n vrst de 11 ani, Ivy Manx locuiete n inutul Caux, al crui conductor este teribilul Rege Mtrgun i unde legea trmului este otrvete sau fii otrvit“. Fr un degusttor de ncredere acreditat de Breasl care s-i stea mereu aproape, urmtoarea ta mas ar putea fi i ultima.Chiar mai ru, unchiul mult iubit al fetiei – ultimul farmacopat vindector din Caux – a disprut fr urm, lsnd-o pe Ivy cu trusa lui cu leacuri secrete, cu o cioar zgomotoas pe nume H i cu un degusttor nepriceput i mrav, cu nclinaie pentru picoteal.Nu mai e timp de pierdut! Ivy trebuie s-i pun n aplicare teribilul plan! mpreun cu un tnr degusttor pe nume Rowan – aflat pe fug dup otrvirea accidental a douzeci dintre grzile regelui –, fata pornete n cutarea unchiului ei. n aceste vremuri dominate de corupie i de uneltiri – n acest, pn nu demult, minunat loc strvechi –, cei doi copii, devenii acum dumanii ntregului regat, au un sprijin de ndejde.Dar ce vor oare urmritorii lor S fie nestemata de-o inegalabil frumusee ce pare – dei asta este practic imposibil – a fi scobit Sau o fi elixirul pe care ea nsi l-a creat i care are misterioase puteri vindectoare Sau oare poate fi vorba despre Ivy nsiSpus pe un ton uor ironic i de o prospeime irezistibil, primul volum al trilogiei Otrvurile din Caux“, Nestemata Scobit este o uimitoare poveste despre ierburi i magie, degusttori i otrvuri.

B?R DAMLA SEVG?YLE MERHABA ?Dokunan hafif bir esinti, bir damla ya?, bir kü?ük ka?amak bak??tan ve bir tatl? s?zden sonra yüre?in ?eperlerine yap???p kalan a?k?n izleriyle dolu ya?amakt?r belki de istenilen… ??zlemek sevgiyle yüre?e dokunmaksa; bir tatl? s?z, bir gidenin ard?ndan kalan iz, bir hüzün i?indeki umutsuzluklarda bile, umut arayan kalple var olmakt?r kimbilir belki de i?imizde kalan… ??zlemek; a?k?n g?zya?lar?nda, yar?n? olmayan a?klarda ve bir garip a?k?n i?inde bile mutlulu?u, sevginin kanatlar?nda ?zlemle arayarak yazmakt?r belki de sayfalarda saklanan… ?Kim bilir belki de sevgiyi i?inde bularak kanatlanmakt?r, kanats?z hallerinde bile ?zlemle a?ka u?makt?r… ?Her okunan ?iirin i?inde hissedebilmektir belki de; tarifi olmayan, tarifsiz o duyguyu, yüre?indeki bir k?v?lc?m ate?iyle canland?r?p ya?atabilmektir belki de arzulanan... ?Sevgiyle dolu sayfalarda, hissettiklerinizi bulup dolu dolu ya?aman?z dile?iyle… Cengiz ?ET?K 1964 y?l?nda Konya/Karap?nar do?du. ?lkokulu Emirgazi il?esinde okudu. Ortaokulu ve liseyi Karap?nar’da okudu. Endüstri Meslek Lisesi Torna tesviye’den mezun oldu. 1989 y?l?nda Burdur E?itim Yüksek Okulu’ndan S?n?f ??retmeni olarak mezun olduktan sonra 1990 y?l?ndan bu yana zaman zaman idarecilik yapsa da ?u an Uzman S?n?f ??retmeni olarak ?al??makta olup iki k?z babas?d?r. 1986 y?l?nda ilk ?yküsü “sonun Ba?lang?c?” bir sinema dergisinin a?t??? yar??mada birinci gelmi?tir. Finike yerel gazetelerinde 2005 y?l?ndan sonra bir?ok k??e yaz?lar? yay?nland?. 2006 y?l?nda ilk ?iir kitab? “Son S?züm Sana Gülüm” yay?nlad?. ?kinci kitab? “Siyahlarday?m Alev Bak??l?m” 2008 y?l?nda yay?nland?. Ayr?ca güfte halinde “ Siyahlarday?m” 2010 y?l?nda ve “Vazge? G?nlüm” 2016 y?l?nda iki ?iiri bestelenip ?ark? olarak hayat bulmu?tur. 2017 y?l? son ay?nda ilk bilimkurgu roman? “Pokentranl? G?kmen” okurlar?yla tan??t?.

On the second day of July in the year 1863 the Civil War in America was at its height. Late in the preceding month Lee had turned his face northward, and, with an army of a hundred thou-sand Confederate soldiers at his back, had marched up into Penn-sylvania. There was little to hinder his advance. Refraining, by reason of strict orders, from wanton destruction of property, his soldiers nevertheless lived on the rich country through which they passed. York and Carlisle were in their grasp. Harrisburg was but a day’s march away, and now, on this second day of July, flushed with fresh victories, they had turned and were giving desperate battle, through the streets and on the hills of Gettysburg, to the Union armies that had followed them. The old commonwealth was stirred as she had not been stirred before since the fall of Sumter. Every town and village in the state responded quickly to the governor’s call for emergency troops to defend the capital city. Mount Hermon, already depleted by gen-erous early enlistments, and by the draft of 1862, gathered to-gether the bulk of the able-bodied men left in the village and its surroundings, and sent them forth in defense of the common-wealth. Not that Mount Hermon was in especial danger from Lee’s invasion, far from it. Up in the northeastern corner of the state, on a plateau of one of the low foot-hills of the Moosic range, sheltered by the mountains at its back, it was well protected, both by reason of distance and location, from the advancing foe. But Mount Hermon was intensely patriotic. In the days preceding the Revolution the sturdy pioneers from Connecticut had met the equally sturdy settlers from the domain of Penn, and on this plateau they had fought out their contentions and settled their differences; the son of the Pennamite had married the daughter of the Yankee; and the new race, with love of country tingeing every drop of its blood a deeper red, had stayed on and possessed the land. So, on this July day, when the armies of North and South were striving and struggling with each other in bloody combat back and forth across the plain and up the hills of Gettysburg, Mount Hermon’s heart beat fast. But it was not for themselves that these people were anxious. It was for the fathers, husbands, sons, lovers in that army with which Meade, untried and unproven, was endeavoring to match the strategy and strength of Lee. News of the first day’s skirmishing had reached the village, and it was felt that a great battle was imminent. In the early evening, while the women were still busy at their household tasks, the men gathered at the post-office and the stores, eager for late news, anxious to discuss the situation as they had learned it. In the meantime the boys of the town had congregated on the village green to resume the military drills which, with more or less frequency, they had carried on during the summer. These drills were not wholly without serious intent. It was play, indeed; but, out of the ranks of these boys, three of the older ones had already gone to the front to fight real battles; and it was felt, by the men of the town, that the boys could not be too thoroughly imbued with the military spirit. So, on this July evening, wakened into new ardor by the news from Gettysburg, they had gathered to resume their nightly work—and play.There were thirty-three of them, ranging in years all the way from eight to eighteen. They were eager and enthusiastic. At the command to fall in there was much pushing and jostling, much striving for desirable places, and even the young captain, with great show of authority, could not quite adjust all differences to the complete satisfaction of his men.Before the confusion had wholly ceased, and while there were still awkward gaps in the ranks, a tall, straight, shy-mannered boy of seventeen, who had remained hitherto on the outskirts of the group, quietly slipped into one of the vacant places.

Ceea ce putem spune ?i ceea ce se cuvine spus este c? literatura noastr? modern? ?l revendic? cu hot?r?re pe Panait Istrati, pe fiul pierdut ?i revenit ca ?i Ulise al versului francez, dup? o miraculoas? c?l?torie. C?ci opera lui Panait Istrati ?ntrege?te peisajul literaturii rom?ne?ti din ultimii dou?zeci de ani, deoarece, dimpreun? cu Mihail Sadoveanu ?i cu Liviu Rebreanu, autorul Chirei Chiralina alc?tuie?te treimea cea de o fiin?? a celei mai unitare substan?e epice. C? ?i ace?tia – ?i poate c? nu stric? s? amintim cum c?te?itrei purced la ?mplinirea operei lor, cam ?n acela?i timp (?ntreg Sadoveanu de dup? Cocost?rcul albastru, doar de la trecutul r?zboi ?ncepe) c? ?i ace?tia, Panait Istrati este dintre to?i ceilal?i scriitori ai no?tri, acela care aduce cele mai multe probleme, cei mai mul?i eroi ?i cea mai puternic? individualitate. — Perpessicius

Dup? cum din Golanii nu se putea prevedea Ion, tot a?a nici din La Grandiflora nu se putea prevedea Rusoaica sau Donna Alba, cu toat? prezen?a elementelor prezumtive ale talentului lui Gib I. Mih?escu. Scriitorul a ?tiut s? se organizeze ?n crea?ii de care critica e bucuroas? s? ?in? seama, ca de produc?ii reprezentative ale literaturii noastre ultime. (Eugen Lovinescu)

Iubire sete de via?? Tu e?ti puterea creatoare Sub care inimile noastre Renasc ca ???orile ?n soare ??i ?mb?tate de-al t?u farmec Ce peste lume se a?terne ?n tremurarea lor de-o clip? Viseaz? fericiri eterne. Din haos ?i din ?ntuneric Te-ai smuls fecund? ?i senin?: Al t?u sur?s de alma parens Fu prima raz? de lumin?. ??i de c?ldura ta plane?ii Treptat se dezmor?esc ?nvie... Pe to?i ca ?ntr-o mreaj?-i leag? Universala simpatie. Tu faci s? circule ?n lume Puterea ta de z?mislire. ??i miliardele de forme De-a lungul vremii s? se-n?ire. Alexandru Vlahuta - Iubire

The great World War was more than two-thirds over when America entered the struggle, and yet in a sense this country was in the war from its very beginning. Three great inventions controlled the character of the fighting and made it different from any other the world has ever seen. These three inventions were American. The submarine was our invention; it carried the war into the sea. The airplane was an American invention; it carried the war into the sky. We invented the machine-gun; it drove the war into the ground. It is not my purpose to boast of American genius but, rather, to show that we entered the war with heavy responsibilities. The inven-tions we had given to the world had been developed marvelously in other lands. Furthermore they were in the hands of a determined and unscrupulous foe, and we found before us the task of overcoming the very machines that we had created. Yankee ingenuity was faced with a real test. The only way of overcoming the airplane was to build more and better machines than the enemy possessed. This we tried to do, but first we had to be taught by our allies the latest refinements of this machine, and the war was over before we had more than started our a?rial program. The machine-gun and its accessory, barbed wire (also an American invention), were overcome by the tank; and we may find what little comfort we can in the fact that its invention was inspired by the sight of an American farm tractor. But the tank was a British creation and was undoubtedly the most important invention of the war. On the sea we were faced with a most baffling problem. The U-boat could not be coped with by the building of swarms of submarines. The essential here was a means of locating the enemy and destroying him even while he lurked under the surface. Two American inventions, the hydrophone and the depth bomb, made the lot of the U-boat decidedly unenviable and they hastened if they did not actually end German frightfulness on the sea. But these were by no means the only inventions of the war. Great Britain showed wonderful ingenuity and resourcefulness in many di-rections; France did marvels with the airplane and showed great clev-erness in her development of the tank and there was a host of minor inventions to her credit; while Italy showed marked skill in the crea-tion of large airplanes and small seacraft.

Prin culegerea de fa?? punem la dispozi?ia tineretului studios (?i nu numai) o seam? de opere importante ale lui Vasile Alecsandri, opere reprezentative pentru dramaturgia ?i proza scriitorului, ?n primul r?nd cele prev?zute de programele ?colare ?n vigoare.

Yirmi birinci yüzy?lda, teknolojik geli?melerin de etkisiyle, büyük bir "öz güven patlamas?" ya?ayan insanl?k; kurulu?undan bu yana kendi yasalar?na göre çal??an ba?ta ekolojik sistem olmak üzere: Biyolojik ve jeolojik sistemlere müdahale ederek; kendi kurallar?na göre de?i?tirmeye kalkt?. ??te, ba?ta baz? hastal?klar olmak üzere; birçok sorunlar da burada ortaya ç?kt?. Maalesef bugün nerede ise hepimiz, hastay?z! Hastal?klar?m?z?n ise çe?it çe?it ad? olsa bile en yayg?n olan?: "Parçalama Hastal???" olup çok da kolay tedavi edilebilecek gibi de görünmemektedir.Günümüzde, teknolojik geli?mi?li?in de etkisiyle: ?nsano?lu, bütünü anlamak için onu parçalamay? seçti. Parçalar? üzerinden bütünü; anlamaya ve tan?maya çal??maktad?r.. Oysa ki, parçalar? birle?tirerek bütünü tan?mak hem daha kolay, hem de daha do?al bir yöntem oldu?unu da bilmesine ra?men.Y?llard?r; maddeleri parçalad?k yetmedi. Atomlar? parçalad?k bitmedi. Bu i? daha nereye kadar gidecek? Ve ne kadar daha sürecek? Bilinmez! Ancak bizler, bir an önce maddeleri ve sistemleri parçalamaktan vazgeçmek mecburiyetindeyiz! Yoksa: Korkar?m çok yak?nda, yeryüzündeki ya?am? kökünden bitirece?iz!..Bu arada, baz? "Laboratuvar Ka?iflerine" de birkaç hat?rlatmada bulunmak isterim:Hani; Sizlerin, mikro organizmalar? incelemek için hergün bakt???n?z o devasa büyüteçler'iniz (Dev Elektron Mikroskoplar?n?z) var ya! ??te o büyüteçler; inceledi?iniz o organizmalar?, sizlerin gözünde milyonlarca kez büyütmekte iken; sizleri de belki onlar?n "gözünde" milyonlarca kez küçültüyor olmas?nlar (?) Yine: Belki de sizler; onlar? tan?maya çal???rken; onlar da bizleri anlamaya çabal?yor olmas?nlar? Dahas?: Belki de onlar da bizleri merak ediyorlard?r (?) Kim bilir? Ne dersiniz? Bir de böyle dü?ünmeyi denemelisiniz!.."LABORATUARDAK? ?BL?S"{???R L?STES? & ?Ç?NDEK?LER}:YAZAR HAKKINDA {ÖZ GEÇM??}TANITMALIK {PROSPEKTÜS}T?N VE TENZERRELABORATUARDAK? ?BL?SB?ZDEN M?D?R?RUH YARASIKONDUNEFES?ST?R?DYEN?N HÜNER?MOLEKÜLER SEYAHATYARI?L?NÇHIZ/HAZ ÇEL??MECES?HAL?S YAPAYLIKLAR D?YARINDA -1MAZ?DEK? AYAK ?ZLER?MMAN?SA TARZANIARKA KAPAK?a’irin Yay?nlanm?? Di?er Kitaplar?VEYSEL TOPALO?LU (?A?R; SADEKUL)

Edward et Lorraine Warren sont les célèbres enquêteurs du paranormal, les chasseurs de démons qui ont travaillé sur des affaires célèbres, dont celle de la maison d'Amityville ou encore celle de la famille Perron, histoire qui inspira le film "Conjuring : Les dossiers Warren" réalisé par James Wan. Dans ce livre, sont listées les meilleures affaires paranormales du couple, les plus terrifiantes, les plus terribles, les plus documentées, les plus médiatisées, les plus connues...

"It was time then for action, and Lefty Joe prepared for the descent into the home of the enemy. Let it not be thought that he approached this moment with a fallen heart, and with a cringing, snaky feeling as a man might be expected to feel when he approached to murder a sleeping foeman. For that was not Lefty's emotion at all. Rather he was overcome by a tremendous happiness. He could have sung with joy at the thought that he was about to rid himself of this pest."

Volumul Dic?iunea ideilor, apar?in?nd profesorului Mircea Martin de la Facultateade Litere a Universit??ii Bucure?ti, este o contribu?ie valoroas? ?i original? la analiza unui raport extrem de important ?n teoriile socio-umane ale cunoa?terii, anume raportul dintre natural, artificial ?i autentic, aplicat asupra discursului metaliterar. Cartea se constituie ca o ?nsumare de analize a acestui raport ?n opera unor teoreticieni ai fenomenului literar rom?ni ?i str?ini: Tudor Vianu, G. C?linescu, B. Fondane, Matei C?linescu, Marcel Raymond, Roland Barthes, Carlos Bouso?o, Jaap Linnvelt. Departe de a fi o simpl? ?nsumare de analize aplicate, cartea este de fapt o critic? aconceptelor folosite deopotriv? de cercetarea antropologic?, cea estetic? ?i cea pur literar? ?i o contribu?ie esen?ial? la un proces de inserare ?nmodernitate a culturii rom?ne. Contribu?iile teoreticienilor rom?ni sunt v?zute ?n raportul lor de originalitate-sincronicitate cu cele ale cercet?torilor str?ini, ?nscriindu-se ?ntr-un proces de organicitate care implic? categorii culturale largi.

The Seventh Man by Max Brand, tells part of the story of the larger-than-life western character, Dan Barry, known as “Whistling Dan,” and his alter-ego companions, Black Bart, the wolf-dog, and Satan, the indomitable black stallion. It’s also the story of Kate Cumberland and the incredible five-year-old daughter of Kate and Dan, Joan. We first see Dan as a gentle, caring man with a deep sense of fairness. But then, after six years of a peaceful life in their mountain cabin Dan, more feral than human, sets out to revenge an injustice by killing seven men. Ultimately, it is his devotion to his daughter and Kate’s love for the child that brings about the climax of the tale. Warning: don’t look for a typical cowboy story here – it’s far deeper and stronger than that.

A classic western from one of the masters of the genre.

Demersul Antoanetei Olteanu, reputat? traduc?toare de limba rus? ?iexpert? ?n istoria cultural? a Rusiei, se distinge at?t prin calitatea informa?iilor, adesea inedite, c?t ?i prin compozi?ia complex?, care ?mbin? viziunea sintetic? cu o perspectiv? transcultural? exersat?. Cartea se recomand? de la sine at?t cititorului profesionist, care g?se?te aici o serie de date altfel greu accesibile, c?t ?i celui interesat de istoria ?i cultura Europei ?n ansamblu. Dup? cum anun?? ?i subtitlul, lucrarea reconstituie o istorie cultural? a secolului al XIX-lea, realiz?nd, ?n fapt, o fresc? a uneia dintre cele mai captivante perioade din istoria Rusiei, cea imperial?. Datele prezentate acoper? practic toate Aspectele vie?ii politice, sociale, economice ?i culturale ale acestui interval de timp, marcat at?t de aura ?arilor, c?t ?i de nenum?ratele revolte populare. Tabloul evenimentelor majore este ?ntregit cu minu?ioase inventare de titluri nobiliare, cu date economice consemnate cu acribie, cu o expunere vie a panoramei cutumelor sociale, familiale ?i religioase, merg?nd de la modalit??ile de confec?ionare a juc?riilor sau a bijuteriilor p?n? la istorii ale ceaiului sau vodcii. Atmosfera epocii cap?t? un contur des?v?r?it prin citarea unor fragmente din lucr?ri ?tiin?ifice de referin??, din jurnalele de c?l?torie ?i din publicistica vremii, dar ?i din operele marilor scriitori ai vremii, ca Dostoievski, Gogol ?i Tolstoi. Se contureaz?, astfel, o imagine neconven?ional? a Rusiei, o na?iune confruntat? permanent cu tensiunea unei alegeri fundamentale, care pune ?n opozi?ie modelul str?in ?i inegalabila for?? intern?. Autoarei ?i revine meritul de a fi surprins aspectele esen?iale ale acestei tensiuni, cu ample ecouri ?n perioadamodern? ?i cu evidente efecte asupra mentalit??ii contemporane.

"Le bon père achevait de dire sa messe, quand on lui amena les prisonniers. C'était dans un coin sauvage des monts Arichulégui. Une roche éboulée, où un figuier géant enfon?ait sa tige tordue, formait une sorte d'autel recouvert – en guise de nappe – d'un étendard carliste aux franges d'argent."

"Samedi, soir de paye. Dans cette fin de journée, qui est en même temps une fin de semaine, on sent déjà le dimanche arriver. Tout le long du faubourg, ce sont des cris, des appels, des poussées à la porte des cabarets. Parmi cette foule d'ouvriers qui déborde du trottoir et suit la grande chaussée en pente, une petite ombre se h?te furtivement, remontant le faubourg en sens inverse."

Tarascon, mené par le glorieux Tartarin, entreprend de coloniser une ?le du bout du monde. Cette conquête se révèle malheureusement plus difficile que prévu, et le mental tarasconnais est bien affecté par les emb?ches rencontrées... Inspiré d'un histoire vraie, cette aventure de Tartarin est toujours aussi distrayante et nous procure un vrai rayon de soleil tarasconnais. Pour autant, elle montre un Tartarin désabusé et amer, abandonné par ses proches.

'Le Petit Chose' para?t en feuilleton en 1867. Daudet s'inspire des souvenirs d'une jeunesse douloureuse : humiliations à l'école, mépris pour le petit proven?al, expérience de répétiteur au collège et enfin coup de foudre pour une belle jeune femme. L'écrivain manifeste une tendresse, une pitié et un respect remarquables à l'égard des malchanceux et des déshérités de la vie.

Interviuri aprofundate, initiate de Gallup Organization cu mai mult de 80.000 de manageri din peste 400 de companii – cel mai extins studiu de gen, realizat vreodata. Cei mai mari manageri din lume par sa aiba prea putine lucruri in comun. Ei sunt diferiti ca sex, varsta si rasa. Folosesc stiluri foarte diferite si au teluri distincte. Si totusi, in ciuda diferentelor dintre ei, marii manageri au o trasatura comuna: nu se feresc sa incalce toate regulile considerate sacre de managementul traditional. Ei nu cred ca, beneficiind de o pregatire corespunzatoare, o persoana poate realiza orice si-ar propune. Nu incearca sa-i ajute pe oameni sa-si depaseasca slabiciunile. Nu iau in seama deloc regula de aur. Dimpotriva, chiar au angajati favoriti. Aceasta carte extraordinara explica de ce fac toate acestea. Marcus Buckingham si Curt Coffman de la Gallup Organization prezinta rezultatele remarcabile ale studiului aprofundat pe care l-au facut asupra unor manageri aflati intr-o mare diversitate de situatii. Unii erau in pozitii de top. Altii erau simpli supervizori. Unii lucrau in companii aflate pe lista Fortune 500, altii aveau functii cheie in mici companii. Indiferent de pozitia lor, managerii asupra carora s-a concentrat studiul Gallup au fost invariabil cei care excelau in transformarea in performanta a talentului fiecarui angajat. Pe restransa piata a muncii de astazi, companiile se intrec in a-i gasi si a-i pastra pe cei mai buni angajati, rasplatindu-i cu bani, beneficii, promovari si stagii de instruire. Dar aceste eforturi bine intentionate omit adesea esentialul. Cheia atragerii si pastrarii angajatilor talentati este managerul aflat in ?prima linie“, adica in contact direct cu acestia. Oricat de generos ar fi salariul si oricat de celebru stagiul de pregatire, o companie care duce lipsa de manageri ?in prima linie“ va avea de suferit. Buckingham si Coffman explica modul in care cei mai buni manageri aleg un angajat mai degraba in functie de talent, decat in functie de pricepere sau experienta; felul in care acesti manageri definesc asteptarile legate de fiecare angajat, stabilind mai degraba rezultatele de atins, decat pasii de urmat; modul in care isi motiveaza oamenii, stimuland punctele forte unice ale fiecaruia, in loc de a incerca sa le amelioreze slabiciunile si, in sfarsit, felul in care marii manageri sprijina dezvoltarea cuiva, ajutandu-l sa-si gaseasca locul potrivit, nu neaparat sa urce pe treapta urmatoare a carierei. Si, poate cel mai important lucru este faptul ca, din acest studiu care initial a generat mii de intrebari diferite pentru a sonda opinia angajatilor, au rezultat douasprezece intrebari simple care reusesc sa distinga departamentele cele mai puternice ale unei companii de restul departamentelor. Cartea de fata este prima care prezinta acest fundamental instrument de masurare si care demonstreaza legatura intre opiniile angajatilor si productivitate, profit, satisfactia clientilor si rata profitului.

Robert R. Provine p??e?te f?r? team? pe c?r?ri rareori b?tute de al?i oameni de ?tiin?? – ?n c?utarea sughi?urilor, tusei, c?scatului, str?nuturilor ?i a altor comportamente umane, aparent nedemne ?i de joas? spe??. De?i multe dintre activit??ile prezentate ?n Comportamente bizare sunt contagioase, ?n aceast? privin??, niciunul dintre ele nu ?ntrece c?scatul – p?n? ?i simpla citire a cuv?ntului ne poate face s?-i c?dem prad?. Chiar dac?, adesea, ?l privim ca pe un semn de somnolen?? sau plictiseal?, c?scatul ne ofer? indicii despre devoltarea socialit??ii ?i capacit??ii noastre de a empatiza cu ceilal?i. Implacabilul s?u mecanism de transmitere ne reaminte?te c?, uneori, suntem programa?i neurologic s? ne comport?m ca ni?te simple animale de turm? incon?tiente. ?Deschide?i cartea aceasta, care se bazeaz? pe cercet?ri serioase, dar care se cite?te ca un roman poli?ist, ?i descoperi?i lucruri pe care nici nu vi le-a?i fi imaginat vreodat? despre aceste comportamente.“ Frans de Waal, profesor la Universitatea Emory ?i autor al lucr?rii The Age of Empathy(2009)