EL CISNE DE VILAMORTA : Leocadia, la maestra de Vilamorta, ama apasionadamente al joven y apuesto Segundo ( el cisne ) al que recibe en su casa y de vez en cuando hace algún obsequio, ya que Segundo aunque estudió derecho , no trabaja. Leocadia tiene un hijo deficiente producto de una violación incestuosa de un tío con el que vivía en Ourense. Segundo aspira a conseguir una colocación en Madrid que le permita darse a conocer en el mundo literario de la capital. Llega a Vilamorta un político influyente ( don Victoriano ). Viene a curarse con las aguas del balneario. El poeta se enamora de la joven mujer del político ( Nieves ) y ella coquetea con él , pero el marido muere y la viuda marcha a Madrid sin querer saber nada de Segundo ...

Kapitalist üretim tarz?n?n egemen oldu?u toplumlar?n zenginli?i, "muazzam bir meta birikimi" olarak kendini g?sterir, bunun birimi tek bir metad?r. Ara?t?rmalar?m?z?n, bu nedenle, meta?n tahlili ile ba?lamas? gerekir. Meta, her ?eyden ?nce, bizim d???m?zda bir nesnedir ve, ta??d??? ?zellikleriyle, ?u ya da bu türden insan gereksinmelerini gideren bir ?eydir. Bu gereksinmelerin niteli?i, ?rne?in ister mideden, ister hayalden ??km?? olsun, bir ?ey de?i?tirmez. Burada nesnenin, bu gereksinmeleri, ge?im arac? olarak do?rudan do?ruya m?, yoksa üretim arac? olarak dolayl? yoldan m?, nas?l giderdi?i de bizi ilgilendirmemektedir. Demir, ka??t vb. gibi her yararl? ?eye, iki g?rü? a??s?ndan, nitelik ve nicelik a??s?ndan bak?labilir. Her yararl? ?ey, bir?ok ?zelliklerin bir bütünüdür ve bunun i?in ?e?itli y?nlerden yararl? olabilir. ?eylerin ?e?itli kullan?mlar?n? bulup ortaya ??karmak tarihin i?idir. Yararl? nesnelerin niceli?ini ?l?mek i?in toplumca benimsenen ?l?üleri saptamak da b?yledir. Bu ?l?ülerin farkl? olu?unun nedeni, k?smen ?l?ülecek nesnelerin niteliklerinin farkl? olu?u, k?smen de al??kanl?klard?r. Bir ?eyin yararl?l???, onu, bir kullan?m-de?eri haline getirir. Ama bu yararl?l?k, belirsiz bir ?ey de?ildir. Meta?n fiziksel ?zellikleriyle s?n?rl? oldu?u i?in, o, metadan ayr? bir varl??a sahip de?ildir. Demir olsun, bu?day olsun ya da elmas olsun, bir meta, bu nedenle, maddi bir ?ey oldu?u i?in, bir kullan?m-de?eridir, yararl? bir ?eydir. Meta?n bu ?zelli?i, o meta?n yararl? niteliklerinden yararlanmak i?in gerekli olan emek miktar?na ba??ml? de?ildir. Karl Marx, “Das Kapital’i bundan yakla??k 150 y?l ?nce yazd?. Bugüne kadar üzerinde yüzlerce yorum yap?l?p binlerce kitap yay?nland?. Peki ama, Karl Marx Das Kapital’de ger?ekte neyi ve hangi sistemi anlatmaya ?al???yordu? Yahudilikle ba?lant?lar? neydi? ??ddia edildi?i gibi baz? büyük bankerlerle ve bizatihi Kapitalizmin kendisiyle bir ili?kisi var m?yd?? Karl Marx’a ait oldu?u iddia edilen ünlü yahudi banker ailesi, Rothschild ailesinden geliyor oldu?unu iddia eden bir soy a?ac? ?izimi ger?ekte var m?yd?? Halihaz?rda “Komunizm“ ve paralelindeki “Marksizm” ve buna paralel olan “Sosyalizm”; tarihte Kapitalizm’e kar?? bir kar?? devrim hareketi olarak, bir Anti-Tez olarak, yine bu büyük bankerler ve tüm dünya genelinde ana kapital’i kontrol eden bu yahudi aileleri taraf?ndan m? ortaya ??kart?lm??t? ve Marx, bunun ger?ekle?mesinde ?ncü bir rol mü oynam??t?? Bu eseri yazarken, Bundan sonraki ü? d?rt y?l boyunca, büyük yap?t? bütünlü?ü i?inde be? alt? kez üst üste okudum. Marx'?n ba?vurdu?u geni? ekonomi literatürünün de i?ine dald?m. Marx'a y?neltilen burjuva, akademik ve sosyal demokrat ele?tirileri inceledim; Kautsky, Lenin, Hilferding, Luxemburg, Buharin ve ba?kalar?n?n Das Kapital'e ili?kin geli?tirdikleri yorumlarla da tan??t?m. Ba?lang?? noktam olan ?iir ve esteti?i gerilerde b?rakarak, tüm entellektüel tutkumu, ticari dola??m, toprak rant?, tar?mda sermayenin yo?unla?mas?, k?r oran?n?n dü?mesi ve i??i s?n?f?n?n yoksulla?mas?na ili?kin mali doktrinlere ve bu bahts?z bilimin di?er y?nlerine y?nelttim. Ricardo, Sismondi, Sombart, B?hm-Bawerk ve Keynes'in ilk zamanlar?ndaki ?al??malar?ndan, tekrar ve tekrar Das Kapital'e d?ndüm ve bu sistemleri ve bilimsel uzant?lar?n? bu eserde das kapital’e gore yeniden yorumlad?m. Tüm bu yorumlamalar ve bunlara ili?kin kafan?zdaki pek ?ok soru i?aretinin cevaplar?n? bu eserde bulacaks?n?z.. ?? K?saca Karl Marx [1818-1883] ?Karl Marx, 5 may?s 1818 do?umlu filozof, siyaset bilimci ve devrimci karakter. Tam ad?yla Karl Heinrich Marx, komünizmin fikri babas? ve teorideki kurucusu kabul edilir. Fikirleri Lenin gibi bir?ok devrimciyi etkilemi?tir. 14 mart 1883 tarihinde Londra'da ?lmü?tür. Karl Marx'?n herkes?e bilinen dev eseri 'Das Kapital'dir. Ekonomi Politi?in Ele?tirisi alt ba?l?kl? bu kitap, Karl Marx'?n en ?nemli yap?tlar?ndand?r. Toplam ü? cilttir. 2. ve 3. ciltler Marx'?n ?lümünden sonra, dostu ve ?al??ma arkada?? 'Friedrich Engels' taraf?ndan notlar?n?n düzenlenmesi sayesinde yay?nlanabilmi?tir. ? ?Karl Marx'?n di?er baz? eserleri: ?- 1844 Elyazmalar? (1844) ?- Kutsal Aile (1845) ?- Feuerbach ?zerine Tezler (1845) ?- Alman ?deolojisi (1845-1846) ?- Felsefenin Sefaleti (1847) ?- Komünist Manifesto (1847-1848) ?- ?cretli Emek ve Sermaye (1848-1849) ?- Fransa'da S?n?f Sava??mlar? (1850) ?- Louis Bonaparte'in 18 Brumaire'i (1852) ?- Grundrisse (1857-1858) ?- Ekonomi Politi?in Ele?tirisine Katk? (1859) ?- Art?-De?er Teorileri (1862-1863) ?- Fransa'da ?? Sava? (1871) ?- Gotha Program?'n?n Ele?tirisi (1875)

Una novela que sigue siendo de actualidad. Gastón,un joven adinerado que despilfarra gran parte de la fortuna que le ha heredadosu madre, descubre que puede vivir de una manera distinta, recuperar lo que ha perdido y de paso, encontrarse con el amor y honestidad que no había experimentado antes. Escrita de forma sencilla y accesible, "El tesoro de Gastón" es una de las muchas fabulosas obras escritas por la condesa Emilia Pardo Bazán.

ONCE upon a time, a long while ago—in fact long before Egypt had risen to power and before Rome or Greece had ever been heard of—and that was some time before you were born, you know—there was a king who reigned over a very large and powerful kingdom. Now this king was rather old, he had founded his kingdom himself, and he had reigned over it nine hundred and ninety-nine and a half years already. As I have said before, it was a very large kingdom, for it contained, among other things, the whole of the western half of the world. The rest of the world was divided into smaller kingdoms, and each kingdom was ruled over by separate princes, who, however, were none of them so old as Intafernes, as he was called.

In preparing this brief account of the chief incidents in Our Lord's Life, the writer has endeavoured to keep as close as possible to the sacred text; its divine simplicity being far preferable to any other style of writing the story. The easiest words and those most familiar to children have generally been used and every effort has been made to adapt the volume to the intelligence of the young with the view of instilling into their minds the love of our Saviour for mankind as shown in the beautiful story of His life. ? KING DAVID. In ages past God made the world: the earth, the sea, the hills, the streams, the trees; the fish, birds and beasts; last of all He made Adam, the first man, and Eve his wife, and they lived in the Garden of Eden. They were quite good at first, but tempted by Satan they ate the fruit of a tree God told them not to eat, and that brought sin into the world; they could not live for ever now, they must die; but that their souls might go to heaven, God's own Son said He would come down on earth and die to save them. God said His Son should be born of Abraham's nation, and should be one of the sons of the line of King David, who sang the sweet psalms in praise of God. Abraham was a good man, so good that God called him His friend; and from him came the people called Jews. David was one of their kings. God always keeps His word, but He makes men wait till it is His time to do as He says; and it was a long, long time after Abraham and David that our Lord came to live among men. At last God sent His angel Gabriel to a young maiden, named Mary, who lived at a town called Nazareth, to tell her that God loved her, and that she should have God's Son for her own son. Our Lord would be her little babe. When Mary saw the angel she was at first afraid, but he said to her, "Fear not, Mary," and he told her that she must call the child's name Jesus—that means Saviour—for He would save the people from their sins. Then Mary must have been glad. She said, "I am God's servant; may His will be done." Mary was to be the wife of her cousin Joseph—they were both of David's family—so the angel went and told him too, that Mary should have God's Son for her own, and that he must call the child Jesus.

Un amor apasionado que se vuelve imposible. La historia de un príncipe que no amaba a su esposa la cual termina yéndose con un plebeyo. Las calles de París están en esta novela invadidas de intrigas, conspiraciones e ambiciones...

Everyone in life is gonna hurt you,?You just have to figure out which people are worth the pain.?- Erica Baican??She Walks In Beauty like the night (Lord Byron)??Everybody is looking for someone they belong to. Everybody is looking for the sense of their lives. But whatever you do, nothing makes sense without love in your heart.?So, the question is "What can love do?"?Love helps to live and to survive in the hardest moments of our lives.?Love inspires you.??Love awakes good feelings in your soul. The feeling of flying in the sky...The feeling of growing wings... The feeling of real living, not existing...?Love brings harmony in your heart.?Love is belief.??Love is warmth. Warmth, which can protect you from all your fears.?Love is caring. Caring for every living being around you.?Love is giving. Giving everything you have, your joy and your sorrow, your heart and your soul, your love and your mind, offering a helping hand in hard moments to the person you love...?Love is pain. Pain that hurts you & inspires you at the same time...?Love is peace. Peace in your heart, in your mind, in your life.?Love is charity...?Love is romance. Romantic ideas, romantic acting...??And Love is the best feeling in the world. Love makes the world go round. It is the greatest mystery of all times. If you ask someone What is love?, He or she will hardly find enough words to express its meaning. Love can be different. There is love for parents, love for children, love for animals, love for friends; first love, love for husband or wife, boyfriend or girlfriend. ??When you love someone or something, your heart and soul become warmer and kinder. People, who carry love in their hearts, are always happy and in good mood. Love helps to live and survive in the hardest moments of our lives. Almost all feelings in the world have some advantages or disadvantages.??However, love has only advantages.?It brings harmony and peace. About Author: Was born in city of Kharkov in Ukraine. She graduated from the National Law Academy of Ukraine named after Yaroslav Wise, speciality "Jurisprudence" with the red diploma. Wrote 5 scientific papers at the chair of financial law, National Law Academy of Ukraine named after Yaroslav the Wise. Occupation legal science had a great influence on my literary career and enriched me with your knowledge, who were guides in life. Successfully made a career – head of the legal Department at the tax office. Happily married (with “Murat UKRAY” who CEO of “CHEAPEST BOOKs”). ?Literary works: The book is about female destination: “Next stop, Married. Let's go, girls, go!” (Следующая Остановка) Publication in Russian language in July 2016

n zorii timpurilor, doi adversari antici se luptau pentru controlul Pmntului. Un singur brbat s-a nlat, pe atunci, de-a dreapta oamenilor. Un soldat al crui nume ni-l amintim nc i astzi... . Dobort pe Pmnt fr a avea vreo amintire din trecut, Colonelul Forelor Speciale Angelice, Mikhail Mannuki’ili, nu are alt alegere dect s se integreze n satul Ninsiannei. Dar fiul Cpeteniei, Jamin, este hotrt s l alunge. Atunci cnd cunotinele sale legate de tehnologie se dovedesc a fi inutile ntr-o cultur din Epoca de piatr, Mikhail este confruntat cu o alegere dificil: s i ncheie misiunea Sau s rmn n Assur, cu Ninsianna . Ct despre Ninsianna, ultimul lucru pe care i-l dorete este s se ntoarc n Assur. Atunci cnd nceteaz s mai primeasc viziuni, ns, tatl ei insist c el ar fi Alesul- pn la urm, ea este doar o femeie! Cea-Care-Este i-a promis o frm din Rai. Dac Mikhail nu i poate aminti cum s ajung acolo, atunci ine de ea s descopere semnificaia profeiei. . ntre timp, n ceruri, Lucifer face o nelegere cu Shay’tan. Aceast nelegere va sfri prin a provoca un rzboi galactic, purtat chiar pn la porile Assurului. . Epopeea Sabia Zeilor” continu n volumul al II-lea: Aici nu e loc pentru ngeri czui. . Aceast carte NU este o creaie cu caracter religios! . Volumul II al Epopeei Sabia Zeilor . Ordinea de citire a "Sabia zeilor":—Eroi de Demult: Episodio 1x01 (o nuvel)—Sabia Zeilor—Aici nu e loc pentru ngeri czui—Fructul interzis(n curnd) . Limba romn, cri romneti - Romanian language, Romanian edition

eFestival '’Pasaules labākās neatkarīgās e-grāmatas balvas'’ uzvarētāja - 2014. Gada labākā novele. . Spoki no vecām atmiām nekad nav tālu prom... . Kesiju Baruu Ziemassvētku vakarā pameta puisis, via cerēja, ka vias sāpes beigsies, kad via triecās ar savu maīnu senajā diskābara kokā. Bet, kad vias priekā parādījās skaists eelis ar melniem spārniem un teica: '’ī tev nav smirdīga paranormāla romance, bērns,'’ via saprata, ka nāve nav atrisinājusi visas vias problēmas. Vai Deremiels varēs viai palīdzēt atbrīvoties no pagātnes spokiem un rast mieru . is modernais, paranormālais stāsts par sargeeu mītiem apvieno "Ziemassvētku dziesma" (A Christmas Carol) ar "Tā ir brīniīga dzīve" (It's a Wonderful Life) un "Trīspadsmit iemesli, kāpēc" (Thirteen Reasons Why) lai dotu cilvēkiem cerību, ka vii var satvert pagātni savās rokās un pārvarēt to. . Latvieu valoda, latvieu grāmatas - Latvian language * '’oti maz grāmatu spēj mani novest līdz asarām, bet ī to panāca, turklāt viskrāākajā veidā. eit ir vēstījums, stāstīts ar humora devu un eleganci. Brīniīgi!'’ —Lasītāja atsauksme . '’Via lika man just līdzi. Un via lika man raudāt. Un es esmu oti pateicīga par beigām.'’—Lasītāja atsauksme . '’Grāmata, kas lika man justies tā, kā neviena cita grāmata!'’—Lasītāja atsauksme . '’Jau atkal Anna pārveido vārdus tīrā zeltā. īs mūsdienu Ziemassvētku dziesmas gotiskās pieskaas iekauana ir pārsteidzoa...'’ —Lasītāja atsauksme . '’Ja es varētu, es dotu im stāstam bezgalīgi daudz zvaigu! ī grāmata/stāsts lika man just skudrias skrienam pār muguru.'’ —Lasītāja atsauksme

A book of poetry on various themes. Springtime I shall wait for you springtimeWhen winter has passed awayRosebuds will be dancing in the nightBeneath the Milky Way Lovers kissing and holding handsWaltzing a brisk and lively danceUnderneath the crescent moon that shownAs Orpheus sings a joyful song Mockingbirds will send forth merry soundsAwakening nature's dreary brownChildren playing games while folksLaugh and tell their silly jokes

Movies, mobsters, and mayhem! Charlie Barnett loves movies. He’s such a fanatic that he’s become best friends with the manager at the local theater, Mr. Mankiewicz. But when the mob comes looking for a mysterious object and Mr. Mankiewicz is kidnapped, Charlie is thrust into a real-life adventure more dangerous than any he’s seen onscreen. With the help of a master of disguise, Charlie races against time to find Mr. Mankiewicz and save a priceless artifact from falling into the wrong hands.

In 1866 La Crosse, Wisconsin bustled with pioneers heading west. Airships and paddle wheelers crossed the great Mississippi River. Inventors flourished. In 1866, Zula Smith began life on a lab table hidden deep in a limestone cave outside of La Crosse. Not quite human. Not quite Other. Then what? When murder threatens all that she knows Zula must find the killer or lose everything. This steampunk mystery set in one of the first gateways to the American west, pulls the reader in with its vibrant portrayal of alternate history in the Victorian era.

Horse shows mean long hours. While unloading a trailer after a grueling weekend, sixteen year old Spencer Reed discovers a stowaway child. Frightened. Mute. Spencer can’t resist a good mystery. But she finds more than she bargains for when she looks for the answers. Filled with surprises, Dark Horse will take the reader on an unexpected adventure beyond the glitter of a horse show ring.

Ei desc?lecar? atunci am?ndoi??i se iau la lupt? ca doi juni eroi.Ochii tuturora cat? cu mirareLa Buzescu Preda ?i t?tarul mare.Ei se bat la raza stelei cei de foc Flac?rile-i albe pe-a lor zale joc.V?ntul r?core?te fruntea lor udat???i m?nia dulce sufletul le-mbat?. Ei se bat ?n spade – spadele se fr?ng;??i se iau la bra?e – se smucesc se str?ng.C?nd t?tarul scoate o secure mic?Si lovind pe Preda pav?za ?i stric?.Dar el cu m?ciuca astfel ?l loviInc?t deodat? c?zu ?i muri. Iar dup? aceasta oastea rom?neasc?Pleac? ?i ?nvinge horda t?t?rasc?. Dimitrie Bolintineanu - Preda Buzescu

Exist? ?n activitatea publicistic? a lui Eminescu trei perioade distincte ?n cadrul c?rora putem fixa ?i c?teva momente mai semnificative pentru o problem? sau alta. Criteriul de baz? pe care ne ?ntemeiem ?n periodizarea noastr? ?l constituie schimb?rile intervenite ?n statutul personal al poetului ?n cursul activit??ii sale scriitorice?ti, schimb?ri care hot?r?sc ?n fond orientarea ?i caracterul ei. Publicistica eminescian? din prima perioad? se circumscrie ?ntre ianuarie 1870, c?nd public? primul articol, O scriere critic? ?n Albina din Pesta ?i mai 1876, c?nd intr? ?n redac?ia Curierului de Ia?i, foaia ie?ean?. Vom distinge aici o publicistic? a epocii studiilor universitare la Viena, c?nd Eminescu colaboreaz? la publica?iile rom?nilor din Imperiul austro-ungar ?i se situeaz? pe pozi?iile acestora ?n ap?rarea institu?iilor culturale, critic? dualismul ?i se afirm? ca un exponent al "tinerilor" ?n lupta pentru ?nf?ptuirea idealului de unitate na?ional? a poporului rom?n. Eminescu se manifest? ?n direc?ii multiple, de la articolul pe teme culturale la editorialul de orientare politic? ?i lansarea de apeluri c?tre public pentru solidaritatea na?ional?. Pozi?ia sa este a t?n?rului intelectual rom?n, ?nsufle?it de lupta poporului s?u ?i acest av?nt tineresc se reflect? ?i ?n publicistica sa. Acestei prime perioade se impune s?-i al?tur?m ?i un al doilea moment care coincide cu activitatea de bibliotecar la Biblioteca Central? din Ia?i. Activitatea publicistic? de acum este redus? ca extindere ?i are, ?n chip evident, caracter c?rtur?resc. Eminescu ?ine, tot acum, ?i conferin?a Influen?a austriac? asupra rom?nilor din Principate, ?n care sintetizeaz? ideile din articolele anterioare ?i din ?nsemn?rile din manuscrise ?i schi?eaz? un program pentru viitoarea sa activitate publicistic?. Perioada a doua a gazet?riei lui Eminescu o ?nscriem ?ntre 19 mai 1876, c?nd avem date sigure c? poetul intr? ca redactor la Curierul de Ia?i, ?i ultima s?pt?m?n? din octombrie 1877, c?nd p?r?se?te redac?ia foii ie?ene. Se produce acum o schimbare fundamental? ?n statutul personal al poetului, ?n sensul c? devine ziarist profesionist. Foaia ie?ean? era, pe de alt? parte, o publica?ie oficial?, cu o apari?ie de trei ori pe s?pt?m?n? ?i care rezerv? p?r?ii neoficiale, din cele patru pagini, una singur?. Concep?ia lui Eminescu despre menirea ziarelor este cea a ?nainta?ilor s?i Asachi, Kog?lniceanu, Alecsandri, Negruzzi, care f?ceau din publica?iile lor organe de pres? cu caracter enciclopedic. Pe acest drum merge ?i Eminescu ?i ?n acea singur? pagin? o unei foi oficiale face cronic? de politic? extern?, cronic? de politic? intern?, cronic? cultural?, cronic? dramatic? ?i artistic?. Nic?ieri ?n gazet?ria lui Eminescu nu se vede mai bine ca la Curierul de Ia?i ce poate realiza geniul cu mijloace materiale reduse ?i ?ntr-un spa?iu tipografic restr?ns. Activitatea publicistic? a poetului surprinde prin diversitatea problemelor abordate, prin seriozitatea ?i buna informare ?i prin modul de-a polemiza ?n chestiunile controversate. Aici, la Curierul de Ia?i – ?i nu la Timpul – ?l g?sim pe Eminescu cronicarul de politic? extern?, cronicarul cultural ?i cronicarul dramatic. Perioada a treia a gazet?riei lui Eminescu este cuprins? ?ntre octombrie 1877, data intr?rii ?n redac?ia Timpului, cotidianul bucure?tean, ?i iunie 1883, pr?bu?irea sa intelectual?. Aparent nu se schimb? nimic ?n statutul personal al poetului, de vreme ce trece ca ziarist profesionist de la foaia ie?ean? la cotidianul bucure?tean. ?i totu?i situa?ia nu se prezint? a?a. Poetul intr? ?n redac?ia Timpului, ca simplu redactor, cum era ?i I. Slavici, la chemarea c?ruia p?r?se?te foaia ie?ean?, trece apoi ?n fruntea ziarului, ca redactor-?ef, ca s? ocupe, ?n final, postul de prim-redactor. Eminescu ??i asum? sarcina, la intrarea ?n redac?ia Timpului, s? fac? cronica de politic? intern? ?i se ocup? cu intermiten?e de evenimentele interna?ionale ?i de mi?carea cultural?. Publicistica sa cunoa?te, sub aspectul diversit??ii, o ?ngustare evident? ?n raport cu cea de la foaia ie?ean?. Dar dac? la cotidianul bucure?tean nu ne ?nt?mpin? peisajul caleidoscopic din foaia ie?ean?, se impune aten?iei ?nc? din primele articole amplificarea discursului critic ?i verva polemic?. Publicistica eminescian? cunoa?te desf??urarea cea mai larg? ?ntre februarie 1880 ?i decembrie 1881. Acum Eminescu este redactor-?ef al cotidianului bucure?tean ?i ?l transform? ?n organ de pres? al orient?rii sale politice. Poetul sus?ine, ?n zeci de articole, primatul muncii ?n promovarea ?n ierarhia social?, ia ap?rarea "claselor pozitive" ?i critic? ?n termeni necru??tori "p?tura superpus?" ?i demagogia din via?a politic?. Eminescu p?r?se?te conducerea Timpului ?n ianuarie 1882, ca urmare a apropierii "sincerilor conservatori" de "sincerii liberali" ?i a form?rii "opozi?iei coalizate". Poetul trece r?spunderea conducerii ziarului lui Grigore G. P?ucescu, membru marcant al "opozi?iei coalizate" ?i r?m?ne prim-redac

Cu totul nea?teptat, Susan Morrow prime?te manuscrisul unui roman scris de Edward, so?ul de care a divor?at ?n urm? cu dou?zeci ?i cinci de ani. Pe m?sur? ce cite?te, Susan ?i, odat? cu ea, cititorul ?nsu?i p?trund din ce ?n ce mai ad?nc ?n via?a personajului principal al romanului din roman, profesorul de matematic? Tony Hastings, care c?l?tore?te ?mpreun? cu so?ia ?i fiica lui spre casa lor de vacan??. ?n vreme ce via?a obi?nuit?, civilizat?, a familiei Hastings cade prada violen?ei ?i crimei, o sumedenie de amintiri tulbur?toare o arunc? pe Susan ?napoi ?n trecut, provoc?nd-o s? se confrunte cu tenebrele propriei vie?i ?i cu teama care ?i amenin?? viitorul. Un thriller cutremur?tor se ?mbin? astfel cu o poveste despre team? ?i regret, despre r?zbunare ?i ?mb?tr?nire, despre c?s?torie ?i creativitate.Cu un talent literar unic, Austin Wright ilustreaz? fascinant? experien?? a lecturii, prin rela?iile pe care le creeaz? at?t ?ntre cititor ?i oper?, c?t ?i ?ntre autor ?i cititor, ?ntr-o scriere surprinz?toare ?i pasionant?.

Alexandra, o adolescent? rebel?, este trimis? de p?rin?i s? ??i petreac? vacan?a de var? ?ntr-un sat din Transilvania, pentru a fi ?ndep?rtat? de o iubire considerat? imoral?. Odat? ajuns? ?n V., ea este atras? de pove?tile localnicilor legate de o crim? s?v?r?it? ?n urm? cu mai mult de un veac: contesa Aneke fusese acuzat? de incest ?i vr?jitorie ?i ucis? ?n p?dure. Alexandra porne?te pe urmele contesei, hot?r?t? s? afle ce s-a ?nt?mplat cu adev?rat. Castelul ascunde mistere la fiecare col?… Pe m?sur? ce fapte ?i personaje stranii ies la iveal?, Alexandra ??i d? seama c? are ?n comun cu frumoasa vr?jitoare mai mult dec?t ?i-ar fi imaginat, inclusiv iubirea ei secret? ?i interzis?. Va reu?i Alexandra s? salveze aceast? iubire ?i ?n final propria via??, sau va avea soarta tragic? a Anekei? Dou? lumi distincte se ?ntrep?trund: lumea adolescen?ilor de azi, cu Facebook, concerte rock, tatuaje ?i pierce-uri, ?i lumea contesei disp?rute, cu intrigi de curte ?i pove?ti uitate. Un mistery romance ?n tonuri ?ntunecate despre incest, supersti?ii, tr?d?ri, secrete, legende transmise peste veacuri

Nora ar trebui s? ?tie c? via?a ei este departe de a fi perfect?. De?i cu ajutorul lui Patch, iubitul ?i ?ngerul ei p?zitor, a sc?pat cu via?? dintr-o serie de incidente cu totul neobi?nuite, primejdia e departe de a fi trecut. Rela?ia cu Patch nu este ?n cel mai bun moment al ei, iar Marcie Millar pare mai hot?r?t? ca oric?nd s?-i fac? Norei via?a un co?mar. De parc? nu ar fi de-ajuns, un nou du?man ?ncearc? s? o distrug?, iar moartea tat?lui ei r?m?ne ?n continuare un mister. Cum Patch nu numai c? nu ?i r?spunde la ?ntreb?ri, dar pare chiar s?-i stea ?n cale, Nora se vede nevoit? s? afle r?spunsuri de una singur?. Nu se anun?? o var? prea tihnit?, nu-i a?a?Continuarea bestsellerului ?ngerul nop?ii de Becca Fitzpatrick.Roman publicat ?n 35 de ??ri

O misiune himeric?, un echipaj condus de un nes?buit, un pasager clandestin cu o mare problem? ?i o mare speran??. ?i ?n jur o lume de ghea?? a c?rei splendoare nu e egalat? dec?t de cruzimea cu care respinge via?a uman?. La 1850, vasul Impetus porne?te spre nord vest, din Groenlanda, ?n c?utarea expedi?iei pierdute a lui Franklin. Cu ?nt?rziere – sezonul propice navig?rii se apropie de final. ?nainteaz?, totu?i, cu ?nver?unare, ?n ciuda tuturor semnelor potrivnice. P?n? c?nd vasul r?m?ne captiv ?n imensul pustiu arctic, f?r? nici o posibilitate de mi?care, nici ?nainte, nici ?napoi. Femeia ?ns?rcinat? care se ascunsese la bord va na?te aici, iar copilul va deveni noul centru de greutate al vasului prins ?n ghea??. Ie?irea la suprafa??, cea de a doua carte a t?n?rului scriitor irlandez Cormac James, este romanul unei expedi?ii la cap?tul lumii, dar ?i al unei aventuri domestice: paternitatea. O carte f?r? nici un cuv?nt ?n plus.

Dup? Aurul spartanilor ?i Imperiul pierdut, so?ii Sam ?i Remi Fargo se ?ntorc ?ntr-o nou? aventur? extraordinar?.Mae?tri ai v?n?torilor de comori, Sam ?i Remi Fargo nu sunt deloc obi?nui?i cu v?n?toarea de oameni. Dar un baron texan al petrolului apeleaz? la ei cu o rug?minte personal?: un detectiv particular angajat s?-i g?seasc? tat?l disp?rut s-a pierdut f?r? urm? ?i el. Dat fiind c? detectivul le este prieten, ar fi dispu?i Sam ?i Remi s?-i caute pe am?ndoi? ?n ciuda suspiciunilor, cei doi accept? noua provocare, iar ceea ce vor descoperi va fi mai mult dec?t ?i-ar fi putut imagina. ?n c?l?toria care ?i poart? prin Tibet, Nepal, Bulgaria, India ?i China, Sam ?i Remi Fargo se trezesc implica?i ?n traficul cu fosile de pe pia?a neagr?, descoper? un cuf?r vechi de secole, un regat tibetan disp?rut, un dirijabil inventat cu secole ?naintea vremii sale… ?i un schelet care ar putea transforma complet ?ntreaga istorie a evolu?iei umane.Plin de imagina?ie ?i cu un suspans care-?i taie r?suflarea, Regatul dovede?te ?nc? o dat? de ce Clive Cussler este considerat ?unul dintre cei mai buni autori contemporani de thriller“. – New York PostRomanele lui Cussler sunt publicate ?n peste 40 de limbi, ?n mai bine de o sut? de ??ri ale lumii.

LITTLE RED RIDING HOOD from "Brothers Grimm" ONCE upon a time... in the middle of a thick forest stood a small cottage, the home of a pretty little girl known to everyone as Little Red Riding Hood. One day, her Mummy waved her goodbye at the garden gate, saying, "Grandma is ill. Take her this basket of cakes, but be very careful. Keep to the path through the wood and don't ever stop. That way, you will come to no harm." Little Red Riding Hood kissed her mother and ran off. "Don't worry", she said, "I'll run all the way to Grandma's without stopping". Full of good intensions, the little girl made her way through the wood, but she was soon to forget her mother's wise words. "What lovely strawberries! And so red..."