This is the story of what happened after Fox Street.Mo Wren knew that eventually she, her dad, and her sister, Wild Child Dottie, would have to move from beloved Fox Street. She just never expected it to happen so soon.At the Wrens’ new place, things are very different. The name of the street—East 213th—has absolutely zero magic. And there’s no Mrs. Petrone to cut her hair, no Pi Baggott to teach her how to skateboard, no Green Kingdom to explore. She’s having trouble fitting in at her new school and spending a lot of time using the corner bus shelter for her Thinking Spot. Worst of all, Mo discovers that the ramshackle restaurant Mr. Wren bought is cursed. Only Dottie, with her new friends and pet lizard, Handsome, is doing the dance of joy.For the first time in her life, Mo feels lost and out of place. It’s going to take a boy who tells whoppers, a Laundromat with a mysterious owner, a freak blizzard, and some courage to help her find her way home for good.

In these forty life-altering, life-affirming, and extremely short short stories, the award-winning poet Naomi Shihab Nye proposes that no matter how great the divide between friends, siblings, life and death, classmates, enemies, happiness and misery, war and peace, breakfast and lunch, parent and child, country and city, there is, in fact, no long distance. Not anymore.

Another day, another apocalypseJames Stark, aka Sandman Slim, has managed to get out of Hell, renounce his title as the new Lucifer, and settle back into life in L.A. But he also lost the Qomrama Om Ya, an all-powerful weapon from the banished older gods. Older gods who are returning and searching for their lost power.The hunt leads Stark to an abandoned shopping mall—a global shopping paradise infested with Lurkers and wretched bottom-feeding Sub Rosa families, squatters who have formed tight tribes to guard their tiny patches of retail wasteland. Somewhere in this kill zone is a dead man with the answers Stark needs. All Stark has to do is find the dead man, recover the artifact, and outwit and outrun the angry old gods—and natural-born killers—on his tail.But not even Sandman Slim is infallible, and any mistakes will cost him dearly.

Amelia Bedelia, America's favorite housekeeper, had a childhood full of surprises, mischief, and hilarious misunderstandings. In this illustrated chapter book adventure, just right for fans of Judy Moody and Ivy + Bean, young Amelia Bedelia and her friends build a zoo in the backyard (complete with stuffed animals and attractions) and offer safari adventures to the entire neighborhood. This is the fourth book in the nationally bestselling Amelia Bedelia chapter book series, and it is just right for newly independent readers ready for a more challenging vocabulary and books with chapters.Amelia Bedelia takes everything literally, and that leads to all kinds of silly misunderstandings. The bestselling and beloved housekeeper has been making readers laugh for more than fifty years. Amelia Bedelia has a warm and positive attitude, and she has fun with language, vocabulary, and idioms. The Amelia Bedelia chapter books feature short, easy-to-read chapters, illustrations throughout, and Amelia Bedelia's can-do spirit. This is the fourth book in the chapter book series featuring the childhood of America's favorite housekeeper. The first book is called Amelia Bedelia Means Business, the second book is Amelia Bedelia Unleashed, and the third book is called Amelia Bedelia Road Trip!—and you don't have to read them in series order to enjoy them.

There is an unseen power in the universe—a terrible force that was dominating the galaxy tens of thousands of years before the warlike Sh'daar were even aware of the existence of Sol and its planets. As humankind approaches the Singularity,when transcendence will be achieved throughtechnology, contact will be made.In the wake of the near destruction of the solar system, the political powers on Earth seek a separate peace withan inscrutable alien life form that no one has ever seen.But Admiral Alexander Koenig, the hero of Alphekka,has gone rogue, launching his fabled battlegroup beyond the boundaries of Human Space against all orders.With Confederation warships in hot pursuit, Koenig istaking the war for humankind’s survival directlyto a mysterious omnipotent enemy.

Temptation in paradiseSmart, sexy, successful Laura Murdock never mastered the fine arts of loving and trusting. Taking a well-deserved vacation from her work at a Detroit women’s crisis center, she’s prepared for three glorious weeks in the Virgin Islands. What she’s not ready for is Wilham Sebastian Kramer.A brilliant artist, Wilham is pure magic—as bold and bewitching as his remarkable paintings. When Laura agrees to pose for him, she realizes she’s stoking a fire too hot for either of them to control. So she runs from his arms, driven away from quite possibly the perfect man by a lifetime of cruel lessons.But the flame will not die—and the memory of their sweet and sultry island magic haunts her sleepless nights, tempting her back. Yet Laura is far too wise and much too stubborn to admit she desires this man with all her soul. After all, she knows pain and heartbreak always follow surrender . . . don’t they?

The anomaly called the Breach is the government’s most carefully guarded secret.But there is another secret even less known . . . and far more terrifying.As the U.S. President addresses the nation fromthe Oval Office, a missile screams toward the White House. In a lightning flash, the Chief Executive is dead, his mansion in ruins, and two cryptic words are the only clue to the assassins’ motives: “See Scalar.”Now Travis Chase of the covert agency Tangent—caretakers of the Breach and all its grim wonders—along with partner and lover Paige Campbell and technology expert Bethany Stewart, have only twenty-four hours to unearth a decades-old mystery once spoken of in terrified whispers by the long since silenced. But their breakneck race cross-country—and back through time and malleable memory—is calling the total destructive might of a shadow government down upon them. For Travis Chase has a dark destiny he cannot be allowed to fulfill . . .

The acclaimed author of The Sweet Hereafter and Rule of the Bone returns with a provocative new novel that illuminates the shadowed edges of contemporary American culture with startling and unforgettable resultsSuspended in a strangely modern-day version of limbo, the young man at the center of Russell Banks’s uncompromising and morally complex new novel must create a life for himself in the wake of incarceration. Known in his new identity only as the Kid, and on probation after doing time for a liaison with an underage girl, he is shackled to a GPS monitoring device and forbidden to live within 2,500 feet of anywhere children might gather. With nowhere else to go, the Kid takes up residence under a south Florida causeway, in a makeshift encampment with other convicted sex offenders.Barely beyond childhood himself, the Kid, despite his crime, is in many ways an innocent, trapped by impulses and foolish choices he himself struggles to comprehend. Enter the Professor, a man who has built his own life on secrets and lies. A university sociologist of enormous size and intellect, he finds in the Kid the perfect subject for his research on homelessness and recidivism among convicted sex offenders. The two men forge a tentative partnership, the Kid remaining wary of the Professor’s motives even as he accepts the counsel and financial assistance of the older man.When the camp beneath the causeway is raided by the police, and later, when a hurricane all but destroys the settlement, the Professor tries to help the Kid in practical matters while trying to teach his young charge new ways of looking at, and understanding, what he has done. But when the Professor’s past resurfaces and threatens to destroy his carefully constructed world, the balance in the two men’s relationship shifts.Suddenly, the Kid must reconsider everything he has come to believe, and choose what course of action to take when faced with a new kind of moral decision.Long one of our most acute and insightful novelists, Russell Banks often examines the indistinct boundaries between our intentions and actions. A mature and masterful work of contemporary fiction from one of our most accomplished storytellers, Lost Memory of Skin unfolds in language both powerful and beautifully lyrical, show-casing Banks at his most compelling, his reckless sense of humor and intense empathy at full bore.The perfect convergence of writer and subject, Lost Memory of Skin probes the zeitgeist of a troubled society where zero tolerance has erased any hope of subtlety and compassion—a society where isolating the offender has perhaps created a new kind of victim.

Andrew Carmellini, two-time James Beard Award winner, acclaimed author of Urban Italian, and executive chef–owner of the hit New York City restaurants Locanda Verde and The Dutch, takes readers on a wonderfully rich and diverse tour through the ingredients and cuisines that constitute American flavorFor most of his life, Andrew Carmellini has been hitting the road, tasting the best of American flavors. Whether on childhood trips escaping from the hard-bitten winters of Ohio to sunny Florida and its fresh citrus fruit, cross-country trips in pursuit of the Great American Breakfast, or five-meal-a-day swings through barbecue country, he absorbed everything he could about regional cooking, American-style, at every stop.In American Flavor, Carmellini shares the lessons of his culinary life on the road in recipes and stories that get at the soul of how we eat today. Using the traditional regional foodways and the multicultural neighborhoods, global eateries, and ethnic groceries that dot the American landscape as his inspiration, he introduces delectable, enticing dishes that deliver maximum impact yet are surprisingly simple to make. In the book, you’ll find cheese pierogies inspired by the Polish church ladies of Carmellini’s native Cleveland right next to his take on savory-sweet barbecued beef short ribs from L.A.’s Korea Town; seriously smoky southwestern mole alongside savory lamb stew that takes its flavors from Astoria, the historically Greek neighborhood in Queens, New York. Every recipe reflects Carmellini’s laid-back style, midwestern roots, big-city palate, and dedication to great ingredients and serious flavor.Along with the recipes are true-life tales of Carmellini’s crazy culinary travels across America, into Canada, and even to Europe. Whether he’s hunting ramps with the locals during an extern summer at a Virginia mountain resort or sampling some of the surprising off-menu specials at a hippie café in Vancouver, British Columbia, these hilarious, engaging stories tell the tale of the education of an American chef inside the kitchen—and out. Entertaining and inspiring, American Flavor is a book that readers will turn to again and again, not only for special occasions and everyday meals, but also as a portrait of real American food in the twenty-first century: sophisticated but down-to-earth, rustic but refined, and always deeply flavored and delicious.

"First, I'll tell about the robbery our parents committed. Then about the murders, which happened later."Then fifteen-year-old Dell Parsons' parents rob a bank, his sense of normal life is forever altered. In an instant, this private cataclysm drives his life into before and after, a threshold that can never be uncrossed.His parents' arrest and imprisonment mean a threatening and uncertain future for Dell and his twin sister, Berner. Willful and burning with resentment, Berner flees their home in Montana, abandoning her brother and her life. But Dell is not completely alone. A family friend intervenes, spiriting him across the Canadian border, in hopes of delivering him to a better life. There, afloat on the prairie of Saskatchewan, Dell is taken in by Arthur Remlinger, an enigmatic and charismatic American whose cool reserve masks a dark and violent nature.Undone by the calamity of his parents' robbery and arrest, Dell struggles under the vast prairie sky to remake himself and define the adults he thought he knew. But his search for grace and peace only moves him nearer to a harrowing and murderous collision with Remlinger, an elemental force of darkness.A true masterwork of haunting and spectacular vision from one of our greatest writers, Canada is a profound novel of boundaries traversed, innocence lost and reconciled, and the mysterious and consoling bonds of family. Told in spare, elegant prose, both resonant and luminous, it is destined to become a classic.

From Zakary Pelaccio, founder and owner of Fatty Crab and Fatty 'Cue, comes a gorgeous, groundbreaking cookbook of Southeast Asian—inspired, French— and Italian—inflected food that celebrates getting your hands dirty in—and out of—the kitchen.Eat with Your Hands takes readers on a tour of the outrageously flavorful and wholly original food that has made Pelaccio a star, in a cookbook that's as irreverent, high-spirited, and deeply iconoclastic as the chef himself.Combining a punk rock ethos with a commitment to producing exquisitely imagined and executed food, Eat with Your Hands brings together Pelaccio's eclectic influences in wildly inventive recipes that showcase his innovative blending of Asian flavors, sustainable local ingredients, and American gusto. Full of highly opinionated suggestions for both what to drink and what to listen to in the kitchen, paeans to the joys of the mortar and pestle and fermented condiments, charming sidebars on kitchen techniques, and an unbridled love for real food, Eat with Your Hands is a celebration of no-holds-barred cooking from a chef who is redefining the American culinary landscape.

The bestselling author of Faith and The Condition returns with a collection of unforgettable short stories inspired by a Pennsylvania coal-mining town and the people who call it home.When her iconic novel Baker Towers was published in 2005, it was hailed as a modern classic—"compassionate and powerful . . . a song of praise for a too-little-praised part of America, for the working families whose toils and constancy have done so much to make the country great" (Chicago Tribune). Its young author, Jennifer Haigh, was "an expert natural storyteller with an acute sense of her characters' humanity" (New York Times). Now, in this collection of interconnected short stories, Jennifer Haigh returns to the vividly imagined world of Bakerton, Pennsylvania, a coal-mining town rocked by decades of painful transition. From its heyday during two world wars through its slow decline, Bakerton is a town that refuses to give up gracefully, binding—sometimes cruelly—succeeding generations to the place that made them. A young woman glimpses a world both strange and familiar when she becomes a live-in maid for a Jewish family in New York City. A long-absent brother makes a sudden and tragic homecoming. A solitary middle-aged woman tastes unexpected love when a young man returns to town. With a revolving cast of characters—many familiar to fans of Baker Towers—these stories explore how our roots, the families and places in which we are raised, shape the people we eventually become. News from Heaven looks unflinchingly at the conflicting human desires for escape and for connection, and explores the enduring hold of home.

For nearly three decades, Terry Pratchett has enthralled millions of fans worldwide with his irreverent, wonderfully funny satires set in the fabulously imaginative Discworld, a universe remarkably similar to our own. From sports to religion, politics to education, science to capitalism, and everything in between, Pratchett has skewered sacred cows with both laughter and wisdom, and exposed our warts, foibles, and eccentricities in a unique, entertaining, and ultimately serious way.At long last, Lady Sybil has lured her husband, Sam Vimes, on a well-deserved holiday away from the crime and grime of Ankh-Morpork. But for the commander of the City Watch, a vacation in the country is anything but relaxing. The balls, the teas, the muck—not to mention all that fresh air and birdsong—are more than a bit taxing on a cynical city-born and -bred copper.Yet a policeman will find a crime anywhere if he decides to look hard enough, and it’s not long before a body is discovered, and Sam—out of his jurisdiction, out of his element, and out of bacon sandwiches (thanks to his well-meaning wife)—must rely on his instincts, guile, and street smarts to see justice done. As he sets off on the chase, though, he must remember to watch where he steps. . . . This is the countryside, after all, and the streets most definitely are not paved with gold.Hailed as the “purely funniest English writer since Wodehouse” (Washington Post Book World), with a “satirist’s instinct for the absurd and a cartoonist’s eye for the telling detail” (Daily Telegraph, London), Terry Pratchett offers a novel of crime, class, prejudice, and punishment that shows this master at his dazzling best.

Goya is perhaps the most approachable of painters. His art, like his life, is an open book. He concealed nothing from his contemporaries, and offered his art to them with the same frankness. The entrance to his world is not barricaded with technical difficulties. He proved that if a man has the capacity to live and multiply his experiences, to fight and work, he can produce great art without classical decorum and traditional respectability. He was born in 1746, in Fuendetodos, a small mountain village of a hundred inhabitants. As a child he worked in the fields with his two brothers and his sister until his talent for drawing put an end to his misery. At fourteen, supported by a wealthy patron, he went to Saragossa to study with a court painter and later, when he was nineteen, on to Madrid. Up to his thirty-seventh year, if we leave out of account the tapestry cartoons of unheralded decorative quality and five small pictures, Goya painted nothing of any significance, but once in contro

Picasso was born a Spaniard and, so they say, began to draw before he could speak. As an infant he was instinctively attracted to artist’s tools. In early childhood he could spend hours in happy concentration drawing spirals with a sense and meaning known only to himself. At other times, shunning children’s games, he traced his first pictures in the sand. This early self-expression held out promise of a rare gift. Málaga must be mentioned, for it was there, on 25 October 1881, that Pablo Ruiz Picasso was born and it was there that he spent the first ten years of his life. Picasso’s father was a painter and professor at the School of Fine Arts and Crafts. Picasso learnt from him the basics of formal academic art training. Then he studied at the Academy of Arts in Madrid but never finished his degree. Picasso, who was not yet eighteen, had reached the point of his greatest rebelliousness; he repudiated academia’s anemic aesthetics along with realism’s pedestrian prose and, quite naturall

米开朗基罗（Michelangelo）的名字不断浮现在西斯廷教堂、阿波罗、丘比特等数不计数的杰作中。在《意大利绘画》（The Italian Painting）这本书中，作者司汤达写道：“在古希腊风物和米开朗基罗之间，没有任何距离，除了或多或少技术娴熟的伪造物。”在《漫步罗马》（Promenade in Rome）一书中，沙特布莱表达了对《圣母怜子像》（Pieta）中那些精致的线条的崇敬之情。诸如司汤达等大连古欧秀的作家将米开朗基罗视为西方艺术复兴的大家之一。毫无疑问，米开朗基罗的作品经历住了时间的考验。在若干年后，米开朗基罗的作品何以能够揭示希腊先驱们的创造性来源？米开朗基罗是创造性的天才和超人，是意大利文艺复兴中无与伦比的艺术家，他的影响力和成就与达芬奇可相媲美。在这本著作中， Jean-Matthieu Gosselin探讨了米开朗基罗所有的身份：雕塑家、建筑师、画家和美术家。

In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago. In 1907 she enrolled at the Art Students’ League in New York City, where she studied with William Merritt Chase. During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz. In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow. In Bement’s class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes. They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements. It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstra

Born in 1912, in a small town in Wyoming, Jackson Pollock embodied the American dream as the country found itself confronted with the realities of a modern era replacing the fading nineteenth century. Pollock left home in search of fame and fortune in New York City. Thanks to the Federal Art Project he quickly won acclaim, and after the Second World War became the biggest art celebrity in America. For De Kooning, Pollock was the “icebreaker”. For Max Ernst and Masson, Pollock was a fellow member of the European Surrealist movement. And for Motherwell, Pollock was a legitimate candidate for the status of the Master of the American School. During the many upheavals in his life in Nez York in the 1950s and 60s, Pollock lost his bearings - success had simply come too fast and too easily. It was during this period that he turned to alcohol and disintegrated his marriage to Lee Krasner. His life ended like that of 50s film icon James Dean behind the wheel of his Oldsmobile, after a night of

Diego Rodríguez de Silva y Velázquez (June 1599 – August 6 1660), known as Diego Vélasquez, was a painter of the Spanish Golden Age who had considerable influence at the court of King Philip IV. Along with Francisco Goya and Le Greco, he is generally considered to be one of the greatest artists in Spanish history. His style, whilst remaining very personal, belongs firmly in the Baroque movement. Velázquez’s two visits to Italy, evidenced by documents from that time, had a strong effect on the manner in which his work evolved. Besides numerous paintings with historical and cultural value, Diego Vélasquez painted numerous portraits of the Spanish Royal Family, other major European figures, and even of commoners. His artistic talent, according to general opinion, reached its peak in 1656 with the completion of Las Meninas, his great masterpiece. In the first quarter of the 19th century, Velázquez's style was taken as a model by Realist and Impressionist painters, in particular by ?douard

The self-appointed “leader” of the artists’ group Die Brücke (Bridge), founded in Dresden in 1905, Ernst Ludwig Kirchner was a key figure in the early development of German Expressionism. His first works show the influence of Impressionism, Post-impressionism and Jugendstil, but by about 1909, Kirchner was painting in a distinctive, expressive manner with bold, loose brushwork, vibrant and non-naturalistic colours and heightened gestures. He worked in the studio from sketches made very rapidly from life, often from moving figures, from scenes of life out in the city or from the Die Brücke group’s trips to the countryside. A little later he began making roughly-hewn sculptures from single blocks of wood. Around the time of his move to Berlin, in 1912, Kirchner’s style in both painting and his prolific graphic works became more angular, characterized by jagged lines, slender, attenuated forms and often, a greater sense of nervousness. These features can be seen to most powerful effect in

Pierre Bonnard was the leader of a group of Post-Impressionist painters who called themselves the Nabis, from the Hebrew word meaning “prophet”. Bonnard, Vuillard, Roussel and Denis, the most distinguished of the Nabis, revolutionised decorative painting during one of the richest periods in the history of French painting. Bonnard’s works are striking for their strong colours and candidness.