L'art pour tous was written in the year 1862 by Stéphane Mallarmé. This book is one of the most popular novels of Stéphane Mallarmé, and has been translated into several other languages around the world.This book is published by Booklassic which brings young readers closer to classic literature globally.

Kijárat az Adriára cím? nagysiker? munkája után Lovas Ildikó újabb regénye a mai divatos n?irodalommal száll szembe, a test, az érzékiség nyelvét nem radikalizálja tovább, hanem ?visszavesz” bel?le, mivel rendkívüli tudatossággal újra és újra az ártatlanság nyelvén akar szólni. A Spanyol menyasszony az erotikus krimi és a klasszikus lányregény mesteri ?tv?zete. A regény két síkon játszódik, az egyik az én-elbeszél? kiskamaszkoráig vezet vissza, míg a másik a neves orvos-író Csáth Géza feleségének, Jónás Olgának az utolsó napját beszéli el, abból próbálja megfejteni az író és felesége kegyetlenül túlf?t?tt, és tragédiába torkolló kapcsolatát.

Harry Styles, a member of world-famous boyband One Direction is known as the heart-throb of a generation. This quick-read biography tells his story so far, from his days in the band White Eskimo at school to his recent involvement in 1D's world tour.In addition to the chapters on Harry's life so far, this book also includes both books from Jack Goldstein's bestselling One Direction series - 101 Amazing One Direction Facts and 101 More Amazing One Direction Facts.This excellent bundle is perfect for any Harry Styles or One Direction fan!

Are you a fan of King of Pop Michael Jackson? Do you know everything there is to know about the world's greatest ever superstar? Then this is the book for you! In this easy-to-digest eBook are 101 facts about your favourite singer - do you know all of them?Test yourself and your friends with these handily-packaged facts easily organised into categories for maximum enjoyment. Sections include his upbringing, his music, and his tragic death. This is a perfect bite-sized eBook for any fan of the world-famous icon.

How well do you know your 70s Movies? This Quiz book will test even the most avid fan, with questions that span the 70s films of all genres! Test yourself and your friends with this 70s Movies Quiz Book.

How well do you know your 60s Movies? This Quiz book will test even the most avid fan, with questions that span the 60s films of all genres! Test yourself and your friends with this 60s Movies Quiz Book.

How well do you know your 80s Movies? This Quiz book will test even the most avid fan, with questions that span the 80s films of all genres! Test yourself and your friends with this 80s Movies Quiz Book.

This book contains over 100 questions on the TV show The Walking Dead. Mainly covered in volume 1 is the first season of the worldwide hit. The questions range from being about the episodes and character themselves to the people behind the making of The Walking Dead.

This book, in affectionate tribute to the gallant courage, rugged indepen-dence and wonderful endurance of those adventurous souls who formed the vanguard of civilization in the early history of the Territory of Arizona and the remainder of the Great West, is DEDICATED TO JOHN H. CADY and?BASIL D. WOON ?/ ?PATAGONIA, ARIZONA, NINETEEN-FIFTEEN. When I first broached the matter of writing his autobiography to John H. Cady, two things had struck me particularly. One was that of all the literature about Arizona there was little that attempted to give a straight, chronological and intimate description of events that occurred during the early life of the Territory, and, second, that of all the men I knew, Cady was best fitted, by reason of his extraordinary experiences, remarkable memory for names and dates, and seniority in pioneership, to supply the work that I felt lacking. Some years ago, when I first came West, I happened to be sitting on the observation platform of a train bound for the orange groves of Southern California. A lady with whom I had held some slight conversation on the journey turned to me after we had left Tucson and had started on the long and somewhat dreary journey across the desert that stretches from the "Old Pueblo" to "San Berdoo," and said: "Do you know, I actually used to believe all those stories about the 'wildness of the West.' I see how badly I was mistaken." She had taken a half-hour stroll about Tucson while the train changed crews and had been impressed by the—to the casual observer—sleepiness of the ancient town. She told me that never again would she look on a "wild West" moving picture without wanting to laugh. She would not believe that there had ever been a "wild West"—at least, not in Arizona. And yet it is history that the old Territory of Arizona in days gone by was the "wildest and woolliest" of all the West, as any old settler will testify.

This book, re-edited and illustrated by e-kitap projesi and published again in ebook format. In this book, telling that Boyhood stories of the Most famous persons in the world, and so These 21 famous persons lay out from Christopher Colombus –The pre-founder of the America- to Otto von Bismarc. For example: “When he was sixteen Napoleon and his best friend, a boy named Desmazis, were ordered to join the regiment of La Fère which was then quartered in the south of France. Napoleon was glad of this change which brought him nearer to his island home, and he also felt that he would now learn something of actual warfare. The two boys were taken to their regiment in charge of an officer who stayed with them from the time they left Paris until the carriage set them down at the garrison town. The regiment of La Fère was one of the best in the French army, and the boy immediately took a great liking to everything connected with it. He found the officers well educated and anxious to help him. He declared the blue uniform with red facings to be the most beautiful uniform in the world. He had to work hard, still studying mathematics, chemistry, and the laws of fortification, mounting guard with the other subalterns, and looking after his own company of men. He seemed very young to be put in charge of grown soldiers, but his great ability had brought about this extraordinarily rapid promotion. He had a room in a boarding-house kept by an old maid, but took his meals at the Inn of the Three Pigeons. Now that he was an officer he began to be more interested in making a good appearance before people. He took dancing lessons and suddenly blossomed out into much popularity among the garrison. Older people could not help but see his great strength of character, and time and again it was predicted that he would rise high in the army.”

MODERN scientific publications, although they may in some or even many cases equal in their scientific quality the memoirs of earlier workers, do not, on the average, reach a high standard as regards illustration. For instance, in Great Britain botany is pre-eminent in its morphological aspects; it should therefore follow that the illustrations, which form so important a part of such papers, should be beyond reproach. This is not always so, a fact which must be patent to anyone with the slightest critical knowledge who looks through a typical journal. This is a fact much to be regretted, since many of the earlier scientists were accomplished draughtsmen and, indeed, often artists; in this connection the Hookers and Pro-fessor Daniel Oliver may be mentioned. The implication is not intended that there are no good amateur draughtsmen nowadays; there are, and in some cases pos-sessed of great ability. The beautiful work of Church in his Floral Mechanisms may be cited as an example. It may, of course, be argued that any picture which serves to illustrate the particu-lar feature is good enough; this is the contention of one who takes an insufficient pride in his work. A feature worthy of an illustration deserves the best the author can produce, more especially as a literary form is still, fortunately, preserved or, at any rate, aimed at.The reason for indifferent illustrations is primarily due to bad or mediocre draw-ings, or to their unsuitability for the kind of reproduction in view. With regard to the first point: this lack of draughtsmanship often obtains; when education entirely replaces mere instruction, it is to be hoped that all students of science will be trained in the rudiments of drawing. Meanwhile the difficulty can be partly overcome, as will be seen later on, by the simple means of drawing on an enlarged scale, in order that in reproduction reduction can be made. The second reason, the onus of which also falls on the authors, is a lack of knowledge regarding the kind of drawing suitable for the different modes of re-production; this is a very important point, for "technical conditions govern even genius itself."Authors, however, are not always to blame; it would appear that even editors sometimes are wanting in the requisite knowledge, for we have known straight-forward line drawings reproduced by half-tone; in other cases the paper used is unsuitable for the reproduction and, at other times, the printers are at fault. With a view to remedying, at any rate in part, these deficiencies, a course of lec-tures, arranged by the Board of Studies in Botany of the University of London, was delivered in the Lent term of 1913 in the Department of Botany of University College, London. In gratifying the wish expressed by some that these lectures should be given a more permanent dress, the author feels that some apology is necessary, for he can lay no claim to authoritative knowledge of much of the subject-matter; questions relating to the graphic arts and to illustrations, however, have always been of in-terest to him, so that he has tried various experiments, often with disastrous re-sults, and thus has gained some experience. In these matters the author has benefited much through his association with Pro-fessor F. W. Oliver, who, characteristically, has been ever ready to discuss these problems with, and to place his knowledge and experience at the disposal of the author.

ROMANCE and the HISTORY of walled cities are inseparable. Who has not felt this to be so at the sight of hoary ruins lichen-clad and ivy-mantled, that proudly rear their battered crests despite the ravages of time and man’s destructive instincts. It is within walled cities that the life of civilized man began: the walls guarded him against barbarian foes, behind their shelter he found the security necessary to his cultural development, in their defence he showed his finest qualities. And such a city—and such a history is that of Ancient Byzantium, the City of Constantine, the Castle of C?sar. What wonder then that man should endeavour to express by pen and pencil his sense of the greatness and beauty, the Romance of a Walled City such as Constantinople. The more so that a movement is on foot to remove these ancient landmarks of the history of Europe and Asia. True there are other works on this same subject, works by men deeply learned in the history of this fair city, works that bid fair to outlive the city walls if the fell intent of destroying them is carried into execution, and from these men and their works I derived inspiration and information, and so wish to chronicle my gratitude to them—Sir Edwin Pears and Professor van Millingen of Robert College, Constantinople. There are many others too in Constantinople to whom my thanks are due—His Majesty’s Vice-Consul, my host, his colleagues, now my friends, and many others too numerous to mention. They all have helped me in this work, and I am grateful for the opportunity offered me of here recording my thankfulness for their kind offices.B. Granville Baker.

A obra encadeia associa??es entre os valores técnicos da língua e os valores estéticos da literatura. Realiza, ent?o, duas abordagens complementares, defi nida a unidade língua/literatura como uma díade com polos inseparáveis – a língua sustentando um código limitativo e prescritivo; a literatura alimentando a reprodu??o artística do sistema linguístico –, da fus?o de ambas resultando um efeito de sentido.

Йшов четвертий р?к св?тово? в?йни. Втомлений под?ями генерал-лейтенант рос?йсько? ?мператорсько? арм?? Павло Петрович Скоропадський, нащадок старовинно? старшинсько? фам?л??, ще не знав, що стане гетьманом незалежно? Укра?нсько? Держави.??Епоха зм?н, яку самовбивчо наближали революц?онери вс?х мастей, перетворилася на апокал?псис, в?йну вс?х проти вс?х, але Скоропадському стало духу взяти на себе невдячну ношу державного буд?вництва. Спроба зак?нчилася ц?лковитим ? оч?куваним провалом, але окрем? починання гетьмана дотривали до наших дн?в: саме йому Укра?на завдячу?, наприклад, Академ??ю наук.

Ervin, ?va és Csaba t?rténete folytatódik. A F?pap és a praetoriánusok serege már nem fenyegetik ?ket, helyettük azonban egy gyilkos klán, egy természetimádó szekta és egy minden dimenziót uralni akaró entitás háborújának frontvonalában találják magukat. A tét pedig nem kevesebb, mint a F?ld j?v?je. Vajon az emberiség ki tud lépni a saját árnyékából, vagy végleg elenyészik? H?seink meg tudnak birkózni a rájuk váró akadályokkal? Bízhatnak-e az új sz?vetségeseikben? ?s egymásban??rmány, árulás, átalakulás és áldozathozatal. A világunk sorsa most d?l el!

Un fascinant discurs despre unul dintre cei mai celebri ?i cei mai disputa?i actori ?i regizori, cu istorii scandaloase al c?ror personaj atipic a fost, cu via?? – nu totdeauna lipsit? de r?sp?ntii ?i suspans – de culise a acestui filosof al scenei ?i bufon metafizic al existen?ei. Autoarei i s-a decernat pentru aceast? carte Premiul Uniunii Cinea?tilor din Rom?nia.

Brilliant adaptation of Charles Dickens biting novel H ard Times . Dominated by Gradgrind and Bounderby, Coketown’s prosperity is built on the cotton mills where thousands of men and women slave away for long hours and little pay. Gradgrind’s obsession with material progress damages his children Louisa and Tom, leading to scandal and disaster. ‘Hard Times’ celebrates the importance of the human heart in an age obsessed with materialism. Circus, music, and dark comedy all go into the rich mix of this truly Dickensian theatrical tale. Charles Way has written over 50 plays, specializing in writing for children, young people and family audiences. His plays are performed worldwide. He has won several major awards - A Spell of Cold Weather won the Writers Guild best children's play award in 2001 and in 2004 his play Red Red Shoes won the English Arts Council best children's play award. In Germany, his play Missing won the Children's Theatre prize and in the USA? he was nominated for a Helen Hayes Award. He was commissioned by the National Theatre to write Alice In The News , which children all over Britain have performed. He has also written many plays for radio, and a TV poem for BBC 2, No Borders , set in the Welsh borders, where he lives and has spent most of his creative life. ? " A stellar adaptation by Charles Way, moving, thoughtful and wonderfully drawn’.??????????????????????? What’s on Stage ***** ‘Way gives real depth to characters, replaces Dickens’ sentimentality with warmth and his censoriousness with moral indignation’. ?????????????????????????? The Independent ***** ‘daringly restructures Dickens’ plot, yet sticks to the motto of his lisping ringmaster Mr Sleary: “People mutht be amuthed.”’ ????????????????????????????????????????????The Observer ?

With grime music and Guyanese folk stories, Joseph Barnes-Phillip's semi-autobiographical story is a comic, tragic and honest portrayal of becoming a man. The story follows Rayleigh as he negotiates the tensions of growing up and taking responsibility – to his pregnant girlfriend, to his sick mother, to his church, to the multi-cultural community he grew up in and somewhere in the mix to himself. When the euphoric highs of teenage life in south London collide with his mum's terminal illness, all Rayleigh wants to do it watch anime in his pants and eat indomie. Love, life and masculinity meet head-on as Rayleigh tries to find his feet, torn between the new girl in his life and being there for his mum, while trying not to make the same mistakes as his dad.

The Winter's Tale is a play by William Shakespeare, originally published in the First Folio of 1623. Although it was grouped among the comedies, some modern editors have relabelled the play as one of Shakespeare's late romances. Some critics consider it to be one of Shakespeare's "problem plays", because the first three acts are filled with intense psychological drama, while the last two acts are comedic and supply a happy ending. The play has been intermittently popular, revived in productions in various forms and adaptations by some of the leading theatre practitioners in Shakespearean performance history, beginning after a long interval with David Garrick in his adaptation called Florizel and Perdita (first performed in 1754 and published in 1756). The Winter's Tale was revived again in the 19th century, when the third "pastoral" act was widely popular. In the second half of the 20th century The Winter's Tale in its entirety, and drawn largely from the First Folio text, was often performed, with varying degrees of success. Short Summary of the Tale: John Fawcett as Autolycus in "The Winter's Tale" (1828) by Thomas Charles WagemanFollowing a brief setup scene the play begins with the appearance of two childhood friends: Leontes, King of Sicilia, and Polixenes, the King of Bohemia. Polixenes is visiting the kingdom of Sicilia, and is enjoying catching up with his old friend. However, after nine months, Polixenes yearns to return to his own kingdom to tend to affairs and see his son. Leontes desperately attempts to get Polixenes to stay longer, but is unsuccessful. Leontes then decides to send his wife, Queen Hermione, to try to convince Polixenes. Hermione agrees and with three short speeches is successful. Leontes is puzzled as to how Hermione convinced Polixenes so easily, and Leontes suddenly goes insane and suspects that his pregnant wife has been having an affair with Polixenes and that the child is a bastard. Leontes orders Camillo, a Sicilian Lord, to poison Polixenes. Camillo instead warns Polixenes and they both flee to Bohemia. Furious at their escape, Leontes now publicly accuses his wife of infidelity, and declares that the child she is bearing must be illegitimate. He throws her in prison, over the protests of his nobles, and sends two of his lords, Cleomenes and Dion, to the Oracle at Delphi for what he is sure will be confirmation of his suspicions. Meanwhile, the queen gives birth to a girl, and her loyal friend Paulina takes the baby to the king, in the hopes that the sight of the child will soften his heart. He grows angrier, however, and orders Paulina's husband, Lord Antigonus, to take the child and abandon it in a desolate place. Cleomenes and Dion return from Delphi with word from the Oracle and find Hermione publicly and humiliatingly put on trial before the king. She asserts her innocence, and asks for the word of the Oracle to be read before the court. The Oracle states categorically that Hermione and Polixenes are innocent, Camillo an honest man, and that Leontes will have no heir until his lost daughter is found. Leontes shuns the news, refusing to believe it as the truth. As this news is revealed, word comes that Leontes' son, Mamillius, has died of a wasting sickness brought on by the accusations against his mother. Hermione, meanwhile, falls in a swoon, and is carried away by Paulina, who subsequently reports the queen's death to her heartbroken and repentant husband. Leontes vows to spend the rest of his days atoning for the loss of his son and his queen.

AUTHOR OF "POOR BOYS WHO BECAME FAMOUS," "GIRLS WHO BECAME FAMOUS," "STORIES FROM LIFE," "FAMOUS AMERICAN AUTHORS," "FAMOUS AMERICAN STATESMEN," "SOCIAL STUDIES IN?ENGLAND," "FROM HEART AND NATURE,"?"FAMOUS MEN OF SCIENCE," ETC. "Do not act as if you had ten thousand years to throw away. Death stands at your elbow. Be good for something while you live, and it is in your power." —Marcus Aurelius. "Every line, every road, every gable, every tower, has some story of the past present in it. Every tocsin that sounds is a chronicle; every bridge that unites the two banks of the river, unites also the crowds of the living with the heroism of the dead."The beauty of the past goes with you at every step in Florence. Buy eggs in the market, and you buy them where Donatello bought those which fell down in a broken heap before the wonder of the crucifix. Pause in a narrow by-street in a crowd, and it shall be that Borgo Allegri, which the people so baptized for love of the old painter and the new-born art. Stray into a great dark church at evening time, where peasants tell their beads in the vast marble silence, and you are where the whole city flocked, weeping, at midnight, to look their last upon the dead face of their Michael Angelo. Buy a knot of March anemones or April arum lilies, and you may bear them with you through the same city ward in which the child Ghirlandaio once played amidst the gold and silver garlands that his father fashioned for the young heads of the Renaissance. Ask for a shoemaker, and you shall find the cobbler sitting with his board in the same old twisting, shadowy street-way where the old man Toscanelli drew his charts that served a fair-haired sailor of Genoa, called Columbus." Florence, Shelley's "Smokeless City," was the ardently loved home of Michael Angelo. He was born March 6, 1475, or, according to some authorities, 1474, the Florentines reckoning time from the incarnation of Christ, instead of his birth. Lodovico Buonarotti, the father of Michael Angelo, had been appointed governor of Caprese and Chiusi, and had moved from Florence to the Castle of Caprese, where this boy, his second child, was born. The mother, Francesca, was, like her husband, of noble family, and but little more than half his age, being nineteen and he thirty-one. After two years they returned to Florence, leaving the child at Settignano, three miles from the city, on an estate of the Buonarottis'. He was intrusted to the care of a stone-mason's wife, as nurse. Living among the quarrymen and sculptors of this picturesque region, he began to draw as soon as he could use his hands. He took delight in the work of the masons, and they in turn loved the bright, active child. On the walls of the stone-mason's house he made charcoal sketches, which were doubtless praised by the foster-parents.

Leonardo Da Vinci, the many-sided genius of the Italian Renaissance, was born, as his name implies, at the little town of Vinci, which is about six miles from Empoli and twenty miles west of Florence. Vinci is still very inaccessible, and the only means of conveyance is the cart of a general carrier and postman, who sets out on his journey from Empoli at sunrise and sunset. Outside a house in the middle of the main street of Vinci to-day a modern and white-washed bust of the great artist is pointed to with much pride by the inhabitants. Leonardo's traditional birthplace on the outskirts of the town still exists, and serves now as the headquarters of a farmer and small wine exporter.Leonardo di Ser Piero d'Antonio di Ser Piero di Ser Guido da Vinci—for that was his full legal name—was the natural and first-born son of Ser Piero, a country notary, who, like his father, grandfather, and great-grandfather, followed that honourable vocation with distinction and success, and who subsequently—when Leonardo was a youth—was appointed notary to the Signoria of Florence. Leonardo's mother was one Caterina, who afterwards married Accabriga di Piero del Vaccha of Vinci. His BirthLeonardo Da Vinci, the many-sided genius of the Italian Renaissance, was born, as his name implies, at the little town of Vinci, which is about six miles from Empoli and twenty miles west of Florence. Vinci is still very inaccessible, and the only means of conveyance is the cart of a general carrier and postman, who sets out on his journey from Empoli at sunrise and sunset. Outside a house in the middle of the main street of Vinci to-day a modern and white-washed bust of the great artist is pointed to with much pride by the inhabitants. Leonardo's traditional birthplace on the outskirts of the town still exists, and serves now as the headquarters of a farmer and small wine exporter. His ArtLeonardo, whose birth antedates that of Michelangelo and Raphael by twenty three and thirty-one years respectively, was thus in the forefront of the Florentine Renaissance, his life coinciding almost exactly with the best period of Tuscan painting.Leonardo was the first to investigate scientifically and to apply to art the laws of light and shade, though the preliminary investigations of Piero della Francesca deserve to be recorded.He observed with strict accuracy the subtleties of chiaroscuro—light and shade apart from colour; but, as one critic has pointed out, his gift of chiaroscuro cost the colour-life of many a noble picture. Leonardo was "a tonist, not a colourist," before whom the whole book of nature lay open. His MindWe can readily believe the statements of Benvenuto Cellini, the sixteenth-century Goldsmith, that Francis I. "did not believe that any other man had come into the world who had attained so great a knowledge as Leonardo, and that not only as sculptor, painter, and architect, for beyond that he was a profound philosopher." Leonardo anticipated many eminent scientists and inventors in the methods of investigation which they adopted to solve the many problems with which their names are coupled. Among these may be cited Copernicus' theory of the earth's movement, Lamarck's classification of vertebrate and invertebrate animals, the laws of friction, the laws of combustion and respiration, the elevation of the continents, the laws of gravitation, the undulatory theory of light and heat, steam as a motive power in navigation, flying machines, the invention of the camera obscura, magnetic attraction, the use of the stone saw, the system of canalisation, breech loading cannon, the construction of fortifications, the circulation of the blood, the swimming belt, the wheelbarrow, the composition of explosives, the invention of paddle wheels, the smoke stack, the mincing machine! It is, therefore, easy to see why he called "Mechanics the Paradise of the Sciences."Leonardo was a SUPERMAN.