‘My future mother-in-law burst into tears when she heard her son was to marry an actress. There’s still something disturbing, I grant you, about the word “actress”. If an MP or some other outstanding person plays fast and loose with an actress the world is unsurprised. She is certainly no better than she should be, and probably French…’ As well as being a mother (to the actresses Sophie and Emma Thompson) and a devoted carer to her own mother and mother-in-law, Phyllida Law is also a distinguished actress, and Dead Now Of Course is the tale of her early acting career. As a young member of a travelling company, Phyllida learned to cope with whatever was thrown at her, from making her own false eyelashes to battling flammable costumes and rogue cockroaches. We find her in Mrs Miller’s digs, which were shared with a boozy monkey bought from Harrods, an Afghan hound known as the ‘the flying duster’, several hens and various children. Filled with funny, charming anecdotes, Dead Now Of Course paints a fascinating picture of life in the theatre – and at the heart of the story is an enchanting account of Phyllida’s courtship with her future husband, the actor and writer Eric Thompson.

A TELEGRAPH BOOK OF THE YEAR A NEW STATESMAN BOOK OF THE YEAR A story at once extremely strange and entirely familiar – about families, innocence, art and love. This hugely enjoyable, totally unforgettable memoir is a classic in the making. ‘My aunt called our two families the Mighty Franks. But, she said, you and I, Lovey, are a thing apart. The two of us have pulled our wagons up to a secret campsite. We know how lucky we are. We’re the most fortunate people in the world to have found each other, isn’t it so?’ Michael Frank’s upbringing was unusual to say the least. His aunt was his father’s sister and his uncle his mother’s brother. The two couples lived blocks apart in the hills of LA, with both grandmothers in an apartment together nearby. Most unusual of all was his aunt, ‘Hankie’: a beauty with violet eyelids and leaves fastened in her hair, a woman who thought that conformity was death, a Hollywood screenwriter spinning seductive fantasies. With no children of her own, Hankie took a particular shine to Michael, taking him on Antiquing excursions, telling him about ‘the very last drop of her innermost self’, holding him in her orbit in unpredictable ways. This love complicated the delicate balance of the wider family and changed Michael’s life forever.

From the winner of the Nobel Prize for Literature, a compelling account of her return to the land in which she grew up.

Henry Stuart’s life is the last great forgotten Jacobean tale. Shadowed by the gravity of the Thirty Years’ War and the huge changes taking place across Europe in seventeenth-century society, economy, politics and empire, his life was visually and verbally gorgeous. NOW THE SUBJECT OF BBC2 DOCUMENTARY The Best King We Never Had Henry Stuart, Prince of Wales was once the hope of Britain. Eldest son to James VI of Scotland, James I of England, Henry was the epitome of heroic Renaissance princely virtue, his life set against a period about as rich and momentous as any. Educated to rule, Henry was interested in everything. His court was awash with leading artists, musicians, writers and composers such as Ben Jonson and Inigo Jones. He founded a royal art collection of European breadth, amassed a vast collection of priceless books, led grand renovations of royal palaces and mounted operatic, highly politicised masques. But his ambitions were even greater. He embraced cutting-edge science, funded telescopes and automata, was patron of the North West Passage Company and wanted to sail through the barriers of the known world to explore new continents. He reviewed and modernised Britain’s naval and military capacity and in his advocacy for the colonisation of North America he helped to transform the world. At his death aged only eighteen, and considering himself to be as much a European as British, he was preparing to stake his claim to be the next leader of Protestant Christendom in the struggle to resist a resurgent militant Catholicism. In this rich and lively book, Sarah Fraser seeks to restore Henry to his place in history. Set against the bloody traumas of the Thirty Years’ War, the writing of the King James Bible, the Gunpowder Plot and the dark tragedies pouring from Shakespeare’s quill, Henry’s life is the last great forgotten Jacobean tale: the story of a man who, had he lived, might have saved Britain from King Charles I, his spaniels and the Civil War with its appalling loss of life his misrule engendered.

A memoir of a brief career as a top model - and the brutally honest account of what goes on behind the scenes in a fascinating, closed industry. Scouted in the street when she is 17, Victoire Dauxerre’s story started like a teenager’s dream: within months she was on the catwalks of New York’s major fashion shows, and part of the most select circle of in-demand supermodels in the world. But when fashion executives and photographers began to pressure her about her weight, forcing her to become ever thinner, Victoire’s fantasy came at a cost. Food was now her enemy, and soon, living on only three apples a day and Diet Coke galore, Victoire became anorexic. An unflinching, painful expose of the uglier face of fashion, her testimony is a shocking example of how our culture’s mechanisms of anorexia and bulimia can push a young woman to the point of suicide. It is the story of a survivor whose fight against poisonous illness and body image shows us how to take courage and embrace life. Written with Valérie Péronnet.

David Lovelace, along his brother and both his parents, is bipolar. This is his extraordinary and vivid memoir of life within his memorable, maddening, loving and unique family. Full Blown is Lovelace's poignant, humorous, and vivid account of growing up and coming to terms with the highs and lows of manic depression. David's father was a Princeton-trained theology professor deemed too eccentric for the ministry and his mother battled depression all her life. Manic episodes were part of family life - they called them the 'whim-whams'. David was a teenager when his first serious depression hit, and at college when he first became manic. He ran to escape it – to Mexico, South America and then New York, to drugs and alcohol – before he realised the futility of running. A father himself, a son and a brother, David's matter-of-fact approach to growing up surrounded by the unique creativity often sparked by manic depression is compelling. In the vein of Stuart, A Life Backwards and Augusten Burroughs’ Running with Scissors , David’s poetic ability to detail the unique highs and harrowing lows makes a remarkable and gripping read.

A searching and at times harrowing re-appraisal of the life of Evel Knievel, the seventies American icon and the greatest daredevil motorcyclist that ever lived. Now fully updated in paperback with the story of the last few years of his life and his death in 2007. Stuart Barker's definitive biography captures the super-star status that Knievel held and also examines the marketing phenomenon of a man who once boasted he ‘made $60 million and blew $63 million’. Born in the town of Butte, Montana in 1938, Robert Craig Knievel was an outstanding athlete, ski jumper and ice hockey player at school. His early jobs included working in the copper mines and driving a bus as well as a stint in the US Army, but he always subsidised his income through crime ('I could crack a safe with one hand tied behind my back quicker than you could eat a hamburger with two.') He used bikes to escape from the police and eventually hit upon the idea of jumping them after seeing a stunt driver jump cars at a state fair. His first jump took place over two mountain lions and a box of rattlesnakes, and he soon developed his act into the 'Evel Knievel Motorcycle Daredevils' before embarking on a solo career. Knievel suffered 37 breaks and fractures during his daredevil career. In 1967 he spent 29 days in a coma after an attempt to jump over the fountains outside Caesar's Palace casino in Las Vegas. While recovering, he decided to make his goal to jump the Grand Canyon, an attempt he was forced to abort by the US Government; and later was paid $1 million for jumping over 13 double-decker buses at Wembley Stadium. Now, a quarter of a century after he last stepped off a motorcycle, he has been reborn as the originator of Xtreme sports. This, alongside his love of gambling, women and drinking, ensure his legend will live forever. Life of Evel is the story of a truly extreme personality.

LIVES THAT NEVER GROW OLD This unique series – edited by Richard Holmes – recovers the great classical tradition of English biography. Every book is a biographical masterpiece – still thrilling to read and vividly alive. The philosopher William Godwin fell in love with and married the radical feminist Mary Wollstonecraft, only to attend her deathbed (giving birth to their child, the late Mary Shelley). Heartbroken, Godwin immediately shut himself up in his study and wrote this intensely moving biography. True to his philosophical belief in absolute sincerity, Godwin coolly describes Wollstonecraft’s previous love affairs, her time in revolutionary Paris, her illegitimate child, and her two suicide attempts. The book almost wrecked both their reputations, but can now be seen as a masterpiece of indiscretion and human honesty.

Working from home, no more commuting, flexible hours, spending more time with the kids – it’s what being a Mumpreneur is all about – isn’t it? It was a commute to work whilst heavily pregnant with baby number two that sparked Mosey's 'now or never' decision to get off the 9-5 treadmill. Inhaling lungfuls of deliciously ripe BO from a fat bloke’s armpit somewhere between Regent’s Park and Oxford Circus may have been the tipping point. After the birth of Boy Two, the thought of returning to the office wasn’t appealing to Mosey, but days filled with nappies and Alphabet Spaghetti failed to thrill either. Why not employ herself, Mosey thought. A mum’s concierge business combined with training to be a doula was bound to rake in a profit. Twelve months maternity leave to make it work. How hard could it be? But Mosey and her mumpreneur mates soon discover that sleepless nights, flaky partners, finance crises and marital breakdowns are all par for the course when mixing babies and a business. Boy One won’t eat, Boy Two won’t sleep, business ventures are strangled at birth, the mortgage is rocketing and sole wage-earner husband is on the verge of losing his job. In her own year of living dangerously, will Mosey make the break or reluctantly rejoin the rat race? Mosey’s down-to-earth, wry look at life as a frazzled one-woman business is laugh-out-loud funny and full of warmth. This is a ‘mumoir’ that will inspire, motivate and charm would-be mumpreneurs everywhere.

Lives that Never Grow Old Part of a radical new series –edited by Richard Holmes – that recovers the great classical tradition of English biography. Johnson’s book is a biographical masterpiece, still thrilling to read and vividly alive. When he first came to London, young Samuel Johnson was befriended by the flamboyant poet, playwright and blackmailer, Richard Savage. Walking the backstreets at night, he learned Savage’s extraordinary story – supposedly persecuted by a ‘cruel mother’, sentenced to death for a murder in a brothel, appointed Volunteer Poet Laureate to the Queen, and finally broken and outcast. With this moving and intimate account, Johnson created a brilliant black comedy of 18th-century Grub Street which revolutionised English biography by its psychological realism. Yet Savage’s destructive charm and delusions of grandeur sometimes even threatened to entangle Johnson himself.

Charlie's earliest memory at two and a half was listening to his dad batter his latest girlfriend in their Scottish tenement flat. Beaten and tortured by a violent alcoholic father in 70s' poverty-stricken Dundee, Charlie's early life was one of poverty and misery, but at least he had his best friend Bonnie a German shepherd puppy to turn to. Charlie lives with Jock, his violent, disturbed, alcoholic father in a Dundee tenement. Money is scarce, and Jock's love of vodka means that Charlie bears the brunt of his abuse. Often too bruised to go to school, Charlie lives in constant fear of Jock's next outburst. Subjected to hours of physical and mental torture, Charlie can only think of killing his dad. The only thing Charlie can rely on is Bonnie, a German Shepherd puppy, brought home to keep Charlie company while Jock goes out on his drinking sessions. But even Bonnie doesn't escape Jock's brutality. Please Don’t Hurt Me, Dad is an evocative portrait of seventies and eighties working-class Dundee, where everyone is on the dole, alcoholism is rife and most people have illegal jobs on the side. Somehow Charlie escaped from the everyday struggle for survival. Bonnie wasn't so lucky. Charlie's way out came in the form of a beautiful young woman who became the love of his life and his saviour.

Obituaries of the most influential Victorians as profiled by The Times, including Dickens, Darwin, Ruskin, Peel, WG Grace and Florence Nightingale. For over 150 years, The Times obituaries have been providing the most respected and perceptive verdicts on the lives of the great and the good. Scientists, social reformers, composers, writers, sportsmen and politicians…Times Great Victorian Lives examines the achievements of eminent Victorians, from Isambard Kingdom Brunel to Charles Darwin, Disraeli to Gladstone and Florence Nightingale to Sarah Bernhardt. Figures have been chosen according to their importance today and are ordered chronologically. The Times Great Victorian Lives gives a fascinating insight into Victorian history, revealing how the Victorian figures we now consider 'great' were seen in their day.

A former Southampton, Blackburn, Chelsea and England full-back, the erudite and engaging Graeme Le Saux is far removed from the archetypal British footballer. His distinctive commentary on all the major issues in football, on the pitch and beyond, promises to challenge everyone's perception of the game in this country. Graeme Le Saux made an outstanding international debut for Terry Venables' new-look England side in a 1-0 win over Denmark at Wembley in March 1994, becoming the first Channel Islander ever to be capped for England. After joining Chelsea direct from Jersey, his career flourished under the guidance of Kenny Dalglish at Blackburn Rovers where they won the Premiership title in 1994-95. Graeme transferred back to Chelsea in 1997 for a record fee of ?5.5 million before joining Southampton in 2003. He retired as a player in 2005. In his book, Le Saux addresses the gay slurs that dogged his career – including the infamous Robbie Fowler exposure – how he was vilified by a minority that labelled him a Guardian reader and too smart for football, and life at Stamford Bridge before Roman Abramovich millions changed the club and the game. His thoughtful manner and views on the modern game (he is now consulted for comment regularly by BBC, ITV, Sky and Channel Five) are expanded upon here, with particular focus on the huge amounts of money in top-flight football, players’ agents and the spiralling debts of countless football clubs. As a player, Le Saux was always seen as different – someone who broke the mould, an individual with his own agenda who sought more to life than playing 90 minutes of football. His insight into the game is informed by those experiences.

In his first book, award-winning radio and TV presenter Ryan Tubridy tells the fascinating story of the iconic president John F Kennedy's visit to Ireland. The idolized, handsome and glamorous John Fitzgerald Kennedy was the great-grandson of Irish immigrants and the first and only Irish-Catholic American elected as President of the United States. He relished his Irish heritage and in June 1963 made a memorable four-day trip to his homeland, which he called the best 'four days of his life'. Tragically, five months later he was assassinated. In this fully illustrated book, Tubridy reveals the huge effect JFK's visit had on Ireland - a country that at the time was largely agrarian and extremely poor. He includes never-seen-before photos of the president and private documents that reveal how the Irish rejoiced in having a president visit their shore. Tubridy evaluates whether the well-loved president, whose 'Camelot' years some believe would have heralded a golden age, actually inspired Ireland to reinvent itself and instilled pride in the Irish people, or whether the myth of JFK just left behind an idyllic dream of what could have been. This book is a fascinating, unique and insightful read from one of Ireland's most popular personalities.

Who was the real Jane Austen? Overturning the traditional portrait of the author as conventional and genteel, bestseller Paula Byrne’s landmark biography reveals the real woman behind the books. In this paperback of the landmark biography, bestselling biographer Paula Byrne uses objects that conjure up a key moment in Austen’s life and work – a silhouette, a vellum notebook, a topaz cross, a writing box, a royalty cheque, a bathing machine, and many more – to unlock the biography of this most beloved author. The woman who emerges is far tougher, more socially and politically aware, and altogether more modern than the conventional picture of ‘dear aunt Jane’ allows. Byrne’s lively book explores the many forces that shaped Austen’s life, her long struggle to become a published author, and brings Miss Austen dazzlingly into the twenty-first century.

ALTHOUGH Rouen is now very far before all the other cities of Normandy in point of magnitude and importance, and though Rollo, in his conquest of the country, made it his principal headquarters and his main stronghold, it did not continue exclusively the residence of the dukes of Normandy in after years. The father of William the Conqueror was Robert, who be-came subsequently the duke, the sixth in the line. He resided, at the time when William was born, in a great castle at Falaise. Falaise, as will be seen upon the map, is west of Rouen, and it stands, like Rouen, at some distance from the sea. The castle was built upon a hill, at a little distance from the town. It has long since ceased to be habitable, but the ruins still remain, giving a picturesque but mournful beauty to the eminence which they crown. They are often visited by tra-velers, who go to see the place where the great hero and conqueror was born.??It was about 870 that Rollo was banished from Norway, and a few years after that, at most, that he landed in France. It was not, however, until 912 that he concluded his treaty of peace with Charles, so as to be fully invested with the title of Duke of Normandy. He was advanced in age at this time, and, after spending five years in settling the affairs of his realm, he resigned his dukedom into the hands of his son, that he might spend the remainder of his days in rest and peace. He died in 922, five years after his resignation.??He was only ten years old when his father was assassinated. He became involved in long and arduous wars with the King of France, which compelled him to call in the aid of more Northmen from the Baltic. His new allies, in the end, gave him as much trouble as the old enemy, with whom they came to help William contend; and he found it very hard to get them away. He wanted, at length, to make peace with the French king, and to have them leave his dominions; but they said, "That was not what they came for." Richard had a beautiful daughter, named Emma, who afterward became a very important political personage, as will be seen more fully in a subsequent chapter.?Richard died in 996, after reigning fifty-four years.

Emmanuel Macron, c??tig?torul alegerilor preziden?iale din Fran?a ?i omul nou al politicii europene, ??i spune pentru prima dat? povestea, vorbind despre ideile care ?l inspir?, despre viziunea sa legat? de stat, cet??eni, Uniunea European?, ?ntr-o lume care se confrunt? cu probleme comune – imigra?ia, locurile de munc?, terorismul –, dar pe care trebuie s? le rezolv?m ?mpreun?.?Revolu?ia lui Macron, alternativa electoral? a Fran?ei la na?ionalismul lui Marine Le Pen, a cucerit imediat opinia public? de pe tot continentul european: o provocare deschis? la adresa populi?tilor ?i a acelora care nu mai cred ?n institu?ii, o revolu?ie f?r? promisiuni de?arte, care ar putea schimba pentru totdeauna modul de a face politic? ?n Europa. O carte puternic?, singular?, care pune bazele unei societ??i cu totul noi.?Sunt absolut convins c? secolul XXI, ?n care ?n sf?r?it am intrat, este ?n egal? m?sur? plin de promisiuni ?i de schimb?ri care ne pot face mai ferici?i. ?i asta v? ?i propun.Aceasta va fi lupta noastr? pentru Fran?a ?i nu ?tiu nimic mai frumos de at?t." –?Emmanuel Macron

Am adunat n aceast carte momente din viaa public, ncercnd s refac, din ceea ce a selectat memoria, traseul profesional care m-a adus de la catedra de fizic la ipostaza de candidat pentru preedinie. Am inclus n ea i lucruri personale, dar nu am fcut-o neaprat pentru a rspunde curiozitii celorlali. Am recuperat acele ntmplri, ntlniri sau detalii care au spus ceva despre felul n care m-am format, despre valorile pe care le-am preuit. Identitatea mea personal a umplut, prin intermediul faptelor, dar i prin aceste principii n care am crezut, rolul de persoan public pe care l-am ocupat mai bine de paisprezece ani. Momentele n care am descoperit un adevr, intervalele n care am nvat lucruri importante, despre mine sau despre oamenii din jurul meu, i-au adus de fiecare dat ceva i profilului meu public. Tot ceea ce am dobndit i tot ceea ce am neles de-a lungul unei viei cu destul de multe mpliniri a lucrat n sprijinul profesionistului care am vrut s ajung. Viaa mea privat a fost, pentru cei mai muli, invizibil. De fapt, ca orice om, mi-am folosit n public tot ceea ce am descoperit ca fiind valoros n viaa simpl, de zi cu zi: calmul, discreia, nelegerea. Au fost bunuri preioase, pe care am vrut s le protejez ca s le pot cultiva n continuare. Nu cred c, dezvluindu-le sursa, le pun n pericol.“ Klaus Iohannis

Far out in the ocean the water is as blue as the petals of the loveliest cornflower, and as clear as the purest glass. But it is very deep too. It goes down deeper than any anchor rope will go, and many, many steeples would have to be stacked one on top of another to reach from the bottom to the surface of the sea. It is down there that the sea folk live. Now don't suppose that there are only bare white sands at the bottom of the sea. No indeed! The most marvelous trees and flowers grow down there, with such pliant stalks and leaves that the least stir in the water makes them move about as though they were alive. All sorts of fish, large and small, dart among the branches, just as birds flit through the trees up here. From the deepest spot in the ocean rises the palace of the sea king. Its walls are made of coral and its high pointed windows of the clearest amber, but the roof is made of mussel shells that open and shut with the tide. This is a wonderful sight to see, for every shell holds glistening pearls, any one of which would be the pride of a queen's crown.

Povestea scriitoarei britanice care ?i-a g?sit fericirea ?n inima Transilvaniei Arabella McIntyre-Brown a ?nceput s? scrie o carte sincer? ?i antrenant?, plin? de umor, despre aventura mut?rii dintr-un mare ora? britanic ?ntr-un sat din Carpa?i, ?i a sf?r?it prin a compune o veritabil? scrisoare de dragoste pentru Rom?nia. A?a cum magia Transilvaniei rurale a fermecat-o profund pe autoare, volumul ?Din Liverpool ?n Carpa?i” va cuceri, f?r? ?ndoial?, inimile tuturor cititorilor rom?ni. ?n ultimii ani, mai mult de 200.000 de rom?ni au plecat s? locuiasc? ?n Marea Britanie, iar din Anglia au venit ?n Rom?nia doar c?teva mii de britanici doritori s? se stabileasc? aici. Cei mai mul?i au ales Bucure?tiul sau alte ora?e mari; numai c??iva au descoperit atmosfera deosebit? a mediului rural. Scriitoarea ?i jurnalista Arabella McIntyre-Brown este una dintre ei. A luat aceast? hot?r?re ?n urma unor decese ?n familie, dar adev?rul din spatele plec?rii din Anglia ??i are r?d?cinile ?ntr-o copil?rie dificil?. La v?rsta de 50 de ani, tocmai c?nd ?ncepuse s? se bucure de un oarecare succes ca editor de carte ?i autor, ?i-a v?ndut casa din Liverpool, abandon?ndu-?i via?a citadin?, de om ocupat, ?i s-a aruncat ?n acest labirint care este Europa de Est. A p?r?sit tot ce-i era familiar ?i s-a mutat ?n Rom?nia, pentru a-?i tr?i via?a ?n solitudine. Astfel, din 2010, Arabella McIntyre-Brown nume?te ?acas?” aceast? parte a lumii m?rginit? la sud de Mun?ii Carpa?i, pe care prietenii r?ma?i ?n Anglia o puteau vedea pe Google Maps doar ca pe o p?tur? verde, difuz?. Decizia de se muta dintr-un ora? britanic animat ?ntr-o caban? construit? doar pe jum?tate, aflat? pe un pov?rni? al mun?ilor, ar fi putut fi un dezastru. Autoarea are peste 50 de ani, nu are un venit stabil, nici pensie sau un plan de rezerv?. ?n ciuda fapului c? toate indiciile sugerau c? avea s? e?ueze lamentabil, ast?zi poate afirma f?r? rezerve c? a descoperit secretul fericirii. Pentru ea, paradisul este satul transilv?nean M?gura, aflat cam la altitudinea la care se afl? cele mai ?nalte piscuri muntoase din Marea Britanie. ?... un fel de ghid pentru propriile c?l?torii c?tre sine – dac? ve?i avea curajul s? v? aventura?i pe un astfel de drum.” – Sir Ranulph Fiennes

Debut?nd cu volumul Mandala (Editura Vinea, 2005), Oana C?t?lina Ninu n-a ratat aproape niciunul dintre premiile care i-au ie?it in cale. O recunoa?tere, f?r? ?ndoial?, meritat?, ?ntruc?t vorbim despre cel mai semnificativ debut liric din anul respectiv. [...] Oric?t de rebele, reprezent?rile se topesc ?ntr-o sintax? aluvionar?, corodat? prin dialogism ?i nivelat? prin directe?e. De altfel, ?n Mandala, fracturat nu e at?t discursul, care se deruleaz? lent ?i f?r? intersti?ii vizibile, c?t universul reprezent?rilor, care suport? o macera?ie organizat? din partea unei viziuni schizoide. Poemele C?t?linei Ninu descriu, cu o fervoare incandescent?, cele mai diverse forme de mutilare, ?n slujba c?rora eul liric pune la b?taie un arsenal impresionant (foarfece, ace, ?urubelni?e, col?i, unghii, bricege, lame, epilatoare, v?traie etc.), care l-ar face s? p?leasc? de invidie pe un anumit conte austriac. ?i nu e de mirare, de vreme ce figura central? a Mandalei se prezint?, ?nc? din primul text al volumului, drept ?femeia foarfec?“. (Andrei Terian, ?n Ziarul de duminic?)?Fuga de feminitate“, exorcizarea umorilor feminine ?i a corporalit??ii maligne devine miza actului poetic, prin care femeia real? e ?nlocuit? prin ?femeia inscrip?ionat?“. El are ?ns? caracterul unei vivisec?ii, presupune scormonirea nemiloas? a fibrelor ?i a ?esuturilor, e o autotortur? aproape cu neputin?? de ?ndurat, astfel ?nc?t privirea introspectiv?, care scormone?te ca un bisturiu ?n profunzimea plasmei organice cunoa?te momente de relaxare, deplas?ndu-se (ca in ciclul Nu e timpul,fato) de la spectacolul visceralit??ii ?n criz? la filmul cotidianului. Acum, Oana C?t?lina Ninu abordeaz? reportajul autenticist, care cap?t? ?ns? aspectul ?picturilor metafizice“, unde realul e ?textualizat“, realc?tuit, devenind suportul reveriei thanatice, c?ci poeta descrie ?cet??i ale mor?ilor“, evoc? ritualuri funerare grote?ti sau sortilegii sanguinare. (Octavian Soviany ?n Luceaf?rul)Mandala este ?i una dintre figurile ini?ierii. Poezia se scrie ?mpotriva limbajului dat, ?mpotriva sensului uzat, cu sufletul, dar ?mpotriva lui, cu trupul, dar ca mortificare a trupului, cu durere, ca singur vaccin al durerii prin smulgerea ei din trup ?i a?ezarea ei ?n pagin?. (Alex Matei ?n Observator cultural)Poemele se sus?in unele pe altele ?ntr-o ordine nu mecanic?, de domino, ci subversiv?: ?povestea“ ?nainteaz? exclusiv de la un ciclu la altul. ?n interiorul secven?elor, numai discurs: fragmentele narative sunt sincopate ori deturnate. O anume urgen?? a durerii, o panic? reverberat? fiziologic ?n prima parte a volumului (mandala) cedeaz? locul unei aluviuni de repro?uri distante mim?nd refrenul (nu te mai preface ana), apoi unei terapii solitare, cu oscila?ii ?i indecizii (nu e timpul fato). Iat? o radiografiere par?ial? a zonelor liminare. P?n? aici, nu de pu?ine ori scabrosul corporal (sexual sau nu, dup? caz) conserv? atmosfera co?maresc?, comparabil? aceleia din Capriciile lui Goya. (Cosmin Ciotlo? ?n Rom?nia literar?).