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Limberham - or, The Kind Keeper
￥21.09
John Dryden was born on August 9th, 1631 in the village rectory of Aldwincle near Thrapston in Northamptonshire. As a boy Dryden lived in the nearby village of Titchmarsh, Northamptonshire. In 1644 he was sent to Westminster School as a King's Scholar. Dryden obtained his BA in 1654, graduating top of the list for Trinity College, Cambridge that year. Returning to London during The Protectorate, Dryden now obtained work with Cromwell's Secretary of State, John Thurloe. At Cromwell's funeral on 23 November 1658 Dryden was in the company of the Puritan poets John Milton and Andrew Marvell. The setting was to be a sea change in English history. From Republic to Monarchy and from one set of lauded poets to what would soon become the Age of Dryden. The start began later that year when Dryden published the first of his great poems, Heroic Stanzas (1658), a eulogy on Cromwell's death. With the Restoration of the Monarchy in 1660 Dryden celebrated in verse with Astraea Redux, an authentic royalist panegyric. With the re-opening of the theatres after the Puritan ban, Dryden began to also write plays. His first play, The Wild Gallant, appeared in 1663 but was not successful. From 1668 on he was contracted to produce three plays a year for the King's Company, in which he became a shareholder. During the 1660s and '70s, theatrical writing was his main source of income. In 1667, he published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London in 1666. It established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate (1668) and then historiographer royal (1670). This was truly the Age of Dryden, he was the foremost English Literary figure in Poetry, Plays, translations and other forms. In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697), which was published by subscription. It was a national event. John Dryden died on May 12th, 1700, and was initially buried in St. Anne's cemetery in Soho, before being exhumed and reburied in Westminster Abbey ten days later.
Emma - Better be without sense than misapply it as you do.
￥23.45
Jane Austen's Emma (1815) explores the life of women in Regency England, combining romance with some aspects of the comedy of manners. The story centers around the eponymous character who, unlike Austen's other popular heroines, is an upper middle-class young woman with no pecuniary concerns. Emma Woodhouse is rather a strong-headed, beautiful young woman who lives with her father and who has resolved not to marry. Yet, she spends considerable time and energy trying to make matches for the other people around her and tends to draw amusement and satisfaction from such practice. After one successful experience, Emma tries to match her friend Harriet to a man named Mr. Elton. Her earnest and honest friend George Knightley warns her of Mr. Elton's snobbish nature. Nonetheless, Emma starts by making her friend Harriet reject a marriage proposal. Surprisingly, while she believes Mr. Elton's attention is drawn towards Harriet, the man ends up declaring his love for the match-maker herself. When Emma informs Mr. Elton of her intention to match him to her friend, he feels insulted, considering Harriet's inferior social class. He leaves the town while Emma keeps on trying to find a husband for Harriet. By the end of the novel, Emma marries Mr. Knightley to finally give up her favorite hobby while Harriet marries Robert Martin. We've also included a concise and informative biography of Jane's works and life at the end of the book. We hope it helps to give a little context and colour about how her life interacted with her art.
Gibson Upright
￥29.33
Booth Tarkington was born on July 29, 1869 in Indianapolis, Indiana. He is one of only three novelists to win the Pulitzer Prize more than once. When you look through the quality of his work it is easy to understand why. The Magnificent Ambersons, Alice Adams, Penrod, Penrod And Sam - all classics. The Penrod novels depict a typical upper-middle class American boy of 1910 vintage, revealing a fine, bookish sense of American humor. At one time, his Penrod series was as well known andregarded as Twain's Huckleberry Finn. Much of Tarkington's work consists of satirical and closely observed studies of the American class system and its foibles. Coming as he did from a patrician Midwestern family that lost much of its wealth after the Panic of 1873 the foundations for that outlook are clear. Today, he is best known for his novel The Magnificent Ambersons which contrasted the decline of the "e;old money"e; Amberson dynasty with the rise of "e;new money"e; industrial tycoons in the years between the American Civil War and World War I. In this volume you have an opportunity to read one his plays, The Gibson Upright
Insatiate Countess - 'If you win power, remember why you wanted it''
￥15.21
John Marston was born to John and Maria Marston nee Guarsi, and baptised on October 7th, 1576 at Wardington, Oxfordshire.Marston entered Brasenose College, Oxford in 1592 and earned his BA in 1594. By 1595, he was in London, living in the Middle Temple. His interests were in poetry and play writing, although his father's will of 1599 hopes that he would not further pursue such vanities.His brief career in literature began with the fashionable genres of erotic epyllion and satire; erotic plays for boy actors to be performed before educated young men and members of the inns of court.In 1598, he published 'The Metamorphosis of Pigmalion's Image and Certaine Satyres', a book of poetry. He also published 'The Scourge of Villanie', in 1598. 'Histriomastix' regarded as his first play was produced 1599. It's performance kicked off an episode in literary history known as the War of the Theatres; a literary feud between Marston, Jonson and Dekker that lasted until 1602.However, the playwrights were later reconciled; Marston wrote a prefatory poem for Jonson's 'Sejanus' in 1605 and dedicated 'The Malcontent' to him. Beyond this episode Marston's career continued to gather both strength, assets and followers. In 1603, he became a shareholder in the Children of Blackfriars company. He wrote and produced two plays with the company. The first was 'The Malcontent' in 1603, his most famous play. His second was 'The Dutch Courtesan', a satire on lust and hypocrisy, in 1604-5.In 1605, he worked with George Chapman and Ben Jonson on 'Eastward Ho', a satire of popular taste and the vain imaginings of wealth to be found in the colony of Virginia.Marston took the theatre world by surprise when he gave up writing plays in 1609 at the age of thirty-three. He sold his shares in the company of Blackfriars. His departure from the literary scene may have been because of further offence he gave to the king. The king suspended performances at Blackfriars and had Marston imprisoned.On 24th September 1609 he was made a deacon and them a priest on 24th December 1609. In October 1616, Marston was assigned the living of Christchurch, Hampshire.He died (accounts vary) on either the 24th or 25th June 1634 in London and was buried in the Middle Temple Church.
Tarzan & The Golden Lion - Am I alive and a reality, or am I but a dream?
￥35.22
Edgar Rice Burroughs was born on September 1, 1875, in Chicago, Illinois. His early career was unremarkable. After failing to enter West Point he enlisted in the 7th Calvary but was discharged after heart problems were diagnosed. A series of short term jobs gave no indication as to a career path but finally, in 1911, married and with two young children, he turned his hand to writing. He aimed his works squarely at the very popular pulp serial magazines. His first effort 'Under The Moons Of Mars' ran in Munsey's Magazine in 1912 under the pseudonym Norman Bean. With its success he began writing full time. A continuing theme of his work was to develop series so that each character had ample opportunities to return in sequels. John Carter was in the Mars series and there was another on Venus and one on Pellucidar among others. But perhaps the best known is Tarzan. Indeed Burroughs wanted so much to capitalise upon the brand that he introduced a syndicated Tarzan comic strip, movies and merchandise. He purchased a large ranch north of Los Angeles, California, which he named "e;Tarzana."e; The surrounding communities outside the ranch voted in 1927 to adopt the name as their own. By 1932 Burroughs set up his own company to print his own books. Here we publish the ninth in the Tarzan series 'Tarzan & The Golden Lion'. Another cultural classic.
Patience - or Bunthorne's Bride
￥26.98
The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over. Gilbert's sharp, funny words and Sullivan's deliciously lively and hummable tunes create a world that is distinctly British in view but has the world as its audience. Both men were exceptionally talented and gifted in their own right and wrote much, often with other partners, that still stands the test of time. However, together as a team they created Light or Comic Operas of a standard that have had no rivals equal to their standard, before or since. That's quite an achievement. To be recognised by the critics is one thing but their commercial success was incredible. The profits were astronomical, allowing for the building of their own purpose built theatre - The Savoy Theatre. Beginning with the first of their fourteen collaborations, Thespis in 1871 and travelling through many classics including The Sorcerer (1877), H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1885), The Gondoliers (1889) to their finale in 1896 with The Grand Duke, Gilbert & Sullivan created a legacy that is constantly revived and admired in theatres and other media to this very day.
Troilus and Cressida - or, Truth Found Too Late
￥26.98
John Dryden was born on August 9th, 1631 in the village rectory of Aldwincle near Thrapston in Northamptonshire. As a boy Dryden lived in the nearby village of Titchmarsh, Northamptonshire. In 1644 he was sent to Westminster School as a King's Scholar. Dryden obtained his BA in 1654, graduating top of the list for Trinity College, Cambridge that year. Returning to London during The Protectorate, Dryden now obtained work with Cromwell's Secretary of State, John Thurloe. At Cromwell's funeral on 23 November 1658 Dryden was in the company of the Puritan poets John Milton and Andrew Marvell. The setting was to be a sea change in English history. From Republic to Monarchy and from one set of lauded poets to what would soon become the Age of Dryden. The start began later that year when Dryden published the first of his great poems, Heroic Stanzas (1658), a eulogy on Cromwell's death. With the Restoration of the Monarchy in 1660 Dryden celebrated in verse with Astraea Redux, an authentic royalist panegyric. With the re-opening of the theatres after the Puritan ban, Dryden began to also write plays. His first play, The Wild Gallant, appeared in 1663 but was not successful. From 1668 on he was contracted to produce three plays a year for the King's Company, in which he became a shareholder. During the 1660s and '70s, theatrical writing was his main source of income. In 1667, he published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London in 1666. It established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate (1668) and then historiographer royal (1670). This was truly the Age of Dryden, he was the foremost English Literary figure in Poetry, Plays, translations and other forms. In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697), which was published by subscription. It was a national event. John Dryden died on May 12th, 1700, and was initially buried in St. Anne's cemetery in Soho, before being exhumed and reburied in Westminster Abbey ten days later.
Widow's Tears - 'She be my guide, and hers the praise of these, My worthy undert
￥15.21
George Chapman was born at Hitchin in Hertfordshire in about 1559. There is some evidence that Chapman attended Oxford University but did not obtain a degree, but the evidence is rather scant.During the first part of the early 1590s Chapman was in Europe, in military action in the Low Countries fighting under the famed English general Sir Francis Vere. It is from this period that his earliest published works are found including the obscure philosophical poems The Shadow of Night (1594) and Ovid's Banquet of Sense (1595). By the end of the 1590s, Chapman had become a successful playwright, working for the Elizabethan Theatrical entrepreneur, Philip Henslowe, and later for the Children of the Chapel.From 1598 he published his translation of the Iliad in installments. In 1616 the complete Iliad and Odyssey appeared in The Whole Works of Homer, the first complete English translation, which until Alexander Pope's, was the most popular in the English language and was the entry point for most English readers of these magnificent poems. The great Ben Jonson was also using Chapman's talents in the play Eastward Ho (1605), co-written with John Marston. Both Chapman and Jonson landed in jail over some satirical references to the Scots in the play but both were quick to say that Marston was the culprit.Chapman also wrote one of the most successful masques of the Jacobean era, The Memorable Masque of the Middle Temple and Lincoln's Inn, performed on February 15th, 1613. Another masque, The Masque of the Twelve Months, performed on Twelfth Night 1619 is also now given as Chapman's.George Chapman died in London on May 12th, 1634 having lived his latter years in poverty and debt. He was buried at St Giles in the Fields.
Pilgrim - Speak boldly and speak truly, shame the devil
￥26.98
John Fletcher was born in December, 1579 in Rye, Sussex. He was baptised on December 20th. As can be imagined details of much of his life and career have not survived and, accordingly, only a very brief indication of his life and works can be given. Young Fletcher appears at the very young age of eleven to have entered Corpus Christi College at Cambridge University in 1591. There are no records that he ever took a degree but there is some small evidence that he was being prepared for a career in the church. However what is clear is that this was soon abandoned as he joined the stream of people who would leave University and decamp to the more bohemian life of commercial theatre in London. The upbringing of the now teenage Fletcher and his seven siblings now passed to his paternal uncle, the poet and minor official Giles Fletcher. Giles, who had the patronage of the Earl of Essex may have been a liability rather than an advantage to the young Fletcher. With Essex involved in the failed rebellion against Elizabeth Giles was also tainted. By 1606 John Fletcher appears to have equipped himself with the talents to become a playwright. Initially this appears to have been for the Children of the Queen's Revels, then performing at the Blackfriars Theatre. Fletcher's early career was marked by one significant failure; The Faithful Shepherdess, his adaptation of Giovanni Battista Guarini's Il Pastor Fido, which was performed by the Blackfriars Children in 1608. By 1609, however, he had found his stride. With his collaborator John Beaumont, he wrote Philaster, which became a hit for the King's Men and began a profitable association between Fletcher and that company. Philaster appears also to have begun a trend for tragicomedy. By the middle of the 1610s, Fletcher's plays had achieved a popularity that rivalled Shakespeare's and cemented the pre-eminence of the King's Men in Jacobean London. After his frequent early collaborator John Beaumont's early death in 1616, Fletcher continued working, both singly and in collaboration, until his own death in 1625. By that time, he had produced, or had been credited with, close to fifty plays.
大唐西域求法高僧传校注--中国佛教典籍选刊(试读本)
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《大唐西域求法高僧传》二卷，是唐代高僧义净在南海室利佛逝国（今印度尼西亚苏门答腊岛）时的主要著作之一，书中记载唐初从太宗贞观十五年（641）以后到武后天授二年（691）四十余年间五十七位僧人到南海和印度游历、求法的事迹。后附《重归南海传》，又记载武后永昌元年（689）随义净重往室利佛逝的四位中国僧人的事迹。这些僧传兼述经济、风俗及旅行路线，是研究7世纪南洋诸国状况和国际交通的重要资料。
苏辙诗编年笺注--国家社科基金后期资助项目(全4册)(试读本)
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《苏辙诗编年笺注》二十四卷，宋苏辙撰，蒋宗许、袁津琥、陈默笺注。是书以苏辙本人编定的《栾城集》、《栾城后集》、《栾城三集》为基础，析出其中的诗歌部分，参考各种年谱编年而成。底本为明代清梦轩刻本，校以今天可见的其余重要的苏辙集版本，如宋刻《苏文定公文集》（存四十六卷）残本、宋刻递修本《苏文定公文集》（存十卷）、宋刻递修本《栾城集》（存二十一卷）、日藏宋刻《类编颍滨先生大全文集》等。全书卷次大体依照底本顺序。间有辑佚者，列于相应诗歌前后。其系年考订置于注释条，略作解题说明，其余则为语词和典故的注释。如存有相关的倡和诗，亦附录之。书后附录传记、孙汝听《年表》、遗事（包括碑铭之类）、目录序跋、参考书目、篇目索引等。本书资料搜罗全备，系年准确，校勘精审，注释详细，为国家社科基金重大委托项目《巴蜀全书》子课题、四川省社科联2013年重点项目、全国高校古委会2013年项目、2015年度国家社科基金后期资助项目。
尔雅--中国古代语言学基本典籍丛书(试读本)
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《尔雅》共十九篇，其中《释诂》《释言》《释训》解释一般语词，《释亲》《释宫》《释器》等十六篇解释专门名词，在词汇学、训诂学、辞书学等方面有极其重要的学术价值。这次整理以中华书局影印宋刻善本为底本，参校《尔雅注疏》《经典释文》《尔雅音义》《尔雅正义》《尔雅义疏》及周祖谟《尔雅校笺》，参考各家整理与研究著作，并制作了音序、笔画索引。
新译大方广佛华严经音义校注(精)--音义文献丛刊(试读本)
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慧苑《新译大方广佛花严经音义》是今存的单经音义，约成书于唐玄宗开元二十年（732）前后 ，约八十余年后为慧琳音义收録。慧苑书就《新译大方广佛华严经》八十卷中的难字僻词注音释义。慧苑通晓梵文唐言，精通音韵训诂，他广引内、外典籍，其注音释义具有文字、音韵、训诂、辞书等多方面的价值。《新译大方广佛华严经音义校注》对慧琳和慧苑的异文进行了分析，对学者了解慧琳和慧苑语音系统提供了材料；书稿对梵文译音成分注明梵文源词的拉丁文转写，找不到源词的也加以说明；对慧苑引文进行了校勘；并且标注了异体字、俗字、古今字等信息，读者还可以管窥汉字发展源流。
金史(全八册)点校本二十四史修订本(精)(试读本)
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《金史》为元朝脱脱等修纂的官修纪传体金代史，包括本纪19卷、志39卷、表4卷、列传71卷，全书135卷，另附《国语解》一卷。记述了从女真族的兴起到金朝建立和灭亡百余年的历史。中华书局点校本《金史》，初由傅乐焕先生承担，但到1966年傅先生去世时，仅做出少部分工作。其后大部分点校工作在1971年后由张政烺先生完成，崔文印先生负责编辑整理，于1975年出版。点校本采用百衲本为底本，与北监本、殿本参校，择善而从，又参考有关史料进行校勘，吸取了前人的考订成果，成为当代《金史》的一个通行本，面世后深受广大读者好评。此次修订仍以百衲本为底本，通校元刻本、清武英殿本，参校明南监本、北监本、清江苏书局本，以及明《永乐大典》残本的相关部分。参考吸收施国祁《金史详校》、文渊阁《四库全书》本及道光殿本的考证、张元济《金史校勘记》等前人校勘成果。在版本校的基础上，充分运用本校、他校，利用正史、类书、文集、出土文献，以及高丽古籍进行校勘。此次修订逐条覆核原点校本已有的校勘成果，充分吸纳原点校本的成绩。原点校本校勘记中很少提及版本依据，且存在较多的改字现象。此次修订明确列出校勘的版本依据，纠正不当的改字、补字、删字。对原校勘记有误或不准确处，加以删除或修改，对失校处，补充新校勘记。对标点、分段不妥处，加以修订。点校本原有2017条校勘记，本次修订删掉120余条，修正不准确的校勘记数十条，新出校勘记近900条，占修订后校勘记总数2780多条的32%左右。另外，还对标点、分段不妥处加以修订，纠正标点失误200多处。修订本还全面搜集梳理了点校本《金史》出版以来发表的诸多校读札记，加以参考和利用，体现了当代《金史》研究的成果。
汉语方言大词典(修订本)全十册(精)(试读本)
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《汉语方言大词典》是我国汉语方言词汇调查研究成果的集大成者，地跨南北，时通古今，收录了现代汉语中几乎所有的方言词汇，是对通语类词典乃至整个汉语词汇库的重大补充。同时，本词典以“字”为基本单位来组织内容，这种方式深刻地揭示了汉语各大方言之间数千年延绵不绝的密切联系。本次修订，在维持原有凡例规定不变的基础上，着重对方言词语的注音、用字进行了修订，改正了大量排印讹误和一些原始资料不合于拼读规则的明显错误；核对文献书证，改正引文错误并补充了部分出版信息；根据国家民政部资料修改了部分地名；重新制作了检字表，对方言系属简表、文献目录进行了修订，并增设了汉语方言分区一览表。
论语智慧启迪(第二辑)--社会主义核心价值观系列连环画(试读本)
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《论语》是中国文化的核心典籍，其中凝聚着的儒家先贤的思想与智慧，历久而弥新，不断启迪着后人。《论语智慧启迪》系列图书围绕富强、民主、文明、和谐、自由、平等、公正、法治、爱国、敬业、诚信、友善 12 个主题词，从《论语》中精选能够体现这些价值观精神的原文进行讲解，以生动有趣的连环画形式展现相关历史故事，引导读者从中获得思考和感悟。本书包含文明、和谐两个主题词。通过阅读本书，我们不仅能深入了解《论语》，增加传统文化知识积累，体悟先贤思想和智慧的精华，更能以先贤智慧引领当下生活，启迪人生。
Povesti minunate cu lucruri fermecate
￥40.79
Un demers hermeneutic grav, efectuat ?n profunzimile operei ionesciene, ?i demonstr?nd cu asupra de m?sur? c? ??n prima pies? a lui Ionesco, Engleze?te f?r? profesor, comunicarea este repetitiv? ?i alienant?. Recurenta cli?eelor limbii de lemn burgheze este efectul (cauz?) unei existen?e osificate. Alienarea ?ncepe prin a fi pa?nic? ?i sf?r?e?te ?n agresiune. La ?nceput, b?tr?nii so?i Smith se afund? ?n banalitatea comunic?rii. Tinerii so?i Martin fac la fel, potrivit psihologiei v?rstei lor. Primii au o ?n?elepciune senil?. Ultimii, o vitalitate copil?reasc?. Pe parcurs (in)comunicarea se ad?nce?te, cuvintele ??i ?ndep?rteaz? tot mai mult sensurile, p?n? la a le abandona ori livra unei anamneze enun?iative. Sensul, p?r?nd genetic absent, ??i caut? identitatea ontologic? fictiv?, ?ntr-o deriv? total?. Noile contexte generate de un astfel de tip de enun?are creeaz? spa?ii retorice ale (?n)comunic?rii, inabitual proliferante, sf?r?ind adesea, cum s-a observat, ?ntr-un joc de-a masacrul logocratic, rupt de comandamentele – instan?ele – enun??rii. Personajele rostesc replicile automat, ?ntr-un ritm tot mai accentuat“.
Desene naravase
￥40.79
Poemele dense, pline de miez ale lui Andrei Fischof curg unul dup altul. Fr ostentaie. Firesc, aa cum ploaia se scurge din orbitele zeilor fr nume, aa cum iarba poate fi numit iarb numai dac este pscut, din timp in timp, de pegaii morilor tineri. nfurat n toga marelui frig, poetul refuz zgomotul, nvlmeala, furtunile agitaiilor zadarnice, optnd mereu pentru ipostaza martorului tcut, marcat de o sensibilitate atent, ochiul su, da, cel triunghiular, din frunte, nregistrnd totul, aproape totul. Poemele-peisaje contureaz o lume a sfritului ntunecat, a degenerescentei, a decadenei i pierderii reperelor. E o lume de comar, o lume nurubat n albia apocalipsei care se inventa, clipa de clipa, provocnd martorul – adunat, strns n el nsui, atent la forurile-i luntrice i la vocea creia i se supune necondiionat – s imagineze discret, evaziv, surpat n uimirea de a fi el nsui: o ans de salvare. i martorul rspunde provocrii, aa cum un copil, fiind, pe malul mrii, harponat spre orizonturile mirabile ale dorinei de a fi, deseneaz, cu un beior, pe nisip, o uria corabie fantastic...“ – Aura Christi.
Melancolii portugheze
￥40.79
Agasat de o doamn? care gira rubrica monden? a unui ziar newyorkez, cu privire la preferin?ele sale, la ?ntrebarea care este obiectul s?u favorit din natur?, Mark Twain a r?spuns, ?n maniera sa unic?: ?O frumoas? mut?!“Ziarist, traduc?tor, autor de c?r?i, Irina Airinei ?ndepline?te doar una dintre condi?ii. Fiind universitar – doctor ?n filologie -, pred?nd cursuri, ?in?nd seminarii, preg?tind studen?i, nu prea are cum s? fie mut?. ?i, cu at?t mai mult, ca ziarist de pres? scris? ?i de radio. Urm?rind ?ns? transcrierile interviurilor luate de ea unor personalit??i din aproape toate domeniile, ??i dai seama c?, departe de a fi t?citurn?, Irina Airinei are o mare calitate: ?tie nu numai s? ?ntrebe, ci mai ales s? asculte. Este perfect con?tient? c? rolul reporterului, dincolo de a descoperi oameni cu vie?i ?i personalit??i interesante, nu este s? se pun? ?n valoare pe sine cu ?ntreb?ri ?inteligente“ p?n? la narcisism sau incisive p?n? la obr?znicie, dimpotriv?, ci s? se apropie de partenerul de discu?ie cu discre?ie, ?ncerc?nd s? scoat? din mintea ?i sufletul s?u tot ceea ce este mai semnificativ ?i mai interesant. Pentru c? oamenilor care au fost ?sorti?i s? vad?“ nu le prea place s? vorbeasc? despre ei ?n?i?i. Multe dintre interviurile sale aduc aminte de tehnicile arheologice, de migala dezgrop?rii cu delicate?e a frumosului ascuns ?n eul interlocutorului, ref?c?nd din cuvinte ceea ce, poate, altfel nu ar fi fost spus niciodat?. (Dorin Suciu)
Magyar Camino
￥57.31
Dan Ioan Nistor ??i intituleaz? volumul de versuri C?ntul clipei dup? una din poeziile din volumul de debut editorial, Pelerin pe drumul m?slinilor (Editura Metafora, Constan?a, 1996). O selec?ie din poeziile ap?rute ?n volume, dar ?i ?n alte publica?ii la sugestia scriitorilor Geo Vasile ?i Florentin Popescu sunt cuprinse ?n aceast? lucrare. Un prim capitol din C?ntul clipei – Dezgr?diri – ?l prezint? pe autorul aflat ?n peregrin?ri ?n mirificul spa?iu dobrogean. Capitolele T?cerea ta-mi gr?ie?te, Psaltice, Incanta?ii, Imne, glose, Filocalice daruri sunt cele ?n care poetul ??i m?rturise?te permanenta preocupare de a-?i g?si ?mp?carea cu sine, slujirea aproapelui ?i dorin?a apropierii de divinitate ?i de lauda adus? Creatorului.
Strada. Loc de trecere ?i petrecere
￥40.79
O panoram? edificatoare a poeziei rom?ne?ti, un dosar de critic ?i poet realizat pe ?ntinderea anilor, aceast? carte cuprinde texte critice publicate ?n revistele Contemporanul, Luceaf?rul, Ramuri ?.a.
