Claude Monet
¥85.76
How then does Monet appear to usTake a photograph from the 1870s. He is no longer a young man but a mature individual with a dense black beard and moustache, only the top of his forehead hidden by closely-cut hair.
Anthony van Dyck
¥85.76
To this day the name of the seventeenth-century Flemish painter Anthony van Dyck (1599–1641) remains a symbol of artistic refinement. Yet his real contribution to art lies in his novel approach to the representation of the subject, his perception of each human being as a unique individuality which reveals itself only on direct contact, not through mere contemplation. In his day Van Dyck had his greatest success as a portraitist. He created painted portraits throughout his life, and in his later periods graphic portraits as well. It was as a portraitist that the artist gained worldwide recognition and went down in the history of seventeenth-century European art.
James McNeill Whistler
¥85.76
During the last half of the 19th century, three American artists were to work in Europe, mainly in England and France. Each of them was to play an important role. Mary Cassatt participated in the Impressionist movement in France, John Singer Sargent was to be considered one of the greatest painters of his day, and James McNeill Whistler, to whom this biography is dedicated, was to create a completely original style.
William Blake
¥122.54
英国艺术家威廉·布雷克(William Blake,1757-1827)是浪漫主义运动的主要人物,也曾是一位画家、设计师、雕刻家和诗人。他一生致力于诠释他的文学作品,他的文字也随着他雕刻的线条和奇妙的绘画,成为了名副其实的手工绘本。受到圣经和先知预言的感染(《地狱的箴言》,《永远的福音书》和《天堂之门》),布雷克的艺术将他所处的时代及浪漫主义运动的现代感与他所探索的古典主义相结合。
Landscapes
¥122.54
This book does not claim to be a complete history of landscape painting. The length of such a history would considerably exceed the proportions of this volume, but I have nevertheless endeavoured to give some idea of the order in which the different masters appeared, and of the relative importance of each. Having only to speak here of those who excelled, I have tried to show, in some sort of sequence, whence these artists came, the special merit of each, and his influence on the development of art.
Malevich
¥122.54
卡济米尔·谢韦里诺维奇·马列维奇(Kazimir Malevich, 1878-1935)是一位画家和伟大的艺术理论家。但为重要的是,他是至上主义(出现在俄国的纯几何形抽象绘画艺术运动)的奠基人。“至上主义”,马列维奇写道,“让我发现了很多过去不能理解的东西。这都潜伏在人类的潜意识中,是对于空间的迫切愿望,是逃离地球的夙愿。”这本新出版的著作收录了马列维奇*才气的作品。这位创新的艺术家,直到二十七岁时都没有接受过专业的绘画教育,但却出于好奇和好学的愿望来进行绘画创作。Gerry Souter又一次带领我们欣赏才华横溢的艺术家的作品,领略这位艺术家人格的新视点。
Caravaggio
¥122.54
直到二十世纪中期,长期以来备受争议的意大利画家卡拉瓦乔(Caravaggio,1571-1610)才重新被发现。作为现实主义的倡导者,这位反宗教改革的艺术家挑战陈习旧规,回归圣人形象的人性感。这位神秘的画家赋予了圣人纵欲之情,远远超出了通常的圣人崇拜,为模糊的色情打开了一扇门,这也导致了教廷的愤怒。这位影子画家矛盾而强烈地阐释了他堕落的生活方式和放荡的道德准绳。他所创造的明暗处理技巧,在艺术史上留下了血腥的印象。
Fra Angelico
¥122.54
At the beginning of the fifteenth century, the Dominican convent of Fiesole had a lively intellectual atmosphere. The convent was founded in 1406 by the Blessed Giovanni di Dominici Bacchini, (who later became the Archbishop of Ragusa and, in 1419, a cardinal,) in order to reestablish the former discipline and strictness of the Dominican order in the spirit of Saint Dominic. Members of the observant monasteries were expected to consecrate themselves to the saving of souls not only through study, science, and preaching, but also through applied artistic labour. Exiled from Venice, Giovanni arrived in Città di Castello near Arezzo in 1399. From there he was summoned to preach in the cathedral of Florence for Lent. San Lapo Mazzei wrote to a friend after hearing one of Giovanni’s sermons, and summarized his impressions in the following terms, “I was at Santa Liparata (the cathedral) where a Dominican friar was supposed to preach, and where he did indeed preach. I assure you that I have ne
Pollock
¥122.54
Each of the four sections of this book refers to a span of at least ten years. Each subsection, usually covering one year, opens by noting historical events relative at least indirectly to Pollock, or offers some significant backdrop to his life. Events named within that year are not necessarily presented here in strict chronological order. This book should not be relied on for trying to create a strict chronology of details.
Kahlo
¥61.23
在弗里达·卡罗(Frida?Kahlo)的自画像背后,是她一生的故事。也正是因此,读者会被这本画集所深深吸引。弗里达的作品是她生命的记录,很少有艺术家如同弗里达一样,能够让我们从画框之间获得如此多的东西。弗里达·卡罗确实是墨西哥艺术史的礼物。当她年仅十八岁的时候,一场严重的车祸永远地改变了她的生命,她自此以后被残疾和频繁的疼痛所困扰。但是弗里达那火爆的个性、天然的决心和勤奋的工作造就了她的艺术才能。即使是花花公子的伟大画家迭戈·里维拉(Diego Rivera)也深深迷恋着她。弗里达靠自身的魅力、才能和智慧赢得了迭戈·里维拉,她也学会了依靠里维拉的成功来探索世界,从而在一群紧密的友人之中创造了自己独特的风格。她的私生活极其混乱,一方面她常常摆脱与迭戈的关系,另一方面她也深陷双性恋之中。不仅如此,弗里达和迭戈还不断拯救着他们之间分崩离析的关系。弗里达留给我们的故事和绘画作品为我们诠释了一个女人不断发现自我的勇者历程。
Renoir
¥61.23
Pierre-Auguste Renoir was born in Limoges on 25 February 1841. In 1854, the boy’s parents took him from school and found a place for him in the Lévy brothers’ workshop, where he was to learn to paint porcelain. Renoir’s younger brother Edmond had this to say this about the move: “From what he drew in charcoal on the walls, they concluded that he had the ability for an artist’s profession. That was how our parents came to put him to learn the trade of porcelain painter.” One of the Lévys’ workers, Emile Laporte, painted in oils in his spare time. He suggested Renoir makes use of his canvases and paints. This offer resulted in the appearance of the first painting by the future impressionist. In 1862 Renoir passed the examinations and entered the Ecole des Beaux-Arts and, simultaneously, one of the independent studios, where instruction was given by Charles Gleyre, a professor at the Ecole des Beaux-Arts. The second, perhaps even the first, great event of this period in Renoir’s life was
Sculpture
¥61.23
Mega Square Sculpture spans over 23,000 years and over 120 examples of the most beautiful sculptures in the world: from prehistoric art and Egyptian statues to the works of Michelangelo, Henry Moore and Niki de Saint-Phalle. It illuminates the wide variety of materials used and the evolution of styles over centuries, as well as the peculiarities of the most important sculptors.
Ukiyo-E
¥61.23
浮世绘是日本江户时代繁荣时期(1615-1868)兴起的一种独特的民族艺术。浮世绘是这一时代的特色,它是艺术家、雕刻家和印花家共同创作的成果。因为技术进步、创作成本降低,浮世绘的创作展示了人们的日常生活,女人、歌舞伎甚至是相扑手,还有美景也都是浮世绘作品所偏爱的主题。菱川师宣(他享有浮世绘始祖的桂冠)、胜川春章、喜多川歌麿、葛饰北斋,甚至是歌川广重都是这场运动中负盛名的艺术家。1868年,日本明治维新,对西方开放。浮世绘精湛的技艺、细腻的作品、生动的刻画,深深地吸引了西方世界,影响了印象主义的大师,例如梵高,例如克林姆。这就是所谓的“日本主义”时期。冯赛德利茨(Woldemar von Seidlitz)和多拉·阿姆斯登(Dora Amsden)含蓄地强调了这一运动对于整个西方艺术的重大影响。这本书中重要的作品勾勒了女性理想、上帝之位和顺应山水自然之景的重要性,而这些同样成为了对于早期社会的不可多得的见证。
Cézanne
¥61.23
让我们去发现保罗·塞尚(Paul Cezanne)的作品,他对于技巧和形式的探讨定义了绘画的后印象主义运动,也为立体主义的出现搭建了艺术的舞台。他大胆地运用亮丽的色彩,影响了之后好几代艺术家,也让今天的我们感到惊喜和愉悦。这本Mega Square收录了大量这位重要的法国画家的作品——当然,对于任何一位艺术粉丝来说,都是一份至上的礼物。
Gauguin
¥61.23
Mega Square的《高更》邀请读者跟随这位绘画梦想家保罗·高更(Paul Gauguin)的色彩丰富的杰作,从法国到梦幻到充满异域风情的塔希提岛。这本书既收录了这位影响深远的画家的标志性作品,也收录了他一些鲜为人知的杰作,重点强调了高更著名的情色、原始的风格和色彩的灵动。对于高更的粉丝或者是还未发掘高更作品的艺术爱好者来说,这本方便丰富的小册子就是一份*的礼物。
Herbarim
¥61.23
Mega Square版的《植物标本》是基于巴西利厄斯·贝斯莱尔(Basilius Besler)的作品。贝斯莱尔是著名的植物专家,也是历史上描写、绘画和雕刻了上千种植物的人。Mega Square将是一份理想的礼物,在一本精巧实用的小册子里充满了有趣而另类的话题。
In Praise of the Backside
¥61.23
Mega Square In Praise of the Backside celebrates the most sensual part of the female body. The insightful text by Hans-Jürgen Dpp discusses the backside as a feature that stands for both powerful eroticism and supple femininity, seducing famous artists from every genre. This title is sure to entice and delight a wide audience with its lively, provocative images.
Klee
¥61.23
你很难将保罗克利(Paul Klee)归类到某个艺术史上的运动。与瓦西里康定斯基(Wassily Kandinsky)和弗兰茨马尔克(Franz Marc)类似,克利曾是表现主义画家团体蓝骑士(Der Blaue Reiter)的重要成员之一。之后,他又参与到了包豪斯建筑学派之中,甚至在德绍的学校中教授绘画课程。就克利看来,艺术与生产无关,只是为了让事物更加清晰可见。在他的绘画中,克利微妙地融入了二十世纪初的趋势。对于德国的表现主义来说,克利为其注入了立体主义和奥费主义的元素,用超现实主义的忧郁的诗歌来点缀他的作品。 作者带领我们穿越克利世界中的奇迹,画中的每一笔都回响着色彩的力量。
Rubens
¥40.79
鲁本斯,巴洛克绘画繁荣时期伟大的艺术巨匠,从意大利文艺复兴中汲取了所有对其有用的精华,从而建立起了自己的风格。这个来自北方的艺术家希望并且实现了将佛兰德艺术与拉丁艺术融合起来,却不失自己热情四溢的个性与不断探索的想象力以及作为伟大色彩大师的醉人发现。他的风格以对人体形态的绝妙把握和对华丽的明亮色彩极为丰富的运用而著名。对自己理智*自信的鲁本斯像个深受信任的使者带着浮夸的举止旅行于各个国家之间,因此也习惯了宫廷的生活。如果说米开朗基罗是激情澎湃的代表,那么鲁本斯也可以被认作是描绘生活喜悦和生机的高产代表。
Encaustic Art
¥110.28
釉烧画是世界脆弱的艺术形式之一,它自古埃及次用于装饰石棺起便流行于世,在现代随着保罗·克利(Paul Klee)和迭戈·里维拉(Diego Rivera)等艺术家而闻名于世。在这本著作中,Jennifer Margell详实地向读者介绍了这一艺术形式,采访了一些为有名的工艺师,为釉烧画的入门者提供了启发性的基础指南。这是迄今为止丰富的釉烧画出版物之一。
Na?ve Art
¥110.28
Naive art first became popular at the end of the 19th century. Until that time, this form of expression, created by untrained artists and characterised by spontaneity and simplicity, enjoyed little recognition from professional artists and art critics. Influenced by primitive arts, naive painting is distinguished by the fluidity of its lines, vivacity, and joyful colours, as well as by its rather clean-cut, simple shapes. Naive art counts among it artists: Henri Rousseau, Séraphine de Senlis, André Bauchant, and Camille Bombois. This movement has also found adherents abroad, including such prominent artists as Joan Miró, Guido Vedovato, Niko Pirosmani, and Ivan Generalic.

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