Science fiction comes in many flavors. Technological advances not too far-fetched or far off. For better or worse. Humanity’s next great leap, from Earth to the solar system and beyond. And of course, what sorts of creatures and cultures await us among the stars. Jason A. Adams and Kari Kilgore explore these areas and more, each with their own unique voice and twists of imagination. Come along for the adventure, near and far, tomorrow and into the future! Includes The Sound of Murder, GS-304, Renovations, The Garbage Belt, and Sunlit Dispositions. The Sound of Murder Self-improvement can be deadly. Insurance agency programmer Dana Sanderson only wants peace and quiet at work. A desire her micromanaging boss somehow never respects. Then the investigation of a rash of suspicious natural death claims lands on Dana’s laptop. Failure means huge payouts for the company. Success means a huge bonus for her. Find out if Dana’s risks outweigh her rewards in this clever digital mystery. GS-304 Mighty explorers of the galaxy Portarr and Flandarr inspect a non-descript watery planet in G-Sector. What they discover changes their lives. GS-304, the specimen that refuses to be a subject. Join the intrepid adventurers as they discover a strange beast that conquers their hearts. Renovations Bob Henderson despises the modern world. Talking elevators. Automated cars. Smart phones that track every move, mood, and thought. The day his office building grows security cameras in the halls, Bob realizes the modern world might despise him right back. What happens when the network decides to search for itself? The Garbage Belt Looking for humans? Just look for the garbage. From bones to plastic to dead electronics, people rarely manage to clean up after themselves. Humanity takes a long time to learn how to manage limited resources, too. The rare and precious get lost with the useless and plentiful. Meet Gayle Simmons, pilot of the Treasure Hunt. Rare and precious, in her sights. Sunlit Dispositions Sometimes, only Alex will do. A space station just exploded, and the Sunlit Spirit Empire calls in Alex, Free Troubleshooter extraordinaire. No last name needed. Alex wades into the strange world of Sunlit Spirit intrigue, gamma blaster in hand. Join Alex as he learns the deceptions behind the Truth.

It’s summer vacation, the weather’s great, and all the kids are having fun outside. So where’s Greg Heffley? Inside his house, playing video games with the shades drawn. Greg, a self-confessed “indoor person,” is living out his ultimate summer fantasy: no responsibilities and no rules. But Greg’s mom has a different vision for an ideal summer . . . one packed with outdoor activities and “family togetherness.” Whose vision will win out? Or will a new addition to the Heffley family change everything? F&P level: T

2050. The global village has disintegrated. The Third World War, ending in a stalemate, has left the planet split between two hostile powers, each with a captive sphere of influence. The Atlantic Ocean has become an American sea. West Africa is a desert of failed states and anarchy, dotted with mines and oil rigs, stockaded and armed by U. S. corporations. From their island outpost of St. Thomas, the Americans dispatch expeditions of geologists and mining engineers into the dangerous interior of the Dark Continent to search for untapped mineral resources. One such expedition has gone missing. Ekem “Crash” Ferguson, born in the U.S. in 2008 of African parents and abandoned to the care of foster parents, is a Captain in the Marine Corps. His career blocked and his marriage failing, he accepts an offer to proceed to Ghana on a one-man mission to find the missing experts. Unknown to his handlers, he has another mission. His arrival in Africa is inauspicious: in a shack amongst the coconut palms he comes across two human skeletons. This is only the first incident in what turns out to be a journey of discovery and self-discovery. “Magnificently crafted political fiction.” Andre Vltchek, author of Aurora and Exposing the Lies of the Empire.

Called to a crime scene, caught in a pursuit that will change his life forever. Or end it. Chief Deputy Randall Steadman knows how to read people, making him tough to face in the interrogation room. He learns the hard way those tactics don't apply at the poker table. Watching the last of his money disappear in a pile of plastic chips, Steadman thinks it can’t get worse. Then new disaster strikes, spinning him off on a quest to catch a killer and protect an innocent girl, aided only by his new and untried partner, Detective Cory Frost. Extortion, a deadly volcano, and a triple homicide mark the beginning of a long and winding road for Steadman and Frost. If you like books by C.J. Box, Thomas Perry, and Jeffery Deaver, you’ve just found a new favorite in Steadman’s Blind!

Greg Heffley has always been in a hurry to grow up. But is getting older really all it’s cracked up to be?   Greg suddenly finds himself dealing with the pressures of boy-girl parties, increased responsibilities, and even the awkward changes that come with getting older—all without his best friend, Rowley, at his side. Can Greg make it through on his own? Or will he have to face the “ugly truth”?

The pressure’s really piling up on Greg Heffley. His mom thinks video games are turning his brain to mush, so she wants her son to put down the controller and explore his “creative side.”   As if that’s not scary enough, Halloween’s just around the corner and the frights are coming at Greg from every angle.   When Greg discovers a bag of gummy worms, it sparks an idea. Can he get his mom off his back by making a movie . . . and will he become rich and famous in the process? Or will doubling down on this plan just double Greg’s troubles?

The Clever Teens' Guide to The Russian RevolutionThe communist system unleashed by the Russian Revolution of 1917 was the greatest political experiment ever conducted. The revolution promised freedom from the shackles of imperialism, corruption and exploitation but until its collapse in 1991, the peoples of the vast Soviet empire endured 70 years of misguided socialism and totalitarianism.The Clever Teens’ Guide to the Russian Revolution covers all the major facts and events giving you a clear and straightforward overview: from the circumstances behind the rise of Lenin and the Bolsheviks, to the consequences of their struggle for a new socialist utopia.Ideal for your “clever teenager”.

At long last, this is the definitive Wet Hot American Summer book fans have been clamoring for! Screenwriters David Wain and Michael Showalter take pen to page and create a hilarious, behind-the-scenes annotated version of the original screenplay that launched a thousand Halloween costumes. They provide commentary on and insight into how and why they made the artistic decisions they did while writing and filming the movie that went on to become a true cult classic, as well as an ongoing Netflix series. The book will also feature reproduced ephemera from filming-photos, original (and scathing) reviews, AIM chat conversations, marked up script pages, and so much more. Written and curated by Wain and Showalter, this will be the must-have guide to all things Wet Hot.

The Art of Monsters, Inc. opens the door into Pixar's colorful archives of concept art and to the endearing story of Monsters, Inc. Since the very first bedtime, children around the world have known that once their parents tuck them into bed and shut off the light, monsters lie waiting behind closet doors, ready to emerge. But what they don't realize is that these monsters scare children because they have to. It's their job. This superb film from Pixar Studios, the people who brought you Toy Story, A Bug's Life, and Toy Story 2, reveals the truth about monsters with the brilliant techniques that have earned them their reputation as a ground-breaking animation studio. This incredible body of artwork was commissioned from the top artists, illustrators, and animators in the industry and from it the ultimate visual approach of the film was defined. From sketches scribbled on napkins and quickly inked marker drawings, to finished oil paintings and fabulous pastel color scripts, this behind-the-scenes artwork reveals the elaborate creative process behind a blockbuster film.

From an adventurous balloon ride above the clouds to a monster-filled metropolis, Academy Award(R)-winning director Pete Docter ("e;Monsters, Inc.,"e; "e;Up"e;) has taken audiences to unique and imaginative places. In Disney*;Pixar's original movie "e; Inside Out,"e; he will take us to the most extraordinary location of allinside the mind.Growing up can be a bumpy road, and it's no exception for Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco. Like all of us, Riley is guided by her emotions Joy, Fear, Anger, Disgust, and Sadness. The emotions live in Headquarters, the control center inside Riley's mind, where they help advise her through everyday life. As Riley and her emotions struggle to adjust to a new life in San Francisco, turmoil ensues in Headquarters. Although Joy, Riley's main and most important emotion, tries to keep things positive, the emotions conflict on how best to navigate a new city, house and school.In this groundbreaking and illuminating film, Pixar Animation Studios examines the extraordinary depths of the mind and the powers of emotion and imagination. The Art of Inside Out provides an exclusive look into the artistic exploration that went into the making of this vibrant film. Featuring concept artincluding sketches, collages, color scripts, and much moreand opening with a foreword by actress Amy Poehler and introduction by the film's writer and director Pete Docter, this is the ultimate behind-the-scenes experience of the making of this landmark film.Copyright 2015 Disney Enterprises, Inc. and Pixar. All rights reserved.

In Movie Title Typos, artist Austin Light removes just one letter from a well-known movie title to inspire a surprising and hilarious visual scenario. There's Obocop (a robotic police officer works through his PTSD by playing smooth jazz), T. (a boy meets a jewelry-clad alien who pities fools), Harry Otter, The Princess and the Fro, Finding Emo, Pup Fiction, and many more. A massive viral hit when he first posted sketches of the work online (1.2 million hits in the first 6 hours), Light has created new full-color illustrations for all, with the majority of the book's content never before seen on the Web. Here is a parallel universe glimpse at could-have-been films possibly betterdefinitely funnierthan the originals.

True Blood, HBO's blockbuster paranormal drama, enthralls a diverse audience of 13 million viewers (and counting). Menus at the now famous Fangtasia and Merlotte's Bar and Grill play a key role in the series, providing sustenance for its human characters, evoking memories of a bygone life for its vampires, and serving as a powerful symbol for the desires and carnal needs the characters harbor. It's no wonder so many fans revel in at home parties inspired by the food on the series! With recipes from unforgettable scenes, each entertainingly introduced by True Blood's most compelling characters, these 85 authentic bayou country recipes and 150 plus photos from the series give fans a big taste of Bon Temps.

For many of us DH Lawrence was a schoolboy hero. Who can forget sniggering in class at the mention of Women In Love or Lady Chatterley's Lover? Lawrence was a talented if nomadic writer whose novels were passionately received, suppressed at times and generally at odds with Establishment values. This of course did not deter him. At his death in 1930 at the young age of 44 he was more often thought of as a pornographer but in the ensuing years he has come to be more rightly regarded as one of the most imaginative writers these shores have produced. As well as his novels and of course his poetry - he wrote in excess of 800 of them he was also a very talented playwright. These works have not been given quite the attention they deserve. Here we publish 'The Widowing of Mrs Holroyd.

The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over. Gilbert's sharp, funny words and Sullivan's deliciously lively and hummable tunes create a world that is distinctly British in view but has the world as its audience. Both men were exceptionally talented and gifted in their own right and wrote much, often with other partners, that still stands the test of time. However, together as a team they created Light or Comic Operas of a standard that have had no rivals equal to their standard, before or since. That's quite an achievement. To be recognised by the critics is one thing but their commercial success was incredible. The profits were astronomical, allowing for the building of their own purpose built theatre - The Savoy Theatre. Beginning with the first of their fourteen collaborations, Thespis in 1871 and travelling through many classics including The Sorcerer (1877), H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1885), The Gondoliers (1889) to their finale in 1896 with The Grand Duke, Gilbert & Sullivan created a legacy that is constantly revived and admired in theatres and other media to this very day.

John Webster is known primarily for his two Jacobean tragedies, The Duchess of Malfi and The White Devil. Much of the detail and chronology of his life that led to these two pivotal works is, however, unknown. His father, a carriage maker also named John Webster, married a blacksmith's daughter, Elizabeth Coates, on November 4th, 1577, and it is likely that Webster was born within a year or two in or near London. The family lived in St. Sepulchre's parish. Both his father and his uncle, Edward Webster, were Freemen of the Merchant Taylors' Company and Webster attended Merchant Taylors' School in Suffolk Lane, London. Some accounts say he began to study law but nothing is certain although there are some legal aspects to his later works to suggest this may have been so. By 1602, Webster was employed working as part of various teams of playwrights on history plays, though unfortunately most were never printed and therefore do not survive. These include a tragedy Caesar's Fall (written with Michael Drayton, Thomas Dekker, Thomas Middleton and Anthony Munday), and a collaboration with Thomas Dekker; Christmas Comes but Once a Year (1602). This factory line assembly of plays may seem rather odd to us today but plays then ran for much shorter durations and consequently a steady supply had to be assured. Webster's relationship with Dekker seems to have been a good one. Together they wrote Sir Thomas Wyatt, printed in 1607, although it is thought first performed in 1602 and two city comedies, Westward Ho! in 1604 and Northward Ho! in 1605. It seems Webster also adapted, in 1604, John Marston's The Malcontent for staging by the King's Men. On March 18th, 1606 Webster married the 17-year-old Sara Peniall at St Mary's Church, Islington. Sara was 7 months pregnant and marrying during Lent required the issuing of a special permit, hence the certainty of the date. Their first child, John, was baptised at the parish of St Dunstan-in-the-West on March 8th, 1606. Records show that on the death of a neighbour, who died in 1617, several bequests were made to the Webster family and it is therefore thought that other children were born to the couple. Despite his ability to write comedy, and to collaborate with others, Webster is remembered best for his sole authorship on two brooding English tragedies based on Italian sources. The White Devil, retells the intrigues involving Vittoria Accoramboni, an Italian woman assassinated at the age of 28. It was performed at the open-air Red Bull Theatre in 1612 but was unsuccessful, perhaps being too high brow for a working-class audience. In 1614 The Duchess of Malfi was first performed by the King's Men, most probably in the indoor Blackfriars Theatre and to a more high-brow audience. It proved to be more successful. The play Guise, based on French history, was also written but him but no text has survived. Webster wrote one more play on his own: The Devil's Law Case (c. 1617-1619), a tragicomedy. He continued to write thereafter but always in collaboration and usually city comedies; Anything for a Quiet Life (c. 1621), with Thomas Middleton, and A Cure for a Cuckold (c. 1624), with William Rowley. In 1624, he also co-wrote a topical play about a recent scandal, Keep the Widow Waking (with John Ford, Rowley and Dekker). The play itself is lost, although its plot is known from a court case. There is also some certainty that he contributed to the tragicomedy The Fair Maid of the Inn with John Fletcher, John Ford, and Phillip Massinger. His Appius and Virginia, was probably written with Thomas Heywood, and is of uncertain date. It is believed, mainly from Thomas Heywood's Hierarchie of the Blessed Angels (licensed 7 November 1634) that speaks of him in the past tense that John Webster had died at some point in that year of 1634.

Publius Terentius Afer is better known to us as the Roman playwright, Terence.Much of his life, especially the early part, is either unknown or has conflicting sources and accounts.His birth date is said to be either 185 BC or a decade earlier: 195 BC. His place of birth is variously listed as in, or, near Carthage, or, in Greek Italy to a woman taken to Carthage as a slave. It is suggested that he lived in the territory of the Libyan tribe that the Romans called Afri, near Carthage, before being brought to Rome as a slave. Probability suggests that it was there, in North Africa, several decades after the destruction of Carthage by the Romans in 146 BC, at the end of the Punic Wars, that Terence spent his early years.One reliable fact is that he was sold to P. Terentius Lucanus, a Roman senator, who had him educated and, impressed by his literary talents, freed him.These writing talents were to ensure his legacy as a playwright down through the millennia. His comedies, partially adapted from Greek plays of the late phases of Attic Comedy, were performed for the first time around 170-160 BC. All six of the plays he has known to have written have survived.Indeed, thanks to his simple conversational Latin, which was both entertaining and direct, Terence's works were heavily used by monasteries and convents during the Middle Ages and The Renaissance. Scribes often learned Latin through the copious copying of Terence's texts. Priests and nuns often learned to speak Latin through re-enactment of Terence's plays. Although his plays often dealt with pagan material, the quality and distinction of his language promoted the copying and preserving of his text by the church. This preservation enabled his work to influence a wide spectrum of later Western drama.When he was 25 (or 35 depending on which year of birth you ascribe too), Terence travelled to Greece but never returned. It has long been assumed that he died at some point during the journey.Of his own family nothing is known, except that he fathered a daughter and left a small but valuable estate just outside Rome.His most famous quotation reads: "e;Homo sum, humani nihil a me alienum puto"e;, or "e;I am human, and I think nothing human is alien to me."e;

The reality is that little is known of Aristophanes actual life but eleven of his forty plays survive intact and upon those rest his deserved reputation as the Father of Comedy or, The Prince of Ancient Comedy. Accounts agree that he was born sometime between 456BC and 446 BC. Many cities claim the honor of his birthplace and the most probable story makes him the son of Philippus of gina, and therefore only an adopted citizen of Athens, a distinction which, at times could be cruel, though he was raised and educated in Athens. His plays are said to recreate the life of ancient Athens more realistically than any other author could. Intellectually his powers of ridicule were feared by his influential contemporaries; Plato himself singled out Aristophanes' play The Clouds as a slander that contributed to the trial and condemning to death of Socrates and although other satirical playwrights had also caricatured the philosopher his carried the most weight. His now lost play, The Babylonians, was denounced by the demagogue Cleon as a slander against the Athenian polis. Aristophanes seems to have taken this criticism to heart and thereafter caricatured Cleon mercilessly in his subsequent plays, especially The Knights. His life and playwriting years were undoubtedly long though again accounts as to the year of his death vary quite widely. What can be certain is that his legacy of surviving plays is in effect both a treasured legacy but also in itself the only surviving texts of Ancient Greek comedy.

Eugene Gladstone O'Neill was born on October 16, 1888 in a hotel bedroom in what is now Times Square, New York. Much of his childhood was spent in the comfort of books at boarding schools whilst his actor father was on the road and his Mother contended with her own demons. He spent only a year at University - Princeton - and various reasons have been given for his departure. However whatever his background and education denied or added to his development it is agreed amongst all that he was a playwright of the first rank and possibly America's greatest. His introduction of realism into American drama was instrumental in its development and paved a path for many talents thereafter. Of course his winning of both the Pulitzer Prize (4 times) and the Nobel Prize are indicative of his status. His more famous and later works do side with the disillusionment and personal tragedy of those on the fringes of society but continue to build upon ideas and structures he incorporated in his early one act plays. Eugene O'Neill suffered from various health problems, mainly depression and alcoholism. In the last decade he also faced a Parkinson's like tremor in his hands which made writing increasingly difficult. But out of such difficulties came plays of the calibre of The Iceman Cometh, Long Day's Journey Into Night, and A Moon for the Misbegotten. Eugene O'Neill died in Room 401 of the Sheraton Hotel on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "e;I knew it. I knew it. Born in a hotel room and died in a hotel room."e;

Samuel Butler was born on 4th December 1835 at the village rectory in Langar, Nottinghamshire.His relationship with his parents, especially his father, was largely antagonistic. His education began at home and included frequent beatings, as was all too common at the time.Under his parents' influence, he was set to follow his father into the priesthood. He was schooled at Shrewsbury and then St John's College, Cambridge, where he obtained a first in Classics in 1858.After Cambridge he went to live in a low-income parish in London 1858-59 as preparation for his ordination into the Anglican clergy; there he discovered that baptism made no apparent difference to the morals and behaviour of his new peers. He began to question his faith. Correspondence with his father about the issue failed to set his mind at peace, inciting instead his father's wrath.As a result, the young Butler emigrated in September 1859 to New Zealand. He was determined to change his life.He wrote of his arrival and life as a sheep farmer on Mesopotamia Station in 'A First Year in Canterbury Settlement' (1863). After a few years he sold his farm and made a handsome profit. But the chief achievement of these years were the drafts and source material for much of his masterpiece 'Erewhon'.Butler returned to England in 1864, settling in rooms in Clifford's Inn, near Fleet Street, where he would live for the rest of his life.In 1872, he published his Utopian novel 'Erewhon' which made him a well-known figure.He wrote a number of other books, including a moderately successful sequel, 'Erewhon Revisited' before his masterpiece and semi-autobiographical novel 'The Way of All Flesh' appeared after his death. Butler thought its tone of satirical attack on Victorian morality too contentious to publish during his life time and thereby shied away from further potential problems.Samuel Butler died aged 66 on 18th June 1902 at a nursing home in St John's Wood Road, London. He was cremated at Woking Crematorium, and accounts say his ashes were either dispersed or buried in an unmarked grave.

Sir James Matthew Barrie, 1st Baronet, OM, was born in Kirriemuir, Angus the ninth of ten children on May 9th, 1860. From early formative experiences, Barrie knew that he wished to follow a career as an author. His family wished otherwise and sought to persuade him to choose a profession, such as the ministry. The compromise was that he would attend university to study literature at the University of Edinburgh. He graduated with an M.A. on April 21st, 1882. His first job was as a staff journalist for the Nottingham Journal. The London editor of the St. James's Gazette "e;liked that Scotch thing"e; in Barrie's short stories about his mother's early life. They also served as the basis for his first novels. Barrie though was increasingly drawn to working in the theatre. His first play, a biography of Richard Savage, was only performed once and critically panned. Undaunted he immediately followed this with Ibsen's Ghost in 1891, a parody of Ibsen's plays Hedda Gabler and Ghosts. Barrie's third play, Walker, London, in 1892 led to an introduction to his future wife, a young actress by the name of Mary Ansell. The two became friends, and she helped his family to care for him when he fell very ill in 1893 and 1894. Barrie proposed and they were married, in Kirriemuir, on July 9th, 1894. By some accounts the relationship was unconsummated and indeed the couple had no children. The story of Peter Pan had begun to formulate when Barrie became acquainted with the Llewelyn Davis family in 1897, meeting George, Jack and baby Peter with their nanny in London's Kensington Gardens. In 1901 and 1902, Barrie had back-to-back theatre successes with Quality Street and The Admirable Crichton. The character of "e;Peter Pan"e; first appeared in The Little White Bird in 1902. This most famous and enduring of his works; Peter Pan, or The Boy Who Wouldn't Grow Up had its first stage performance on December 27th, 1904. Peter Pan would overshadow everything written during his career. He continued to write for the rest of his life contributing many other fine and important works. Sir James Matthew Barrie, 1st Baronet, OM, died of pneumonia on June 19th,1937 and was buried at Kirriemuir next to his parents and two of his siblings.

This acclaimed biography charts the progress of the brilliant, prolific writer, C. S. Lewis. C. S. Lewis was a deeply complex man, capable of inspiring both great devotion and great hostility. This acclaimed biography charts the progress of the clever child from the ‘Little End Room’ of his Ulster childhood and adult life, exploring Lewis’s unwilling conversion to Christianity, the genesis of his writing, and the web of his relationships.