This collection includes: Life of Schiller by Calvin Thomas and such works by Schiller as Death of Wallenstein, William Tell, excerpts from The Thirty Years' War, poetry, and Correspondence with Goethe. The German Classics Of The Nineteenth And Twentieth Centuries, Volume 3, edited by Kuno Francke.

According to Wikipedia: "Mother Alphonsa was born on May 20, 1851 to Nathaniel Hawthorne and his wife Sophia Hawthorne, and baptised as Rose Hawthorne… After her father's death in 1864, she tried to become an author, like him. She wrote book of poems, Along the Shore, which was published in 1888. She later decided to rededicate her life to restoring her family's reputation after her brother's illegal activities and prostitution attempts. She was known for her service near and within New York City, caring for impoverished cancer by founding St. Rose's Free Home for Incurable Cancer in the Lower East Side. After George's death in 1898, she became a nun, and was inspired by "The New Colossus", a poem penned by her close friend Emma Lazarus, to found a community of Dominican religious, now known as the Dominican Sisters of Hawthorne."

According to Wikipedia: "Frank Preston Stearns (1846-1917), the son of abolitionist George Luther Stearns, was a writer and abolitionist from Massachusetts during the 19th century. In addition to collaborating with Elizur Wright in ambitious abolitionist projects, such as the American Anti-Slavery Society, he is credited with several seminal works exploring the lives and careers of important American public figures and authors of note, including The Life and Genius of Nathaniel Hawthorne and The Life and Public Services of George Luther Stearns."

This collection includes works by and about Heinrich Heine, Grillparzer, and Beethoven. The German Classics Of The Nineteenth And Twentieth Centuries, Volume 6, edited by Kuno Francke.

This collection includes: ON THE ENJOYMENT OF UNPLEASANT PLACES, AN APOLOGY FOR IDLERS, AES TRIPLEX, TALK AND TALKERS, A GOSSIP ON ROMANCE, THE CHARACTER OF DOGS, A COLLEGE MAGAZINE, BOOKS WHICH HAVE INFLUENCED ME, and PULVIS ET UMBRA.

This collection includes: THE AMATEUR EMIGRANT: FROM THE CLYDE TO SANDY HOOK. COCKERMOUTH AND KESWICK, AN AUTUMN EFFECT, A WINTER'S WALK IN CARRICK AND GALLOWAY, FOREST NOTES, A MOUNTAIN TOWN IN FRANCE, RANDOM MEMORIES: ROSA QUO LOCORUM, THE IDEAL HOUSE, DAVOS IN WINTER, HEALTH AND MOUNTAINS, ALPINE DIVERSION, THE STUMULATION OF THE ALPS, ROADS, and ON THE ENJOYMENT OF UNPLEASANT PLACES.

The Art of War is written by Sun Tzu, a high-ranking military general, strategist and tactician. The text is composed of 13 chapters, each of which is devoted to one aspect of warfare. It is the definitive work on classic military strategy and tactics. The book influenced Eastern and Western military thinking, business tactics, legal strategy and beyond.

The story of two conjoined brothers who, though separated at birth, can still feel each other's pains.

This unique edition of Just So Stories from Dead Dodo Vintage includes the full original text as well as exclusive features not available in other editions.

This unique edition of My Lady Nicotine from Dead Dodo Vintage includes the full original text as well as exclusive features not available in other editions.

A book by a teenager for teenagers! Words of a Journey is a book for anyone who wants to take a closer look at life's meaning and their experiences. Seventeen-year old Kaitlyn Kashman has designed this book to provide thought-stimulation on various issues and feelings that young adults explore. The book is a potpourri of poetry, with introspective, inspirational questions and observations to stimulate thought in readers so they can come to a clearer understanding of their own feelings and desires. Topics for deeper introspection run the vast range of emotions and situations young adults experience to help readers analyze and clarify their own relationships: ·Understanding unrequited love leads to analysis between what is a want vs. a need. ·The difficulties of first love, learning about oneself, seeking the thrill of love, and knowing when it is best to end. ·Discovering that one cannot change for another person. ·Learning that sometimes we love our own fictional version of a person. ·Nourishing a budding sense of new identity. ·Finding the boundaries between two people, accepting and embracing ourselves. An important book for any teenager or young adult, Words of a Journey will take readers down a path that will lead them back home to find a better version of themselves. Critics Praise for Words of A Journey "In Words of a Journey Kaitlyn gives teenagers permission to think for themselves and a place to express themselves on the pages of the book. A simple thought gives way to self-expression and the opportunity for clarity. Words of a Journey: My Thoughts on Life and Living, serves as a journal that can be used every day. Often, we simply need to see our thoughts in print to make sense out of our struggle and to fully appreciate our joy!" --Judee Ausnow, author of Drama is Optional: A Guide for Teens Learn more at www.KaitlynKashman.com From the World Voices Series at Modern History Press www.ModernHistoryPress.com Look for paperback and eBook editions too! POE011000 POETRY / Canadian

Part anthology and part travelogue,?Translating Libya?presents the country through the eyes of sixteen Libyan short story writers and one American diplomat. Translating Libya, published in 2008, was one of the first books to introduce Libyan literature to an English-speaking audience. The updated 2014 revision includes a foreword by Ahmed Ibrahim Fagih, one of Libya's most recognised authors, and a new introduction by the author, in light of the Libyan Revolution and its aftermath, which he witnessed firsthand.? Intrigued by the apparent absence of 'place' in modern Libyan short fiction, Ethan Chorin, one of the first U.S. diplomats posted to Libya, resolved in 2004 to track down and translate stories that specifically mentioned cities and landmarks in Libya - and then to visit those places, and describe what he encountered there. The result is a mixture of travelogue and memoir that sheds light on the social factors that fed the 2011 Revolution and its aftermath. The collection includes pieces from the 'sixties generation' of writers, as well as a newer generation of Libyan writers, including several women, writing in a variety of styles, "twisted" 1001 nights, to allegory, fictionalized memoir and overt satire.? Chorin explains how the stories, under cover of anonymity, distorted place-names and double-meanings reveal the depth of anger and despair that precipitated and fed the Arab Spring - and serve as a reminder to those who fought heroically for their freedom, that true courage springs from isolating, not repeating the mistakes of the past.

Santa Claus, as a baby is found in the Forest of Burzee and placed in the care of the lioness Shiegra. The Wood Nymph, Necile, breaks the law of the forest and takes the baby because she desires to raise a child of her own as mortals do. Necile calls him Claus, meaning little one in the old Burzee language.

Farther Brown may be walking into a trap when he tries to save his soul as his precious Blue Cross is targeted by the notorious criminal Flambeau.

From the first pages it becomes apparent that Asystole is a novel about love of life in its purest, instinctive and intimate form. It’s also a novel about human faith in its existence and a desire to experience this love. Author Oleg Pavlov places his character – a boy who grows to be a man and is clearly personified by the writer’s own outlook on life – in impossible and familiar circumstances, impossible not to relate to. An adult is shaped in childhood. Chaotic, anxious and at the same time withdrawn narration seems to have no direction and no resolution. Except that the life of the people, who are in fact children of a broken destiny, is real and not much needs to be said to make it our own. Laconic and ‘to the point’ observations of Pavlov’s protagonist as he goes, are chilling at times. They pierce through flesh right to the bone – the quality only the naked truth can have. Asystole is moreover about the by-stander effect, about a disconnected and malfunctioning society and a struggle of one not to merge into the faceless mass of many. Modern, deeply thought through and heartfelt, this novel is an examination of the physics of human soul. Pavlov’s Universe has a special arrangement – if it was up to him, humans wouldn’t be allowed in it, for the privilege of being human requires living up to the title.

Emma Woodhouse, aged 20 at the start of the novel, is a young is a young, beautiful, witty, and privileged woman in Regency England. As the novel opens, Emma has just attended the wedding of Miss Taylor, her best friend and former governess. Having introduced Miss Taylor to her future husband, Mr. Weston, Emma takes credit for their marriage, and decides that she rather likes matchmaking. She greatly overestimates her own matchmaking abilities; she is blind to the dangers of meddling in other people's lives, and her imagination and perceptions often lead her astray.

Maria Rybakova’s Gnedich captures the reader’s attention in its first stanzas with a striking allusion to Homeric Greece: “The rage that killed so many/the wretched rage of Achilles/who knew that he would perish/ that he would perish young. This is a novel-in-verse about the first Russian translator of the Iliad, the romantic poet and librarian Nikolai Gnedich (1784-1833). Since Gnedich spent almost his entire life translating Homer’s epic poem, Maria Rybakova has chosen verse as the most appropriate stylistic means in recreating his life. To the English-speaking world, this genre of poetic biography is best exemplified by Ruth Padel’s Darwin – A Life in Poems. Like the Iliad itself, the novel consists of twelve Songs or Cantos, and covers the life of Gnedich from his childhood to his death. It depicts the lives of Gnedich and his best friend, the poet Batyushkov, who is slowly losing his sanity, and incorporates motifs from their poetry, from Homer’s epics, and from Greek mythology, as well as magnificent images of imperial Russia and the Homeric world. The space of the novel covers snowy Russian villages, aristocratic St. Petersburg salons, magnificent Italian landscapes, and the austere Greece of Homer’s heroes. Rybakova conjures a fittingly romantic vision of the dramatic lives of Gnedich and his best friend. A major part of the novel is the moving correspondence between the two poets. Philosophical reflections on the fate of the individual are intertwined with poignant stanzas devoted to the great but unhappy love to the tragic actress Ekaterina Semyonova that consumed Gnedich. The novel culminates in Batyushkov’s final breakdown in the lunatic asylum and Gnedich’s ruminations on Russia’s tragic future fate. The poetic language of Gnedich is refined: it combines the clarity of Rybakova’s syllabic verses and the sophistication of her metaphors with distinct, novelistic depictions of certain landscapes, people, and their interactions. The novel is spectacularly designed: Rybakova’s style resembles a movie projection with stop-cards at the key moments in Gnedich’s life, his long conversations with his friend, and particular striking sceneries. It creates a novelistic effect on the tale about Gnedich’s life, spanning over twenty years. The narrative is often interrupted by streams of consciousness and reminiscence by its main heroes. At the same time, it continues the traditions of Russian classic literature with its attention to detail and the psychology of the characters. A significant part of the novel is dedicated to the description of Gnedich’s friendship with Konstantin Batyushkov, a talented poet of the Pushkin epoch. Gnedich, disfigured by a childhood disease, was a librarian at the Imperial Library in St. Petersburg and became famous through his translation of the Illiad. Batyushkov, an officer of the Russian Imperial court who participated in military campaigns, as well as one of the best poets of the beginning of the 19th century, went through deep crisis and mental illness. The friendship between the two becomes one of the themes within the novel. Rybakova builds the novel-in-verse’s plot around Gnedich’s translation of the Illiad into Russian. The narrative progresses from the adult Gnedich’s recollection of his childhood in a small country estate in Ukraine in the first Song, his illness and discovery of the magnificent Greek epic about the siege of the Troy that changed his life forever, to the completion of his work on his translation as a final victory over his life’s circumstances. The titanic work on the translation continued for almost twenty-two years (1807-29).

“It would be hard to imagine Russian poetry in the last half century without Lydia Grigorieva,” writes eminent Russian poet and critic Konstantin Kedrov. Grigorieva is a uniquely individual voice, bucking the trends of modernist poetry to create her own distinctive and beguiling body of poetry. Her work draws on her own remarkable life to create startlingly arresting images and metaphors, full of beauty and power, from her series that emerged from her Arctic childhood, to the troubles that beset Ukraine. Her range of influences is wide, and Beethoven, Freud, Sylvia Plath and Byron all appear in her poems as well as more familiar Russian images. At the heart of Grigorieva’s poetry is what she calls its ‘musicality’ – her firm belief in the power of rhyme and rhythm in creating a poetic experience. In this first major collection of her work in English, English poet John Farndon, working with Grigorieva and co-translator Olga Nakston, has recreated this musicality in English so that English readers might experience for the first time what makes her work so revered in her Russian homeland. Translated by John Farndon with Olga Nakston. Maxim Hodak - Максим Ходак (Publisher), Max Mendor - Макс Мендор (Director), Ksenia Papazova (Managing Editor).

This Housemartin Classics edition includes the full original text as well as an easy to use interactive table of contents.

Overhead block, upward stab, step-through lunge, bayonet slash; knife fighting, handgun shooting, sword play. If your enemy is armed, you need to know how to deal with him. SAS and Elite Forces Guide Armed Combat teaches a huge range of armed close combat techniques, including tips on fighting stances and postures, movement and evasions, quick draws, parries, fend-offs, blocks, cuts, thrusts, strikes, and stabs. Our expert author will teach you how to tackle single opponents and groups using blunt weapons, blades, firearms, and improvised weapons. Presented in an easy to follow format, SAS and Elite Forces Guide Armed Combat is divided into separate chapters covering fighting skills mindset, what to attack and where to defend, blunt weapons, sharp and pointed weapons, firearms, unarmed techniques, training drills, and improvised techniques. The author also offers plenty of short, handy tips on key topics such as bayonet training, quick draw techniques, copying with injury and dirty tricks. Written in easy-to-understand steps and accompanied with more than 150 black-and-white illustrations, SAS and Elite Forces Guide Armed Combat guides the reader through everything they need to know to overcome an armed aggressor in any hand-to-hand combat situation.

A tale of a provincial family desperate to better itself through a marriage of their daughter. The old man is almost forced into a wedding that is expected to last for a short period before he dies and leaves his fortune to the young girl. But not everything is going as planned. The story provides an brilliant insight into the desperation, psychology, gossip, and rivalry of provincial merchants trying to better their position in life.