Capitala a c?zut. ?ntunecatul conduce Ravka din tronul s?u de umbre. Acum, soarta ??rii depinde de fragila Invocatoare a Soarelui, de o iscoad? c?zut? ?n dizgra?ie ?i de r?m??i?ele unei armate magice, c?ndva m?rea??. Pornit? ?n c?utarea ultimului amplificator al lui Morozova, Alina ?ncheie noi alian?e ?i las? deoparte vechile rivalit??i. Pe m?sur? ce afl? secretele ?ntunecatului, descoper? un trecut ce va schimba pentru totdeauna felul ?n care vede leg?tura lor, precum ?i puterea cu care e ?nzestrat?. Numai pas?rea de foc mai poate ?mpiedica distrugerea Ravk?i, ?ns? prinderea ei ar putea s? o coste pe Alina viitorul pentru care lupt?. Alina este o marginal? ?i a?a m? sim?eam ?i eu c?nd eram mic?. ??i dore?te foarte mult s? apar?in? unui loc din lumea asta ?i din aceast? cauz? face ni?te alegeri gre?ite. Am fost crescut? de bunicii mei ?ntr-un loc straniu, unde nu prea ?nt?lneai copii. Casa lor se afla pe un deal ?i mai tot timpul eram l?sat? de capul meu. Cred c? ceva din senza?ia aceea de izolare s-a strecurat ?i ?n descrierea Keramzinului (orfelinatul ?n care cresc Alina ?i Mal). – Leigh Bardugo, pentru Entertainment Weekly Elegan?a ?i fluiditatea stilului, ?mpreun? cu acea lume imaginar? des?v?r?it? fac din Trilogia Grisha o pies? de rezisten?? a genului fantasy. – RT Book Reviews Am reu?it s? m? ridic ?n picioare. Capul mi se ?nv?rtea. Mi-am str?ns bra?ul r?nit cu m?na teaf?r? ?i am pornit cl?tin?ndu-m? prin ?ntuneric. Nu vedeam nimic, eram complet dezorientat?. Dar am continuat s? merg prin bezn?, ?ncerc?nd s?-mi deblochez mintea, s? ?ncropesc un plan. ?tiam c? volcrele m? puteau ataca ?n orice clip?, dar era prea riscant s? folosesc lumina. G?nde?te!, m? mustram ?n sinea mea. Nu mai aveam nicio idee. R?m?sesem f?r? explozibili ?i nu puteam folosi T?ietura. M?neca ?mi era plin? de s?nge ?i pa?ii ?mi ?ncetineau. Trebuia s? g?sesc pe cineva s?-mi vindece bra?ul. Trebuia s? m? refac ?i s? atac din nou. Nu puteam fugi iar??i de ?ntunecatul, la fel ca prima oar? c?nd luptaser?m ?n Falie. De atunci, fugisem ?ntruna.

Reunind extrase din lucr?rile scrise de Albert Ellis pe parcursul a cincizeci de ani, exemple ?i prezent?ri de caz, aceast? carte surprinde evolu?ia g?ndirii p?rintelui terapiei comportamentale ra?ional-emotive, numit totodat? ?i bunicul psihoterapiei cognitiv-comportamentale. Focalizat? ini?ial asupra educa?iei sexuale ?i a libert??ii sexuale, ?n contextul unei societ??i americane destul de stricte la acea vreme ?n ceea ce prive?te nuditatea sau sexul ?n afara c?s?toriei, munca lui Albert Ellis s-a extins treptat asupra unor domenii mai largi ale psihicului uman.Este o lucrare inedit?, interesant? ?i util? pentru psihologii ?i psihoterapeu?ii din indiferent ce orientare, dar ?i pentru nespeciali?ti, care pot avea ocazia s? se familiarizeze astfel cu opera unuia dintre cei mai mari deschiz?tori de drumuri ai secolului XX.

ngeri, demoni, fantome, mister i pasiune. Harul, primul roman paranormal romance din literatura romn, urmrete transformarea lui Amy dintr-o adolescent timid i marginalizat ntr-una puternic i ndrznea. Aici este momentul cnd viaa ei ia o ntorstur neateptat i cnd convingerile i temerile din trecut pe care credea c le uitase ncep s se adevereasc. Tocmai cnd viaa ei prea c devenise normal, dintr-o simpl dorin totul se schimb. Misterele i secretele se adncesc i sunt la ordinea zilei.Harul, prima parte a trilogiei cu acelai nume, evoc viaa adolescentei Amy de dinainte de dramatica schimbare i pn la consecinele fatale pe care le poate avea contactul permanent cu Lumea de Dincolo. Rmne de vzut dac va reui Amy s triasc la grania subire dintre cele dou lumi...

O poveste de dragoste derulat? ?n decorul Saharei.Dintotdeauna, ?ndr?gosti?ii prefer? un loc anume pentru ?nt?lnirile lor. Fie c? este teiul lui Eminescu, Ci?migiul sau – de ce nu? – o veche, aproape uitata epopee, acel loc ?nsufle?e?te ?i coloreaz? aura iubirii. La Eneida este o frumoas? poveste cu zei ?i umbre, o poveste de dragoste derulata ?n decorul Saharei. Cei doi ?ndr?gosti?i, un b?rbat t?n?r ?i o femeie bogat?… ?n amintiri, rescriu pagini din Eneida vergilian?, retr?iesc iubirea dintre Enea, eroul troian, ?i Didona, regina Cartaginei, ad?ug?ndu-i ?ns? dimensiunea tragic? a unor evenimente recente, am?ndoi fiind marca?i, obseda?i, urm?ri?i de umbrele ?i experien?ele ultimelor zile ale Golaniei din iunie 1990.

La limita extrem? este un roman de scandal nu numai literar, o capodoper? ?n care se lupt? cu prejudec??ile morale, sexuale, sociale. O carte scris? ?n bun? tradi?ie inaugurat? de D.H. Lawrence ?i Henri Miller. Mihail Ar??ba?ev, romancier, prozator rus, este contemporan cu Nabokov ?i al?i scriitori care se formeaz? ?i se lanseaz? ?la r?scrucea“ secolelor XIX ?i XX. Moare t?n?r. Sanin, capodopera d-sale ap?ruta ?n 1907, i-a adus autorului o celebritate scandaloas?. La ini?iativa Bisericii ortodoxe ruse, lui Ar??ba?ev i s-a intentat un proces, scriitorul fiind ?nvinuit de propagarea pornografiei. ?n consecin??, Sanin ?i alte scrieri ale lui Ar??ba?ev au fost interzise ?n patria autorului r?stimp de decenii.

Sunt convins c aceast carte va intra n istoria literaturii, aa cum este ea, minunat. Nu cunosc n literatura romn un mai frumos omagiu adus mamei...“ (Ana Blandiana)Titlul unui roman care ar trebui s intre n manualele de literatur: Veneticii de Ion Lazu. Acest roman nseamn anexarea unui nou domeniu pentru literatura noastr, dar mai nseamn i un pas pentru proza romneasc de dup razboi, n-a spune doar pentru cea de dup ’89. El se detaeaz prin virtui stilistice cu totul remarcabile. Aceast oper literar condenseaz n ea att un proiect autobiografic, ct i o experien extraordinar n domeniul romanescului. Este un roman emblematic pentru secolul XX, cci figura refugiatului este ea nsi emblematic pentru acest secol… Cred c cele mai bune pagini din Veneticii pot concura cu pagini memorabile din Donul linitit, pentru c bntuie peste tot acel suflu de mare proz realist.“ (Radu Voinescu)

La ce v?rst? pot s?-i d?ruiesc celui mic o tablet?? Peste c??i ani va avea nevoie de un telefon mobil? Jocurile video ?l agit? ?i-l fac oare "dependent" pe b?iatul meu? Ce fel de fotografii poate afi?a pe internet fiica mea adolescent? ?i cu cine se poate "?mprieteni" pe Facebook? Specializat? ?n psihiatria copilului ?i mam? a trei b?ie?i, Jodi Gold puncteaz?, pe un ton echilibrat, at?t beneficiile educa?ionale ?i cognitive ale tehnologiilor digitale, c?t ?i numeroasele capcane. Astfel, p?rin?ii noii genera?ii de "copii digitali" vor afla ce aplica?ii ?i jocuri ?ncurajeaz? creativitatea ?i inteligen?a copilului sau adolescentului, dar ?i ce limite trebuie impuse (ca durat?, dar ?i la nivel de con?inut), pentru a evita h?r?uirea online, refugierea nes?n?toas? ?n lumea vitual? ori dezinteresul pentru ?coal? ?i rela?iile sociale din real?.

Ofi?erul ?n retragere Jack Reacher se ?ntoarce la baza militar? pe care a condus-o ?n urm? cu 16 ani ca s-o cunoasc? pe Susan Turner, actualul comandant. Acolo afl? c? femeia tocmai a fost acuzat? de corup?ie ?i c? el ?nsu?i ar putea fi judecat pentru un abuz ?n serviciu de care nu-?i aminte?te ?i pentru o presupus? paternitate.?mbin?nd o intrig? complicat? ?i o curs? palpitant? pentru justi?ie ?i aflarea adev?rului, Lee Child ?l pune la ?ncercare pe Reacher — ?i ?l face s? se ?ntrebe cine este, ce a f?cut ?i cum va ar?ta via?a sa ?n viitor.?O curs? ame?itoare, ce te ?ine cu sufletul la gur?! Una dintre cele mai bune c?r?i ale seriei Jack Reacher, cu o intrig? foarte bine construit? ?i r?sturn?ri de situa?ie surprinz?toare.“ – The New York Times?Nimeni nu-l egaleaz? pe Reacher, un ?mp?timit al ac?iunii ?i al situa?iilor periculoase. Deviza lui: M-am antrenat s? transform frica ?n agresiune.“ – Kirkus Review?Bun venit ?n lumea lui Jack Reacher: mereu ?n alert?, el se afl? de fiecare dat? ?n locul nepotrivit la momentul potrivit… Child a creat un personaj emblematic pe care al?i autori de thriller ?l invidiaz?. Irezistibil ?i consistent, S? nu te ?ntorci niciodat?! este unul dintre cele mai bune romane ale lui Lee Child.“ – Associated Press?Paternitatea se num?ra printre cele mai des ?nt?lnite probleme ale b?rba?ilor din ?ntreaga istorie uman?. Dar pentru Reacher ?ntotdeauna p?ruse improbabil?. Era ceva eminamente teoretic. Precum c??tigarea Premiului Nobel sau participarea la un joc ?n World Series ori abilitatea de a c?nta. Posibil, ?n principiu, dar mereu probabil s? nu i se ?nt?mple. O destina?ie pentru al?i oameni, dar nu ?i pentru el.“

On the second day of July in the year 1863 the Civil War in America was at its height. Late in the preceding month Lee had turned his face northward, and, with an army of a hundred thou-sand Confederate soldiers at his back, had marched up into Penn-sylvania. There was little to hinder his advance. Refraining, by reason of strict orders, from wanton destruction of property, his soldiers nevertheless lived on the rich country through which they passed. York and Carlisle were in their grasp. Harrisburg was but a day’s march away, and now, on this second day of July, flushed with fresh victories, they had turned and were giving desperate battle, through the streets and on the hills of Gettysburg, to the Union armies that had followed them. The old commonwealth was stirred as she had not been stirred before since the fall of Sumter. Every town and village in the state responded quickly to the governor’s call for emergency troops to defend the capital city. Mount Hermon, already depleted by gen-erous early enlistments, and by the draft of 1862, gathered to-gether the bulk of the able-bodied men left in the village and its surroundings, and sent them forth in defense of the common-wealth. Not that Mount Hermon was in especial danger from Lee’s invasion, far from it. Up in the northeastern corner of the state, on a plateau of one of the low foot-hills of the Moosic range, sheltered by the mountains at its back, it was well protected, both by reason of distance and location, from the advancing foe. But Mount Hermon was intensely patriotic. In the days preceding the Revolution the sturdy pioneers from Connecticut had met the equally sturdy settlers from the domain of Penn, and on this plateau they had fought out their contentions and settled their differences; the son of the Pennamite had married the daughter of the Yankee; and the new race, with love of country tingeing every drop of its blood a deeper red, had stayed on and possessed the land. So, on this July day, when the armies of North and South were striving and struggling with each other in bloody combat back and forth across the plain and up the hills of Gettysburg, Mount Hermon’s heart beat fast. But it was not for themselves that these people were anxious. It was for the fathers, husbands, sons, lovers in that army with which Meade, untried and unproven, was endeavoring to match the strategy and strength of Lee. News of the first day’s skirmishing had reached the village, and it was felt that a great battle was imminent. In the early evening, while the women were still busy at their household tasks, the men gathered at the post-office and the stores, eager for late news, anxious to discuss the situation as they had learned it. In the meantime the boys of the town had congregated on the village green to resume the military drills which, with more or less frequency, they had carried on during the summer. These drills were not wholly without serious intent. It was play, indeed; but, out of the ranks of these boys, three of the older ones had already gone to the front to fight real battles; and it was felt, by the men of the town, that the boys could not be too thoroughly imbued with the military spirit. So, on this July evening, wakened into new ardor by the news from Gettysburg, they had gathered to resume their nightly work—and play.There were thirty-three of them, ranging in years all the way from eight to eighteen. They were eager and enthusiastic. At the command to fall in there was much pushing and jostling, much striving for desirable places, and even the young captain, with great show of authority, could not quite adjust all differences to the complete satisfaction of his men.Before the confusion had wholly ceased, and while there were still awkward gaps in the ranks, a tall, straight, shy-mannered boy of seventeen, who had remained hitherto on the outskirts of the group, quietly slipped into one of the vacant places.

Ceea ce putem spune ?i ceea ce se cuvine spus este c? literatura noastr? modern? ?l revendic? cu hot?r?re pe Panait Istrati, pe fiul pierdut ?i revenit ca ?i Ulise al versului francez, dup? o miraculoas? c?l?torie. C?ci opera lui Panait Istrati ?ntrege?te peisajul literaturii rom?ne?ti din ultimii dou?zeci de ani, deoarece, dimpreun? cu Mihail Sadoveanu ?i cu Liviu Rebreanu, autorul Chirei Chiralina alc?tuie?te treimea cea de o fiin?? a celei mai unitare substan?e epice. C? ?i ace?tia – ?i poate c? nu stric? s? amintim cum c?te?itrei purced la ?mplinirea operei lor, cam ?n acela?i timp (?ntreg Sadoveanu de dup? Cocost?rcul albastru, doar de la trecutul r?zboi ?ncepe) c? ?i ace?tia, Panait Istrati este dintre to?i ceilal?i scriitori ai no?tri, acela care aduce cele mai multe probleme, cei mai mul?i eroi ?i cea mai puternic? individualitate. — Perpessicius

Dup? cum din Golanii nu se putea prevedea Ion, tot a?a nici din La Grandiflora nu se putea prevedea Rusoaica sau Donna Alba, cu toat? prezen?a elementelor prezumtive ale talentului lui Gib I. Mih?escu. Scriitorul a ?tiut s? se organizeze ?n crea?ii de care critica e bucuroas? s? ?in? seama, ca de produc?ii reprezentative ale literaturii noastre ultime. (Eugen Lovinescu)

Iubire sete de via?? Tu e?ti puterea creatoare Sub care inimile noastre Renasc ca ???orile ?n soare ??i ?mb?tate de-al t?u farmec Ce peste lume se a?terne ?n tremurarea lor de-o clip? Viseaz? fericiri eterne. Din haos ?i din ?ntuneric Te-ai smuls fecund? ?i senin?: Al t?u sur?s de alma parens Fu prima raz? de lumin?. ??i de c?ldura ta plane?ii Treptat se dezmor?esc ?nvie... Pe to?i ca ?ntr-o mreaj?-i leag? Universala simpatie. Tu faci s? circule ?n lume Puterea ta de z?mislire. ??i miliardele de forme De-a lungul vremii s? se-n?ire. Alexandru Vlahuta - Iubire

The great World War was more than two-thirds over when America entered the struggle, and yet in a sense this country was in the war from its very beginning. Three great inventions controlled the character of the fighting and made it different from any other the world has ever seen. These three inventions were American. The submarine was our invention; it carried the war into the sea. The airplane was an American invention; it carried the war into the sky. We invented the machine-gun; it drove the war into the ground. It is not my purpose to boast of American genius but, rather, to show that we entered the war with heavy responsibilities. The inven-tions we had given to the world had been developed marvelously in other lands. Furthermore they were in the hands of a determined and unscrupulous foe, and we found before us the task of overcoming the very machines that we had created. Yankee ingenuity was faced with a real test. The only way of overcoming the airplane was to build more and better machines than the enemy possessed. This we tried to do, but first we had to be taught by our allies the latest refinements of this machine, and the war was over before we had more than started our a?rial program. The machine-gun and its accessory, barbed wire (also an American invention), were overcome by the tank; and we may find what little comfort we can in the fact that its invention was inspired by the sight of an American farm tractor. But the tank was a British creation and was undoubtedly the most important invention of the war. On the sea we were faced with a most baffling problem. The U-boat could not be coped with by the building of swarms of submarines. The essential here was a means of locating the enemy and destroying him even while he lurked under the surface. Two American inventions, the hydrophone and the depth bomb, made the lot of the U-boat decidedly unenviable and they hastened if they did not actually end German frightfulness on the sea. But these were by no means the only inventions of the war. Great Britain showed wonderful ingenuity and resourcefulness in many di-rections; France did marvels with the airplane and showed great clev-erness in her development of the tank and there was a host of minor inventions to her credit; while Italy showed marked skill in the crea-tion of large airplanes and small seacraft.

Prin culegerea de fa?? punem la dispozi?ia tineretului studios (?i nu numai) o seam? de opere importante ale lui Vasile Alecsandri, opere reprezentative pentru dramaturgia ?i proza scriitorului, ?n primul r?nd cele prev?zute de programele ?colare ?n vigoare.

Yirmi birinci yüzy?lda, teknolojik geli?melerin de etkisiyle, büyük bir "öz güven patlamas?" ya?ayan insanl?k; kurulu?undan bu yana kendi yasalar?na göre çal??an ba?ta ekolojik sistem olmak üzere: Biyolojik ve jeolojik sistemlere müdahale ederek; kendi kurallar?na göre de?i?tirmeye kalkt?. ??te, ba?ta baz? hastal?klar olmak üzere; birçok sorunlar da burada ortaya ç?kt?. Maalesef bugün nerede ise hepimiz, hastay?z! Hastal?klar?m?z?n ise çe?it çe?it ad? olsa bile en yayg?n olan?: "Parçalama Hastal???" olup çok da kolay tedavi edilebilecek gibi de görünmemektedir.Günümüzde, teknolojik geli?mi?li?in de etkisiyle: ?nsano?lu, bütünü anlamak için onu parçalamay? seçti. Parçalar? üzerinden bütünü; anlamaya ve tan?maya çal??maktad?r.. Oysa ki, parçalar? birle?tirerek bütünü tan?mak hem daha kolay, hem de daha do?al bir yöntem oldu?unu da bilmesine ra?men.Y?llard?r; maddeleri parçalad?k yetmedi. Atomlar? parçalad?k bitmedi. Bu i? daha nereye kadar gidecek? Ve ne kadar daha sürecek? Bilinmez! Ancak bizler, bir an önce maddeleri ve sistemleri parçalamaktan vazgeçmek mecburiyetindeyiz! Yoksa: Korkar?m çok yak?nda, yeryüzündeki ya?am? kökünden bitirece?iz!..Bu arada, baz? "Laboratuvar Ka?iflerine" de birkaç hat?rlatmada bulunmak isterim:Hani; Sizlerin, mikro organizmalar? incelemek için hergün bakt???n?z o devasa büyüteçler'iniz (Dev Elektron Mikroskoplar?n?z) var ya! ??te o büyüteçler; inceledi?iniz o organizmalar?, sizlerin gözünde milyonlarca kez büyütmekte iken; sizleri de belki onlar?n "gözünde" milyonlarca kez küçültüyor olmas?nlar (?) Yine: Belki de sizler; onlar? tan?maya çal???rken; onlar da bizleri anlamaya çabal?yor olmas?nlar? Dahas?: Belki de onlar da bizleri merak ediyorlard?r (?) Kim bilir? Ne dersiniz? Bir de böyle dü?ünmeyi denemelisiniz!.."LABORATUARDAK? ?BL?S"{???R L?STES? & ?Ç?NDEK?LER}:YAZAR HAKKINDA {ÖZ GEÇM??}TANITMALIK {PROSPEKTÜS}T?N VE TENZERRELABORATUARDAK? ?BL?SB?ZDEN M?D?R?RUH YARASIKONDUNEFES?ST?R?DYEN?N HÜNER?MOLEKÜLER SEYAHATYARI?L?NÇHIZ/HAZ ÇEL??MECES?HAL?S YAPAYLIKLAR D?YARINDA -1MAZ?DEK? AYAK ?ZLER?MMAN?SA TARZANIARKA KAPAK?a’irin Yay?nlanm?? Di?er Kitaplar?VEYSEL TOPALO?LU (?A?R; SADEKUL)

Biblioteca colarului“ cuprinde cele mai preuite opere ale scriitorilor clasici ai literaturii romne din programa colar. Crile de neuitat ale copilriei sunt disponibile astzi si in format e-book.

Unu din cinci copii ?i adolescen?i sufer? de o tulburare mental?, potrivit unui studiu nord-american din 2013. Cartea de fa?? ofer? profesorilor, psihologilor ?colari ?i managerilor din domeniul educa?ional informa?iile psihologice ?i strategiile didactice necesare pentru a asigura un mediu previzibil, empatic ?i sigur pentru elevii afecta?i de ADHD, tulbur?ri de conduit?, anxit??i, depresii, autism, adic?ii ?i alte afec?iuni psihice. Acest ghid practic ofer? informa?ii ?i sfaturi legate de managementul clasei ?i de stilul de ?nv??are al elevilor cu vulnerabilit??i psihice, dar propune ?i o serie de interven?ii psihologice suportive, comportamentale ?i de ?nv??are socio-emo?ional?, realizabile ?mpreun? cu p?rin?ii ?i psihologii ?colari. ?To?i copiii, to?i elevii trebuie sprijini?i pentru a reu?i. Cei care se confrunt? cu probleme din zona s?n?t??ii mentale beneficiaz? de foarte pu?in? asisten??, iar uneori sunt neglija?i sau ignora?i. Aceast? carte le ofer? profesorilor repere strategice ?i instrumente foarte utile pentru a contribui la bun?starea mental? a celor cu care lucreaz?“. – Prof. univ. dr. Lucian Ciolan, decan al Facult??ii de Psihologie ?i ?tiin?ele Educa?iei, Universitatea din Bucure?ti

ncercarea de a ptrunde n magmele clocotirilor artistice este o ispitire mai veche a mea. Adncimile au n ele murmur de siren. Sigur a fost semea ncercarea mea i, probabil, neinspirat. Germinarea crii de fa mi pare acum un experiment al bucuriei. Doi preoi i doi slujitori ai literei, totodat doi duhovnici fiecare cu ucenicul su, au vrut s cltoreasc pentru o clip n inefabilul chenozelor, al deertrilor de sine. Nu tiu dac are armonie, mi este greu acum s precizez. Atunci prea c rezonm. Depun doar mrturie i gnd mulumitor c a fost o sear unic. (Preot Niculae Constantin)

n ce fel s supravieuieti n condiii extreme, care sunt primele msuri care trebuie luate obligatoriu atunci cnd te pomeneti ntr-o situaie-limit, abc-ul celor care sunt la un pas de o catastrof, scris ntr-un limbaj accesibil, antrenant, cu sufletul la gur de un scriitor stpn pe lumea lui, dar i pe cei care au gustul riscului n snge.

Cartea pe care o ?ine?i ?n m?n? este periculoas?. Incomod?, scor?oas?, incendiar? fiind, ?n mod cert, va deranja unele personaje, nelipsite de importan??, din arena politicii rom?ne?ti, care confund? adeseori politica cu diletantismul, tr?d?nd interesele sus?inute cu at?ta patos ?n campaniile electorale. ?n mod sigur, Nu tr?da?i, v? rog! va alarma edilii capitalei ce se ?ntrec ?n a distruge ?micul Paris“ de pe vremuri. Aceast? carte, a?adar, va deranja nu pu?in? lume prin scenele din via?a social-politic? post-decembrist?, cu at?t mai mult, cu c?t umorul ?fichiuitor nu-i este str?in nici pe departe autorului. Nici deta?area…

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