购物车
个人中心
Art Nouveau
￥61.23
作为对工业革命的回应，新艺术运动以装饰和建筑风格发端。新艺术运动初的目标是通过回归自然主题，创造新的自然美学。该运动中的设计常常伴有植物图案和高度风格化、反大起大落曲线的细致刻画，是谓之新艺术风格。 为了达到该目标，诸如古斯塔夫克林姆(Gustav Klimt)、科罗曼穆塞尔(Koloman Moser)、安东尼高迪（Antoni Gaudi）、扬托罗普（Jan Toorop）、威廉莫里斯(William Morris)等艺术家更加偏爱技术创新和形式新颖。新艺术运动试图将艺术融合进生活的所有侧面，从物质的家具到家中的装饰物品再到建筑物；建立在艺术与日常生活相融合的艺术哲学之上。1900年在巴黎世界博览会大获成功之后，这一趋势继续流行且营销了不少艺术家以及装饰艺术运动。新艺术运动的继承者在次世界大战之后依然层出不穷。所以说新艺术运动时装饰艺术“文艺复兴”的核心，一点都不为过。
Angels
￥61.23
天使——这些神秘的长着翅膀的宗教神话人物——在几个世纪以来影响了无数作家和艺术家。这本书中收藏了很多伟大的古典和现代艺术家绘画的天使，包括了从精致的异想天开的丘比特到宏大的天使长米迦勒，不一而足。这些神秘的生物的画像特点都是半小孩，半神仙的模样。这本方便携带的册子《天使》将是一份完美的礼物。
Chinese Porcelain
￥61.23
瓷器早出现在七世纪，瓷器艺术在中国迅速成为了皇室贵族的象征，承载着极其重要的意义。这本书中的瓷器作品涵盖了从简单的茶碗到华美的花瓶，发饰、雕像摆件和鼻烟壶等等，不一而足，设计错综复杂，颜色五彩缤纷。这本精美的材质曾经吸引了并将继续吸引着全世界的艺术爱好者，使得这本Mega Square的《中国瓷器》成为了礼物的*。
Impressionism
￥61.23
“我画我所见，而非他人所想见。”难道还有什么能比 爱德华马奈（Edouard Manet）的这句话更能诠释印象主义运动了。马奈的这句话似乎与莫奈（Monet）或雷阿诺（Renoir）的情感表达完全不同。莫奈在去世前不久曾写道：“印象主义之名源我而起，但却冠以了一群并非印象主义者的群体，对此我深表遗憾。” 在这本书中，Nathalia Brodskaia考察了这场十九世纪末期的印象主义运动的矛盾之处，分析了印象主义群体在艺术家个人的主张之下形成了的连贯整体的悖论。学术艺术和现代抽象绘画之间的道路漫长而艰辛。作者逐一分析这场艺术运动的基本元素，通过每位艺术家的作品考察了个人的需求是如何催生出现代绘画。
Monet
￥61.23
Mega Square的《莫奈》通过优美地展示印象主义的作品，带领我们探索十九世纪绘画大师之一——莫奈的非凡的作品。莫奈的风景画和日常生活场景画中画锋急促，阐释了他对于光线和色彩的迷恋。对印象主义运动的爱好者来说，这本小书是一份完美的礼物。
Mucha
￥61.23
Born in 1860 in a small Czech town, Alphonse Mucha (1860-1939) was an artist on the forefront of Art Nouveau, the modernist movement that swept Paris in the 1910s, marking a return to the simplicity of natural forms, and changing the world of art and design forever. In fact, Art Nouveau was known to insiders as the “Mucha style” for the legions of imitators who adapted the master’s celebrated tableaux. Today, his distinctive depictions of lithe young women in classical dress have become a pop cultural touchstone, inspiring album covers, comic books, and everything in between. Patrick Bade and Victoria Charles offer readers an inspiring survey of Mucha’s career, illustrated with over one hundred lustrous images, from early Parisian advertisements and posters for Sandra Bernhardt, to the famous historical murals painted just before his death, at the age of 78, in 1939.
Tiffany
￥61.23
路易斯·康福特·蒂芙尼（Louis Comfort Tiffany）是闻名于世的珠宝商，也是美国新艺术运动的领头人。在美国处于不断增长的时期，蒂芙尼成功地将装饰提升到了艺术的高度。蒂芙尼的工作室尤其擅长处理玻璃，他们开创了独特的玻璃技艺，使得幻彩玻璃极具美感。追随着加勒（Galle）或多姆（Daum）的脚步，蒂芙尼对玻璃物尽其用：色彩、遮光、透光，戏玩于他的手掌间。当然，他为成功的还是充满色彩与阴影交汇的镶嵌玻璃台灯，类似于教堂的染色玻璃天窗。沉浸在色彩的棱镜之中，作者让我们梦回这家历久弥新的公司的诞生之期。
Michelangelo
￥110.28
米开朗基罗（Michelangelo）的名字不断浮现在西斯廷教堂、阿波罗、丘比特等数不计数的杰作中。在《意大利绘画》（The Italian Painting）这本书中，作者司汤达写道：“在古希腊风物和米开朗基罗之间，没有任何距离，除了或多或少技术娴熟的伪造物。”在《漫步罗马》（Promenade in Rome）一书中，沙特布莱表达了对《圣母怜子像》（Pieta）中那些精致的线条的崇敬之情。诸如司汤达等大连古欧秀的作家将米开朗基罗视为西方艺术复兴的大家之一。毫无疑问，米开朗基罗的作品经历住了时间的考验。在若干年后，米开朗基罗的作品何以能够揭示希腊先驱们的创造性来源？米开朗基罗是创造性的天才和超人，是意大利文艺复兴中无与伦比的艺术家，他的影响力和成就与达芬奇可相媲美。在这本著作中， Jean-Matthieu Gosselin探讨了米开朗基罗所有的身份：雕塑家、建筑师、画家和美术家。
Bonnard
￥61.23
Pierre Bonnard was the leader of a group of Post-Impressionist painters who called themselves the Nabis, from the Hebrew word meaning “prophet”. Bonnard, Vuillard, Roussel and Denis, the most distinguished of the Nabis, revolutionised decorative painting during one of the richest periods in the history of French painting. Bonnard’s works are striking for their strong colours and candidness.
Cassatt
￥61.23
Mary was born in Pittsburgh. Her father was a banker of liberal educational ideas and the entire family appears to have been sympathetic to French culture. Mary was no more than five or six years old when she first saw Paris, and she was still in her teens when she decided to become a painter. She went to Italy, on to Antwerp, then to Rome, andfinally returned to Paris where in 1874, she permanently settled. In 1872, Cassatt sent her first work to the Salon, others followed in the succeeding years until 1875, when a portrait of her sister was rejected. She divined that the jury had not been satisfied with the background, so she re-painted it several times until, in the next Salon, the same portrait was accepted. At this moment Degas asked her to exhibit with him and his friends, the Impressionist Group, then rising into view, and she accepted with joy. She admired Manet, Courbet and Degas, and hated conventional art. Cassatt’s biographer stressed the intellectuality and sentiment app
Renoir
￥40.79
Pierre-Auguste Renoir was born in Limoges on 25 February 1841. In 1854, the boy’s parents took him from school and found a place for him in the Lévy brothers’ workshop, where he was to learn to paint porcelain. Renoir’s younger brother Edmond had this to say this about the move: “From what he drew in charcoal on the walls, they concluded that he had the ability for an artist’s profession. That was how our parents came to put him to learn the trade of porcelain painter.” One of the Lévys’ workers, Emile Laporte, painted in oils in his spare time. He suggested Renoir makes use of his canvases and paints. This offer resulted in the appearance of the first painting by the future impressionist. In 1862 Renoir passed the examinations and entered the Ecole des Beaux-Arts and, simultaneously, one of the independent studios, where instruction was given by Charles Gleyre, a professor at the Ecole des Beaux-Arts. The second, perhaps even the first, great event of this period in Renoir’s life was
Degas
￥40.79
Degas was closest to Renoir in the impressionist’s circle, for both favoured the animated Parisian life of their day as a motif in their paintings. Degas did not attend Gleyre’s studio; most likely he first met the future impressionists at the Café Guerbois. He started his apprenticeship in 1853 at the studio of Louis-Ernest Barrias and, beginning in 1854, studied under Louis Lamothe, who revered Ingres above all others, and transmitted his adoration for this master to Edgar Degas. Starting in 1854 Degas travelled frequently to Italy: first to Naples, where he made the acquaintance of his numerous cousins, and then to Rome and Florence, where he copied tirelessly from the Old Masters. His drawings and sketches already revealed very clear preferences: Raphael, Leonardo da Vinci, Michelangelo, and Mantegna, but also Benozzo Gozzoli, Ghirlandaio, Titian, Fra Angelico, Uccello, and Botticelli. During the 1860s and 1870s he became a painter of racecourses, horses and jockeys. His fabulous p
Modigliani
￥40.79
Modigliani (1884-1920) was a painter of great unhappiness in his native Italy and felt only sorrow in his adopted country of France. Out of this discontent came forth Modigliani’s original work, which was influenced by African art, the Cubists, and drunken nights in Montparnasse. His portrayal of women—sensual bodies, almost aggressive nudity, and mysterious faces—expresses their suffering and feelings of being unloved and unjustly disregarded. Modigliani died at the age of 36.
Mondrian
￥40.79
Piet Mondrian (1872-1944), who can be assigned to the school of classical modernism, was born in Amersfort, Netherlands. After studying in Amsterdam, he started his artist?s career in the impressionist style as a figure and landscape painter. His works from these years showed the influence of Vincent Van Gogh (1853-1890) and of Fauvism, a French school from the beginning of the 20th century. When he traveled to Paris in 1911, he discovered Pablo Picasso?s works (1881-1973) and, with that, Cubism. He thereafter became a pioneer of abstract painting in the Netherlands. From the 1920s on, his paintings show a vertical and horizontal composition that, combined with the oppositions of blue, yellow, red, and noncolored spaces, turned into his trademark. His art was very appreciated in New York, where he spent his last years. Mondrian was not only a painter but also an art theoretician and cofounder of the art school De Stijl.
Francisco Goya
￥85.76
Astudy of Francisco Goya’s life and work appears to present many contradictions. For nearly forty years Goya was the principal painter at court and he recorded the glittering wealth of the Spanish nobility. At the same time, in one of the least enlightened countries in Europe, Goya was a liberal thinker. He was a tireless commentator on the social conditions of his age. He hated authority in any form, be it priest, soldier or official, and above all he hated those who exploited the helpless. He was concerned with the floating population, with criminals and prostitutes, and by the crippling poverty that resulted from the injustices of an uneven distribution of wealth. The court must have been ignorant of his criticism or blind to his cries of protest.
Paul Gauguin
￥85.76
On 8 May 1903, having lost a futile and fatally exhausting battle with colonial officials, threatened with a ruinous fine and an imprisonment for allegedly instigating the natives to mutiny and slandering the authorities, after a week of acute physical sufferings endured in utter isolation, an artist who had devoted himself to glorifying the pristine harmony of Oceania’s tropical nature and its people died. There is bitter irony in the name given by Gauguin to his house at Atuona – “Maison du Jouir” (House of Pleasure) – and in the words carved on its wood reliefs, Soyez amoureuses et vous serez heureuses (Be in love and you will be happy) and Soyez mystérieuses (Be mysterious). After receiving news of the death of their old enemy, the bishop and the brigadier of gendarmes – the pillars of the local colonial regime – hastened to demonstrate their fatherly concern for the salvation of the sinner’s soul by having him buried in the sanctified ground of a Catholic cemetery. Only a small gr
Art of Islam
￥122.54
伊斯兰艺术并不是某个国家或者某个民族的艺术，而是一种宗教的艺术：伊斯兰教。从阿拉伯半岛延展开来，宗教的皈依者在几个世纪中征服了从大西洋到印度洋的领土。跨越了多文化和多种族，这种多形态和高度精神化的艺术禁止所有关于人和神的东西，发展出教规和极具装饰艺术价值多种动机。这些艺术家详细而独出心裁地表达了他们的信念，创造了诸如耶路撒冷的阿克萨清真寺、阿格拉的泰姬陵和格拉纳达的阿罕布拉宫等不朽之作。
The President
￥24.44
Arguing that an efficient economic system can be compatible with a fair share for all, this novel centers on a United States president who changes his mind about his policies. A deliberate parable about today’s political wars, the novel illustrates the reforms posed by a real 19th-century figure, the American economist Henry George. Accordingly, this fictional reelection campaign provides a convenient stage for speeches and debates when the incumbent president goes missing—and returns with a platform for social justice that enrages those with vested interests and confounds his party operatives.
01 Elizabethan Lover
￥24.44
Having sailed with Sir Francis Drake, swashbuckling privateer Rodney Hawkhurst yearns for a galleon of his own with which to plunder the Spanish Main in the name of Queen Elizabeth. Seeking investment from Sir Harry Gillingham, he has a fleeting encounter with an elfin, tomboyish golden-red-haired beauty Sir Harry?s youngest daughter Lizbeth and is bewitched by her limpid green eyes. Yet it is fair and golden-haired elder sister Phillida with whom he first falls in love... Granted his finances on the condition that Sir Harry?s weak, possibly even traitorous son sails with him in the hope that the mission will make him a man, Rodney embarks on a voyage of blood, honour and glory in which he gains great riches but loses his heart, not once, but twice. The risks are great but so are the rewards: wealth beyond compare and, as Rodney finally discovers, a greater, deeper, more passionate love than he ever imagined possible.
08 The Dare-Devil Duke
￥24.44
"?Do you really think you could work as I had to work to keep your mother from starvationMy dear child, you have lived in the lap of luxury all your life. You could no more earn a penny piece than fly over the moon!Kasia?s father laughs scornfully. This is justification for his decision to marry her off to a man she does not love purely to save her from fortune hunters. So Kasia runs away to prove him wrong by working as Governess to the Duke of Dreghorne?s unruly nephew. As Kasia gains the trust of the child, she earns first the respect and then the growing affection of the Lord. But when she and the boy are kidnapped the stakes are irrevocably raised and the Duke?s reputation as a Dare-Devil will be tested one final time... Will Kasia?s father forgive herWill Fate finally unite the hearts of Kasia and the Dare-Devil Duke?"
11. Lies for Love
￥24.44
Destitute after the death of her beloved Papa, Carmela is miserable working as Nanny to the brattish children of the local vicar. So when her closest friend Felicity asks her to take her place in the home of her guardian, the dictatorial Earl of Galeston, she nervously agrees. The subterfuge is necessary to ensure Felicity can marry the love of her life – and possible firstly because none of Felicity’s feuding family have set eyes on her since she was a child... And secondly because both young women are blue-eyed, blonde and beautiful. The Earl’s ancestral home is awe-inspiring – but it is the Earl himself who makes the greatest impression on Carmela. Growing to appreciate the profound kindness behind his steely fa?ade, she falls deeply, utterly in love... But can true love live when it’s based on a lieThe Earl finds the answer in his heart when Carmela’s life – and any hope of love – is at stake...
