The classic Shakespeare history play, with line numbers. According to Wikipedia: "William Shakespeare (baptised 26 April 1564 – died 23 April 1616) was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon" (or simply "The Bard"). His surviving works consist of 38 plays, 154 sonnets, two long narrative poems, and several other poems. His plays have been translated into every major living language, and are performed more often than those of any other playwright."

The classic tale of survival on a deserted island. The story begins: "I WAS born in the year 1632, in the city of York, of a good family, though not of that country, my father being a foreigner of Bremen, who settled first at Hull. He got a good estate by merchandise, and leaving off his trade, lived afterwards at York, from whence he had married my mother, whose relations were named Robinson, a very good family in that country, and from whom I was called Robinson Kreutznaer; but, by the usual corruption of words in England, we are now called - nay we call ourselves and write our name - Crusoe; and so my companions always called me." According to Wikipedia: Daniel Defoe (1659/1661 [?] — 1731), born Daniel Foe, was an English writer, journalist, and pamphleteer, who gained enduring fame for his novel Robinson Crusoe. Defoe is notable for being one of the earliest practitioners of the novel, as he helped to popularise the form in Britain, and is even referred to by some as one of the founders of the English novel. A prolific and versatile writer, he wrote more than five hundred books, pamphlets, and journals on various topics (including politics, crime, religion, marriage, psychology and the supernatural). He was also a pioneer of economic journalism.

Descriptions of birds, organized by month, first published in 1914. It includes pheasant, woodcock, woodpigeon, cuckoo, swift, swallow, martin, seagull, moping owl, waterfowl, and robin redbreast.

Classic fiction and poetry. This file includes: Flint and Feather, Legends of Vancouver, The Moccasin Maker, and The Shagganappi. According to Wikipedia: "Emily Pauline Johnson (also known in Mohawk as Tekahionwak, literally: 'double-life') (10 March 1861 – 7 March 1913), commonly known as E. Pauline Johnson or just Pauline Johnson, was a Canadian writer and performer popular in the late 19th century. Johnson was notable for her poems and performances that celebrated her First Nations heritage; her father was a Mohawk chief of mixed ancestry, and her mother an English immigrant. One such poem is the frequently anthologized "The Song My Paddle Sings". Her poetry was published in Canada, the United States and Great Britain. Johnson was one of a generation of widely read writers who began to define a Canadian literature."

The classic tragedy. According to Wikipedia: "Othello, the Moor of Venice is a tragedy by William Shakespeare, believed to have been written in approximately 1603, based on the short story "Moor of Venice" by Cinthio. The work revolves around four central characters: Othello, his wife Desdemona, his lieutenant Cassio, and his trusted advisor Iago. Attesting to its enduring popularity, the play appeared in 7 editions between 1622 and 1705. Because of its varied themes — racism, love, jealousy and betrayal — it remains relevant to the present day and is often performed in professional and community theatres alike. The play has also been the basis for numerous operatic, film and literary adaptations."

Classic fiction. According to Wikipedia: "Emily Pauline Johnson (also known in Mohawk as Tekahionwake, literally: 'double-life') (10 March 1861 – 7 March 1913), commonly known as E. Pauline Johnson or just Pauline Johnson, was a Canadian writer and performer popular in the late 19th century. Johnson was notable for her poems and performances that celebrated her First Nations heritage; her father was a Mohawk chief of mixed ancestry, and her mother an English immigrant. One such poem is the frequently anthologized "The Song My Paddle Sings". Her poetry was published in Canada, the United States and Great Britain. Johnson was one of a generation of widely read writers who began to define a Canadian literature.

The classic, humorous, time-travel novel. According to Wikipedia: "Samuel Langhorne Clemens (1835 – 1910), better known by the pen name Mark Twain, was an American author and humorist. Twain is most noted for his novels Adventures of Huckleberry Finn, which has since been called the Great American Novel and The Adventures of Tom Sawyer. He is extensively quoted. During his lifetime, Twain became a friend to presidents, artists, industrialists and European royalty. Twain enjoyed immense public popularity, and his keen wit and incisive satire earned him praise from both critics and peers. American author William Faulkner called Twain "the father of American literature."

This file includes: The Backwoods of Canada, Canadian Crusoes (AKA Lost in the Backwoods), In the Forest (AKA Lady Mary and Her Nurse), and Little Downy. According to Wikipedia: Catharine Parr Traill, born Strickland (9 January 1802 – 29 August 1899) was an English-Canadian author who wrote about life as a settler in Canada... She described her new life in letters and journals, and collected these into The Backwoods of Canada (1836), which continues to be read as an important source of information about early Canada. She describes everyday life in the community, the relationship between Canadians, Americans, and natives, the climate, and local flora and fauna. More observations were included in a novel, Canadian Crusoes (1851). She also collected information concerning the skills necessary for a new settler, published in The Female Emigrant's Guide (1854), later retitled The Canadian Settler's Guide. She wrote "Pearls and Pebbles" and "Cot and Cradle Stories".

Al doilea volum din Tetralogia Napolitan??Indiferent cine se ascunde ?n spatele numelui Elena Ferrante, misteriosul pseudonim folosit de autoarea romanelor napolitane, dou? lucruri sunt certe: e femeie ?i ?tie s? descrie ora?ul Napoli mai bine ca oricine. Stilul ei are fine?ea unei p?nze de p?ianjen, dar totodat? o for?? a expresiei ?i o magie aparte, cu care creeaz? o ?ntreag? lume.“ Huffington Post Povestea celor dou? prietene, Lila ?i Elena, continu?. Acum sunt dou? tinere ale c?ror drumuri se despart dramatic.Pe c?nd Elena prefer? s?-?i continue studiile, Lila se m?rit?, ob?in?nd astfel o condi?ie social? ?i financiar? superioar? originilor sale modeste, dar r?m?n?nd prizonier? ?ntr-o c?snicie nefericit?.?n ciuda c?ilor diferite pe care au luat-o vie?ile lor, leg?tura dintre Lila ?i Elena r?m?ne complex? ?i intens?, iar sentimentele fiec?reia oscileaz?, pe r?nd, ?ntre nep?sare, dispre? ?i iubire reciproc? profund?.?Elena ?i Lila. Fiecare este pentru cealalt? prietena genial?: o poten?ialitate neexprimat?, un imbold ?i un repro?, un obiect al invidiei ?i un orizont al dorin?ei.“L’indice dei libri?Ferrante descrie dialogul interior feminin cu o fervoare ?ocant de sincer?, tulbur?tor de direct?.“ Booklist?O carte ce se revars? ca o erup?ie a vulcanului Vezuviu.“ La Repubblica

n irul romanelor de mai trziu, dar mai cu seam n Viaa la ar […], n care temperamentul lui stilistic ajunge la formele unui clasicism plin de msur i claritate, Duiliu Zamfirescu renun n cea mai mare parte la manierismul trecutului. Analistul naturalist al strilor sufleteti struie, ba chiar se dezvolt n el, fr s mai simt nevoia apelului la nomenclatura i dialectica tiinei. Lirismul capt o pedal grav i simpl, i reflecia general ader parc mai adnc la impresia direct. […] Numeroase sunt pasagiile Vieii la ar n care amnuntul realist, umoristic sau graios, d via i adevr tablourilor.[…] ntocmai ca mai toi scriitorii realiti romni, pn cnd un Alexandru Macedonski cucerete sectoare noi ale artei descriptive, Duiliu Zamfirescu este mai ales un pictor al omului i al peisagiului, mai mult dect al lucrurilor i al interioarelor, care apar totui uneori n paginile lui. Remarcabil este apoi sub pana autorului Vieii la ar sau Tnase Scatiu pictura strilor de mulime, cu atta vreme nainte ca L. Rebreanu s dezvolte larg posibilitile acestui motiv. Vrednic de atenie este i evocarea vieii interioare, cu afundri ntr-o lume de imagini construite dup alte legi dect acele ale ateniei voluntare […]. Caracterul att de modern al procedeului nu poate scpa nimnui i el alctuiete punctul cel mai naintat al artei de analist a lui Duiliu Zamfirescu, atent la enigmele vieii sufleteti.“ – Tudor Vianu

El Principito habita un pequeísimo asteroide, que comparte con una flor caprichosa y tres volcanes. Pero tiene “problemas” con la flor y empieza a experimentar la soledad. Hasta que decide abandonar el planeta en busca de un amigo. Buscando esa amistad recorre varios planetas, habitados sucesivamente por un rey, un vanidoso, un borracho, un hombre de negocios, un farolero, un geógrafo… El concepto de “seriedad” que tienen estas “personas mayores” le deja perplejo y confuso. Prosiguiendo su búsqueda llega al planeta Tierra, pero, en su enorme extensión y vaciedad, siente más que nunca la soledad. Una serpiente le da su versión pesimista sobre los hombres y lo poco que se puede esperar de ellos. Tampoco el zorro contribuye a mejorar su opinión, pero en cambio le ensea el modo de hacerse amigos: hay que crear lazos, hay que dejarse “domesticar”. Y al final le regala su secreto: “Sólo se ve bien con el corazón. Lo esencial es invisible a los ojos”. De pronto el Principito se da cuenta de que su flor le ha “domesticado” y decide regresar a su planeta valiéndose de los medios expeditivos que le ofrece la serpiente. Y es entonces cuando entra en contacto con el aviador, también el hombre habrá encontrado un amigo… Cuando yo tenía seis aos vi en un libro sobre la selva virgen que se titulaba "Historias vividas", una magnífica lámina. Representaba una serpiente boa que se tragaba a una fiera. Esta es la copia del dibujo.En el libro se afirmaba: "La serpiente boa se traga su presa entera, sin masticarla. Luego ya no puede moverse y duerme durante los seis meses que dura su digestión". Reflexioné mucho en ese momento sobre las aventuras de la jungla y a mi vez logré trazar con un lápiz de colores mi primer dibujo. Mi dibujo número uno era de esta manera: Enseé mi obra de arte a las personas mayores y les pregunté si mi dibujo les daba miedo.-por qué habría de asustar un sombrero - me respondieron.Mi dibujo no representaba un sombrero. Representaba una serpiente boa que digiere un elefante. Dibujé entonces el interior de la serpiente boa a fin de que las personas mayores pudieran comprender. Siempre estas personas tienen necesidad de explicaciones. Mi dibujo número dos era así: Las personas mayores me aconsejaron abandonar el dibujo de serpientes boas, ya fueran abiertas o cerradas, y poner más interés en la geografía, la historia, el cálculo y la gramática. De esta manera a la edad de seis aos abandoné una magnífica carrera de pintor. Había quedado desilusionado por el fracaso de mis dibujos número uno y número dos. Las personas mayores nunca pueden comprender algo por sí solas y es muy aburrido para los nios tener que darles una y otra vez explicaciones.

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