Thomas Middleton was born in London in April 1580 and baptised on 18th April. Middleton was aged only five when his father died. His mother remarried but this unfortunately fell apart into a fifteen year legal dispute regarding the inheritance due Thomas and his younger sister. By the time he left Oxford, at the turn of the Century, Middleton had and published Microcynicon: Six Snarling Satirese which was denounced by the Archbishop of Canterbury and publicly burned. In the early years of the 17th century, Middleton wrote topical pamphlets. One - Penniless Parliament of Threadbare Poets was reprinted several times and the subject of a parliamentary inquiry. These early years writing plays continued to attract controversy. His writing partnership with Thomas Dekker brought him into conflict with Ben Jonson and George Chapman in the so-called War of the Theatres. His finest work with Dekker was undoubtedly The Roaring Girl, a biography of the notorious Mary Frith. In the 1610s, Middleton began another playwriting partnership, this time with the actor William Rowley, producing another slew of plays including Wit at Several Weapons and A Fair Quarrel. The ever adaptable Middleton seemed at ease working with others or by himself. His solo writing credits include the comic masterpiece, A Chaste Maid in Cheapside, in 1613. In 1620 he was officially appointed as chronologer of the City of London, a post he held until his death. The 1620s saw the production of his and Rowley's tragedy, and continual favourite, The Changeling, and of several other tragicomedies. However in 1624, he reached a peak of notoriety when his dramatic allegory A Game at Chess was staged by the King's Men. Though Middleton's approach was strongly patriotic, the Privy Council silenced the play after only nine performances at the Globe theatre, having received a complaint from the Spanish ambassador. What happened next is a mystery. It is the last play recorded as having being written by Middleton. Thomas Middleton died at his home at Newington Butts in Southwark in the summer of 1627, and was buried on July 4th, in St Mary's churchyard which today survives as a public park in Elephant and Castle.

The English dramatists Francis Beaumont and John Fletcher, collaborated in their writing during the reign of James I of England (James VI of Scotland, 1567-1625; in England he reigned from 1603).Beaumont & Fletcher began to collaborate as writers soon after they met. After notable failures of their solo works their first joint effort, Philaster, was a success and tragicomedy was the genre they explored and built upon. There would be many further successes to follow.There is an account that at the time the two men shared everything. They lived together in a house on the Bankside in Southwark, "e;they also lived together in Bankside, sharing clothes and having one wench in the house between them."e; Or as another account puts it "e;sharing everything in the closest intimacy."e;Whatever the truth of this they were now recognised as perhaps the best writing team of their generation, so much so, that their joint names was applied to all the works in which either, or both, had a pen including those with Philip Massinger, James Shirley and Nathan Field.The first Beaumont and Fletcher folio of 1647 contained 35 plays; 53 plays were included in the second folio in 1679. Other works bring the total plays in the canon to about 55. However there appears here to have been some duplicity on the account of the publishers who seemed to attribute so many to the team. It is now thought that the work between solely by Beaumont and Fletcher amounts to approximately 15 plays, though of course further works by them were re-worked by others and the originals lost.After Beaumont's early death in 1616 Fletcher continued to write and, at his height was, by many standards, the equal of Shakespeare in popularity until his own death in 1625.

John Dryden was born on August 9th, 1631 in the village rectory of Aldwincle near Thrapston in Northamptonshire. As a boy Dryden lived in the nearby village of Titchmarsh, Northamptonshire. In 1644 he was sent to Westminster School as a King's Scholar. Dryden obtained his BA in 1654, graduating top of the list for Trinity College, Cambridge that year. Returning to London during The Protectorate, Dryden now obtained work with Cromwell's Secretary of State, John Thurloe. At Cromwell's funeral on 23 November 1658 Dryden was in the company of the Puritan poets John Milton and Andrew Marvell. The setting was to be a sea change in English history. From Republic to Monarchy and from one set of lauded poets to what would soon become the Age of Dryden. The start began later that year when Dryden published the first of his great poems, Heroic Stanzas (1658), a eulogy on Cromwell's death. With the Restoration of the Monarchy in 1660 Dryden celebrated in verse with Astraea Redux, an authentic royalist panegyric. With the re-opening of the theatres after the Puritan ban, Dryden began to also write plays. His first play, The Wild Gallant, appeared in 1663 but was not successful. From 1668 on he was contracted to produce three plays a year for the King's Company, in which he became a shareholder. During the 1660s and '70s, theatrical writing was his main source of income. In 1667, he published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London in 1666. It established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate (1668) and then historiographer royal (1670). This was truly the Age of Dryden, he was the foremost English Literary figure in Poetry, Plays, translations and other forms. In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697), which was published by subscription. It was a national event. John Dryden died on May 12th, 1700, and was initially buried in St. Anne's cemetery in Soho, before being exhumed and reburied in Westminster Abbey ten days later.

Thomas Middleton was born in London in April 1580 and baptised on 18th April. Middleton was aged only five when his father died. His mother remarried but this unfortunately fell apart into a fifteen year legal dispute regarding the inheritance due Thomas and his younger sister. By the time he left Oxford, at the turn of the Century, Middleton had and published Microcynicon: Six Snarling Satirese which was denounced by the Archbishop of Canterbury and publicly burned. In the early years of the 17th century, Middleton wrote topical pamphlets. One - Penniless Parliament of Threadbare Poets was reprinted several times and the subject of a parliamentary inquiry. These early years writing plays continued to attract controversy. His writing partnership with Thomas Dekker brought him into conflict with Ben Jonson and George Chapman in the so-called War of the Theatres. His finest work with Dekker was undoubtedly The Roaring Girl, a biography of the notorious Mary Frith. In the 1610s, Middleton began another playwriting partnership, this time with the actor William Rowley, producing another slew of plays including Wit at Several Weapons and A Fair Quarrel. The ever adaptable Middleton seemed at ease working with others or by himself. His solo writing credits include the comic masterpiece, A Chaste Maid in Cheapside, in 1613. In 1620 he was officially appointed as chronologer of the City of London, a post he held until his death. The 1620s saw the production of his and Rowley's tragedy, and continual favourite, The Changeling, and of several other tragicomedies. However in 1624, he reached a peak of notoriety when his dramatic allegory A Game at Chess was staged by the King's Men. Though Middleton's approach was strongly patriotic, the Privy Council silenced the play after only nine performances at the Globe theatre, having received a complaint from the Spanish ambassador. What happened next is a mystery. It is the last play recorded as having being written by Middleton. Thomas Middleton died at his home at Newington Butts in Southwark in the summer of 1627, and was buried on July 4th, in St Mary's churchyard which today survives as a public park in Elephant and Castle.

John Dryden was born on August 9th, 1631 in the village rectory of Aldwincle near Thrapston in Northamptonshire. As a boy Dryden lived in the nearby village of Titchmarsh, Northamptonshire. In 1644 he was sent to Westminster School as a King's Scholar. Dryden obtained his BA in 1654, graduating top of the list for Trinity College, Cambridge that year. Returning to London during The Protectorate, Dryden now obtained work with Cromwell's Secretary of State, John Thurloe. At Cromwell's funeral on 23 November 1658 Dryden was in the company of the Puritan poets John Milton and Andrew Marvell. The setting was to be a sea change in English history. From Republic to Monarchy and from one set of lauded poets to what would soon become the Age of Dryden. The start began later that year when Dryden published the first of his great poems, Heroic Stanzas (1658), a eulogy on Cromwell's death. With the Restoration of the Monarchy in 1660 Dryden celebrated in verse with Astraea Redux, an authentic royalist panegyric. With the re-opening of the theatres after the Puritan ban, Dryden began to also write plays. His first play, The Wild Gallant, appeared in 1663 but was not successful. From 1668 on he was contracted to produce three plays a year for the King's Company, in which he became a shareholder. During the 1660s and '70s, theatrical writing was his main source of income. In 1667, he published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London in 1666. It established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate (1668) and then historiographer royal (1670). This was truly the Age of Dryden, he was the foremost English Literary figure in Poetry, Plays, translations and other forms. In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697), which was published by subscription. It was a national event. John Dryden died on May 12th, 1700, and was initially buried in St. Anne's cemetery in Soho, before being exhumed and reburied in Westminster Abbey ten days later.

Edmund John Millington Synge was born on April 16th 1871 born in Newtown Villas, Rathfarnham, County Dublin on 16 April 1871 the youngest son of eight children. After abandoning a career in music he began to write. A crushing rejection in love caused him to abandon Ireland for much of his life but his writing continued to achieve greater heights. In 1896 he visited Italy before returning to Paris. Later that year he met W. B. Yeats, who encouraged Synge to live for a while in the Aran Islands and then return to Dublin and devote himself to creative work. That same year he joined with Yeats, Lady Gregory, and George William Russell to form the Irish National Theatre Society, which later would become the Abbey Theatre. In 1897 Synge suffered his first attack of Hodgkin's disease, a form of untreatable cancer at the time, and also had an enlarged gland removed from his neck. In 1898, he spent his first summer on the Aran Islands and then continued for the next five collecting stories and folklore and perfecting his Irish but continuing to live in Paris for the rest of the year. The result is this rather fine play which we publish here for you. Synge died of Hodgkin's disease just weeks short of his 38th birthday on March 24th 1909 trying to complete his last play, Deirdre Of The Sorrows. He was buried in Mount Jerome Graveyard, in Dublin.

Aphra Behn was a prolific and well established writer but facts about her remain scant and difficult to confirm. What can safely be said though is that Aphra Behn is now regarded as a key English playwright and a major figure in Restoration theatre. Aphra was born into the rising tensions to the English Civil War. Obviously a time of much division and difficulty as the King and Parliament, and their respective forces, came ever closer to conflict. There are claims she was a spy, that she travelled abroad, possibly as far as Surinam. By 1664 her marriage was over (though by death or separation is not known but presumably the former as it occurred in the year of their marriage) and she now used Mrs Behn as her professional name. Aphra now moved towards pursuing a more sustainable and substantial career and began work for the King's Company and the Duke's Company players as a scribe. Previously her only writing had been poetry but now she would become a playwright. Her first, "e;The Forc'd Marriage"e;, was staged in 1670, followed by "e;The Amorous Prince"e; (1671). After her third play, "e;The Dutch Lover"e;, Aphra had a three year lull in her writing career. Again it is speculated that she went travelling again, possibly once again as a spy. After this sojourn her writing moves towards comic works, which prove commercially more successful. Her most popular works included "e;The Rover"e; and "e;Love-Letters Between a Nobleman and His Sister"e; (1684-87). With her growing reputation Aphra became friends with many of the most notable writers of the day. This is The Age of Dryden and his literary dominance. From the mid 1680's Aphra's health began to decline. This was exacerbated by her continual state of debt and descent into poverty. Aphra Behn died on April 16th 1689, and is buried in the East Cloister of Westminster Abbey. The inscription on her tombstone reads: "e;Here lies a Proof that Wit can never be Defence enough against Mortality."e; She was quoted as stating that she had led a "e;life dedicated to pleasure and poetry."e;

With the power to end the world, would you protect humanity when it broke you or would you take revenge? Meet Ariel: a quiet, unnoticeable girl with an incredible gift… Ariel never had an easy or pleasant life, but the arrival of three gorgeous strangers meant her measured life is turned upside down, as she discovers that angels exist.Now against her will, she’s drawn into an ancient celestial conflict, where her powers will decide the fate of humanity. Deceived, threatened, hunted and now on the run, who can she trust? It's fantastically written using highly descriptive languagethroughout allowing me to feel like I was transported into the story - I couldalmost smell and feel what the characters are experiencing. (Melanie from "Frasier's Fun House"/Book blogger) From the first chapter I found this book scarily addicting.I just wanted more. I was consumed and intrigued. I didn't know where it wasgoing or what was going to happen and was pleasantly surprised. (Emma from "Emma's Chapter"/Book blogger)Once I'm started, I just can't stop myself from reading itand almost constantly think about it while awake, torturing me. Stranger tothis genre, I wasn't aware this book would make my heart race so much and thatmy little imagination wheels in my brain would be on fire! (Kristina from "Books and Dachshunds"/Book blogger)Holy, that was great...I'm speechless by how amazing the story is. (Deekay from "Life of Deekay"/Book blogger)Heavenward by Olga Gibbs was an interesting read. I thoughtthe idea was brilliant. I have not read that many books dealing with angels butI find that I enjoy them. Gibbs took the story of the angels and definitely puther own spin on it. The scenery that she describes in the second half of thebook is just amazing. (Stephanie from "Books in the Skye"/Book blogger)Fantastic page turner! 150 pages were gone in a flash and Ijust wanted more! (Amazon reviewer)Addictive book with a fantastic and vivid world-building! Iwould definitely continue with this series. I need to know what happens next!Well written, well planned out. Reminded me a little of Hush, Hush, so if youlike things like that then you should definitely check this out. (Book blogger)Olga Gibbs has a talent for world-building. From the schoolyard to the heavenly architecture and natural surroundings, her settings andimagery are so vivid and cater to all five senses; it would be hard to tire fromher rich descriptions. (Kelsey from "There's something about KM"/Book blogger)

He was an Iroquois war chief, she was an indentured servant. A careless footprint brought them together. The birth of a child would change their lives forever.

When love becomes your greatest enemy. Part of?The Love and War Series, novels set during the 20th century's darkest years. Moscow, 1935. Stalin is in power. People live in constant fear – fear of each other, fear of being denounced, and fear of Stalin’s secret police, the NKVD. Ordinary citizens live behind a mask – a public face that enables them to toe the Party line and conceal their true feelings and personal thoughts.?One such citizen is thirty-year-old Maria. She has a past – the sort that, if known, would cost her her freedom. So monstrous her crime, she is forced to live a lie. Maria marries Petrov, a Party activist, not out of love, but as a means of forming a new identity, to escape her past. Her existence is safe – but dull. Until the day she meets Dmitry.Dmitry is an artist, whose work allows him a standard of living above the average Muscovite. But Dmitry feels straitjacketed by what he’s allowed to paint. Instead of the state approved rural idyll of his latest commission, he aspires to paint the female form. But when Maria offers to pose for him, he refuses – until he falls in love with her.Dmitry’s artistic aspirations and Maria’s yearning for a new life force them to risk everything in the name of love and freedom.?The Black Maria?is a novel about truth – the distortion of it, and the fear of it. And at the heart of the novel, is Maria’s brutal past. When love comes unexpectedly, it threatens to expose the truth and destroy her.“I'm seriously in awe. It's a remarkable piece of historical fiction. It's dark, gritty, and really quite disturbing. And heartbreaking at the same time. A brilliant achievement!”?“A disquieting, well-told tale in which the author delves deeply and effectively into the minds of his characters. Is it entertaining? Yes. You'll be glad you read this novel.”“Hard-hitting, dark and, at times, unpalatable. It is also honest.”“I don't recall being quite as thoroughly chilled by Solzhenitsyn's works as I was with Rupert Colley's The Black Maria.”“Wonderfully written, this is a novel that lives long in the memory. Highly recommended.”“An absorbing if confronting read, and stayed with me long after I'd finished it.”Rupert Colley is the founder, editor and writer of the highly successful?History In An Hour?series of ebooks and audio, published by HarperCollins.?Historical fiction with heart and drama.

Your mission: To unite a nation divided by a forest of lies. When privilege becomes an unbearable burden. When you must discard your privilege to bring peace. What is a life of privilege worth if there’s no peace? One journey to save the world. One journey to unite the world. When hope rests on the shoulders of only one. When hope rests on the shoulders of only one man. Diondray's Journey is the second book of The Diondray's Chronicles.

Fear on the streets. Death on every corner. But the real enemy is the brother at his side. Part of?The Love and War Series, novels set during the 20th century's darkest years. Short, heart-wrenching historical fiction on a large canvas from the founder of History In An Hour. My Brother the Enemy is a story of jealousy, sibling rivalry and betrayal, and a desperate bid for freedom, set against a backdrop of Nazi oppression and war. 1936 – Exiled by the Nazi regime for their father’s beliefs, Peter’s love for his brother is slowly eroded as Martin proves himself to be ruthless and manipulative. When Monika comes into their young lives, their mutual jealousies heighten and threaten to tear them apart. 1941 – A childhood accident saves Peter from active service. His brother, posted to the killing fields of the Eastern Front, isn’t so lucky. 1945 – Berlin is torn apart by Allied bombs. Amid the carnage and death that descends over the city, Martin returns from Russia – battered and embittered. The twins’ seething bitterness and their shared love for Monika finally explodes with devastating consequences. "I have read Rupert Colley's work before and he didn't disappoint me here again."“A good, fast, page-turning read and I cared about the characters and wanted to know what happened to them.” “Fraternal jealousies and rivalries are searingly drawn.” "Could hardly stand to put it down but at the same time I didn't want to finish it! Would recommend to all.""Turbulent historical setting? Check. Vivid descriptions? Check. Realistic and likeable central character? Check. Page-turning excitement? Check. Heart-stopping denouement? Check. Passion, heroism, betrayal? Check, check, and check."Historical fiction with heart and drama.

The 2012 presidential election campaign is well under way when Barack Obama succumbs to a sudden heart attack. Vice-president Biden is sworn in as President and the Democratic Party recalls its convention. Jesse Jackson makes a powerful speech proposing that the party adopt Michelle Obama as its candidate. What happens next?

The Storm Begins. Seeing the future: blessing or curse? For Anne Fincastle, only the number of survivors changes. Few or none. Anne knows the truth. In her heart, her mind, her bones. Only Evan Griffith believes. Can they make a difference for humanity, together? Book One of the Storms of Future Past Series. An excerpt from Dreaming the Storm: Prophets have risen up many times through the ages, claiming to have the gift of seeing the future. Whether certain ones could or not is a debate for another day. What’s not debatable is the most common response by society: to condemn them as insane, with often horrific results. The screen went blank for a second, and Anne wiped her eyes, hoping the horrible movie was over. She didn’t ever want to come back to this library again. Then she saw dots slowly lighting up and glowing, coming to life scattered around the screen. There weren’t very many, not even twenty of them. Lines formed on the screen, and after a second Anne realized those were the lines of the continents. The dots were on the land. She could see a few on each continent, and only five in all of North America. Her fear drew back a little as her curiosity started to recover. What was she looking at? They weren’t near any of the cities she knew. “What is it?” she whispered. The lines of the continents faded in the middle, right around the Atlantic ocean, and words floated to the surface. Pale blue words. Remaining Human Population.

"I am a human being; I am a woman; I am a black woman; I am an African. Once I was free; then I was captured and became a slave; but inside me, here and here, I am still a free woman."During a period of four hundred years, European slave traders ferried some 12 million enslaved Africans across the Atlantic. In the Americas, teaching a slave to read and write was a criminal offense. When the last slaves gained their freedom in Brazil, barely a thousand of them were literate. Hardly any stories of the enslaved and transported Africans have survived.This novel is an attempt to recreate just one of those stories, one story of a possible 12 million or more.Lawrence Hill created another in The Book of Negroes (Someone Knows my Name in the U.S.) and, more recently, Yaa Gyasi has done the same in Homegoing. Ama occupies center stage throughout this novel. As the story opens, she is sixteen. Distant drums announce the death of her grandfather. Her family departs to attend the funeral, leaving her alone to tend her ailing baby brother. It is 1775. Asante has conquered its northern neighbor and exacted an annual tribute of 500 slaves. The ruler of Dagbon dispatches a raiding party into the lands of the neighboring Bekpokpam. They capture Ama. That night, her lover, Itsho, leads an attack on the raiders’ camp. The rescue bid fails. Sent to collect water from a stream, Ama comes across Itsho’s mangled corpse. For the rest of her life she will call upon his spirit in time of need. In Kumase, the Asante capital, Ama is given as a gift to the Queen-mother. When the adolescent monarch, Osei Kwame, conceives a passion for her, the regents dispatch her to the coast for sale to the Dutch at Elmina Castle. There the governor, Pieter de Bruyn, selects her as his concubine, dressing her in the elegant clothes of his late Dutch wife and instructing the obese chaplain to teach her to read and write English. De Bruyn plans to marry Ama and take her with him to Europe. He makes a last trip to the Dutch coastal outstations and returns infected with yellow fever. On his death, his successor rapes Ama and sends her back to the female dungeon. Traumatized, her mind goes blank. She comes to her senses in the canoe which takes her and other women out to the slave ship, The Love of Liberty. Before the ship leaves the coast of Africa, Ama instigates a slave rebellion. It fails and a brutal whipping leaves her blind in one eye. The ship is becalmed in mid-Atlantic. Then a fierce storm cripples it and drives it into the port of Salvador, capital of Brazil. Ama finds herself working in the fields and the mill on a sugar estate. She is absorbed into slave society and begins to adapt, learning Portuguese. Years pass. Ama is now totally blind. Clutching the cloth which is her only material link with Africa, she reminisces, dozes, falls asleep. A short epilogue brings the story up to date. The consequences of the slave trade and slavery are still with us. Brazilians of African descent remain entrenched in the lower reaches of society, enmeshed in poverty. “This is story telling on a grand scale,” writes Tony Sim?es da Silva. “In Ama, Herbstein creates a work of literature that celebrates the resilience of human beings while denouncing the inscrutable nature of their cruelty. By focusing on the brutalization of Ama's body, and on the psychological scars of her experiences, Herbstein dramatizes the collective trauma of slavery through the story of a single African woman. Ama echoes the views of writers, historians and philosophers of the African diaspora who have argued that the phenomenon of slavery is inextricable from the deepest foundations of contemporary western civilization.” Ama, a Story of the Atlantic Slave Trade, won the 2002 Commonwealth Writers Prize for the Best First Book.

Do you dream of discovering your purpose, but have no idea where to start? Here’s a step-by-step, proven process to unveil your passions and discover your innate talents to fast-track your ideal career. *FREE 100+ page worksheet booklet inside.* This book will take you on a fun interactive journey of self-discovery to clarify your purpose and passions in life. Learn from award-winning author, Tikiri, who used the techniques in here to go from being an immigrant teen with $20 in her pocket to managing multi-million-dollar projects and traveling the world. You'll discover how to: - Uncover the passions you hold within you. - Discover your innate talents and unique skills. - Identify the value you can give the world, so you make a living doing what you love. And much more!In these pages, you will read a story, and that story will be yours. Your Rebel Dreams?is a life-changing workbook with down-to-earth advice, inspiring quotes and plenty of space for you to write your answers. If you’d like to go on an adventure where you get to explore the amazing things you're meant to do, pick up?Your Rebel Dreams?today! ___________________ The Rebel Diva Series Your Rebel Dreams?– How to discover your purpose and power up your life. Your Rebel Plans?- How to create a masterplan for your career change. Your Rebel Life –?Easy habit hacks to transform the most important pillars of your life. Bust Your Fears - Three easy tools to conquer your fears and upgrade your career and life. The Rebel Diva book series is for the busy working woman who's juggling everything and wishes life had more to give her. Don't just read self-help. Get the Rebel Diva guides that will take you by the hand and show you step-by-step how to create your dream life.

A steamy five-book set from USA Today bestseller Ember Casey. Includes an exclusive extended series epilogue!?Meet the Fontaines: Hollywood royalty. L.A.'s most notorious bad boys. Permanent stars of the tabloids. And the wickedest, most devilish lovers around...This set includes the complete Fontaines series plus special bonuses!THE SWEET TASTE OF SIN (BOOK 1): To the rest of the world, Dante Fontaine is the ridiculously attractive oldest son of the Fontaine family. To Ashlyn? He’s the guy who made her swear off men forever. She just wants to run her bakery, heal her broken heart, and forget him. Buy Dante has other plans, and this time, he has no intention of letting her go…THE LIES BETWEEN THE LINES (BOOK 2): Emilia Torres has everything she’s ever wanted. After years of struggling to become an actress, she’s finally caught her big break—a part opposite the hottest star in Hollywood, the gorgeous and charming Luca Fontaine. But her biggest role might be the one she plays off-screen, where she and Luca pretend to be in love. The rules for their relationship are simple: in front of the paparazzi, they play the perfect Hollywood couple. In private, their contract states that all feelings—and sex—are absolutely forbidden. But what if the truth becomes hotter than the lies?THE MYSTERY OF YOU (BOOK 3): When Edie Marshall meets a mysterious—and drop-dead gorgeous—man in the woods just outside her small town, she has no idea that he’s actually Rafe Fontaine, certified bad boy and black sheep of the Fontaine family. And she definitely has no idea that their brief, passionate encounter will lead to her getting pregnant. Can she trust her heart—and her baby—to Hollywood’s hottest bad boy?THE THRILL OF TEMPTATION (BOOK 4): Maggie Blankenship is a hot mess—broke, unemployed, and down on her luck. So when she’s offered the chance to fill in as an extra in a movie, she wonders if her luck is changing. It turns out that the movie is being directed by Orlando Fontaine—the intense and mysterious youngest brother of the Fontaine family. Sparks (and underwear) fly between the pair of them from the start, but Orlando has a strict no-fraternizing policy on his sets. As the heat builds between Maggie and Orlando, only one question remains—what’s the cost of giving in to temptation?Plus TWO special bonuses:THE SECRET TO SEDUCTION (full-length prequel): Felicia Liddle has eight days to seduce one of the notorious Fontaine brothers. The only problem? Historically speaking, Felicia's way more likely to put her foot in her mouth (or generally make an idiot of herself) than charm the pants off of anyone. Enter Roman Everet: media mogul (read: billionaire), insanely sexy, and--oh yeah--Felicia's new boss. He might hold the fate of her job in his hands, but he's more than willing to help her become an expert in seduction...And an Extended Bonus Epilogue!

The year is 1914?and the world is in turmoil. In Europe, the Great War is raging. In Asia, fierce insurgencies are in progress against the colonial powers of Europe. In Mexico, a bloody revolution is ripping that nation to shreds and threatening to spill over into Texas, New Mexico, and Arizona. Meanwhile, in Chicago, Billy Battles and his wife, the former Baroness Katharina von Schreiber, have managed to live an uncommonly sedate life for almost ten years. But, with one telephone call their tranquil world is shattered. Katharina and Billy set off on a succession of wild adventures that will alter their lives for all time. Their new and violent world is one brimming with miscreants, secret agents, treachery, and tragedy. But most importantly,?it triggers Billy's mysterious decades-long disappearance. Where is he? What happened? The answers are in The Lost Years of Billy Battles, Book 3of the award-winning Finding Billy Battles trilogy

The Wes Anderson Collection: Isle of Dogs is the only book to take readers behind the scenes of the beloved auteur's newest stop-motion animated film. Through the course of several in-depth interviews with film critic Lauren Wilford, writer and director Wes Anderson shares the story behind Isle of Dogs's conception and production, and Anderson and his collaborators reveal entertaining anecdotes about the making of the film, their sources of inspiration, the ins and outs of stop-motion animation, and many other insights into their moviemaking process. Previously unpublished behind-the-scenes photographs, concept artwork, and hand-written notes and storyboards accompany the text. The book also features an introduction by critics and collaborators Taylor Ramos and Tony Zhou, and a foreword by critic Matt Zoller Seitz. The fourth volume of the New York Times bestselling Wes Anderson Collection, Isle of Dogs stays true to the series with its rich design and colorful illustrations, capturing Anderson's signature aesthetic vision and bringing the series's definitive study of Anderson's filmography up to date.Isle of Dogs tells the story of Atari Kobayashi, 12-year-old ward to corrupt Mayor Kobayashi. When, by Executive Decree, all the canine pets of Megasaki City are exiled to a vast garbage-dump called Trash Island, Atari sets off alone in a miniature Junior-Turbo Prop and flies across the river in search of his bodyguard-dog, Spots. There, with the assistance of a pack of newly-found mongrel friends, he begins an epic journey that will decide the fate and future of the entire Prefecture. The film features the voices of Bryan Cranston, Koyu Rankin, Edward Norton, Bob Balaban, Bill Murray, Jeff Goldblum, Kunichi Nomura, Akira Takayama, Greta Gerwig, Frances McDormand, F. Murray Abraham, Tilda Swinton, Akira Ito, Yoko Ono, Mari Natsuko, Harvey Keitel, Courtney B. Vance, Ken Watanabe, Scarlett Johnasson, Fisher Stevens, Nijiro Murakami, and Liev Schreiber.

"e;A well-told, powerful story. Backderf is quite skilled in using comics to tell this tale of a truly weird and sinister 1970s adolescent world."e; -R. Crumb NATIONAL BESTSELLER Named a BEST OF 2012 by Time, The Village Voice, A.V. Club, comiXology, Boing Boing, Publishers Weekly, MTV Geek, and more! "e;ASTOUNDING."e; -Lev Grossman, Time You only think you know this story. In 1991, Jeffrey Dahmer-the most notorious serial killer since Jack the Ripper-seared himself into the American consciousness. To the public, Dahmer was a monster who committed unthinkable atrocities. To Derf Backderf, Dahmer was a much more complex figure: a high school friend with whom he had shared classrooms, hallways, and car rides. In My Friend Dahmer, a haunting and original graphic novel, writer-artist Backderf creates a surprisingly sympathetic portrait of a disturbed young man struggling against the morbid urges emanating from the deep recesses of his psyche-a shy kid, a teenage alcoholic, and a goofball who never quite fit in with his classmates. With profound insight, what emerges is a Jeffrey Dahmer that few ever really knew, and readers will never forget. This new paperback edition will coincide with the release of the movie adaptation of My Friend Dahmer and will include additional bonus content from the author archives.

Pancho Finds A Home is about a little dog who wanders into a small Mexican village that is preparing for a feast. He befriends a burro, hen and goat and prepares a special surprise for them.