Jedi apprentices and little princesses will delight in this (heart)felt retelling of the Star Wars saga. And so will Star Wars fans of any age! The series launches with the original trilogy, and every word counts in these small but perfectly formed yarns. That's because each volume features 12 iconic scenes, handcrafted in felt and pithily summarized in just a single word. The attention to detail is eye-opening; the proportions are just-right for small hands; the fun is guaranteed. In The Empire Strikes Back, Luke meets his teacher Yoda, Han Solo makes a friend, and there is a lightsaber duel with a Sith Lord in the dark. and TM Lucasfilm Ltd. Used Under Authorization

From Pixar Animation Studios, the Academy Awardwinning studio that brought us such blockbusters as Toy Story, Monsters, Inc., and Finding Nemo, comes The Incredibles, a hilarious, action-packed story of a family of superheroes living an underground suburban existence. The sleekly designed settings and characters were conceptualized and developed by writer/director Brad Bird and Pixar's creative team of artists, illustrators, and designers, resulting in a celluloid sensation rich with detail. The Art of The Incredibles celebrates their talent, featuring concept and character sketches, storyboards, and lighting studies, and invites readers into the elaborate creative process of animation through interviews with all the key players at Pixar.

In Walt Disney Animation Studios upcoming film, Frozen, the fearless optimist Anna sets off on an epic journeyteaming up with rugged mountain man Kristoffto find her sister Elsa, whose icy powers have trapped the kingdom of Arendelle in eternal winter. Encountering Everest-like conditions, Anna and Kristoff battle the elements in a race to save the kingdom. The Art of Frozen features concept art from the making of the filmincluding character studies and sculpts, color scripts, storyboards, and morealongside interviews with the film's artists about the making of this comedy-adventure. Disney

John Marston was born to John and Maria Marston nee Guarsi, and baptised on October 7th, 1576 at Wardington, Oxfordshire.Marston entered Brasenose College, Oxford in 1592 and earned his BA in 1594. By 1595, he was in London, living in the Middle Temple. His interests were in poetry and play writing, although his father's will of 1599 hopes that he would not further pursue such vanities.His brief career in literature began with the fashionable genres of erotic epyllion and satire; erotic plays for boy actors to be performed before educated young men and members of the inns of court.In 1598, he published 'The Metamorphosis of Pigmalion's Image and Certaine Satyres', a book of poetry. He also published 'The Scourge of Villanie', in 1598. 'Histriomastix' regarded as his first play was produced 1599. It's performance kicked off an episode in literary history known as the War of the Theatres; a literary feud between Marston, Jonson and Dekker that lasted until 1602.However, the playwrights were later reconciled; Marston wrote a prefatory poem for Jonson's 'Sejanus' in 1605 and dedicated 'The Malcontent' to him. Beyond this episode Marston's career continued to gather both strength, assets and followers. In 1603, he became a shareholder in the Children of Blackfriars company. He wrote and produced two plays with the company. The first was 'The Malcontent' in 1603, his most famous play. His second was 'The Dutch Courtesan', a satire on lust and hypocrisy, in 1604-5.In 1605, he worked with George Chapman and Ben Jonson on 'Eastward Ho', a satire of popular taste and the vain imaginings of wealth to be found in the colony of Virginia.Marston took the theatre world by surprise when he gave up writing plays in 1609 at the age of thirty-three. He sold his shares in the company of Blackfriars. His departure from the literary scene may have been because of further offence he gave to the king. The king suspended performances at Blackfriars and had Marston imprisoned.On 24th September 1609 he was made a deacon and them a priest on 24th December 1609. In October 1616, Marston was assigned the living of Christchurch, Hampshire.He died (accounts vary) on either the 24th or 25th June 1634 in London and was buried in the Middle Temple Church.

For many of us DH Lawrence was a schoolboy hero. Who can forget sniggering in class at the mention of Women In Love or Lady Chatterley's Lover? Lawrence was a talented if nomadic writer whose novels were passionately received, suppressed at times and generally at odds with Establishment values. This of course did not deter him. At his death in 1930 at the young age of 44 he was more often thought of as a pornographer but in the ensuing years he has come to be more rightly regarded as one of the most imaginative writers these shores have produced. As well as his novels and of course his poetry - he wrote in excess of 800 of them he was also a very talented playwright. These works have not been given quite the attention they deserve. Here we publish 'The Widowing of Mrs Holroyd.

The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over. Gilbert's sharp, funny words and Sullivan's deliciously lively and hummable tunes create a world that is distinctly British in view but has the world as its audience. Both men were exceptionally talented and gifted in their own right and wrote much, often with other partners, that still stands the test of time. However, together as a team they created Light or Comic Operas of a standard that have had no rivals equal to their standard, before or since. That's quite an achievement. To be recognised by the critics is one thing but their commercial success was incredible. The profits were astronomical, allowing for the building of their own purpose built theatre - The Savoy Theatre. Beginning with the first of their fourteen collaborations, Thespis in 1871 and travelling through many classics including The Sorcerer (1877), H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1885), The Gondoliers (1889) to their finale in 1896 with The Grand Duke, Gilbert & Sullivan created a legacy that is constantly revived and admired in theatres and other media to this very day.

John Webster is known primarily for his two Jacobean tragedies, The Duchess of Malfi and The White Devil. Much of the detail and chronology of his life that led to these two pivotal works is, however, unknown. His father, a carriage maker also named John Webster, married a blacksmith's daughter, Elizabeth Coates, on November 4th, 1577, and it is likely that Webster was born within a year or two in or near London. The family lived in St. Sepulchre's parish. Both his father and his uncle, Edward Webster, were Freemen of the Merchant Taylors' Company and Webster attended Merchant Taylors' School in Suffolk Lane, London. Some accounts say he began to study law but nothing is certain although there are some legal aspects to his later works to suggest this may have been so. By 1602, Webster was employed working as part of various teams of playwrights on history plays, though unfortunately most were never printed and therefore do not survive. These include a tragedy Caesar's Fall (written with Michael Drayton, Thomas Dekker, Thomas Middleton and Anthony Munday), and a collaboration with Thomas Dekker; Christmas Comes but Once a Year (1602). This factory line assembly of plays may seem rather odd to us today but plays then ran for much shorter durations and consequently a steady supply had to be assured. Webster's relationship with Dekker seems to have been a good one. Together they wrote Sir Thomas Wyatt, printed in 1607, although it is thought first performed in 1602 and two city comedies, Westward Ho! in 1604 and Northward Ho! in 1605. It seems Webster also adapted, in 1604, John Marston's The Malcontent for staging by the King's Men. On March 18th, 1606 Webster married the 17-year-old Sara Peniall at St Mary's Church, Islington. Sara was 7 months pregnant and marrying during Lent required the issuing of a special permit, hence the certainty of the date. Their first child, John, was baptised at the parish of St Dunstan-in-the-West on March 8th, 1606. Records show that on the death of a neighbour, who died in 1617, several bequests were made to the Webster family and it is therefore thought that other children were born to the couple. Despite his ability to write comedy, and to collaborate with others, Webster is remembered best for his sole authorship on two brooding English tragedies based on Italian sources. The White Devil, retells the intrigues involving Vittoria Accoramboni, an Italian woman assassinated at the age of 28. It was performed at the open-air Red Bull Theatre in 1612 but was unsuccessful, perhaps being too high brow for a working-class audience. In 1614 The Duchess of Malfi was first performed by the King's Men, most probably in the indoor Blackfriars Theatre and to a more high-brow audience. It proved to be more successful. The play Guise, based on French history, was also written but him but no text has survived. Webster wrote one more play on his own: The Devil's Law Case (c. 1617-1619), a tragicomedy. He continued to write thereafter but always in collaboration and usually city comedies; Anything for a Quiet Life (c. 1621), with Thomas Middleton, and A Cure for a Cuckold (c. 1624), with William Rowley. In 1624, he also co-wrote a topical play about a recent scandal, Keep the Widow Waking (with John Ford, Rowley and Dekker). The play itself is lost, although its plot is known from a court case. There is also some certainty that he contributed to the tragicomedy The Fair Maid of the Inn with John Fletcher, John Ford, and Phillip Massinger. His Appius and Virginia, was probably written with Thomas Heywood, and is of uncertain date. It is believed, mainly from Thomas Heywood's Hierarchie of the Blessed Angels (licensed 7 November 1634) that speaks of him in the past tense that John Webster had died at some point in that year of 1634.

Publius Terentius Afer is better known to us as the Roman playwright, Terence.Much of his life, especially the early part, is either unknown or has conflicting sources and accounts.His birth date is said to be either 185 BC or a decade earlier: 195 BC. His place of birth is variously listed as in, or, near Carthage, or, in Greek Italy to a woman taken to Carthage as a slave. It is suggested that he lived in the territory of the Libyan tribe that the Romans called Afri, near Carthage, before being brought to Rome as a slave. Probability suggests that it was there, in North Africa, several decades after the destruction of Carthage by the Romans in 146 BC, at the end of the Punic Wars, that Terence spent his early years.One reliable fact is that he was sold to P. Terentius Lucanus, a Roman senator, who had him educated and, impressed by his literary talents, freed him.These writing talents were to ensure his legacy as a playwright down through the millennia. His comedies, partially adapted from Greek plays of the late phases of Attic Comedy, were performed for the first time around 170-160 BC. All six of the plays he has known to have written have survived.Indeed, thanks to his simple conversational Latin, which was both entertaining and direct, Terence's works were heavily used by monasteries and convents during the Middle Ages and The Renaissance. Scribes often learned Latin through the copious copying of Terence's texts. Priests and nuns often learned to speak Latin through re-enactment of Terence's plays. Although his plays often dealt with pagan material, the quality and distinction of his language promoted the copying and preserving of his text by the church. This preservation enabled his work to influence a wide spectrum of later Western drama.When he was 25 (or 35 depending on which year of birth you ascribe too), Terence travelled to Greece but never returned. It has long been assumed that he died at some point during the journey.Of his own family nothing is known, except that he fathered a daughter and left a small but valuable estate just outside Rome.His most famous quotation reads: "e;Homo sum, humani nihil a me alienum puto"e;, or "e;I am human, and I think nothing human is alien to me."e;

Henry Jones was born at Beaulieu, near Drogheda, County Louth, Ireland in 1721. His working life began when he was apprenticed to a bricklayer. Jones, however, was keen to better himself and studied hard in his private time. He fashioned some complimentary verses, addressed to the corporation of Drogheda and together with some lines 'On Mr. Pope's Death', managed to attract the attention of Lord-chief-justice Singleton, who lived at Beaulieu.In 1745 he obtained employment at the parliament house at Dublin. Jones, used the position to promote his literary talents and celebrated the arrival of Lord Chesterfield as lord-lieutenant of Ireland in a poem that was then presented to Chesterfield by Singleton. Chesterfield asked Jones to accompany him on his return to London in 1748. There, he and his friends helped Jones to publish, by subscription, 'Poems on Several Occasions' in 1749, which delivered a handsome profit for the young poet. Jones is though more noted as a dramatist and that, primarily, is due to his tragedy, 'The Earl of Essex' which he completed in 1752. Chesterfield introduced both the play and Jones to Colley Cibber, the Poet Laureate, who then introduced Jones to the manager of Covent Garden Theatre. Cibber would later attempt to secure the laureateship for Jones after his own death.'The Earl of Essex', after being revised by Chesterfield and Cibber, was premiered at Covent Garden on 21st Feb. 1753, and played for seventeen sold-out nights. It was a triumph, and was equally well received in Dublin and then later in the provinces. It brought Jones over GBP500, a large sum even by today's standards. The play was printed soon after its production, and eventually sold through four editions.The success, unfortunately, was to be the ruin of Jones. His drunken habits, indolence, raw manners, and harshly arrogant temper appalled most of his patrons who soon withdrew their support. However, he seemed adept at keeping on good terms with Chesterfield for some years longer, but at length even he gave up on the relationship when Jones borrowed money from his servant. Jones did continue to write and had made progress on a tragedy entitled 'Harold,' and, on that thin security, managed to raise money as an advance from booksellers. He was rather more successful in his revelries with the acting profession. Jones continued to be on friendly terms with many of the leading actors although in his often drunk state he would harangue the more minor actors as 'parrots', but he repaid them with puffs and panegyrics. His charm and ease with a few lines were valuable commodities.Whenever he was an inmate of sponging-houses he contrived to flatter any bailiff's daughter or wife with verses on their beauty or talents, and, in the process, secured himself more comfortable quarters than he perhaps deserved. Henry Jones died in the parish workhouse in April 1770.After his death, Reddish, the actor of Drury Lane, acquired Jones's manuscripts, which included 'Harold' and three acts of an unfinished tragedy, 'The Cave of Idra.' This was completed by Paul Hiffernan, and re-titled 'The Heroine of the Cave,' was produced for Reddish's benefit on 25th March 1774.

Edgar Rice Burroughs was born on September 1, 1875, in Chicago, Illinois. His early career was unremarkable. After failing to enter West Point he enlisted in the 7th Calvary but was discharged after heart problems were diagnosed. A series of short term jobs gave no indication as to a career path but finally, in 1911, married and with two young children, he turned his hand to writing. He aimed his works squarely at the very popular pulp serial magazines. His first effort 'Under The Moons Of Mars' ran in Munsey's Magazine in 1912 under the pseudonym Norman Bean. With its success he began writing full time. A continuing theme of his work was to develop series so that each character had ample opportunities to return in sequels. John Carter was in the Mars series and there was another on Venus and one on Pellucidar among others. But perhaps the best known is Tarzan. Indeed Burroughs wanted so much to capitalise upon the brand that he introduced a syndicated Tarzan comic strip, movies and merchandise. He purchased a large ranch north of Los Angeles, California, which he named "e;Tarzana."e; The surrounding communities outside the ranch voted in 1927 to adopt the name as their own. By 1932 Burroughs set up his own company to print his own books. Here we publish 'The Efficiency Expert' somewhat different to what the title might suggest in the hands of an ordinary writer but in the hands of Edgar Rice Burroughs the title is just the beginning.....

Edgar Rice Burroughs was born on September 1, 1875, in Chicago, Illinois. His early career was unremarkable. After failing to enter West Point he enlisted in the 7th Calvary but was discharged after heart problems were diagnosed. A series of short term jobs gave no indication as to a career path but finally, in 1911, married and with two young children, he turned his hand to writing. He aimed his works squarely at the very popular pulp serial magazines. His first effort 'Under The Moons Of Mars' ran in Munsey's Magazine in 1912 under the pseudonym Norman Bean. With its success he began writing full time. A continuing theme of his work was to develop series so that each character had ample opportunities to return in sequels. John Carter was in the Mars series and there was another on Venus and one on Pellucidar among others. But perhaps the best known is Tarzan. Indeed Burroughs wanted so much to capitalise upon the brand that he introduced a syndicated Tarzan comic strip, movies and merchandise. He purchased a large ranch north of Los Angeles, California, which he named "e;Tarzana."e; The surrounding communities outside the ranch voted in 1927 to adopt the name as their own. By 1932 Burroughs set up his own company to print his own books. Here we publish 'The Girl From Hollywood' a gentle title that in the hands of an ordinary writer might be just so but in the hands of Edgar Rice Burroughs the title is just the beginning.....

John Webster is known primarily for his two Jacobean tragedies, The Duchess of Malfi and The White Devil. Much of the detail and chronology of his life that led to these two pivotal works is, however, unknown. His father, a carriage maker also named John Webster, married a blacksmith's daughter, Elizabeth Coates, on November 4th, 1577, and it is likely that Webster was born within a year or two in or near London. The family lived in St. Sepulchre's parish. Both his father and his uncle, Edward Webster, were Freemen of the Merchant Taylors' Company and Webster attended Merchant Taylors' School in Suffolk Lane, London. Some accounts say he began to study law but nothing is certain although there are some legal aspects to his later works to suggest this may have been so. By 1602, Webster was employed working as part of various teams of playwrights on history plays, though unfortunately most were never printed and therefore do not survive. These include a tragedy Caesar's Fall (written with Michael Drayton, Thomas Dekker, Thomas Middleton and Anthony Munday), and a collaboration with Thomas Dekker; Christmas Comes but Once a Year (1602). This factory line assembly of plays may seem rather odd to us today but plays then ran for much shorter durations and consequently a steady supply had to be assured. Webster's relationship with Dekker seems to have been a good one. Together they wrote Sir Thomas Wyatt, printed in 1607, although it is thought first performed in 1602 and two city comedies, Westward Ho! in 1604 and Northward Ho! in 1605. It seems Webster also adapted, in 1604, John Marston's The Malcontent for staging by the King's Men. On March 18th, 1606 Webster married the 17-year-old Sara Peniall at St Mary's Church, Islington. Sara was 7 months pregnant and marrying during Lent required the issuing of a special permit, hence the certainty of the date. Their first child, John, was baptised at the parish of St Dunstan-in-the-West on March 8th, 1606. Records show that on the death of a neighbour, who died in 1617, several bequests were made to the Webster family and it is therefore thought that other children were born to the couple. Despite his ability to write comedy, and to collaborate with others, Webster is remembered best for his sole authorship on two brooding English tragedies based on Italian sources. The White Devil, retells the intrigues involving Vittoria Accoramboni, an Italian woman assassinated at the age of 28. It was performed at the open-air Red Bull Theatre in 1612 but was unsuccessful, perhaps being too high brow for a working-class audience. In 1614 The Duchess of Malfi was first performed by the King's Men, most probably in the indoor Blackfriars Theatre and to a more high-brow audience. It proved to be more successful. The play Guise, based on French history, was also written but him but no text has survived. Webster wrote one more play on his own: The Devil's Law Case (c. 1617-1619), a tragicomedy. He continued to write thereafter but always in collaboration and usually city comedies; Anything for a Quiet Life (c. 1621), with Thomas Middleton, and A Cure for a Cuckold (c. 1624), with William Rowley. In 1624, he also co-wrote a topical play about a recent scandal, Keep the Widow Waking (with John Ford, Rowley and Dekker). The play itself is lost, although its plot is known from a court case. There is also some certainty that he contributed to the tragicomedy The Fair Maid of the Inn with John Fletcher, John Ford, and Phillip Massinger. His Appius and Virginia, was probably written with Thomas Heywood, and is of uncertain date. It is believed, mainly from Thomas Heywood's Hierarchie of the Blessed Angels (licensed 7 November 1634) that speaks of him in the past tense that John Webster had died at some point in that year of 1634.

Samuel Butler was born on 4th December 1835 at the village rectory in Langar, Nottinghamshire.His relationship with his parents, especially his father, was largely antagonistic. His education began at home and included frequent beatings, as was all too common at the time.Under his parents' influence, he was set to follow his father into the priesthood. He was schooled at Shrewsbury and then St John's College, Cambridge, where he obtained a first in Classics in 1858.After Cambridge he went to live in a low-income parish in London 1858-59 as preparation for his ordination into the Anglican clergy; there he discovered that baptism made no apparent difference to the morals and behaviour of his new peers. He began to question his faith. Correspondence with his father about the issue failed to set his mind at peace, inciting instead his father's wrath.As a result, the young Butler emigrated in September 1859 to New Zealand. He was determined to change his life.He wrote of his arrival and life as a sheep farmer on Mesopotamia Station in 'A First Year in Canterbury Settlement' (1863). After a few years he sold his farm and made a handsome profit. But the chief achievement of these years were the drafts and source material for much of his masterpiece 'Erewhon'.Butler returned to England in 1864, settling in rooms in Clifford's Inn, near Fleet Street, where he would live for the rest of his life.In 1872, he published his Utopian novel 'Erewhon' which made him a well-known figure.He wrote a number of other books, including a moderately successful sequel, 'Erewhon Revisited' before his masterpiece and semi-autobiographical novel 'The Way of All Flesh' appeared after his death. Butler thought its tone of satirical attack on Victorian morality too contentious to publish during his life time and thereby shied away from further potential problems.Samuel Butler died aged 66 on 18th June 1902 at a nursing home in St John's Wood Road, London. He was cremated at Woking Crematorium, and accounts say his ashes were either dispersed or buried in an unmarked grave.

Upton Sinclair (1878-1968) was a prolific American novelist and a political activist. Apart from his bestselling novels, which told in black and white, illuminated the realities of the United States at the turn of the twentieth century, he is remembered today for championing socialist causes that were naturally unpopular in conservative America. In classics like 'The Jungle' his work had considerable effects on American politics and legislation. Sinclair's socialist ideals and dreams found their way to his fiction as he believed that no art can be practiced for art's sake as long as humanity still suffers from persistent dangers and evils. Such orientations have often subjected Sinclair to harsh criticism and even to demonization from numerous critics and politicians of his time, the most distinguished among which was probably President Theodore Roosevelt. However his legacy is that of a successful and established novelist and activist who if not always righting the balance was able to bring an incisive mind and mass exposure to many areas and industries.

John Edward Masefield was born in 1878 in the sleepy market town of Ledbury in rural Hertfordshire. An idyllic childhood was ruined when he was left an orphan and sent to live with an Aunt who decided his education and life would be better spent at sea. At age 13 he boarded a school ship and there his love of writing and reading blossomed. By 1899 he began to publish and apart from brief service during World War I he now had a life of writing and lecture tours. He published much; novels, poetry and even an account of the disastrous war effort in the Dardanelles at Gallipoli. Upon the death of Robert Bridges in 1930, Masefield was given the prestigious position of Poet Laureate, a role he would fulfill until his death; the only poet to hold the position for a longer period was Alfred, Lord Tennyson. Despite later ill health and the death of his wife in 1960, Masefield continued to write. In 1966, he published his last book of poems, In Glad Thanksgiving, at the age of 88. In the latter part of 1966 gangrene was diagnosed in his ankle. This gradually spread through his leg and claimed his life on May 12, 1967. He was cremated and his ashes placed in the Poet's Corner of Westminster Abbey. Here we present The Tragedy Of Pompey The Great.

William Somerset Maugham was born on 25 January 1874 and was to become a playwright and novelist of staggering talent. Losing both his parents at age 10, he was raised by a paternal uncle. Maugham eventually trained and qualified as a doctor. The initial print run of his first novel, Liza of Lambeth, published in 1897, sold out so rapidly that Maugham gave up medicine to write full-time. His life was certainly full, as the short biography at the end of this book will attest to, but it is also a life full of marvellous works and dedication to his art. Here we publish The Circle.

John Griffith "e;Jack"e; London was born John Griffith Chaney on January 12th, 1876 in San Francisco. His father, William Chaney, was living with his mother Flora Wellman when she became pregnant. Chaney insisted she have an abortion. Flora's response was to turn a gun on herself. Although her wounds were not severe the trauma made her temporarily deranged. In late 1876 his mother married John London and the young child was brought to live with them as they moved around the Bay area, eventually settling in Oakland where Jack completed grade school. Jack also worked hard at several jobs, sometimes 12-18 hours a day, but his dream was university. He was lent money for that and after intense studying enrolled in the summer of 1896 at the University of California in Berkeley. In 1897, at 21 , Jack searched out newspaper accounts of his mother's suicide attempt and the name of his biological father. He wrote to William Chaney, then living in Chicago. Chaney said he could not be London's father because he was impotent; and casually asserted that London's mother had relations with other men. Jack, devastated by the response, quit Berkeley and went to the Klondike. Though equally because of his continuing dire finances Jack might have taken that as the excuse he needed to leave. In the Klondike Jack began to gather material for his writing but also accumulated many health problems, including scurvy, hip and leg problems many of which he then carried for life. By the late 1890's Jack was regularly publishing short stories and by the turn of the century full blown novels. By 1904 Jack had married, fathered two children and was now in the process of divorcing. A stint as a reporter on the Russo-Japanese war of 1904 was equal amounts trouble and experience. But that experience was always put to good use in a remarkable output of work. Twelve years later Jack had amassed a wealth of writings many of which remain world classics. He had a reputation as a social activist and a tireless friend of the workers. And yet on November 22nd 1916 Jack London died in a cottage on his ranch at the age of only 40. Here we present Theft.

schylus is often regarded as the father of Greek tragedy; he moved play writing from the simple interaction of a single character and a chorus to one where many characters interact and thereby create more dynamic and dramatic situations. schylus, was the son of Euphorion, and a scion of a Eupatrid or noble family. He was born at Eleusis 525 B.C., or, as the Greeks calculated time, in the fourth year of the 63rd Olympiad. He first worked at a vineyard and whilst there claimed to have been visited by Dionysis in a dream and told to turn his attention to the tragic art. It was a dream that would deliver a rich and incredible legacy through his writing talents. His earliest tragedy, composed when he was twenty-six years of age, failed to win the fabled Dionysia, (a revered festival of theatre) and it was not until fifteen years later that he gained this victory in 484BC going on to win it again in 472 BC (for The Persians), 467 BC (for Seven Against Thebes) and 463 BC (for The Suppliants). schylus was also known for his military skills and was ready to fight in defence of Athens whenever the call was made. He and his brother, Cynegeirus, fought against Darius's invading Persian army at the Battle of Marathon in 490 BCE and, although the Greeks won against overwhelming odds, Cynegeirus died in the battle, which had a naturally had a profound effect on schylus. He made several visits to the important Greek city of Syracuse in Sicily at the invitation of the tyrant Hieron, and it is thought that he also travelled extensively in the region of Thrace. His writing continued to be the envy of others. With the series of plays of which Seven Against Thebes was a part, his supremacy was undisputed. He was the "e;father of tragedy."e; schylus made many changes to dramatic form. The importance of the chorus was demoted and a second added to give prominence to the dialogue and making that interchange the leading feature of the play. He removed all deeds of bloodshed from the public view, and in their place provided various spectacular elements, improving the costumes, making the masks more expressive and convenient, and probably adopting the cothurnus to increase the stature of the performers. Finally, he established the custom of contending for the prize with trilogies, an inter-connecting set of three independent dramas. The closing years of the life of schylus were mainly spent in Sicily, which he had first visited soon after his defeat at the Dionysia by Sophocles. schylus returned to Athens to produce his Orestean trilogy, probably the finest of his works, although the Eumenides, the last of the three plays, revealed so openly his aristocratic tendencies that he became extremely unpopular, and returned to Sicily for the last time in 458 BCE and it was there that he died, while visiting the city of Gela in 456 or 455 BCE.

William Butler Yeats (1865 - 1939) is best described as Ireland's national poet in addition to being one of the major twentieth-century literary figures of the English tongue. To many literary critics, Yeats represents the 'Romantic poet of modernism,' which is quite revealing about his extraordinary style that combines between the outward emphasis on the expression of emotions and the extensive use of symbolism, imagery and allusions. Yeats also wrote prose and drama and established himself as the spokesman of the Irish cause. His fame was greatly boosted mainly after he received the Nobel Prize in Literature in 1923. His life was marked by his many love stories, by his great interest in oriental mysticism and occultism as well as by political engagement since he served as an Irish senator for two terms. Today, although William Butler Yeats's contribution to literary modernism and to Irish nationalism remains incontestable. Here we publish a collection of his short plays that stand as testament to his talents. Including; On Baile's Strand, The Land Of Heart's Desire and The Hour Glass

Susan Keating Glaspell was born on July 1st, 1876 in Davenport.Glaspell, a precocious child was an active student at Davenport High School where she took an advanced course of study. By age eighteen she was earning a regular salary at the local newspaper as a journalist, and by twenty she was the author of a weekly 'Society' column.At twenty-one Glaspell enrolled at Drake University. A philosophy major, she also excelled in debate competitions, and represented Drake at the state tournament in her senior year.The day after her graduation, Glaspell again worked as a reporter, still a rare position for a woman. She was assigned to cover the state legislature and murder cases.At twenty-four, after covering the conviction of a woman accused of murdering her abusive husband, Glaspell abruptly resigned and moved back to Davenport, and with it, a hoped for career writing fiction.Her stories were published by many periodicals, including Harper's and Munsey's.Moving to Chicago she wrote her first novel, The Glory of the Conquered, in 1909. It was a best-seller.As was Glaspell's second novel, The Visioning, published in 1911 and her third, Fidelity in 1915. Each novel also received glowing reviews.With her husband Glaspell founded the Provincetown Playhouse devoted to plays that were more able to reflect contemporary American issues. Her first play, Trifles (1916), was based on the murder trial she covered as a young reporter in Des Moines. She wrote twelve groundbreaking plays over seven years for the company. By 1918 Glaspell was considered one of America's most significant new playwrights.However, the impact and critical success of Glaspell's theatre work did not unfortunately make financial sense. Therefore she continued to submit short stories in order to support her and her husband during their years with the theater.In 1931 she wrote the excellent play, Alison's House, for which she received the Pulitzer Prize.In 1936 Glaspell moved to Chicago as the Midwest Bureau Director of the Federal Theater Project. When that finished she returned to Cape Cod using the Mid-West experience in her last three novels which were increasingly focused on the region, on family life, and on theistic questions; The Morning is Near Us (1939), Norma Ashe (1942), and Judd Rankin's Daughter (1945).Susan Keating Glaspell died of viral pneumonia in Provincetown on July 28, 1948.

John Galsworthy first published in 1897 with a collection of short stories entitled "e;The Four Winds"e;. For the next 7 years he published these and all works under his pen name John Sinjohn. It was only upon the death of his father and the publication of "e;The Island Pharisees"e; in 1904 that he published as John Galsworthy. His first play was The Silver Box, an immediate success when it debuted in 1906 and was followed by "e;The Man of Property"e; later that same year and was the first in the Forsyte trilogy. Whilst today he is far more well know as a Nobel Prize winning novelist then he was considered a playwright dealing with social issues and the class system. We publish here 'Justice' a great example of both his writing and his demonstration of how the class system worked at the time. He was appointed to the Order of Merit in 1929, after earlier turning down a knighthood, and awarded the Nobel Prize in 1932 though he was too ill to attend. John Galsworthy died from a brain tumour at his London home, Grove Lodge, Hampstead on January 31st 1933. In accordance with his will he was cremated at Woking with his ashes then being scattered over the South Downs from an aeroplane.