John Galsworthy first published in 1897 with a collection of short stories entitled "e;The Four Winds"e;. For the next 7 years he published these and all works under his pen name John Sinjohn. It was only upon the death of his father and the publication of "e;The Island Pharisees"e; in 1904 that he published as John Galsworthy. His first play was The Silver Box, an immediate success when it debuted in 1906 and was followed by "e;The Man of Property"e; later that same year and was the first in the Forsyte trilogy. Whilst today he is far more well know as a Nobel Prize winning novelist then he was considered a playwright dealing with social issues and the class system. We publish here 'A Family Man' a great example of both his writing and his demonstration of how the class system worked at the time. He was appointed to the Order of Merit in 1929, after earlier turning down a knighthood, and awarded the Nobel Prize in 1932 though he was too ill to attend. John Galsworthy died from a brain tumour at his London home, Grove Lodge, Hampstead on January 31st 1933. In accordance with his will he was cremated at Woking with his ashes then being scattered over the South Downs from an aeroplane.

Sir James Matthew Barrie, 1st Baronet, OM, was born in Kirriemuir, Angus the ninth of ten children on May 9th, 1860. From early formative experiences, Barrie knew that he wished to follow a career as an author. His family wished otherwise and sought to persuade him to choose a profession, such as the ministry. The compromise was that he would attend university to study literature at the University of Edinburgh. He graduated with an M.A. on April 21st, 1882. His first job was as a staff journalist for the Nottingham Journal. The London editor of the St. James's Gazette "e;liked that Scotch thing"e; in Barrie's short stories about his mother's early life. They also served as the basis for his first novels. Barrie though was increasingly drawn to working in the theatre. His first play, a biography of Richard Savage, was only performed once and critically panned. Undaunted he immediately followed this with Ibsen's Ghost in 1891, a parody of Ibsen's plays Hedda Gabler and Ghosts. Barrie's third play, Walker, London, in 1892 led to an introduction to his future wife, a young actress by the name of Mary Ansell. The two became friends, and she helped his family to care for him when he fell very ill in 1893 and 1894. Barrie proposed and they were married, in Kirriemuir, on July 9th, 1894. By some accounts the relationship was unconsummated and indeed the couple had no children. The story of Peter Pan had begun to formulate when Barrie became acquainted with the Llewelyn Davis family in 1897, meeting George, Jack and baby Peter with their nanny in London's Kensington Gardens. In 1901 and 1902, Barrie had back-to-back theatre successes with Quality Street and The Admirable Crichton. The character of "e;Peter Pan"e; first appeared in The Little White Bird in 1902. This most famous and enduring of his works; Peter Pan, or The Boy Who Wouldn't Grow Up had its first stage performance on December 27th, 1904. Peter Pan would overshadow everything written during his career. He continued to write for the rest of his life contributing many other fine and important works. Sir James Matthew Barrie, 1st Baronet, OM, died of pneumonia on June 19th,1937 and was buried at Kirriemuir next to his parents and two of his siblings.

Philip Massinger was baptized at St. Thomas's in Salisbury on November 24th, 1583.Massinger is described in his matriculation entry at St. Alban Hall, Oxford (1602), as the son of a gentleman. His father, who had also been educated there, was a member of parliament, and attached to the household of Henry Herbert, 2nd Earl of Pembroke. The Earl was later seen as a potential patron for Massinger.He left Oxford in 1606 without a degree. His father had died in 1603, and accounts suggest that Massinger was left with no financial support this, together with rumours that he had converted to Catholicism, meant the next stage of his career needed to provide an income.Massinger went to London to make his living as a dramatist, but he is only recorded as author some fifteen years later, when The Virgin Martyr (1621) is given as the work of Massinger and Thomas Dekker.During those early years as a playwright he wrote for the Elizabethan stage entrepreneur, Philip Henslowe. It was a difficult existence. Poverty was always close and there was constant pleading for advance payments on forthcoming works merely to survive.After Henslowe died in 1616 Massinger and John Fletcher began to write primarily for the King's Men and Massinger would write regularly for them until his death.The tone of the dedications in later plays suggests evidence of his continued poverty. In the preface of The Maid of Honour (1632) he wrote, addressing Sir Francis Foljambe and Sir Thomas Bland: "e;I had not to this time subsisted, but that I was supported by your frequent courtesies and favours."e;The prologue to The Guardian (1633) refers to two unsuccessful plays and two years of silence, when the author feared he had lost popular favour although, from the little evidence that survives, it also seems he had involved some of his plays with political characters which would have cast shadows upon England's alliances.Philip Massinger died suddenly at his house near the Globe Theatre on March 17th, 1640. He was buried the next day in the churchyard of St. Saviour's, Southwark, on March 18th, 1640. In the entry in the parish register he is described as a "e;stranger,"e; which, however, implies nothing more than that he belonged to another parish.

William Wycherley was born at Clive near Shrewsbury, Shropshire and baptised on April 8th, 1641 at Whitchurch in Hampshire where it is thought he spent some time before his family settled in Malappuram, India. At the age of he was sent to France to be educated in France. It was here that he converted to Roman Catholicism. Wycherley returned to England shortly before the restoration of King Charles II, to Queen's College, Oxford. Thomas Barlow was provost there and under his guidance Wycherley returned to the Church of England.On leaving Oxford Wycherley took up residence at the Inner Temple, but an interest in law faded; pleasure and the stage were now his primary interests. His play, Love in a Wood, was produced early in 1671 at the Theatre Royal, Drury Lane. It was daring and he became the talk of the Court. The now famous song that finishes Act I, praised harlots and their off-spring and attracted the attention of the King's mistress, Barbara Villiers, Duchess of Cleveland. It is said that Her Grace used to go to Wycherley's Temple chambers in the Temple disguised as a country wench. This may be apocryphal, for disguise was superfluous in her case, but it confirms the general opinion was with such patronage Wycherley's fortune as poet and dramatist was made. Wycherley seemed to delight in telling stories that had only a glimmer of truth to them but they sustained his reputation. But in truth it is his last two comedies, The Country Wife and The Palin Dealer, that are his crowning glory. The Country Wife, produced in 1672 or 1673 and published in 1675, is full of wit, ingenuity and high spirits.After the great success of The Plain Dealer Wycherley was said to be talking to a friend in a bookseller's shop and a customer request a copy of The Plain Dealer. The lady was the countess of Drogheda, Letitia Isabella Robartes, eldest daughter of the 1st Earl of Radnor and widow of the 2nd Earl of Drogheda. An introduction was secured and soon marriage. Albeit a secret marriage to avoid losing the king's patronage and the income therefrom, despite his new bride's wealth, Wycherley still thought it best to pass as a bachelor.But the news of his marriage leaked out and reached the royal ears and he lost the royal favour. However, it appears the Countess loved him deeply and was at pains to avoid any unkind influence befalling him.Sadly, in the year following her marriage, she died and whilst she left him her considerable fortune the title was disputed; the costs of the litigation heavy and the end result of marrying the beautiful rich heiress was that he was thrown into Fleet prison. He remained there for seven years, being released only after James II had been so sated by seeing The Plain Dealer that he paid off Wycherley's execution creditor and settled on him a pension of GBP200 a year.Other debts still troubled Wycherley, however, and he never was released from his embarrassments, not even after succeeding to a life estate in the family property. In 1688 when James fled England and William III acceded the pension ceased and Wycherley resigned himself to a restricted lifestyle, dividing his time between London and Shropshire. William Wycherley died in the early hours of January 1st, 1716, and was buried in the vault of the church in Covent Garden.

Henry Fielding was born at Sharpham Park, near Glastonbury, in Somerset on April 22nd 1707. His early years were spent on his parents' farm in Dorset before being educated at Eton.An early romance ended disastrously and with it his removal to London and the beginnings of a glittering literary career; he published his first play, at age 21, in 1728.He was prolific, sometimes writing six plays a year, but he did like to poke fun at the authorities. His plays were thought to be the final straw for the authorities in their attempts to bring in a new law. In 1737 The Theatrical Licensing Act was passed. At a stroke political satire was almost impossible. Fielding was rendered mute. Any playwright who was viewed with suspicion by the Government now found an audience difficult to find and therefore Theatre owners now toed the Government line.Fielding was practical with the circumstances and ironically stopped writing to once again take up his career in the practice of law and became a barrister after studying at Middle Temple. By this time he had married Charlotte Craddock, his first wife, and they would go on to have five children. Charlotte died in 1744 but was immortalised as the heroine in both Tom Jones and Amelia.Fielding was put out by the success of Samuel Richardson's Pamela, or Virtue Rewarded. His reaction was to spur him into writing a novel. In 1741 his first novel was published; the successful Shamela, an anonymous parody of Richardson's novel.Undoubtedly the masterpiece of Fielding's career was the novel Tom Jones, published in 1749. It is a wonderfully and carefully constructed picaresque novel following the convoluted and hilarious tale of how a foundling came into a fortune.Fielding was a consistent anti-Jacobite and a keen supporter of the Church of England. This led to him now being richly rewarded with the position of London's Chief Magistrate. Fielding continued to write and his career both literary and professional continued to climb.In 1749 he joined with his younger half-brother John, to help found what was the nascent forerunner to a London police force, the Bow Street Runners. Fielding's ardent commitment to the cause of justice in the 1750s unfortunately coincided with a rapid deterioration in his health. Such was his decline that in the summer of 1754 he travelled, with Mary and his daughter, to Portugal in search of a cure. Gout, asthma, dropsy and other afflictions forced him to use crutches. His health continued to fail alarmingly.Henry Fielding died in Lisbon two months later on October 8th, 1754.

James Shirley was born in London in September 1596. His education was through a collection of England's finest establishments: Merchant Taylors' School, London, St John's College, Oxford, and St Catharine's College, Cambridge, where he took his B.A. degree in approximately 1618. He first published in 1618, a poem entitled Echo, or the Unfortunate Lovers. As with many artists of this period full details of his life and career are not recorded. Sources say that after graduating he became "e;a minister of God's word in or near St Albans."e; A conversion to the Catholic faith enabled him to become master of St Albans School from 1623-25. He wrote his first play, Love Tricks, or the School of Complement, which was licensed on February 10th, 1625. From the given date it would seem he wrote this whilst at St Albans but, after its production, he moved to London and to live in Gray's Inn. For the next two decades, he would write prolifically and with great quality, across a spectrum of thirty plays; through tragedies and comedies to tragicomedies as well as several books of poetry. Unfortunately, his talents were left to wither when Parliament passed the Puritan edict in 1642, forbidding all stage plays and closing the theatres. Most of his early plays were performed by Queen Henrietta's Men, the acting company for which Shirley was engaged as house dramatist. Shirley's sympathies lay with the King in battles with Parliament and he received marks of special favor from the Queen. He made a bitter attack on William Prynne, who had attacked the stage in Histriomastix, and, when in 1634 a special masque was presented at Whitehall by the gentlemen of the Inns of Court as a practical reply to Prynne, Shirley wrote the text-The Triumph of Peace. Shirley spent the years 1636 to 1640 in Ireland, under the patronage of the Earl of Kildare. Several of his plays were produced by his friend John Ogilby in Dublin in the first ever constructed Irish theatre; The Werburgh Street Theatre. During his years in Dublin he wrote The Doubtful Heir, The Royal Master, The Constant Maid, and St. Patrick for Ireland. In his absence from London, Queen Henrietta's Men sold off a dozen of his plays to the stationers, who naturally, enough published them. When Shirley returned to London in 1640, he finished with the Queen Henrietta's company and his final plays in London were acted by the King's Men. On the outbreak of the English Civil War Shirley served with the Earl of Newcastle. However when the King's fortunes began to decline he returned to London. There his friend Thomas Stanley gave him help and thereafter Shirley supported himself in the main by teaching and publishing some educational works under the Commonwealth. In addition to these he published during the period of dramatic eclipse four small volumes of poems and plays, in 1646, 1653, 1655, and 1659. It is said that he was "e;a drudge"e; for John Ogilby in his translations of Homer's Iliad and the Odyssey, and survived into the reign of Charles II, but, though some of his comedies were revived, his days as a playwright were over. His death, at age seventy, along with that of his wife, in 1666, is described as one of fright and exposure due to the Great Fire of London which had raged through parts of London from September 2nd to the 5th. He was buried at St Giles in the Fields, in London, on October 29th, 1666.

If ever a writer needed an introduction Arthur Conan Doyle would not be considered that man. After all, Sherlock Holmes is perhaps the foremost literary detective of any age. Add to this canon his stories of science fiction and his poems, his historical novels, his plays, his political campaigning, his efforts in establishing a Court of Appeal and there is little room for anything else. Except he was also an exceptional writer of short stories of the horrific and macabre. Something very different from what you might expect. Born in Arthur Conan Doyle was born on 22 May 1859 at 11 Picardy Place, Edinburgh, Scotland. From 1876 - 1881 he studied medicine at the University of Edinburgh following which he was employed as a doctor on the Greenland whaler Hope of Peterhead in 1880 and, after his graduation, as a ship's surgeon on the SS Mayumba during a voyage to the West African coast in 1881. Arriving in Portsmouth in June of that year with less than GBP10 (GBP700 today) to his name, he set up a medical practice at 1 Bush Villas in Elm Grove, Southsea. The practice was initially not very successful. While waiting for patients, Conan Doyle again began writing stories and composed his first novel The Mystery of Cloomber. Although he continued to study and practice medicine his career was now firmly set as a writer. And thereafter great works continued to pour out of him.

Henrik Ibsen (20th March, 1828 - 23rd May, 1906) is often referred to as the father of realism and ranked just below Shakespeare as Europe's greatest ever playwright especially as his plays are performed most frequently throughout the world after Shakespeare's. Ibsen was Norwegian and although set his plays in Norway, he wrote them in Danish and lived most of his professional life in Italy and Germany. His affect on the theatre is still evident today and shapes the distinction of plays being art as opposed to entertainment since he broke down all previous traditions and explored issues, developed characterisation, revealed uncomfortable truths, challenged assumptions and broke down facades in ourselves as well as society. These factors are clearly demonstrated in Hedda Gabler where Ibsen presents one of the most interesting and elusive heroines in theatrical history. Hedda is the daughter of a deceased General and enters into a loveless marriage with the lacklustre George Tesman. Hedda's desperation is totally misunderstood by those around yet portrayed so realistically with some of his finest most memorable prose that we can empathise with her behaviour. Hedda aptly points out: "e;I think I have a natural talent for boring myself to death."e; This Ibsen work certainly does not bore and is an essential riveting read.

Edgar Rice Burroughs was born on September 1, 1875, in Chicago, Illinois. His early career was unremarkable. After failing to enter West Point he enlisted in the 7th Calvary but was discharged after heart problems were diagnosed. A series of short term jobs gave no indication as to a career path but finally, in 1911, married and with two young children, he turned his hand to writing. He aimed his works squarely at the very popular pulp serial magazines. His first effort 'Under The Moons Of Mars' ran in Munsey's Magazine in 1912 under the pseudonym Norman Bean. With its success he began writing full time. A continuing theme of his work was to develop series so that each character had ample opportunities to return in sequels. John Carter was in the Mars series and there was another on Venus and one on Pellucidar among others. But perhaps the best known is Tarzan. Indeed Burroughs wanted so much to capitalise upon the brand that he introduced a syndicated Tarzan comic strip, movies and merchandise. He purchased a large ranch north of Los Angeles, California, which he named "e;Tarzana."e; The surrounding communities outside the ranch voted in 1927 to adopt the name as their own. By 1932 Burroughs set up his own company to print his own books. Here we publish 'The Cave Girl' a tale that shows just what Burroughs can do when his talents and craft are unleashed.

John Dryden was born on August 9th, 1631 in the village rectory of Aldwincle near Thrapston in Northamptonshire. As a boy Dryden lived in the nearby village of Titchmarsh, Northamptonshire. In 1644 he was sent to Westminster School as a King's Scholar. Dryden obtained his BA in 1654, graduating top of the list for Trinity College, Cambridge that year. Returning to London during The Protectorate, Dryden now obtained work with Cromwell's Secretary of State, John Thurloe. At Cromwell's funeral on 23 November 1658 Dryden was in the company of the Puritan poets John Milton and Andrew Marvell. The setting was to be a sea change in English history. From Republic to Monarchy and from one set of lauded poets to what would soon become the Age of Dryden. The start began later that year when Dryden published the first of his great poems, Heroic Stanzas (1658), a eulogy on Cromwell's death. With the Restoration of the Monarchy in 1660 Dryden celebrated in verse with Astraea Redux, an authentic royalist panegyric. With the re-opening of the theatres after the Puritan ban, Dryden began to also write plays. His first play, The Wild Gallant, appeared in 1663 but was not successful. From 1668 on he was contracted to produce three plays a year for the King's Company, in which he became a shareholder. During the 1660s and '70s, theatrical writing was his main source of income. In 1667, he published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London in 1666. It established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate (1668) and then historiographer royal (1670). This was truly the Age of Dryden, he was the foremost English Literary figure in Poetry, Plays, translations and other forms. In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697), which was published by subscription. It was a national event. John Dryden died on May 12th, 1700, and was initially buried in St. Anne's cemetery in Soho, before being exhumed and reburied in Westminster Abbey ten days later.

James Shirley was born in London in September 1596.His education was through a collection of England's finest establishments: Merchant Taylors' School, London, St John's College, Oxford, and St Catharine's College, Cambridge, where he took his B.A. degree in approximately 1618.He first published in 1618, a poem entitled Echo, or the Unfortunate Lovers.As with many artists of this period full details of his life and career are not recorded.He wrote his first play, Love Tricks, or the School of Complement, which was licensed on February 10th, 1625.For the next two decades, he would write prolifically and with great quality, across a spectrum of thirty plays; through tragedies and comedies to tragicomedies as well as several books of poetry. Unfortunately, his talents were left to wither when Parliament passed the Puritan edict in 1642, forbidding all stage plays and closing the theatres.His death, at age seventy, along with that of his wife, in 1666, is described as one of fright and exposure due to the Great Fire of London which had raged through parts of London from September 2nd to the 5th.He was buried at St Giles in the Fields, in London, on October 29th, 1666.

Jules Verne is probably the world's first science-fiction novelist. His Twenty Thousand Leagues Under the Sea (1870) centers around a sea monster that keeps on menacing and damaging ships and ocean liners in the Atlantic and Pacific oceans. When the US government eventually decides to destroy the monster, a group of whaling and marine biology experts from different nationalities led by Professor Arronax are invited to join the American ship Abraham Lincoln and engage in an expedition around the South American continent to search for the weird creature. After losing their first battle, the crew discover, to their surprise, that the supposed monster is rather a large metal body that travels under the water. They are soon abducted and brought inside the vessel to meet its eccentric commander Captain Nemo. The submarine's new passengers learn that Captain Nemo has built the vessel to isolate himself from world governments and to spend his lifetime exploring new worlds and conducting scientific research. Captain Nemo's treatment of his visitors is generally respectful and kind except for his radical rejection of their pleas to leave the submarine and go back home. By the end of the story, the submarine is attacked by another ship sent by Captain Nemo's enemies. Captain Nemo decides to destroy the attacking ship and to send it to the bowels of the ocean. The novel ends when the submarine encounters a very strong whirlpool named "e;Maelstrom,"e; allowing Professor Arronax to flee with the rest of his crew while the fate of Captain Nemo and his creation remains unknown.

Eugene Gladstone O'Neill was born on October 16, 1888 in a hotel bedroom in what is now Times Square, New York. Much of his childhood was spent in the comfort of books at boarding schools whilst his actor father was on the road and his Mother contended with her own demons. He spent only a year at University - Princeton - and various reasons have been given for his departure. However whatever his background and education denied or added to his development it is agreed amongst all that he was a playwright of the first rank and possibly America's greatest. His introduction of realism into American drama was instrumental in its development and paved a path for many talents thereafter. Of course his winning of both the Pulitzer Prize (4 times) and the Nobel Prize are indicative of his status. His more famous and later works do side with the disillusionment and personal tragedy of those on the fringes of society but continue to build upon ideas and structures he incorporated in his early one act plays. Eugene O'Neill suffered from various health problems, mainly depression and alcoholism. In the last decade he also faced a Parkinson's like tremor in his hands which made writing increasingly difficult. But out of such difficulties came plays of the calibre of The Iceman Cometh, Long Day's Journey Into Night, and A Moon for the Misbegotten. Eugene O'Neill died in Room 401 of the Sheraton Hotel on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "e;I knew it. I knew it. Born in a hotel room and died in a hotel room."e;

If ever a writer needed an introduction Arthur Conan Doyle would not be considered that man. After all, Sherlock Holmes is perhaps the foremost literary detective of any age. Add to this canon his stories of science fiction and his poems, his historical novels, his plays, his political campaigning, his efforts in establishing a Court of Appeal and there is little room for anything else. Except he was also an exceptional writer of short stories of the horrific and macabre. Something very different from what you might expect. Born in Arthur Conan Doyle was born on 22 May 1859 at 11 Picardy Place, Edinburgh, Scotland. From 1876 - 1881 he studied medicine at the University of Edinburgh following which he was employed as a doctor on the Greenland whaler Hope of Peterhead in 1880 and, after his graduation, as a ship's surgeon on the SS Mayumba during a voyage to the West African coast in 1881. Arriving in Portsmouth in June of that year with less than GBP10 (GBP700 today) to his name, he set up a medical practice at 1 Bush Villas in Elm Grove, Southsea. The practice was initially not very successful. While waiting for patients, Conan Doyle again began writing stories and composed his first novel The Mystery of Cloomber. Although he continued to study and practice medicine his career was now firmly set as a writer. And thereafter great works continued to pour out of him.

If ever a writer needed an introduction Arthur Conan Doyle would not be considered that man. After all, Sherlock Holmes is perhaps the foremost literary detective of any age. Add to this canon his stories of science fiction and his poems, his historical novels, his political campaigning, his efforts in establishing a Court Of Appeal and there is little room for anything else. Except he was also an exceptional writer of short stories of the horrific and macabre. Something very different from what you might expect. Born in Arthur Conan Doyle was born on 22 May 1859 at 11 Picardy Place, Edinburgh, Scotland. From 1876 - 1881 he studied medicine at the University of Edinburgh following which he was employed as a doctor on the Greenland whaler Hope of Peterhead in 1880 and, after his graduation, as a ship's surgeon on the SS Mayumba during a voyage to the West African coast in 1881. Arriving in Portsmouth in June of that year with less than GBP10 (GBP700 today[13]) to his name, he set up a medical practice at 1 Bush Villas in Elm Grove, Southsea. The practice was initially not very successful. While waiting for patients, Conan Doyle again began writing stories and composed his first novel The Mystery of Cloomber. Although he continued to study and practice medicine his career was now firmly set as a writer. And thereafter great works continued to pour out of him. Here Rodney Stone is another enduring example of the man and his work.

William Congreve was born on January 24th, 1670 in Bardsey, West Yorkshire. Congreve's childhood was spent in Ireland (his father, a Lieutenant in the British Army had received a posting there). He was educated at Kilkenny College and then Trinity College in Dublin. After graduating he returned to London to study law at Middle Temple. However his interest in studying law soon lessened as the attraction of literature, drama, and the fashionable life began to exert its pull. This first play, The Old Bachelor, was written, to amuse himself during convalescence, and was produced at the Drury Lane Theatre in 1693. It was an enormous success. Although his playwrighting career was successful it was also very brief. Five plays authored from 1693 to 1700 would prove the entirety of his output. Although no further plays were to flow from his pen Congreve did write librettos for two operas and to begin translating the works of Moliere as well as Homer, Ovid and Horace and to write poetry. He also took an interest in politics and obtained various minor political posts, including being named Secretary of the Island of Jamaica by George I in 1714. Congreve suffered a carriage accident in late September 1728, from which he never recovered (having probably received an internal injury); William Congreve died in London on January 19th, 1729, and was buried in Poets' Corner in Westminster Abbey.

Bjornstjerne Bjornson (1832 - 1910), the third man to ever win the Nobel Prize in Literature. However when considering the quality of his writing he is perhaps not as celebrated as he should be. Being also a Nobel Laureate in Literature, Bjornson has also been credited with many other impressive successes. These include writing the lyrics for the Norwegian national anthem, mastering all forms of literature; poetry, novels, short stories, essays and playwriting and being elevated to one of the Four Greats; the name for the classic Norwegian writers, others being Henrik Ibsen, Jonas Lie and Alexander Kielland. Here we look at one of his many plays. Much of his work was nearly as popular in his native Norway as Ibsen's and we now bring you these masterful works in English for you to compare. Our imprint Stage Door offers both Ibsen's and Bjornson's works in English.

Robert Greene was, by the best accounts available, born in Norwich in 1558 and baptised on July 11th.Greene is believed to have been a pupil at Norwich Grammar School and then attended Cambridge receiving his B.A. in 1580, and an M.A. in 1583. He then moved to London and began an extraordinary chapter in his life as a widely published author. His literary career began with the publication of the long romance, 'Mamillia', (1580). Greene's romances were written in a highly wrought style which reached its peak in 'Pandosto' (1588) and 'Menaphon' (1589). Short poems and songs incorporated in some of the romances attest to his ability as a lyric poet. In 1588, he was granted an MA from Oxford University, almost certainly as a courtesy degree. Thereafter he sometimes placed the phrase Utruisq. Academiae in Artibus Magister', "e;Master of Arts in both Universities"e; on the title page of his works.The lack of records hinders any complete biography of Greene but he did write an autobiography of sorts, but where the balance lies between facts and artistic licence is not clearly drawn. According to that autobiography 'The Repentance of Robert Greene', Greene is alleged to have written 'A Groatsworth of Wit Bought with a Million of Repentance' during the month prior to his death, including in it a letter to his wife asking her to forgive him and stating that he was sending their son back to her. His output was prolific. Between 1583 and 1592, he published more than twenty-five works in prose, becoming one of the first authors in England to support himself with his pen in an era when professional authorship was virtually unknown.In his 'coney-catching' pamphlets, Greene fashioned himself into a well-known public figure, narrating colourful inside stories of rakes and rascals duping young gentlemen and solid citizens out of their hard-earned money. These stories, told from the perspective of a repentant former rascal, have been considered autobiographical, and to incorporate many facts of Greene's own life thinly veiled as fiction. However, the alternate account suggests that Greene invented almost everything, merely displaying his undoubted skills as a writer.In addition to his prose works, Greene also wrote several plays, none of them published in his lifetime, including 'The Scottish History of James IV', 'Alphonsus', and his greatest popular success, 'Friar Bacon and Friar Bungay', as well as 'Orlando Furioso', based on Ludovico Ariosto's Orlando Furioso.His plays earned himself the title as one of the 'University Wits', a group that included George Peele, Thomas Nashe, and Christopher Marlowe.Robert Greene died 3rd September 1592.

Charles Dickens (1812-1870) is regarded by many readers and literary critics to be THE major English novelist of the Victorian Age. He is remembered today as the author of a series of weighty novels which have been translated into many languages and promoted to the rank of World Classics. The latter include, but are not limited to, The Adventures of Oliver Twist, A Tale of Two Cities, David Copperfield, A Christmas Carol, Hard Times, Great Expectations and The Old Curiosity Shop. His talents extended to many other forms including short stories, poetry, letters and his serial magazines. Of course being such a talent he also wrote plays. We are very pleased to present his fourth of four plays: The Lamplighter

John Fletcher was born in December, 1579 in Rye, Sussex. He was baptised on December 20th. As can be imagined details of much of his life and career have not survived and, accordingly, only a very brief indication of his life and works can be given. Young Fletcher appears at the very young age of eleven to have entered Corpus Christi College at Cambridge University in 1591. There are no records that he ever took a degree but there is some small evidence that he was being prepared for a career in the church. However what is clear is that this was soon abandoned as he joined the stream of people who would leave University and decamp to the more bohemian life of commercial theatre in London. The upbringing of the now teenage Fletcher and his seven siblings now passed to his paternal uncle, the poet and minor official Giles Fletcher. Giles, who had the patronage of the Earl of Essex may have been a liability rather than an advantage to the young Fletcher. With Essex involved in the failed rebellion against Elizabeth Giles was also tainted. By 1606 John Fletcher appears to have equipped himself with the talents to become a playwright. Initially this appears to have been for the Children of the Queen's Revels, then performing at the Blackfriars Theatre. Fletcher's early career was marked by one significant failure; The Faithful Shepherdess, his adaptation of Giovanni Battista Guarini's Il Pastor Fido, which was performed by the Blackfriars Children in 1608. By 1609, however, he had found his stride. With his collaborator John Beaumont, he wrote Philaster, which became a hit for the King's Men and began a profitable association between Fletcher and that company. Philaster appears also to have begun a trend for tragicomedy. By the middle of the 1610s, Fletcher's plays had achieved a popularity that rivalled Shakespeare's and cemented the pre-eminence of the King's Men in Jacobean London. After his frequent early collaborator John Beaumont's early death in 1616, Fletcher continued working, both singly and in collaboration, until his own death in 1625. By that time, he had produced, or had been credited with, close to fifty plays.

James Shirley was born in London in September 1596. His education was through a collection of England's finest establishments: Merchant Taylors' School, London, St John's College, Oxford, and St Catharine's College, Cambridge, where he took his B.A. degree in approximately 1618. He first published in 1618, a poem entitled Echo, or the Unfortunate Lovers. As with many artists of this period full details of his life and career are not recorded. Sources say that after graduating he became "e;a minister of God's word in or near St Albans."e; A conversion to the Catholic faith enabled him to become master of St Albans School from 1623-25. He wrote his first play, Love Tricks, or the School of Complement, which was licensed on February 10th, 1625. From the given date it would seem he wrote this whilst at St Albans but, after its production, he moved to London and to live in Gray's Inn. For the next two decades, he would write prolifically and with great quality, across a spectrum of thirty plays; through tragedies and comedies to tragicomedies as well as several books of poetry. Unfortunately, his talents were left to wither when Parliament passed the Puritan edict in 1642, forbidding all stage plays and closing the theatres. Most of his early plays were performed by Queen Henrietta's Men, the acting company for which Shirley was engaged as house dramatist. Shirley's sympathies lay with the King in battles with Parliament and he received marks of special favor from the Queen. He made a bitter attack on William Prynne, who had attacked the stage in Histriomastix, and, when in 1634 a special masque was presented at Whitehall by the gentlemen of the Inns of Court as a practical reply to Prynne, Shirley wrote the text-The Triumph of Peace. Shirley spent the years 1636 to 1640 in Ireland, under the patronage of the Earl of Kildare. Several of his plays were produced by his friend John Ogilby in Dublin in the first ever constructed Irish theatre; The Werburgh Street Theatre. During his years in Dublin he wrote The Doubtful Heir, The Royal Master, The Constant Maid, and St. Patrick for Ireland. In his absence from London, Queen Henrietta's Men sold off a dozen of his plays to the stationers, who naturally, enough published them. When Shirley returned to London in 1640, he finished with the Queen Henrietta's company and his final plays in London were acted by the King's Men. On the outbreak of the English Civil War Shirley served with the Earl of Newcastle. However when the King's fortunes began to decline he returned to London. There his friend Thomas Stanley gave him help and thereafter Shirley supported himself in the main by teaching and publishing some educational works under the Commonwealth. In addition to these he published during the period of dramatic eclipse four small volumes of poems and plays, in 1646, 1653, 1655, and 1659. It is said that he was "e;a drudge"e; for John Ogilby in his translations of Homer's Iliad and the Odyssey, and survived into the reign of Charles II, but, though some of his comedies were revived, his days as a playwright were over. His death, at age seventy, along with that of his wife, in 1666, is described as one of fright and exposure due to the Great Fire of London which had raged through parts of London from September 2nd to the 5th. He was buried at St Giles in the Fields, in London, on October 29th, 1666.