribune), who has "invigorated the crime fiction arena with smart, innovative, and exciting work" (George Pelecanos). As for longtime devotees of her multiple award-winning novels, you'll discover that you hardly know her.

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories—and reveals another level of mastery.Lippman sets many of the stories in this sterling anthology, Hardly Knew Her, in familiar territory: her beloved Baltimore, from downtown to its affluent suburbs, where successful businessmen go to shocking lengths to protect what they have or ruthlessly expand their holdings, while dissatisfied wives find murderous ways to escape their lives. But Lippman is also unafraid to travel—to New Orleans, to an unnamed southwestern city, and even to Dublin, the backdrop for the lethal clash of two not-so-innocents abroad. Tess Monaghan is here, in two stories and a profile, aligning herself with various underdogs. And in her extraordinary, never-before-published novella, Scratch a Woman, Lippman takes us deep into the private world of a high-priced call girl/madam and devoted soccer mom, exploring the mystery of what may, in fact, be written in the blood.Each of these ingenious tales is a gem—sometimes poignant, sometimes humorous, always filled with delightfully unanticipated twists and reversals. For people who have yet to read Lippman, get ready to experience the spellbinding power of "one of today's most pleasing storytellers, hailed for her keen psychological insights and her compelling characterizations," (San Diego Union-Tribune), who has "invigorated the crime fiction arena with smart, innovative, and exciting work" (George Pelecanos). As for longtime devotees of her multiple award-winning novels, you'll discover that you hardly know her.

Jonathan Santlofer once again combines his extraordinary talents as both a writer and an artist in this second chilling thriller featuring NYPD forensic sketch artist Nate Rodriguez. Though plagued by the death of his father years ago, Rodriguez has little time to dwell on the past. A rash of seemingly unrelated murders holds New York City in a gridlock of terror, and with his reputation for having a sixth sense—an uncanny ability to draw things he hasn't even seen—Rodriguez lands a spot on the task force investigating the crimes. But with his mind's eye clouded, he's forced to search for an answer the old-fashioned way: by hitting the streets.Rodriguez begins to suspect a common thread between the victims, confirmed when more bodies turn up—those of the killers themselves. As the slayings continue, the link between the crimes comes into focus and Rodriguez must convince the NYPD that they are up against something bigger—and more heinous—than anyone ever suspected.The Murder Notebook is a smart, innovative suspense novel with a terrifying, ripped-from-the-headlines urgency. Where is the line between advancement and criminality in matters of manipulating the human psycheWhat would happen if someone were no longer able to feel fearWith his unique blend of gripping prose and original sketches, Jonathan Santlofer has crafted a tale of morality and duty, love and justice, that is as shocking as it is timely.

The well-intentioned protagonists of Brief Encounters with Che Guevara are caught -- to both disastrous and hilarious effect -- in the maelstrom of political and social upheaval surrounding them. In "Near-Extinct Birds of the Central Cordillera," an ornithologist being held hostage in the Colombian rain forest finds that he respects his captors for their commitment to a cause, until he realizes that the Revolution looks a lot like big business. In "The Good Ones Are Already Taken," the wife of a Special Forces officer battles a Haitian voodoo goddess with whom her husband is carrying on a not-entirely-spiritual relationship. And in "The Lion's Mouth," a disillusioned aid worker makes a Faustian bargain to become a diamond smuggler for the greater good. With masterful pacing and a robust sense of the absurd, each story in Brief Encounters with Che Guevara is a self-contained adventure, steeped in the heady mix of tragedy and danger, excitement and hope, that characterizes countries in transition.Through Fountain's rounded and novelistic prose, these intelligent and keenly observed stories are painted in provocative and vibrant detail across a global canvas. Brief Encounters with Che Guevara marks the arrival of a striking and resonant new voice that speaks adeptly to the intimate connection between the foreign, the familiar, and the inescapably human.

The marvelous creations found in Fragile Things showcase the unparalleled invention and storytelling brilliance—as well as the terrifyingly dark and entertaining sense of humor—of the incomparable Neil Gaiman. By turns delightful, disturbing, and diverting, Fragile Things is a gift of literary enchantment from one of the most original writers of our time.In Selections from Fragile Things, Volume 5 you will find the following stories and poems sure to thrill and amaze.In the End“In the end,” starts the ultimate imagined biblical scene, a strange reversal of Genesis.GoliathDerived from the * of The Matrix, a giant man attempts to navigate a simple life on an Earth where even the most basic rules of time and travel are routinely broken.Pages from a Journal Found in a Shoebox Left in a Greyhound Bus Somewhere Between Tulsa, Oklahoma, and Louisville, KentuckyA rambling American journey in search of the evasive Scarlett, recorded in a journal and left in a shoebox of treasures for us to decipher.How To Talk To Girls At PartiesFifteen-year-old Enn has trouble talking to girls. His best friend Vic’s solutionWith practice comes comfort. But, this party, with its otherworldly guests, may produce just the opposite effect.The Day the Saucers CameYou would think the mass-landing of flying saucers would be hard to miss, unless of course you were distracted by the zombies or something equally consuming, as in Gaiman’s apocalyptic love poem. SunbirdWhat’s an Epicurean Club to do when it’s exhausted all the world’s finest delicacies, from flash-frozen mammoth, to unicorn flank tartare, to dung-beetle ballsHunt down a Sunbird and push the limits of gastronomic indulgence a bit further, of course. Inventing AladdinGaiman’s poem examines storytellers’ motivation through the most dire case, that of Scheherazade.

Though unalike as snowflakes, sisters Patricia Anne and Mary Alice share a sympathetic heart for their distraught cousin Luke -- known affectionately in his boyhood as "Pukey Lukey," because of his penchant for getting sick in moving vehicles. Luke is desperate to hunt down Virginia, his wife of forty years, who has run off with a housepainter/snake-handling preacher named "Monk." And the sisters have graciously agreed to accompany their stricken kinsman on his search...in Luke's car, of course.But, while practical "Mouse" and flamboyant "Sister" are unable to find their runaway cousin-in-law among the asp-loving faithful on Chandler Mountain, they do manage to stumble upon the corpse of a pretty young redhead who was prematurely sent to her eternal reward. And before you can say "anaconda," they are hot on the serpentine trail of a killer who'd like nothing better than to sink a pair of poisonous fangs into two meddling Southern sisters!

Patricia Anne can't imagine why Mary Alice is in such an uproar over her son Ray's new bride. Sunshine Dabbs is Ucute as can be," even if she is a bit unconventional, which should hardly come as a shock to Mary Alicc given that she's the one who raised her boy. But with all her motherly instincts, Mary Alice is sure that this sweet little blonde Barbie doll--who met her son in Bora Bora after she won the trip on Wheel of Fortune--thinks she's found herself a fortune in Ray's hefty wallet. The sisters can't wait to get a look at Sunshine's family, and quite a look it turns out to be. As soon as Meemaw Turkett invites Mary Alice and Patricia Anne into her cozy trailer on the family compound they stumble over a corpse, and Meemaw's best hog butchering knife is stuck in its chest. Meemaw, a Cabbage Patch look-alike and Sunshine's grandmother, guardian, and the family matriarch is shocked to pieces and immediately summons the family to her trailer. Pawpaw, a lovable bearded grump has his own trailer, and their grown kids each enjoy a private home-away-from-home on the five-trailer compound. The discovery of the mysterious body brings in Mary Alice's nemesis, good ol' boy Sheriff Reuse, who, she knows from her experience at the Skoot 'n' Boot, is nothing but trouble. Within minutes, the compound is strewn with a weird collection of friends, neighbors and relatives. There's Meemaw's spooky channeler, ready to give guidance as needed; Sunshine's jilted boyfriend skulking around; a bunch of dogs ready to attack...and Kerrigan, Sunshine's mostly absentee mama, who stars in the kind of video flicks that might even shock Mary Alice. Patricia Anne can't imagine why Mary Alice is in such an uproar over her son Ray's new bride. Sunshine Dabbs is Ucute as can be," even if she is a bit unconventional, which should hardly come as a shock to Mary Alicc given that she's the one who raised her boy. But with all her motherly instincts, Mary Alice is sure that this sweet little blonde Barbie doll--who met her son in Bora Bora after she won the trip on Wheel of Fortune--thinks she's found herself a fortune in Ray's hefty wallet. The sisters can't wait to get a look at Sunshine's family, and quite a look it turns out to be. As soon as Meemaw Turkett invites Mary Alice and Patricia Anne into her cozy trailer on the family compound they stumble over a corpse, and Meemaw's best hog butchering knife is stuck in its chest. Meemaw, a Cabbage Patch look-alike and Sunshine's grandmother, guardian, and the family matriarch is shocked to pieces and immediately summons the family to her trailer. Pawpaw, a lovable bearded grump has his own trailer, and their grown kids each enjoy a private home-away-from-home on the five-trailer compound. The discovery of the mysterious body brings in Mary Alice's nemesis, good ol' boy Sheriff Reuse, who, she knows from her experience at the Skoot 'n' Boot, is nothing but trouble. Within minutes, the compound is strewn with a weird collection of friends, neighbors and relatives. There's Meemaw's spooky channeler, ready to give guidance as needed; Sunshine's jilted boyfriend skulking around; a bunch of dogs ready to attack...and Kerrigan, Sunshine's mostly absentee mama, who stars in the kind of video flicks that might even shock Mary Alice.

Those hilarious southern sisters, who prove that sibling rivalry never ends, are heading for a vacation at the beach. Mary Alice's flamboyant behavior aside, serious, sensible Patricia Anne looks forward to relaxing at her sister's beachfront condo in Destin, Florida, so she kisses her ever-loving spouse Fred god-bye, reminds him to water the plants and feed the dog, and the girls head south for some fin in the sun. Mary Alice loses no time in making the acquaintance of just about everyone in sight, so watching the sun go down on the beautiful shores of the Gulf of Mexico is a welcome respite as far as Patricia Anne is concerned. . .until a dead body washes up in the waves and the victim turns out to be one of Mary Alice's newfound friends. With no witnesses t the crime except a few great blue herons, the sisters have no choice but to bypass the clueless police and follow their own instinct to find the killer. Before long they_re on a murky trail of dirty real-estate deals, giant turtle habitats, and a sea of evidence pointing to a mammoth motive for murderer.

Murder on a Bad Hair DayIt's hard to believe practical, petite ex-schoolteacher Patricia Anne and amiable, ample-bodied, and outrageous Mary Alice are sisters, yet sibling rivalry has survived decades of good-natured disagreement about everything from husbands to hair color. No sooner do the Southern sisters discover a common interest in some local art, when they're arguing the artistic merits of some well-coiffured heads at a gallery opening. A few hours later, one of those pretty ladies ends up dead -- with not a hair out of place. The other shows up on Patricia Anne's doorstep dazed, disheveled, and telling a wild tale of a narrow escape from some deadly cuts. Now the sisters are once again combing for clues to catch a killer with a bizarre style in art -- and murder.

It's tough to be ZeKe.He's got his hands full: There is his prissy, know-it-all twin sister; his mean cousin Caitlyn, who's house-sitting for his missing parents; and a bully making life tough at school (as though it wasn't hard enough already). And now, thanks to a stinky, scruffy, good-for-nothing talking cat, he's also got to cope with zombies, midget freedom fighters, devious spies, superstar rappers, and a whole weird world beneath our own where people wear their underwear on the outside of their clothes.

Roscoe Riley doesn't mean to break the rulesDon't Tap-Dance on Your TeacherRat-tat-TAT!Tap shoes make the best noise ever! But tap dancingThe big boys say that's just for girls. Roscoe promised to tap in the school talent show. When the teasing starts, will he keep his word?

Ellie and her little brother Danny spend their lonely days making up stories about a young girl in a world of dragons and shape-shifters, a girl as brave and cunning as they would like to be. Five years later Danny disappears. The police have no clues. They fear he is dead, but Ellie knows better. She also knows that she is the only one who can find him. At the same time, in the world Danny and Ellie imagined, a young girl named Argent sets off on a quest of her own to reclaim a stolen dragon hatchling.As each girl makes her way closer to her goal, the boundaries between the worlds of fantasy and reality begin to blur until it's unclear where one world ends and the other begins. Gripping, compelling, and utterly absorbing, Glint is the story of two worlds—and two heroines—that readers will never forget.

In a city that runs on a dwindling supply of magic, a young boy is drawn into a life of wizardry and adventure. Conn should have dropped dead the day he picked Nevery's pocket and touched the wizard's locus magicalicus, a stone used to focus magic and work spells. But for some reason he did not. Nevery finds that interesting, and he takes Conn as his apprentice on the provision that the boy find a locus stone of his own. But Conn has little time to search for his stone between wizard lessons and helping Nevery discover who—or what—is stealing the city of Wellmet's magic.

A novel of tremendous scope and beauty, The Translator tells of the relationship between an exiled Russian poet and his American translator during the Cuban missile crisis, a time when a writer's words -- especially forbidden ones -- could be powerful enough to change the course of history.

Chuck Puckman, Lorraine Nadia, and Frederick Keane came of age in the late 1960s. Like that era, their lives were mysterious, idealistic, passionate, even romantic—but ultimately confused and often ineffectual. More than thirty years later, their youthful adventures continue to have ramifications: Chuck faces prosecution after an industrial accident at his family business, Lorraine's daughter is searching for the father she never knew, and Frederick has gone underground after his radical life spiraled out of control. Epic in scope and touching on such provocative issues as Patty Hearst and the SLA, crime and the possibility of redemption, and the search for self and the meaning of life, Backward-Facing Man is a novel about choices and their lasting effects on people's lives, their families, and American society.

Forty-two and divorced, Holli Templeton has just begun to realize the pleasures of owning her life for the first time. But the experience is short-lived. Her son Conner has unexpectedly fled college in Rhode Island and moved to Texas with his troubled girlfriend, Kilian. This alone is difficult to handle, but as Holli begins to understand the depth of the girl's problems, concern turns to crisis.Conner's situation is worsening, and as if that's not enough, Holli notices signs of serious decline in the beloved Texas grandmother who raised her. She has no choice but to leave the comfort zone of life in New York and return to her hometown in Texas to care for the people she loves.In the tight space between these two generations, Holli initially feels lost. The journey back stirs so many unresolved hurts from her childhood. But something else happens in this uneasy homecoming. Comfort arrives in the ethereal presence of the mother long lost to her, and Holli is surprised to find that as she struggles to help her son and grandmother, the wounds of her own past begin to heal.The space between before and after—easily the most challenging place she has ever known—begins to reveal an unanticipated hope for what the future might hold.

Despite being cursed with a boy's name, Kevin "Vi" Connelly is seriously female and a committed romantic. The affliction hit at the tender age of six when she was handed a basket of flower petals and ensnared by the "marry-tale." The thrill, the attention, the big white dress—it's the Best Day of Your Life, and it's seriously addictive. But at twenty-seven, with a closetful of pricey bridesmaid dresses she'll never wear again, a trunkful of embarrassing memories, and an empty bank account from paying for it all, the illusion of matrimony as the Answer to Everything begins to fray. As her friends' choices don't provide answers, and her family confuses her more, Vi faces off against her eminently untrustworthy boyfriend and the veracity of the BDOYL. Eleven weddings in eighteen months would send any sane woman either over the edge or scurrying for the altar. But as reality separates from illusion, Vi learns that letting go of someone else's story to write your own may be harder than buying the myth, but just might help her make the right choices for herself.