Edgar Rice Burroughs was born on September 1, 1875, in Chicago, Illinois. His early career was unremarkable. After failing to enter West Point he enlisted in the 7th Calvary but was discharged after heart problems were diagnosed. A series of short term jobs gave no indication as to a career path but finally, in 1911, married and with two young children, he turned his hand to writing. He aimed his works squarely at the very popular pulp serial magazines. His first effort 'Under The Moons Of Mars' ran in Munsey's Magazine in 1912 under the pseudonym Norman Bean. With its success he began writing full time. A continuing theme of his work was to develop series so that each character had ample opportunities to return in sequels. John Carter was in the Mars series and there was another on Venus and one on Pellucidar among others. But perhaps the best known is Tarzan. Indeed Burroughs wanted so much to capitalise upon the brand that he introduced a syndicated Tarzan comic strip, movies and merchandise. He purchased a large ranch north of Los Angeles, California, which he named "e;Tarzana."e; The surrounding communities outside the ranch voted in 1927 to adopt the name as their own. By 1932 Burroughs set up his own company to print his own books. Here we publish 'Sweetheart Primeval' in the hands of Edgar Rice Burroughs a few steps back in time is just the start of an extraordinary journey.....

The life of William Shakespeare, arguably the most significant figure in the Western literary canon, is relatively unknown. Shakespeare was born in Stratford-upon-Avon in 1565, possibly on the 23rd April, St. George's Day, and baptised there on 26th April. Little is known of his education and the first firm facts to his life relate to his marriage, aged 18, to Anne Hathaway, who was 26 and from the nearby village of Shottery. Anne gave birth to their first son six months later. Shakespeare's first play, The Comedy of Errors began a procession of real heavyweights that were to emanate from his pen in a career of just over twenty years in which 37 plays were written and his reputation forever established. This early skill was recognised by many and by 1594 the Lord Chamberlain's Men were performing his works. With the advantage of Shakespeare's progressive writing they rapidly became London's leading company of players, affording him more exposure and, following the death of Queen Elizabeth in 1603, a royal patent by the new king, James I, at which point they changed their name to the King's Men. By 1598, and despite efforts to pirate his work, Shakespeare's name was well known and had become a selling point in its own right on title pages. No plays are attributed to Shakespeare after 1613, and the last few plays he wrote before this time were in collaboration with other writers, one of whom is likely to be John Fletcher who succeeded him as the house playwright for the King's Men. William Shakespeare died two months later on April 23rd, 1616, survived by his wife, two daughters and a legacy of writing that none have since yet eclipsed.

If ever a writer needed an introduction Arthur Conan Doyle would not be considered that man. After all, Sherlock Holmes is perhaps the foremost literary detective of any age. Add to this canon his stories of science fiction and his poems, his historical novels, his plays, his political campaigning, his efforts in establishing a Court Of Appeal and there is little room for anything else. Except he was also an exceptional writer of short stories of the horrific and macabre. Something very different from what you might expect. Born in Arthur Conan Doyle was born on 22 May 1859 at 11 Picardy Place, Edinburgh, Scotland. From 1876 - 1881 he studied medicine at the University of Edinburgh following which he was employed as a doctor on the Greenland whaler Hope of Peterhead in 1880 and, after his graduation, as a ship's surgeon on the SS Mayumba during a voyage to the West African coast in 1881. Arriving in Portsmouth in June of that year with less than GBP10 (GBP700 today) to his name, he set up a medical practice at 1 Bush Villas in Elm Grove, Southsea. The practice was initially not very successful. While waiting for patients, Conan Doyle again began writing stories and composed his first novel The Mystery of Cloomber. Although he continued to study and practice medicine his career was now firmly set as a writer. And thereafter great works continued to pour out of him.

Henry Fielding was born at Sharpham Park, near Glastonbury, in Somerset on April 22nd 1707. His early years were spent on his parents' farm in Dorset before being educated at Eton.An early romance ended disastrously and with it his removal to London and the beginnings of a glittering literary career; he published his first play, at age 21, in 1728.He was prolific, sometimes writing six plays a year, but he did like to poke fun at the authorities. His plays were thought to be the final straw for the authorities in their attempts to bring in a new law. In 1737 The Theatrical Licensing Act was passed. At a stroke political satire was almost impossible. Fielding was rendered mute. Any playwright who was viewed with suspicion by the Government now found an audience difficult to find and therefore Theatre owners now toed the Government line.Fielding was practical with the circumstances and ironically stopped writing to once again take up his career in the practice of law and became a barrister after studying at Middle Temple. By this time he had married Charlotte Craddock, his first wife, and they would go on to have five children. Charlotte died in 1744 but was immortalised as the heroine in both Tom Jones and Amelia. Fielding was put out by the success of Samuel Richardson's Pamela, or Virtue Rewarded. His reaction was to spur him into writing a novel. In 1741 his first novel was published; the successful Shamela, an anonymous parody of Richardson's novel. Undoubtedly the masterpiece of Fielding's career was the novel Tom Jones, published in 1749. It is a wonderfully and carefully constructed picaresque novel following the convoluted and hilarious tale of how a foundling came into a fortune.Fielding was a consistent anti-Jacobite and a keen supporter of the Church of England. This led to him now being richly rewarded with the position of London's Chief Magistrate. Fielding continued to write and his career both literary and professional continued to climb. In 1749 he joined with his younger half-brother John, to help found what was the nascent forerunner to a London police force, the Bow Street Runners. Fielding's ardent commitment to the cause of justice in the 1750s unfortunately coincided with a rapid deterioration in his health. Such was his decline that in the summer of 1754 he travelled, with Mary and his daughter, to Portugal in search of a cure. Gout, asthma, dropsy and other afflictions forced him to use crutches. His health continued to fail alarmingly.Henry Fielding died in Lisbon two months later on October 8th, 1754.

Philip Massinger was baptized at St. Thomas's in Salisbury on November 24th, 1583.Massinger is described in his matriculation entry at St. Alban Hall, Oxford (1602), as the son of a gentleman. His father, who had also been educated there, was a member of parliament, and attached to the household of Henry Herbert, 2nd Earl of Pembroke. The Earl was later seen as a potential patron for Massinger.He left Oxford in 1606 without a degree. His father had died in 1603, and accounts suggest that Massinger was left with no financial support this, together with rumours that he had converted to Catholicism, meant the next stage of his career needed to provide an income.Massinger went to London to make his living as a dramatist, but he is only recorded as author some fifteen years later, when The Virgin Martyr (1621) is given as the work of Massinger and Thomas Dekker.During those early years as a playwright he wrote for the Elizabethan stage entrepreneur, Philip Henslowe. It was a difficult existence. Poverty was always close and there was constant pleading for advance payments on forthcoming works merely to survive.After Henslowe died in 1616 Massinger and John Fletcher began to write primarily for the King's Men and Massinger would write regularly for them until his death.The tone of the dedications in later plays suggests evidence of his continued poverty. In the preface of The Maid of Honour (1632) he wrote, addressing Sir Francis Foljambe and Sir Thomas Bland: "e;I had not to this time subsisted, but that I was supported by your frequent courtesies and favours."e;The prologue to The Guardian (1633) refers to two unsuccessful plays and two years of silence, when the author feared he had lost popular favour although, from the little evidence that survives, it also seems he had involved some of his plays with political characters which would have cast shadows upon England's alliances.Philip Massinger died suddenly at his house near the Globe Theatre on March 17th, 1640. He was buried the next day in the churchyard of St. Saviour's, Southwark, on March 18th, 1640. In the entry in the parish register he is described as a "e;stranger,"e; which, however, implies nothing more than that he belonged to another parish.

Any mother-to-be has to waddle through a landmine of expectations! The true and humourous account of my valiant efforts at birthgiving… and the mounting guilt after I find out that my body can't produce more children. How did I became infertile? What wrong turn did I take? Could I have avoided the c-section? This short and quirky story will resonate with all the mothers crushed under the pressure of performance, by Michèle Laframboise. With sketches and pictures by the author's hand.

Men's heads are by no means all like to one another, nor are the sutures of the head of all men constructed in the same form. Thus, whoever has a prominence in the anterior part of the head (by prominence is meant the round protuberant part of the bone which projects beyond the rest of it), in him the sutures of the head take the form of the Greek letter tau, T; for the head has the shorter line running transverse before the prominence, while the other line runs through the middle of the head, all the way to the neck.

It s the business of the physician to know, in the first place, things similar and things dissimilar; those connected with things most important, most easily known, and in anywise known; which are to be seen, touched, and heard; which are to be perceived in the sight, and the touch, and the hearing, and the nose, and the tongue, and the understanding; which are to be known by all the means we know other things.

We must avoid wetting all sorts of ulcers except with wine, unless the ulcer be situated in a joint. For, the dry is nearer to the sound, and the wet to the unsound, since an ulcer is wet, but a sound part is dry. And it is better to leave the part without a bandage unless a cataplasm be applied. Neither do certain ulcers admit of cataplasms, and this is the case with the recent rather than the old, and with those situated in joints.

COMPTE AMB ALL? QUE DESITGES Un misteri paranormal de les bruixes de Westwick La mort d’un multimilionari no és gaire bona per a un negoci! ?s el que diu la tieta Pearl a la Cen quan troben un cadàver a l’hostal familiar a Westwick Corners. Tanmateix, la Cen pensa que no és cosa d’ella. Viu una vida normal apartada de la màgia per alguna cosa. Està promesa amb un noi normal i té una feina normal com a periodista, sense màgia de per mig, i un inconvenient com un assassinat al poble no pertorbarà la seva còmoda existència. Encara que tot el poble acusi la tieta Pearl d’haver assassinat el seu hoste. Encara que el seu promès actu? d’una manera sospitosa i vegi fantasmes on no n’hi ha. Encara que el nou i atractiu xèrif, en Tyler Gates, la tracti com la més sexy de les bruixes. Si t’agraden els misteris lleugers amb una dosi d’humor i un toc sobrenatural, t’encantarà aquesta història de bruixes! Cada llibre de la saga conta una història diferent, i es poden llegir en qualsevol ordre. Sobre la saga Els misteris de les bruixes de Westwick: Registra’t per rebre notificacions a http://www.colleencross.com ?Una captivadora aventura màgica. Si t’agraden els misteris lleugers t’encantaran la Cendrine West i la seva peculiar família de bruixes. Westwick Corners no és el típic poblet. Ni tan sols un poble fantasma normal i corrent. ?s on la gent es perd i on les bruixes entrenen la seva màgia sense cridar massa l’atenció. Aquesta combinació el converteix en un lloc interessant on mesclar els misteris i l’humor, i les bruixes sempre són el centre d’acció. La cuina de la Ruby, les investigacions de la Cendrine i l’escola de màgia de la tieta Pearl sempre cerquen l’ingredient secret que impulsi les bruixes a la fama i la fortuna i torni a fer brillar el poble de Westwick Corners. Les bruixes sempre treballen en noves oportunitats de negoci per l’hostal Westwick Corners, el bar Embruix i, per descomptat, l’Escola d’Encanteri Pearl, on les bruixes van a desentranyar enigmes, conjurar encanteris i crear nous misteris màgics. Llàstima que sempre es distreguin perquè ocorren successos estranys a Westwick Corners, des de petits delictes fins a assassinats. La família West sempre ha estat a Westwick Corners i sempre hi estarà. Descendeixen d’una llarga estirp de bruixes que ha viscut a Westwick Corners des de la seva fundació. Bruixes que desvelen misteris, resolen crims i ajuden qui ho necessita. Són un conjunt de bruixes de tots els estils, perquè embruixar és una de les coses típiques que es fan a un poblet. Tothom ajuda. Fins i tot el fantasma de l’àvia Vi s’entremet i investiga. Però quan totes estiren, no ho fan sempre en la mateixa direcció. Si t’agraden les endevinalles, les rialles i les sagues de misteri, t’encantarà aquesta col·lecció. Disponible en format electrònic i en paper. La següent aventura de la saga ocorre la Nit de Nadal. Mentre hi hagi lectors que gaudeixin amb les meves històries, continuaré escrivint-les. Gràcies per la lectura!

The Magnificent Ambersons is a 1918 novel by Booth Tarkington which won the 1919 Pulitzer Prize. It was the second novel in the Growth trilogy, which included The Turmoil (1915) and The Midlander (1923, retitled National Avenue in 1927). In 1942 Orson Welles directed a film version, also titled The Magnificent Ambersons. The novel and trilogy traces the growth of the United States through the declining fortunes of three generations of the aristocratic Amberson family in a fictional Mid-Western town, between the end of the Civil War and the early part of the 20th century, a period of rapid industrialization and socio-economic change in America. The decline of the Ambersons is contrasted with the rising fortunes of industrial tycoons and other new-money families, which did not derive power from family names but by "doing things". As George Amberson's friend (name unspecified) says, "don't you think being things is 'rahthuh bettuh' than doing things?" "The Magnificent Ambersons is perhaps Tarkington's best novel," said Van Wyck Brooks. "[It is] a typical story of an American family and town—the great family that locally ruled the roost and vanished virtually in a day as the town spread and darkened into a city. This novel no doubt was a permanent page in the social history of the United States, so admirably conceived and written was the tale of the Ambersons, their house, their fate and the growth of the community in which they were submerged in the end." Even though the story is set in a fictitious city, it was inspired by Tarkington's hometown of Indianapolis and the neighborhood he once lived in, Woodruff Place.

There is a fertile stretch of flat lands in Indiana where unagrarian Eastern travellers, glancing from car-windows, shudder and return their eyes to interior upholstery, preferring even the swaying caparisons of a Pullman to the monotony without. The landscape lies interminably level: bleak in winter, a desolate plain of mud and snow; hot and dusty in summer, in its flat lonesomeness, miles on miles with not one cool hill slope away from the sun.

Newton Booth Tarkington (July 29, 1869 – May 19, 1946) was an American novelist and dramatist best known for his novels The Magnificent Ambersons and Alice Adams. He is one of only three novelists to win the Pulitzer Prize for Fiction more than once, along with William Faulkner and John Updike.

"The Beautiful Lady", is another of the short novels from Booth Tarkington's early career. It was originally published in two parts, December of 1904 and January of 1905, in "Harper's Magazine", and then as Tarkington's fifth book in May of 1905. As with many of Tarkington's other works, it is a bit too predictable, though in this case that doesn't detract too much from the story. The story appears to sets up a love triangle (or in this case it may be a love square), but it does deviate from that a bit. The story is told from the point of the Italian, Ansolini from Naples, living in Paris who due to being down on his luck is forced into a most embarrassing position of acting as a billboard by shaving his head and having an advertisement for a show placed on the back of his bald head. It is while performing this job, that he nearly meets the "beautiful lady", though he keeps his head down and sees only her feet and the hem of her skirt and hears her lovely voice as it has sympathy for his plight. In fact, Ansolini's feelings are appreciative of her beautiful soul, and not that of romance.

New adaptation of 'Hamlet' for a modern black theatrical production. Remember me… Denmark, a Black Empire of modern England, where an intelligent young student discovers the world he once knew has crumbled. Implored to defend what is left of his father’s decaying legacy, Hamlet now faces the greatest moral challenge – to kill or not to kill. Directed by Jeffery Kissoon (RSC, National Theatre, Robert Lepage, Peter Hall and in Peter Brook’s seminal production of The Mahabharata) and adapted with Shakespeare’s text by award-winning playwright Mark Norfolk, this fast-moving version gets straight to the heart of a young man’s dilemma. This first all-black production of Hamlet in Britain makes a striking contribution to the Shakespeare 400 anniversary celebration. For ages 12+

A life of fascination, obsession and deep scientific curiosity. William Cavendish-Scott-Bentinck is an eccentric Nottinghamshire aristocrat whose imagination and curiosity know no bounds. This deceptively simple man struggles to come to terms with a world that is teeming with new knowledge, ill-founded opinion and?gossip. Why does he hide himself away? What is his fascination with tunnels? Will he ever unearth the secrets hidden in his memory? In a sequence of events that are often curious and frequently hilarious he reveals moments of surprising perception and wisdom. Nottingham Playhouse and ajtc have combined their talents to co-produce Nick Wood’s stage adaptation of Mick Jackson’s Booker Prize shortlisted novel. The result is a free-flowing, innovative performance which features live music and a specially commissioned score. The Underground Man is a delectable blend of fact and fiction in which the intriguing details of a complex life are richly explored through the vibrant imagination of a gentle soul.

A young newspaperman who has just moved to a new town overhears the wealthy politician in the house next door talking aloud to nonexistent figures. Has David Beasley gone mad, or is his imagination simply greater than his friends and ex-fiancée believe?

Smollett describes in great detail the natural phenomena, history, social life, economics, diet and morals of the places he visited. Smollett had a lively and pertinacious curiosity, and, as his novels prove, a very quick eye. He foresaw the merits of Cannes, then a small village, as a health-resort, and the possibilities of the Corniche road.

Much has been explored about Shakespeare and his life, but little is known about how this small-town boy with a grammar-school education came to pen masterworks like Hamlet and King Lear. In Meet William Shakespeare, playwright J. Ajlouny creates authentic and plausible explanations that answer centuries-old questions about the man and his work. The result is an educational and fun portrait of Shakespeare, as told by The Bard himself.

Warlords, assassins, samurai... and a girl who likes to climb Though Japan has been devastated by a century of civil war, Risuko just wants to climb trees. Growing up far from the battlefields and court intrigues, the fatherless girl finds herself pulled into a plot that may reunite Japan — or may destroy it. She is torn from her home and what is left of her family, but finds new friends at a school that may not be what it seems. Magical but historical, Risuko follows her along the first dangerous steps to discovering who she truly is. Seasons of the Sword #1: Can one girl win a war? Kano Murasaki, called Risuko (Squirrel) is a young, fatherless girl, more comfortable climbing trees than down on the ground. Yet she finds herself enmeshed in a game where the board is the whole nation of Japan, where the pieces are armies, moved by scheming lords, and a single girl couldn’t possible have the power to change the outcome. Or could she? YOUNG ADULT HISTORICAL ADVENTURE

From New York Times and USA Today Bestseller, CJ Lyons: ? Lucy’s back! In a story ripped from the headlines, the violence is the worst she’s ever seen, the stakes are higher than ever, and then…things get personal. ? It’s a vicious, horrific crime: the brutal killing of a teenaged girl. When Pittsburgh detectives call FBI Supervisory Special Agent Lucy Guardino to the scene, their focus is on who and why? ? Was it the girl’s Afghan father striving to regain his honor after she became too Westernized? Her Jewish boyfriend? Someone from Afghanistan settling an old grudge? Or one of the many drug cartels the father helped the DEA bring down seeking revenge? ? The answers seem clear when Pittsburgh becomes engulfed in flames as a violent narcoterrorist turns the city into a kill zone…But in the dark of night, surrounded by men intent on destroying the truth, Lucy learns that secrets hide in shadows.