Ligeia, a beautiful, passionate and intellectual woman, raven-haired and dark-eyed. The narrator is unable to recall anything about the history of Ligeia, including her family's name, but remembers her beautiful appearance. Her beauty, however, is not conventional. He describes her as emaciated, with some strangeness. They marry, and Ligeia impresses her husband with her immense knowledge of physical and mathematical science, and her proficiency in classical languages. She begins to show her husband her knowledge of metaphysicaland forbidden wisdom. The book also features several other stories including: Morella, The Spectacles, King Pest, X-ing a Paragraph, How to Write a Blackwood Article.

Cada uno de los versos están escritos desde la perspectiva de un creyente que confiesa la nueva creación, mientras que se enfrenta a las consecuencias de la caída. La familia, la política, la justicia, el amor, las relaciones humanas, han sido todas manchadas por el error humano, y aunque el Se?or ya ha comenzado su obra de restauración a través del Evangelio, hay mucho camino por recorrer.

The story is narrated by a young author, Vanya, who has just released his first novel. It bears an obvious resemblance to Dostoyevsky's own first novel, Poor Folk. Vanya's close friend and former love object, Natasha runs away with prince Alexey, son of Prince Valkovsky, who hopes to gain financially by marrying Alexey off to an heiress, Katya. Meantime we meet another young girl Nellie, whom Vanya saves from an abusive household by taking her into his apartment. Nellie's story is one of Dostoyevsky's most moving creations which inspired Japanese director Akira Kurosawa to produce an adaptation film, Red Beard.

“It would be hard to imagine Russian poetry in the last half century without Lydia Grigorieva,” writes eminent Russian poet and critic Konstantin Kedrov. Grigorieva is a uniquely individual voice, bucking the trends of modernist poetry to create her own distinctive and beguiling body of poetry. Her work draws on her own remarkable life to create startlingly arresting images and metaphors, full of beauty and power, from her series that emerged from her Arctic childhood, to the troubles that beset Ukraine. Her range of influences is wide, and Beethoven, Freud, Sylvia Plath and Byron all appear in her poems as well as more familiar Russian images. At the heart of Grigorieva’s poetry is what she calls its ‘musicality’ – her firm belief in the power of rhyme and rhythm in creating a poetic experience. In this first major collection of her work in English, English poet John Farndon, working with Grigorieva and co-translator Olga Nakston, has recreated this musicality in English so that English readers might experience for the first time what makes her work so revered in her Russian homeland. Translated by John Farndon with Olga Nakston. Maxim Hodak - Максим Ходак (Publisher), Max Mendor - Макс Мендор (Director), Ksenia Papazova (Managing Editor).

Um ex jagun?o tenta construir vida nova longe de seu passado em uma pequeno vilarejo do sert?o nordestino. Mas a chegada de um homem misterioso e suas consequências o far?o deixar sua aposentadoria para buscar justi?a. Esse é o início de uma série de livros que resgatam a cultura da literatura pulp para o público de hoje.

Tales of Mother Goose feature some of the best known fairy tales including: Blue Beard, Little Thumb, Puss in Boots, Riquet with the Tuft, The Fairy, Cinderella, Little Red Riding Hood, The Sleeping Beauty.

Little Good Boy had just finished eating the last of five rice cakes called "dango," that had been strung on a skewer of bamboo and dipped in soy sauce, when he said to his little sister, called Chrysanthemum: "O-Kiku, it is soon the great festival of the New Year." "What shall we do then?" asked little O-Kiku, not clearly remembering the festival of the previous year. Thus questioned, Yoshi-san had his desired opening to hold forth on the coming delights, and he replied: "Men will come the evening before the great feast-day and help Plum-blossom, our maid, to clean all the house with brush and broom. Others will set up the decoration in front of our honored gateway. They will dig two small holes and plant a gnarled, black-barked father-pine branch on the left, and the slighter reddish mother-pine branch on the right. They will then put with these the tall knotted stem of a bamboo, with its smooth, hard green leaves that chatter when the wind blows. Next they will take a grass rope, about as long as a tall man, fringed with grass, and decorated with zigzag strips of white paper.

Once upon a time there lived a King and Queen who had two beautiful sons and one little daughter, who was so pretty that no one who saw her could help loving her. When it was time for the christening of the Princess, the Queen—as she always did—sent for all the fairies to be present at the ceremony, and afterwards invited them to a splendid banquet...

This unique edition of Just So Stories from Dead Dodo Vintage includes the full original text as well as exclusive features not available in other editions.

This unique edition of My Lady Nicotine from Dead Dodo Vintage includes the full original text as well as exclusive features not available in other editions.

The story is set in 1757, during the French and Indian War, when France and Great Britain battled for control of North America. During this war, the French depended on its Native American allies to help fight the more numerous British colonists in the Northeast frontier areas. Many people believed that the Native Americans were disappearing, and would ultimately be assimilated or fail to survive.

Maria Rybakova’s Gnedich captures the reader’s attention in its first stanzas with a striking allusion to Homeric Greece: “The rage that killed so many/the wretched rage of Achilles/who knew that he would perish/ that he would perish young. This is a novel-in-verse about the first Russian translator of the Iliad, the romantic poet and librarian Nikolai Gnedich (1784-1833). Since Gnedich spent almost his entire life translating Homer’s epic poem, Maria Rybakova has chosen verse as the most appropriate stylistic means in recreating his life. To the English-speaking world, this genre of poetic biography is best exemplified by Ruth Padel’s Darwin – A Life in Poems. Like the Iliad itself, the novel consists of twelve Songs or Cantos, and covers the life of Gnedich from his childhood to his death. It depicts the lives of Gnedich and his best friend, the poet Batyushkov, who is slowly losing his sanity, and incorporates motifs from their poetry, from Homer’s epics, and from Greek mythology, as well as magnificent images of imperial Russia and the Homeric world. The space of the novel covers snowy Russian villages, aristocratic St. Petersburg salons, magnificent Italian landscapes, and the austere Greece of Homer’s heroes. Rybakova conjures a fittingly romantic vision of the dramatic lives of Gnedich and his best friend. A major part of the novel is the moving correspondence between the two poets. Philosophical reflections on the fate of the individual are intertwined with poignant stanzas devoted to the great but unhappy love to the tragic actress Ekaterina Semyonova that consumed Gnedich. The novel culminates in Batyushkov’s final breakdown in the lunatic asylum and Gnedich’s ruminations on Russia’s tragic future fate. The poetic language of Gnedich is refined: it combines the clarity of Rybakova’s syllabic verses and the sophistication of her metaphors with distinct, novelistic depictions of certain landscapes, people, and their interactions. The novel is spectacularly designed: Rybakova’s style resembles a movie projection with stop-cards at the key moments in Gnedich’s life, his long conversations with his friend, and particular striking sceneries. It creates a novelistic effect on the tale about Gnedich’s life, spanning over twenty years. The narrative is often interrupted by streams of consciousness and reminiscence by its main heroes. At the same time, it continues the traditions of Russian classic literature with its attention to detail and the psychology of the characters. A significant part of the novel is dedicated to the description of Gnedich’s friendship with Konstantin Batyushkov, a talented poet of the Pushkin epoch. Gnedich, disfigured by a childhood disease, was a librarian at the Imperial Library in St. Petersburg and became famous through his translation of the Illiad. Batyushkov, an officer of the Russian Imperial court who participated in military campaigns, as well as one of the best poets of the beginning of the 19th century, went through deep crisis and mental illness. The friendship between the two becomes one of the themes within the novel. Rybakova builds the novel-in-verse’s plot around Gnedich’s translation of the Illiad into Russian. The narrative progresses from the adult Gnedich’s recollection of his childhood in a small country estate in Ukraine in the first Song, his illness and discovery of the magnificent Greek epic about the siege of the Troy that changed his life forever, to the completion of his work on his translation as a final victory over his life’s circumstances. The titanic work on the translation continued for almost twenty-two years (1807-29).

The truth behind the spectacular rise and fall of a pop legend in his own words. For three years the Goss twins, Luke and Matt, had the world at their feet. Their records ripped to the top of the charts, they filled concert halls and were mobbed wherever they went. Their fall was as fast and spectacular as their rise. From being pop’s golden boys they became the band that everyone loved to hate, amidst spectacular rumours of bankruptcy and media manipulation. What went wrong? In this compelling book Luke Goss tells the whole incredible story, including: ? The million-point contract that left the band broke. ? The ‘weird unreality’ of going from unknown to superstar almost overnight. ? So-called ‘friends’ who turned their backs as soon as the bubble burst. It’s a cautionary tale for anyone aspiring to pop stardom, it is a saga of hurt and heartache, and, above all, it is a tribute to the family and friends – including Matt – who have stood by him through those frenetic years. It is, as Luke says, the laying to rest of a nightmare.

This is the true story of C.S. Lewis – one of the greatest writers of the 20th-century – whose books for children and adults have become much loved classics. Part of the story of C.S. Lewis has been made famous through the film ‘Shadowlands’. Here this fascinating man’s entire life story is told by those who knew him personally. C.S. Lewis was born in Belfast in 1898 and was sent to England for a public school education with his elder brother, Warren. Lewis exhibited a genius for imagination and perception from his earliest years. Brought up in a Christian household, Lewis lost his faith in his teenage years but was to regain it, with reluctance, as a fellow at Magdalen College, Oxford. His faith subsequently influenced his writings. He became a vigorous champion of the Christian faith through classics such as ‘Mere Christianity’ and through his BBC broadcasts. His ‘Chronicles of Narnia’ became children’s classics and he was deluged with correspondence from his young readers. In his latter years he unexpectedly fell deeply in love with a divorced American, Joy Greshem, and married her, only to suffer the devastation of her death a few years later. C.S. Lewis died in 1963 at his home in Oxford. During his lifetime C.S. Lewis suggested to his friend, Roger Lancelyn Green, who was a fellow English scholar, that he would undertake his biography one day. After Lewis’s death in 1963 Lancelyn Green and Walter Hooper were approached by several of Lewis’s friends to write the biography. Warren Lewis, brother to Jack, contributed a great deal to the writing. The authors had at their disposal a vast collection of letters and diaries, as well as the recollections of many surviving family members and friends. Walter Hooper has enhanced the original text with additional material to provide a new, expanded edition which all C.S. Lewis fans will be keen to own.

At the age of only 36, Sir Mark Sykes was signatory to the Sykes-Picot agreement, one of the most reviled treaties of modern times. A century later, Christopher Sykes’ lively biography of his grandfather reassesses his life and work, and the political instability and violence in the Middle East attributed to it. The Sykes–Picot agreement was drawn by the eponymous British and French diplomats in 1916 to determine the divide of the collapsing empire in the event of an allied victory in World War I. Excluding Arab involvement, it negated their earlier guarantee of independence made by the British – and controversy has raged around it ever since. But who was Mark Sykes? A century on, Christopher Simon Sykes reveals new facets of a misremembered diplomatic giant. Using previously undisclosed family letters and cartoons by his grandfather, he delivers a comprehensive and humbling account of the man behind one of the most impactful policies in the Middle East.

Stanley Spencer (1891 – 1959) has recently been recognised by a wide general public, as well as by art historians, as probably the greatest English painter of the twentieth century. His strange and thrilling settings of biblical and semi-biblical scenes, his grippingly realist portraits, his intense English landscapes, hang in pride of place in our national collections and fetch ever-escalating prices at auction. Although there have been many books about Spencer, Pople's biography is the first to give a thoroughly convincing and coherent account of the life and psyche of the man who produced these extraordinary pictures. Pople has not only had the co-operation of Spencer's daughters and remaining friends' he has had unrestricted access to the artist's letters, diaries and other writings, and has spent ten years unravelling the familiar but so often impenetrable mysteries we see on the canvas. His analysis demonstrates that there never was as artist for whom life and art were so much of a piece, and that without understanding Spencer's doings and circumstances, we have no hope of understanding his paintings.

In the tradition of ‘Agent Zigzag’ comes a breathtaking biography of WWII’s ‘Scarlet Pimpernel’ as fast-paced and emotionally intuitive as the best spy thrillers. This celebrates unsung hero Robert de La Rochefoucauld, an aristocrat turned anti-Nazi saboteur, and his exploits as a British Special Operations Executive-trained resistant A scion of one of the oldest families in France, Robert de La Rochefoucauld was raised in a magnificent chateau and educated in Europe’s finest schools. When the Nazis invaded and imprisoned his father, La Rochefoucauld escaped to England and was trained in the dark arts of anarchy and combat – cracking safes, planting bombs and killing with his bare hands – by a collection of SOE spies. With his newfound skills, La Rochefoucauld returned to France and organized Resistance cells, blew up fortified compounds and munitions factories, interfered with Germany’s wartime missions and executed Nazi officers. Caught by the Germans, La Rochefoucauld withstood months of torture and escaped his own death sentence, not once but twice. More than just a fast-paced, real-life thriller, The Saboteur is also a deep dive into an endlessly fascinating historical moment, revealing the previously untold story of a network of commandos, motivated by a shared hatred of the Nazis, who battled evil and bravely worked to change the course of history.

First published in 2005 and now available as an ebook. Des Lynam’s autobiography gives a frank and opinionated insight into the man behind the myth. Des Lynam is one of Britain's best-loved and most successful personalities. Famously guarded about his private life, Des will attempt to set the record straight and talk about the ladies in his life, his childhood days in Ireland, as well as his early marriage and life in 70s London. Des takes us through his 30 years at the BBC from a reporter on local radio to the drama of his top-secret move to ITV which was front page news on every national newspaper. The World Cups, the Olympic Games including his reporting of the Israeli shootings in Munich. Following Muhammad Ali to his fights in Zaire, Malaysia and the USA. The Grand National that never was, the IRA threatened race. The programmes he turned down, the ones he wished he had! Des offers a candid account of life behind the scenes at the national broadcaster, the people he has met, the triumphs, the disasters. In the unique role of top presenter on both main channels, he tells of his 5 years at ITV, his reasons for going there and why his decision was justified but in other ways disastrous.

相対性理論: 1911年のアインシュタインによる講義内容

Frankenstein, Or The Modern Prometheus: Bilingual Edition (English – French)

Germinal: Bilingual Edition (English – French)