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Locuri. Oameni. Pove?ti
￥40.79
Un aspect atractiv al prezentei ediii st n capacitatea sa de a fi o lectur plcut i practic, rmnnd n acelai timp un document tiinific util deopotriv cercettorilor i publicului general. Pentru specialiti, cartea de fa poate reprezenta o schimbare agreabil de ritm (de la materialele de studiu obinuite), care, totui, nu face rabat seriozitii tiinifice. De asemenea, att pentru cercettori ct i pentru publicul larg, cartea aceasta poate fi considerat o modalitate de a demonstra c, printr-o prezentare adecvat, ceea ce pare a fi doar un text tiinific fad se poate dovedi a fi, n realitate, un text plin de via, folositor i relevant pentru toata lumea.“ – Robert B. Cialdini
Fifty Famous Stories Retold
￥23.54
THERE are numerous time-honored stories which have become so incorporated into the literature and thought of our race that a knowledge of them is an indispensable part of one's education. These stories are of several different classes. To one class belong the popular fairy tales which have delighted untold generations of children, and will continue to delight them to the end of time. To another class belong the limited number of fables that have come down to us through many channels frorn hoar antiquity. To a third belong the charming stories of olden times that are derived from the literatures of ancient peoples, such as the Greeks and the Hebrews. A fourth class includes the half-legendary tales of a distinctly later origin, which have for their subjects certain romantic episodes in the lives of well-known heroes and famous men, or in the history of a people.??It is to this last class that most of the fifty stories contained in the present volume belong. As a matter of course, some of these stories are better known, and therefore more famous, than others. Some have a slight historical value; some are useful as giving point to certain great moral truths; others are products solely of the fancy, and are intended only to amuse. Some are derived from very ancient sources, and are current in the literature of many lands; some have come to us through the ballads and folk tales of the English people.
101 poeme
￥24.44
Prin u?ile l?sate vrai?teDe cei ce nu se mai ?ntorcPrin pere?ii pe care i?i zg?riar?ViseleD? buzna glasul mul?imiiCare se zbateDeja prins? ?ntre fireleIscusitei urzeli a paianjenilorPoliticiThrough the wide-open doorsBy those who never returnThrough the walls on which they’d scratchedTheir dreamsThe voice barges through from a crowdWhich is strugglingAlreadz trappedIn the skillfullz/woven webOf the spiders of politics
Old Time Tales: "Forty Stories from Old History"
￥23.54
THE author of this work makes no pretense of originality in the telling of these stories of olden times. They have been gleaned from many sources, and are the common heritage of all who love to write them anew and hear them again. Only the words belong to the story teller; the story itself is as old as the race.??In the lapse of years and with the much telling of these stories there is no longer a line between fact and fiction. How much is true and how much is false does not matter; the story itself is the thing, and one need not worry whether it really happened or not. Much of it is palpable fiction, but much of it is true. Let us not be too critical of a story when it is a few hundred years old.??At any rate, the stories herein contained are a part of the great inheritance that the boys and girls of this day have received from the past, and to which they are entitled in all fullness and freedom. If the reading of them shall add anything to the enjoyment or to the information of those who are always young in heart because they always thrill at romance and adventure, the writer of these old time tales will be amply repaid.?LAWTON B. EVANS??1. JEROME AND THE LION?2. THE SAINT WHO STOOD ON A PILLAR?3. THE SCOURGE OF GOD?4. THE VANDAL HORDE?5. KING CLOVIS BECOMES A CHRISTIAN?6. A CAMEL DRIVER BECOMES A PROPHET?7. WHAT IT MEANT TO BE A KNIGHT?8. BERTHA WITH THE BIG FOOT?9. STORIES OF CHARLEMAGNE?10. CHARLEMAGNE AND THE MAGIC RING?11. CHARLEMAGNE AND THE ROBBER?12. ROLAND BECOMES A KNIGHT?13. THE DEATH OF ROLAND?14. HOW NORMANDY CAME BY ITS NAME?15. OLAF, THE BOY VIKING OF NORWAY?16. THE CID WINS HIS NAME?17. THE LAST DAYS OF THE CID?18. THE LORELEI?19. THE MOUSE TOWER?20. THE DEVIL'S LADDER?21. GERDA'S RIDE TO HER WEDDING?22. PETER THE HERMIT?23. THE WIVES OF WEINSBERG?24. THE MEETING OF KING RICHARD AND SALADIN?25. ADVENTURES OF RICHARD, THE LION HEART?26. THE PRINCE OF TRAVELERS?27. WILLIAM TELL, THE SWISS PATRIOT?28. EDWARD, THE BLACK PRINCE?29. BIG FERRE KEEPS THE FORT?30. THE LEGEND OF THE STRASSBURG CLOCK?31. THE BURGHERS OF GHENT REFUSE TO BE HANGED?32. THE SACRIFICE OF ARNOLD WINKELRIED?33. THE STORY OF JOAN OF ARC?34. BAYARD, THE KNIGHT WITHOUT FEAR AND WITHOUT REPROACH?35. THE FIELD OF THE CLOTH OF GOLD?36. DMITRI, THE PRETENDER?37. THE MAN WITH THE IRON MASK?38. STORIES OF PETER THE GREAT?39. MAZEPPA, THE CHIEF OF THE COSSACKS?40. THE CRIME OF CHARLOTTE CORDAY
The Wonder-Book of Horses
￥28.29
SINCE the publication of my larger book, "The Horse Fair," many letters have been received from teachers and their scholars telling of the pleasure derived from the reading of it, and incidentally suggesting that much of its contents is directly in line with the courses of literary instruction pursued in our elementary schools. This suggestion has led me to col-lect certain of the stories into a smaller volume especially adapted for use as a school reading-book.? The eighteen stories in this volume have been chosen with a thought to their educative value as well as for the intrinsic charm of the original narratives, which in various forms have delighted many generations of readers. All have a literary interest connecting them with subjects with which every educated person is supposed to be familiar. In the first four, you will be introduced to the sun myths and season myths of the Greeks and of our Norse ancestors. Following these, the tale of song-inspiring Pegasus is presented in contrast with that of Griffen, the base imitation invented by the romancing poets of the Middle Ages. ? Then in "The Ship of the Plains," you may read of the mythical founding of Athens; and in the sketch that follows, you may enjoy a brief glimpse of Arabic imagery in the story of one of the most interesting episodes in the life of the prophet Mohammed. The story of the twin brethren will acquaint you with the thought of some of the old Latin writers, while the tale of Rakush will give you a taste of Persian literature as it is found in the great epic written by Firdusi. The romances of Charlemagne and his peers are represented by the story of Broiefort and his indomitable master; and the world-famous Don Quixote is introduced by his sorry but scarcely less famous steed, Rozinante.
A visszakapott élet
￥57.31
Ninge ?n martieNinge ?ntr-un hornDin care iese fumNinge tot mai densCople?itor?i ?ntoarce fumul din drum?l preseaz? ?n horn ca-ntr-un teasc?l ?ndeas? la loc ?n c?rbuniAstup? flac?raRea?az? focul ?nMiezul ?nsu?i al P?m?ntului.
A Hellinger- Madonna
￥57.31
Scrum este cel de-al doilea roman al lui Augustin Nacu ?i reprezint? istoria unei evad?ri e?uate, un joc periculos, dar ?i frumos, disperat de frumos al unui grup de prieteni, mai ?nt?i, elevi, apoi, studen?i, din Uniunea Sovietic?, afla?i ?ntr-o goan? perpetu? dup? visul lor. Cu mici excep?ii, ac?iunea se desf??oar? la Chi?in?u, capitala Republicii Sovietice Socialiste Moldovene?ti, la ?nceputul anilor optzeci ai secolului XX, constituind sf?r?itul a?a-zisei epoci de stagnare a lui Brejnev ?i acel intermezzo dinaintea perestroik?i lui Gorbaciov, av?nd mai multe ie?iri ?ntr-un viitor nu doar imaginar pentru tot at?tea ?ntoarceri ?ntr-un trecut teribil de real, chiar ?i ?n unul mai ?ndep?rtat, cel de la mijlocul secolului men?ionat, o perioad? dramatic? pentru Basarabia ?i oamenii ei, bunici ?i p?rin?i, a c?ror remanent? disperare s-a transmis printr-o ?memorie a genelor“ copiilor ?i nepo?ilor, aliment?ndu-le mereu acestora din urm? dorin?a nest?vilit? de libertate, din care s-a iscat acel vis ?i, implicit, acel joc al lor...
Ruptura
￥40.79
Referindu-se la Pesc?ru?ul ?ntr-o scrisoare din octombrie 1895, Cehov nota, ?ntre altele: ?Scriu o pies? pe care probabil nu o voi termina p?n? la sf?r?itul lui noiembrie. O scriu nu f?r? pl?cere, de?i m? tem de conven?iile scenei. E o comedie, exist? trei roluri pentru femei, ?ase pentru b?rba?i, patru acte, peisaje (priveli?tea unui lac), o mul?ime de conversa?ii despre literatur?, pu?in? ac?iune, mult? iubire“. Premiera s-a dovedit dezastruoas?, editorul s?u aduc?ndu-i acuze ca, pild?, la?itatea evident?, caracterul din cale afar? de feminin. Con?tient de geniul s?u, Cehov riposteaz?: ?De ce aceast? calomnie? Dup? reprezenta?ie am luat cina la Romanovi. Pe cuv?ntul meu de onoare. Apoi m-am dus la culcare, am dormit s?n?tos ?i a doua zi am mers acas? f?r? a suspina vreo nemul?umire. Dac? a? fi fost un la?, a? fi alergat de la un editor la altul ?i de la un actor la altul, i-a? fi implorat s? fie ?ng?duitori ?i a? fi petrecut dou? trei s?pt?m?ni ?n Petersburg, agit?ndu-m? cu Pesc?ru?ul meu, cu emo?ie, cu o transpira?ie rece ?n lamenta?ii. Am ac?ionat at?t de rece ?i de responsabil precum un om care a f?cut o ofert? ?i apoi a fost ?nt?mpinat cu un refuz ?i nu mai are nimic altceva de f?cut dec?t s? plece. ?ntr-adev?r, vanitatea mea a fost n?ucit?, dar ?ti?i, nu a fost o lovitur? din senin. A?teptam un e?ec ?i m? preg?tisem pentru el precum te-am prevenit cu o absolut? sinceritate“.
The Magic City: (Illustrated)
￥18.80
Philip Haldane and his sister lived in a little red-roofed house in a little redroofed town. They had a little garden and a little balcony, and a little stable with a little pony in it—and a little cart for the pony to draw; a little canary hung in a little cage in the little bow-window, and the neat little servant kept everything as bright and clean as a little new pin. Philip had no one but his sister, and she had no one but Philip. Their parents were dead, and Helen, who was twenty years older than Philip and was really his half-sister, was all the mother he had ever known. And he had never envied other boys their mothers, because Helen was so kind and clever and dear. She gave up almost all her time to him; she taught him all the lessons he learned; she played with him, inventing the most wonderful new games and adventures. ABOUT AUTHOR: Edith Nesbit (married name Edith Bland; 1858 – 1924) was an English author and poet; she published her books for children under the name of E. Nesbit. She wrote or collaborated on over 60 books of fiction for children, several of which have been adapted for film and television. She was also a political activist and co-founded the Fabian Society, a socialist organisation later connected to the Labour Party.
The Man Without a Country: (Illustrated)
￥12.18
"The Man Without a Country" first appeared in the Atlantic Monthlyfor December, 1863. It was the author's wish that it be published anonymously, in the hope that it might be ascribed to some officer of the Navy; but unfortunately, the man who compiled the year's index for the magazine, which was mailed with the December number, recognized Dr. Hale's handwriting, and gave him credit for it in the index. The story was written during the darkest period of the Civil War, and this war is perhaps the gloomiest period in the history of our great republic in the history of our great Republic; it was written at a time when one-half of the people in the United States were burning with patriotism, and were ready to lay down their lives to preserve the Union, while the other half were striving to disrupt what to them was merely a confederation of States, in no wise binding, and were damning the United States, even as did Philip Nolan; at at time when the President was bending low under the weight of sorrow for the loss of thousands of noble men who were falling in battle, and was enduring in pitiful silence the villification that was heaped upon him by the "copper-head" opposition; at a time when patriotism was preached in the pulpit, sung by our poets, and exhaled with every breath. The story launched in such an atmosphere, met with immediate favor. It was reprinted everywhere without regard for copyright, and was translated into several foreign languages. It was accepted by many as a narrative of actual facts, and provoked many discussions as to whether Philip Nolan was a real person; some even went so far as to identify him.
Japi?a
￥32.62
Prin volumul Istorie ?i sacralitate, Const. Miu ne poart? prin lumea cuv?ntului spus ori scris, de la ?nceputuri ?i p?n? ?n prezent. Autorul, ?n acest volum, atrage aten?ia, al?turi de al?i autori dedica?i adev?rului, pe care domnia sa ?i citeaz?, c? lingvi?tii no?tri din motive de ne?n?eles au l?sat a se ?n?elege c? limba rom?n? ar fi una de ?mprumut. Nu putem ?ti ce anume i-a determinat pe ace?tia s? conchid? ?n privin?a unor cuvinte din dic?ionarul limbii rom?ne c? ar avea r?d?cini turcice, slave ori din limba latin?. Se pare c? au uitat c? aceast? limb? este vorbit? pe ?ntreg arealul ??rii, spre deosebire de limba italian?, ce are mai multe dialecte ?i idiomuri care difer? de la o provincie la alta.
Idolii pe?terii
￥24.44
Aceste povestiri au fost scrise ?n perioada 2010?2014 ?i publicate, ?n parte, ?n periodice. Le?am numit parabole, av?nd o anumit? inten?ionalitate, ?i am aplicat ?n realizarea lor aceea?i structur? (cvadripartit?) ?i acela?i registru can?titativ (aproximativ o mie de cuvinte).Pe cele din C?l?uzitorul de suflete (cea dint?i sec?iune) le consider europene, ac?iunea lor petrec?ndu?se ?n loca?ii diferite de pe b?tr?nul continent ?i majoritatea ideilor pe care se bazeaz? n?sc?ndu?se ?n timpul unor peregrin?ri (iubirile, c?r?ile, muzica ?i c?l?toriile sunt, dup? umila?mi p?rere, cele mai frumoase lucruri care ni se pot ?nt?mpla ?ntr?o via??). Cu excep?ia primei ?i a ultimei lucr?ri care schi?eaz? un posibil cadru, ordinea povestirilor este alfabetic?. De?i g?ndite ca fantastice, ele au ?i o dimensiune experien?ial?, ?n acela?i timp put?nd fi citite ?i ca poeme ?n proz?: ale ora??elor prin care am trecut, ale oamenilor pe care i?am cunos?cut ?i, desigur, ale sufletului meu, undeva, ?n str?fundurile mele consider?ndu?m?, ca mul?i semeni de?ai mei, oarecum poet… (Ladislau Daradici)
Labirintul haosului meu
￥32.62
Ca orice construc?ie solid?, ?i un sistem de g?ndire se pl?smuie?te pe structura unor con?cepte fundamentale cu func?ii vitaminizante pentru ?ntreaga desf??urare a g?ndului ?i pen?tru ?nchegarea lui ?ntr?o viziune articulat? ?i complex?, marcat? de cele dou? condi?ii indis?pensabile unui sistem: completitudinea ?i non?contradic?ia. ?i mai preciz?m, chiar cu riscul suspiciunii de banal, c? un sistem de g?ndire articulat nu las? ?i nu trebuie s? lase r?m??i?e sau componente necuprinse ?n ansamblu. C?ci un sistem incomplet, cu resturi sau componen?te r?mase ?n afara ?ntregului ??i pierde carac?teristica de sistem. S? preciz?m totu?i c? vorbim despre sis?tem ?ntr?un loc unde, nu doar c? lipse?te, dar a ?i fost repudiat cu o insisten?? repetat? ?i ?n?d?rjit?. Nu spun c? furia lui Cioran ?mpotriva ideii de sistem filosofic nu??i are ra?iunile ei, spun doar c? chiar acolo unde este t?g?duit?, o anumit? viziune de ansamblu asupra lumii este totu?i implicit?. Nu se poate vorbi despre parte, despre fragment f?r? s? se aib? ?n vede?re imaginea totului ?i felul cum o diviziune este a?ezat? ?n p?ntecul exist?rii. Ionel Necula
![Through Russia: [Illustrated Edition]](https://platform-permanent.ddimg.cn/pt-media-info-soa-resource/digital/product/54/33/1901165433_ii_cover.jpg?version=6fb6256e-5286-4d5c-903c-15c8cde63451)
Through Russia: [Illustrated Edition]
￥23.14
This Book, is a collection of short stories about Russia. Book contains many collections of short stories by the popular and influential Russian author, a founder of the socialist realism literary method and arguably the greatest Russian literary figure of the 20th century. Maxim Gorky also wrote about stories, plays, memoirs and novels which touched the imagination of the Russian people, and was the first Russian author to write sympathetically of such characters as tramps and thieves, emphasizing their daily struggles against overwhelming odds..Some Other Books Maxim Gorky: Mother (1907) Creatures That Once Were Men (1918) Twenty-six and One and Other Stories (1902) The Man Who Was Afraid (1901)
Cioran
￥65.17
Surse oficiale precizeaz?: Metroul-2 este un obiectiv guvernamental, care prezint? interes din punctul de vedere al leg?turilor subterane ?i, ?n caz de necesitate, poate fi folosit at?t ca sistem sigur de comunica?ii, c?t ?i ca mijloc de transport. Dac?, p?n? ?n prezent, n-au existat motive s? fie ascunse aceste informa?ii, atunci, de ce nu se spune dac? Metroul-2 este depozit secret pentru rezervele de aur ale Rusiei sau tunel care duce la cele mai mari z?c?minte de bog??ii minerale sau drumul folosit de Stalin ca s? mearg? la ?nt?lnirile cu Buharin? Ce s-a petrecut ?i ce se petrece acolo? Mai ?nt?i, de ce au fost ?mpu?ca?i constructorii Metroului-2? De ce au disp?rut at??ia oameni ?i de unde a ap?rut plutoniul pentru armament sub p?m?nt? Cine folose?te ?n prezent bunc?rul de sub Kremlin? De ce se ascund cu grij? informa?iile despre acesta, despre bunc?rul secret a lui Stalin ?i despre ?nmorm?nt?rile ?n mas? din subteranele metroului? Sau despre legendara bibliotec? a lui Ivan cel Groaznic, precum ?i despre cauzele pr?bu?irii parcului acvatic din Moscova? Despre toate acestea ?i despre multe altele v? va povesti un ziarist care a cutreierat ?mpreun? cu diggerii tunelurile subterane ?i s-a ini?iat ?n tainele sumbre ale metrourilor din Piter ?i Moscova.
Puntea artelor
￥102.19
Are 4 roi care se nvrt, dou sau trei pedale aflate n dreptul picioarelor, un schimbtor de viteze care se folosete cu mna i un volan. Ce este aa greu“ Asta dac suntem att de ignorani, nct nici soarele nu-l vedem. Sau suntem att de ncuiai la minte, nct nu ne-ar sensibiliza nici mcar o piatr aruncat ntre ochi. Sau suntem aa de arogani i plini de noi, nct i la coada de la pine sau n mijlocul pdurii trebuie s artm noi cum st treaba“. Dac ni se pare att de simplu ca numrarea pe degete pn la zece, atunci de ce suntem att de penibili n calitate de oferi
Cum s? le spun... Process Communication...
￥65.32
Când un cuplu vindec? un psihoterapeut... Ioana ?i Valentin Dorek: un cuplu cu doi copii, ajuns într-un moment de criz? la un consilier marital. Într-un stil comic ?i prin diverse exerci?ii, consilierul încearc? s?-i ajute s?-?i rezolve problemele ce par iremediabile. Ioana ?tie întotdeauna ce vrea, ce gânde?te ?i ce o s? spun? so?ul ei, ceea ce o face s? nu-i mai acorde nicio aten?ie. La rândul lui, Valentin o trateaz? cu indiferen?? ?i r?ceal?. Dar nu numai cuplul Dorek are probleme, însu?i consilierul pare c? trece prin aceea?i situa?ie. În Exerci?iul miraculos, Daniel Glattauer se dovede?te a fi un foarte bun cunosc?tor al firii umane ?i surprinde cu m?iestrie h??i?ul sentimentelor contradictorii ale omului contemporan. Adev?rul e c? sunt un scriitor care pretinde mult de la personajele sale, dar f?r? s? le considere ni?te biete marionete. Le las s? dobândeasc? via?? proprie. Sunt libere s? ac?ioneze, a?adar, s? simt?. Sunt un romantic incurabil. – Daniel Glattauer „Valentin: P?i, v? mai mul?umim o dat? din suflet pentru terapeutica… sau mai pu?in terapeutica… m? rog, pentru eforturile… ?i pentru r?bdarea dumneavoastr?… Ioana: ?i acum o suna?i imediat pe so?ia dumneavoastr?, trebuie s? ne promite?i! Consilierul: Da, asta, da, sigur… v? promit. Am s? atac imediat problema. N-am s?… n-am s? m? ascund. Am s? combin chestiunile acestea, no?iunea mea de în?elegere ?i… da, domnule Dorek, s? spunem cutezan?a dumneavoastr?. Am s? încerc. V? promit! La revedere! Ie?i?i singuri?! Ioana (îi strig? în urm?): Iar la urm?toarea ?edin?? ne povesti?i care a fost rezultatul.“
Jum?tatea s?lbatic?
￥73.49
Cum se face c? atât de mul?i dintre cei care ?in diete nu reu?esc s? sl?beasc?? Ba din contr?, tind chiar s? dep??easc? greutatea avut? ini?ial. Ce-i deosebe?te pe oamenii care totu?i reu?esc, de ceilal?i? Dar pe cei gra?i de cei slabi? În cartea sa bazat? pe cuno?tin?e din diverse domenii de specialitate ?i pe studii ?tiin?ifice, Sara Gilbert demonteaz? mituri, ar?tând c? succesul pe termen lung al unei diete nu ?ine de voin??, ci de factori personali precum a?tept?ri ?i încredere în sine, sau de circumstan?e sociale ?i familiale. Cititorului i se ofer? strategii de monitorizare a dietei, astfel încât s? fie preg?tit dintru început pentru dificult??ile inevitabile ap?rute atunci când se încearc? schimbarea unor vechi obiceiuri. Este înv??at cum s? recunoasc? emo?iile ?i situa?iile care stau la baza unui comportament alimentar nedorit sau chiar periculos pentru propria s?n?tate ?i s? utilizeze tehnici cognitive ?i comportamentale de gestionare a acestora. Cartea Sarei Gilbert nu propune diete miracol, fiind în schimb un instrument cât se poate de util pentru to?i cei care doresc s? ating? ?i s? p?streze o greutate ideal?.
Pilátus
￥73.49
n Enciclopedia transformrii“ Vladimir Lermontov i-a propus s ne nvee s lucrm cu imaginile. Descoperim astfel c noi suntem creatorii att ai realitii n care trim, ct i ai viitorului nostru. Autorul a pus laolalt cele mai importante momente ale metodologiei sale cu scopul de a prezenta cititorului un tablou complet. Ne ascultm sufletul sau ne lsm dominai de raiune Ce sunt imaginile i cum lucrm cu ele Unde trebuie s cutm fericirea, sntatea, bogia i iubirea De unde vine boala i cum s ne vindecm Cum ne putem crea realitatea n care ne dorim s trim Aici vei gsi rspuns la toate aceste ntrebri. Vei nva s aplicai aceste cunotine n viaa de zi cu zi. Vei afla c magia nu este dect o calitate a sufletului nostru, c avem puteri nelimitate, trebuie doar s credem n noi, n sufletul nostru i s ne crem o lume nou n care ne dorim s trim.
Bok B?ce?i: "Andersen'den"
￥18.56
Güne, onun üzerinde parlyor ve ok güzel ldyordu. Bok bcei, “Dünya, henüz o kadar akln karmam.”, dedi ve unu syledi: “Sadece ona katlanmann yolunu yordamn bilmeniz gerekiyor.” Dünya güzeldi: mparatorun süvari atna, nallar verilmiti ünkü binicisi, “Bok Bcei” olacakt. Bok bcei unu syledi: “imdi ineceim ve dier bok bceklerine, uruma ne kadar fazla ey yapldn anlatacam. Dardaki yolculuumda tiryakisi olduum tüm zevklerden bahsedeceim ve artk at, nallarn eskitene kadar yuvamda kalacam syleyeceim!” Yazar Hakknda: “1972 ylnda Adana'da dodu. lk, orta ve lise eitimini Adana'da tamamlad. ukurova niversitesi Biyoloji Blümü'nden 1994 ylnda mezun oldu. eviri iiyle urat. 2004 ylndan bu yana, zel bir irkette muhasebe eleman olarak alyor. Hobi olarak, blog yazarl, editrlük (Adana Blog Yazarlar Facebook sayfas) ve eviri yapyor. Yabanc dil olarak, ngilizce biliyor. Mitoloji ve simgecilik konularyla ilgileniyor."
Cinderilla: "Or, the Little Glass Slipper"
￥9.24
Cinderella, or "The Little Glass Slipper", is a folk tale embodying a myth-element of unjust oppression/triumphant reward. Thousands of variants are known throughout the world. The title character is a young woman living in unfortunate circumstances, that are suddenly changed to remarkable fortune. The oldest documented version comes from China, and the oldest European version from Italy. The most popular version was first published by Charles Perrault in Histoires ou contes du temps passé in 1697, and later by the Brothers Grimm in their folk tale collection Grimms' Fairy Tales. Although the story's title and main character's name change in different languages, in English-language folklore "Cinderella" is the archetypal name. The word "Cinderella" has, by analogy, come to mean one whose attributes were unrecognized, or one who unexpectedly achieves recognition or success after a period of obscurity and neglect. The still-popular story of "Cinderella" continues to influence popular culture internationally, lending plot elements, allusions, and tropes to a wide variety of media. ONCE there was a gentleman who married, for his second wife, the proudest and most haughty woman that was ever seen. She had, by a former husband, two daughters of her own humour and they were indeed exactly like her in all things. He had likewise, by another wife, a young daughter, but of unparalleled goodness and sweetness of temper, which she took from her mother, who was the best creature in the world. No sooner were the ceremonies of the wedding over, but the stepmother began to shew herself in her colours. She could not bear the good qualities of this pretty girl; and the less, because they made her own daughters appear the more odious. She employed her in the meanest work of the house; she scoured the dishes, tables, &c. and rubbed Madam's chamber, and those of Misses, her daughters; she lay up in a sorry garret, upon a wretched straw-bed, while her sisters lay in fine rooms, with floors all inlaid, upon beds of the very newest fashion, and where they had looking-glasses so large, that they might see themselves at their full length, from head to foot.
