Eating the Enlightenment offers a new perspective on the history of food, looking at writings about cuisine, diet, and food chemistry as a key to larger debates over the state of the nation in Old Regime France. Embracing a wide range of authors and scientific or medical practitioners-from physicians and poets to philosophes and playwrights-E. C. Spary demonstrates how public discussions of eating and drinking were used to articulate concerns about the state of civilization versus that of nature, about the effects of consumption upon the identities of individuals and nations, and about the proper form and practice of scholarship. En route, Spary devotes extensive attention to the manufacture, trade, and eating of foods, focusing upon coffee and liqueurs in particular, and also considers controversies over specific issues such as the chemistry of digestion and the nature of alcohol. Familiar figures such as Fontenelle, Diderot, and Rousseau appear alongside little-known individuals from the margins of the world of letters: the draughts-playing cafe owner Charles Manoury, the "e;Turkish envoy"e; Soliman Aga, and the natural philosopher Jacques Gautier d'Agoty. Equally entertaining and enlightening, Eating the Enlightenment will be an original contribution to discussions of the dissemination of knowledge and the nature of scientific authority.

When eight-year-old Lucrezia Orsina Vizzana (1590-1662) entered one of the preeminent convents in Bologna in 1598, she had no idea what cloistered life had in store for her. Thanks to clandestine instruction from a local maestro di cappella-and despite the church hierarchy's vehement opposition to all convent music-Vizzana became the star of the convent, composing works so thoroughly modern and expressive that a recent critic described them as "e;historical treasures."e; But at the very moment when Vizzana's works appeared in 1623-she would be the only Bolognese nun ever to publish her music-extraordinary troubles beset her and her fellow nuns, as episcopal authorities arrived to investigate anonymous allegations of sisterly improprieties with male members of their order.?Craig A. Monson retells the story of Vizzana and the nuns of Santa Cristina to elucidate the role that music played in the lives of these cloistered women. Gifted singers, instrumentalists, and composers, these nuns used music not only to forge links with the community beyond convent walls, but also to challenge and circumvent ecclesiastical authority. Monson explains how the sisters of Santa Cristina-refusing to accept what the church hierarchy called God's will and what the nuns perceived as a besmirching of their honor-fought back with words and music, and when these proved futile, with bricks, roof tiles, and stones. These women defied one Bolognese archbishop after another, cardinals in Rome, and even the pope himself, until threats of excommunication and abandonment by their families brought them to their knees twenty-five years later. By then, Santa Cristina's imaginative but frail composer literally had been driven mad by the conflict.?Monson's fascinating narrative relies heavily on the words of its various protagonists, on both sides of the cloister wall, who emerge vividly as imaginative, independent-minded, and not always sympathetic figures. In restoring the musically gifted Lucrezia Orsina Vizzana to history, Monson introduces readers to the full range of captivating characters who played their parts in seventeenth-century convent life.?

Allan H. Meltzer's monumental history of the Federal Reserve System tells the story of one of America's most influential but least understood public institutions. This first volume covers the period from the Federal Reserve's founding in 1913 through the Treasury-Federal Reserve Accord of 1951, which marked the beginning of a larger and greatly changed institution.To understand why the Federal Reserve acted as it did at key points in its history, Meltzer draws on meeting minutes, correspondence, and other internal documents (many made public only during the 1970s) to trace the reasoning behind its policy decisions. He explains, for instance, why the Federal Reserve remained passive throughout most of the economic decline that led to the Great Depression, and how the Board's actions helped to produce the deep recession of 1937 and 1938. He also highlights the impact on the institution of individuals such as Benjamin Strong, governor of the Federal Reserve Bank of New York in the 1920s, who played a key role in the adoption of a more active monetary policy by the Federal Reserve. Meltzer also examines the influence the Federal Reserve has had on international affairs, from attempts to build a new international financial system in the 1920s to the Bretton Woods Agreement of 1944 that established the International Monetary Fund and the World Bank, and the failure of the London Economic Conference of 1933.Written by one of the world's leading economists, this magisterial biography of the Federal Reserve and the people who helped shape it will interest economists, central bankers, historians, political scientists, policymakers, and anyone seeking a deep understanding of the institution that controls America's purse strings."e;It was 'an unprecedented orgy of extravagance, a mania for speculation, overextended business in nearly all lines and in every section of the country.' An Alan Greenspan rumination about the irrational exuberance of the late 1990sTry the 1920 annual report of the board of governors of the Federal Reserve. . . . To understand why the Fed acted as it did-at these critical moments and many others-would require years of study, poring over letters, the minutes of meetings and internal Fed documents. Such a task would naturally deter most scholars of economic history but not, thank goodness, Allan Meltzer."e;-Wall Street Journal"e;A seminal work that anyone interested in the inner workings of the U. S. central bank should read. A work that scholars will mine for years to come."e;-John M. Berry, Washington Post"e;An exceptionally clear story about why, as the ideas that actually informed policy evolved, things sometimes went well and sometimes went badly. . . . One can only hope that we do not have to wait too long for the second installment."e;-David Laidler, Journal of Economic Literature"e;A thorough narrative history of a high order. Meltzer's analysis is persuasive and acute. His work will stand for a generation as the benchmark history of the world's most powerful economic institution. It is an impressive, even awe-inspiring achievement."e;-Sir Howard Davies, Times Higher Education Supplement

The first public orphanage in America, the Charleston Orphan House saw to the welfare and education of thousands of children from poor white families in the urban South. From wealthy benefactors to the families who sought its assistance to the artisans and merchants who relied on its charges as apprentices, the Orphan House was a critical component of the city's social fabric. By bringing together white citizens from all levels of society, it also played a powerful political role in maintaining the prevailing social order.?John E. Murray tells the story of the Charleston Orphan House for the first time through the words of those who lived there or had family members who did. Through their letters and petitions, the book follows the families from the events and decisions that led them to the Charleston Orphan House through the children's time spent there to, in a few cases, their later adult lives. What these accounts reveal are families struggling to maintain ties after catastrophic loss and to preserve bonds with children who no longer lived under their roofs.?An intimate glimpse into the lives of the white poor in early American history, The Charleston Orphan House is moreover an illuminating look at social welfare provision in the antebellum South.

Despite their influence in our culture, sports inspire dramatically less philosophical consideration than such ostensibly weightier topics as religion, politics, or science. Arguing that athletic playfulness coexists with serious underpinnings, and that both demand more substantive attention, Daniel Dombrowski harnesses the insights of ancient Greek thinkers to illuminate contemporary athletics.Dombrowski contends that the ideas of Plato, Aristotle, and Plotinus shed important light on issues-such as the pursuit of excellence, the concept of play, and the power of accepting physical limitations while also improving one's body-that remain just as relevant in our sports-obsessed age as they were in ancient Greece. Bringing these concepts to bear on contemporary concerns, Dombrowski considers such questions as whether athletic competition can be a moral substitute for war, whether it necessarily constitutes war by other means, and whether it encourages fascist tendencies or ethical virtue. The first volume to philosophically explore twenty-first-century sport in the context of its ancient predecessor, Contemporary Athletics and Ancient Greek Ideals reveals that their relationship has great and previously untapped potential to inform our understanding of human nature.

To wolf expert, Shaun Ellis, wolves aren’t just his work, they’re also his family. An extraordinary man, Shaun has been fascinated by wolves all his life, even living as part of a wild pack for two years with no human contact. What he gained was a unique and fascinating insight into their world, and that of our very own domestic dogs. Shaun Ellis grew up in the Norfolk countryside with a passion for and understanding with animals from an early age. His early fascination with wolves, and determination to understand them, led to him spending years in the US with the Naz Paz Indian tribe, watching wolves, learning to understand their roles and behaviour in the pack and how to communicate with them. He even lived as part of a wild pack for two years, without any human contact. Bringing his knowledge back to the UK, he astonished wildlife experts with his knowledge and insight. He now lives, eats and sleeps with his two wolf packs at Combe Martin Wildlife Park. This is the story of Shaun’s determination to understand these extraordinary animals and how what he has learned can help others to understand their own domestic dogs.

Aged nine Joss came home from school to discover her father's suicide. She's never gotten over it. This is the true story of Joss, 13 who is angry and out of control. At the age of nine, Joss finds her father’s dead body. He has committed suicide. Then her mother remarries and Joss bitterly resents her step-father who abuses her mentally and physically. Cathy takes Joss under her wing but will she ever be able to get through to the warm-hearted girl she sees glimpses of underneath the vehement outbreaks of anger that dominate the house, and will Cathy be able to build up Joss’s trust so she can learn the full truth of the terrible situation?

This autobiography of C.S.Lewis’s early life, focusing on the spiritual crisis which was to determine the shape of his entire life, now repackaged and rebranded as a key title in the C.S. Lewis Signature Classics range. “In the Trinity Term of 1929 I gave in, and admitted that God was God…perhaps the most dejeced and reluctant convert in all England.” Thus C.S. Lewis describes memorably the crisis of his conversion in his famous autobiography. Lewis was for many years an atheist, and in Surprised by Joy he vividly describes the spiritual quest which eventually convinced him of the truth and reality of the Christian faith.

The true story of an A&E doctor that became a huge word-of-mouth hit - now revised and updated. Forget what you have seen on Casualty or Holby City, this is what it is really like to be working in A&E. Dr Nick Edwards writes with shocking honesty about life as an A&E doctor. He lifts the lid on government targets that led to poor patient care. He reveals the level of alcohol-related injuries that often bring the service to a near standstill. He shows just how bloody hard it is to look after the people who turn up at the hospital door. But he also shares the funny side - the unusual ‘accidents’ that result in with weird objects inserted in places they really should have ended up - and also the moving, tragic and heartbreaking. It really is an unforgettable read. First published in 2007 when The Friday Project was a small independent, In Stitches went on to sell over 15,000 copies in the UK, the majority of which have come in the years since then. It has proved to be a real word-of-mouth hit. This new edition includes lots of additional material bringing Nick’s story completely up to date including plenty more suprising, alarming, moving and unforgettable moments from behind the A&E curtain.

Four-year-old Lisa's world turned upside down when her step-father moved in. Most of the time he was just violent but then he started making her do things to him she knew were wrong. Soon he was visiting her at night. Lisa begged her mother for help but she just shrugged, telling Lisa he would have his way. It was the greatest betrayal of all. At first Lisa's step-father would just make her stroke and massage his feet, hitting her if she stopped, but he soon wanted more. Much more. By the time she was 12 he was regularly abusing her. One day, when Lisa turned 16, she came home to discover that her mother had swapped bedrooms with her. 'You're my girlfriend now', her step-father told her. Lisa turned to her mother for help, but was met with a shrug. She wouldn't hear a word against her husband. 'Don't blame me,' she said. Her step-father's abuse was horrific but what completely tore her apart was knowing her mother knew and encouraged it. Trapped and increasingly desperate, Lisa tried to find a way out. But her isolation was complete. A few months later her mother told her she'd arranged for Lisa and her step-father to move into a flat together down the road. It was too much for Lisa to bear. 'Please don't make me, please,' she sobbed. But her mother just ignored her. Lisa was marched around to the flat with her possessions and her nightmare was complete. Alone with her step-father, Lisa's life became even more unbearable. Then one day, finally, she got the chance she'd been looking for to escape. Lisa bravely struck out on her own, petrified her mother would find her and hand her back into the waiting arms of her step-father. But Lisa's mother had no idea how determined she was to break away…

A unique collection of essays accompany Wilfred Thesiger’s own personal photographs of the Africa he experienced as one of the world’s most celebrated explorers. While Wilfred Thesiger’s own classic writings (including ‘The Marsh Arabs’, ‘Arabian Sands’, ‘Desert’, Marsh and Mountain’, ‘The Life of My Choice’ and ‘My Kenya Days’) comprehensively cover his classic journeys amongst the Marsh Arabs in southern Iraq, or across the Empty Quarter in Arabia, they fail conspicuously to shed light on his character and motives, which have remained an enigma. Maitland’s biography had Thesiger’s support before he died in 2003, and has been written with full access, granted to no one else, to the rich Thesiger archive – vivid, intimate family correspondence, and his own letters, diaries and notebooks which are far more confiding than his scrupulously edited published accounts. Maitland investigates in depth Thesiger’s parents and family influences; his wartime experiences and the ethos of conflict; his philosophy as a hunter and conservationist; his development as a writer and photographer; his close friendships with the Arabs and Africans amongst whom he lived; and his sexuality. In all, this major biography of a great and unusual man will take its place on the shelf of outstanding lives of the great explorers.

From the author of the ever-popular Flashman novels, a collection of film-world reminiscences and trenchant thoughts on Cool Britannia, New Labour and other abominations. In between writing Flashman novels, George MacDonald Fraser spent thirty years as an "incurably star struck" screenwriter, working with the likes of Steve McQueen, Arnold Schwarzenegger, Cubby Broccoli, Burt Lancaster, Federico Fellini and Oliver Reed. Now he shares his recollections of those encounters, providing a fascinating glimpse behind the scenes. Far from starry-eyed where Tony Blair & Co are concerned, he looks back also to the Britain of his youth and castigates those responsible for its decline to "a Third World country … misruled by a typical Third World government, corrupt, incompetent and undemocratic". Controversial, witty and revealing – or "curmudgeonly", "reactionary", "undiluted spleen", according to the critics – The Light's on at Signpost has struck a chord with a great section of the public. Perhaps, as one reader suggests, it should be "hidden beneath the floorboards, before the Politically-Correct Thought Police come hammering at the door, demanding to confiscate any copies".

A single-volume edition of two hugely charming and funny memoirs of family life – ‘Notes to my Mother-in-Law’ and ‘How Many Camels Are There in Holland?’ – by the inimitable Phyllida Law. Phyllida Law’s treasured mother-in-law Annie was the lynchpin of the entire family, so when they realised she was growing ever more deaf the only solution was for Phyllida to note down all the day’s gossip for Annie to read. When her own mother Mego – always deliciously dotty – was diagnosed with dementia late in her life, Phyllida devoted herself to Mego’s care, on hand to keep the cottage tidy and prepare a medicinal G&T. And all the while Phyllida had to manage her busy acting career and bring up her own daughters, the actresses Emma and Sophie Thompson. Complete with wonderful new material from Phyllida, Emma and Sophie, this single-volume edition of Phyllida Laws’s two enchanting memoirs of family life – ‘Notes to my Mother-in-Law’ and ‘How Many Camels Are There in Holland?’ – is a tender and sweetly comic story of mothers, daughters, a malfunctioning hearing aid and a most peculiar question about camels …

The complete four-volume collection of classic memoir recounting a poverty-stricken childhood in 1930s Liverpool that started with Twopence To Cross the Mersey. Twopence To Cross The Mersey – When Helen Forrester’s father went bankrupt in 1930 she and her six siblings were forced into dreadful poverty in Depression-ridden Liverpool. Managing the household and caring for the younger children all fell on twelve-year-old Helen. Written without self-pity, Forrester’s memoir of these grim days is as heart-warming as it is shocking. Liverpool Miss – Life remains extremely tough for fourteen-year-old Helen. Her continuing struggles against malnutrition, dirt and, above all, the selfish demands of her parents, are deeply shocking. But Helen’s fortitude in the most harrowing of situations makes this a story of amazing courage. By The Waters Of Liverpool – though her parents are as financially irresponsible as ever, wasting money while their children go without, for Helen the future is brightening. At seventeen, she has fought won some important battles with her parents and won, then she meets Harry… Lime Street At Two – It is 1940 and Helen, now twenty, is working at a welfare centre. Her wages are pitifully low and her mother claims the whole of them for housekeeping but she is still thrilled to be gaining some independence. As WWII rages, tragedy isn’t very far away, but Helen faces it with courage and determination.

From the author of international bestsellers A Circle of Children and Lovey comes an inspiring true story of a gifted teacher’s determination to understand the ‘rotten’ city kid everyone has given up on. Sitting quiet and withdrawn at a battered school desk, Luke had the looks of a shy angel – and a past that special needs teacher Mary MacCracken could barely believe. Already Luke had been picked up 24 times by the police. He’d set over a dozen major fires, and had a staggering record of thefts. No adult could reach him, no teacher could control him, and no policeman could cow him. All this – and Luke was only seven and a half years old. Trying to help Luke was Mary MacCracken’s job – and a seemingly impossible challenge. This is the remarkable story of how the impossible came true.

They call me Sour. The opposite of sweet. Shanking, stabbing, steaming, robbing, I did it all, rolling with the Man Dem. I did it because I was bad. I did it because I had heart. And the reason I reckon I got away with it for so long? Because I was a girl. SOUR is the true story of a former Brixton gang girl, drug dealer and full-time criminal. A member of the Younger 28s, a notorious gang that terrorised the postcodes around Brixton in the 90s, Sour escapes a troubled family life to immerse herself in the street life of likking and linking. She never leaves her house without a knife. At the age of fifteen, she stabs an innocent man in the street, earning her unrivalled respect and ‘Top-Dog’ status amongst her crew. She believes she is invincible. But the consequences of her actions are soon to catch up with her. Waking for the second time in two weeks in a hospital bed, to the news that she is pregnant, she realises it’s time to turn her life around. Motherhood will be a rude awakening, but it may also be her saving grace. Told with raw emotions and ferocious honesty, this is the real, on-the-record, story of one woman’s descent down the rabbit hole of gangland, and her efforts, as a daughter, mother and girlfriend, to claw herself out.

A revealing and witty new examination of how Agatha Christie became the world’s most successful and popular female playwright, including details of never-before-published *s and stories. Published in celebration of Agatha Christie's 125th birthday, Curtain Up! is an essential purchase for Agatha Christie fans worldwide. Everyone knows that The Mousetrap is the world’s longest-running play, but this first ever book dedicated to Agatha Christie as a playwright tells how Christie prevailed against the male-dominated establishment to be the only woman to have three plays in the West End at the same time and became the most popular and successful female playwright in the world. Author and theatre producer Julius Green has been given unprecedented access to archives in the UK and USA and has uncovered unpublished and unperformed plays, as well as previously unknown facts and correspondence. Agatha Christie was a skilful and accomplished stage writer, and this long-awaited book is a fascinating, funny and revealing tale that theatregoers and Agatha Christie fans won't want to miss.

A fly-on-the-wall account of the greatest drama in modern sporting history by the New York Times cycling correspondent. As Lance Armstrong’s precipitous fall from grace continues, New York Times sports reporter Juliet Macur takes the reader behind the scenes to bring to life the astonishing twists and turns of the scandal that has rocked the world of cycling. With unprecedented access to the key players in the drama – from Armstrong’s fellow cyclists and top cycling officials to doctors, trainers and wives – Cycle of Lies reveals how Armstrong built a fortress of people around him to protect his image and upend the lives of anybody who stood in his way. As America’s fallen idol faces potential perjury charges, Cycle of Lies widens the focus to expose corruption at all levels of the sport in a thrilling, page-turning work of contemporary narrative history.

A humorous look at the influence of celebrity style, charting the hairdos (and hair don’ts) James King has fashioned over the years. From the classic ‘Rachel from Friends’ to the questionable David Beckham mohawk, most of us, probably unwisely, have tried to emulate our favourite star’s hairstyles at some point. In HOLLYWOOD SHAPED MY HAIR, James King takes us on a hair-history of cinema.

The first official account of the iconic record label. An NME Book of the Year 2013 ? A Rough Trade Book of the Year 2013 ? A Times Literary Supplement Book of the Year 2013 This Mortal Coil, Birthday Party, Bauhaus, Cocteau Twins, Pixies, Throwing Muses, Breeders, Dead Can Dance, Lisa Germano, Kristin Hersh, Belly, Red House Painters. Just a handful of the bands and artists who started out recording for 4AD, a record label founded by Ivo Watts-Russell and Peter Kent in 1979, a label which went on to be one of the most influential of the modern era. Combining the unique tastes of Watts-Russell and the striking design aesthetic of Vaughan Oliver, 4AD records were recognisable by their look as much their sound. In this comprehensive account concentrating on the label’s first two decades (up to the point that Watts-Russell left), music journalist Martin Aston explores the fascinating story with unique access to all the key players and pretty much every artist who released a record on 4AD during that time, and to its notoriously reclusive founder. With a cover designed by Vaughan Oliver this is an essential book for all 4AD fans and anyone who loved the music of that time.

This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme. After Paul McCartney listened to the electronic layering and looping of Stockhausen, the Beatles used the same effects on Revolver’s ‘Tomorrow Never Knows’ and put an image of the composer on Sgt. Pepper’s Lonely Hearts Club Band. For a split second during ‘Revolution 9’ the final chords of Sibelius’s Seventh Symphony can be heard. Even the most jaded veteran of twentieth century music must have been startled by the influence of the post-war avant-garde on the psychedelic generation. Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change. Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.