Tamara Contreras will never again settle for unmemorable sex. Her long-time boyfriend may look perfect to her traditional Mexican-American parents -- something Tamara has never been -- but at twenty-six she wants more from life than marriage and motherhood. So in front of everyone, Tamara does the unthinkable: She turns down her boyfriend's unexpected marriage proposal and leaves home for L.A.Tamara thinks she's got the single-girl-in-the-city thing down, until she runs into Will Benavides, the former high school bad boy turned firefighter. If Tamara's parents had known how Will lit up her teenage fantasies, she'd have been shipped off to the nuns for sure! Now Will wants to make those fantasies come true permanently.When an unexpected opportunity lands in her lap and Tamara has to choose between the career and the man of her dreams, she wonders if maybe la familia was right after all . . .

Bestselling author James Grippando is back with another innovative and action-packed thriller featuring his ever-popular hero. Jack Swyteck gets caught in a dangerous web of intrigue and murder at the top levels of the United States government in his most high-profile and disturbing case yet.Miami criminal defense lawyer Jack Swyteck guards his own family secrets closely, after his father's two terms as Florida's governor made some personal rifts public. Things between the two men are finally better, and whenever Harry Swyteck asks for Jack's help he gets it. Suddenly, Harry needs it more than ever before.When Harry's friend, the vice president of the United States, goes hunting for alligators in the Everglades and winds up dead, the president positions Harry to be his new VP. Harry immediately asks Jack to be his lawyer. The prestige that comes from the job turns lethal, however, when Jack finds himself at the heart of a complicated cover-up that spans nearly fifty years and the globe. Before hostages can be released, an old secret must be revealed, one that could threaten the life of the president of the United States himself.

In the era before he created moody private investigator Matthew Scudder, burglar Bernie Rhodenbarr, sleepless spy Evan Tanner, and the amiable hit man Keller—and years before his first Edgar Award—a young writer named Lawrence Block submitted a story titled "You Can't Lose" to Manhunt magazine. It was published, and the rest is history.One Night Stands and Lost Weekends is a sterling collection of short crime fiction and suspense novelettes penned between 1958 and 1962 by a budding young master and soon-to-be Grand Master—an essential slice of genre history, and more fun than a high-speed police chase following a bank job gone bad.

New York Times bestselling author Laura Lippman has been hailed as one of the best crime fiction writers in America today, winning virtually every major award in the genre. The author of the enormously popular series featuring Baltimore P.I. Tess Monaghan as well as three critically lauded stand-alone novels, Lippman now turns her attention to short stories—and reveals another level of mastery.Lippman sets many of the stories in this sterling anthology, Hardly Knew Her, in familiar territory: her beloved Baltimore, from downtown to its affluent suburbs, where successful businessmen go to shocking lengths to protect what they have or ruthlessly expand their holdings, while dissatisfied wives find murderous ways to escape their lives. But Lippman is also unafraid to travel—to New Orleans, to an unnamed southwestern city, and even to Dublin, the backdrop for the lethal clash of two not-so-innocents abroad. Tess Monaghan is here, in two stories and a profile, aligning herself with various underdogs. And in her extraordinary, never-before-published novella, Scratch a Woman, Lippman takes us deep into the private world of a high-priced call girl/madam and devoted soccer mom, exploring the mystery of what may, in fact, be written in the blood.Each of these ingenious tales is a gem—sometimes poignant, sometimes humorous, always filled with delightfully unanticipated twists and reversals. For people who have yet to read Lippman, get ready to experience the spellbinding power of "one of today's most pleasing storytellers, hailed for her keen psychological insights and her compelling characterizations," (San Diego Union-Tribune), who has "invigorated the crime fiction arena with smart, innovative, and exciting work" (George Pelecanos). As for longtime devotees of her multiple award-winning novels, you'll discover that you hardly know her.

Jonathan Santlofer once again combines his extraordinary talents as both a writer and an artist in this second chilling thriller featuring NYPD forensic sketch artist Nate Rodriguez. Though plagued by the death of his father years ago, Rodriguez has little time to dwell on the past. A rash of seemingly unrelated murders holds New York City in a gridlock of terror, and with his reputation for having a sixth sense—an uncanny ability to draw things he hasn't even seen—Rodriguez lands a spot on the task force investigating the crimes. But with his mind's eye clouded, he's forced to search for an answer the old-fashioned way: by hitting the streets.Rodriguez begins to suspect a common thread between the victims, confirmed when more bodies turn up—those of the killers themselves. As the slayings continue, the link between the crimes comes into focus and Rodriguez must convince the NYPD that they are up against something bigger—and more heinous—than anyone ever suspected.The Murder Notebook is a smart, innovative suspense novel with a terrifying, ripped-from-the-headlines urgency. Where is the line between advancement and criminality in matters of manipulating the human psycheWhat would happen if someone were no longer able to feel fearWith his unique blend of gripping prose and original sketches, Jonathan Santlofer has crafted a tale of morality and duty, love and justice, that is as shocking as it is timely.

The marvelous creations found in Fragile Things showcase the unparalleled invention and storytelling brilliance—as well as the terrifyingly dark and entertaining sense of humor—of the incomparable Neil Gaiman. By turns delightful, disturbing, and diverting, Fragile Things is a gift of literary enchantment from one of the most original writers of our time.In Selections from Fragile Things, Volume 4 you will find the following stories and poems, sure to thrill and amaze.Harlequin ValentineA Harlequin’s heart may be easily given, but how will the object of his affection treat his delicate organ?LocksIn Gaiman’s poem a man attempts to tell his daughter the tale of Goldilocks despite her interjections.The Problem of SusanA student interviews a professor of children’s fiction for a scholarly article, but when the discussion lands on C. S. Lewis’ Narnia the conversation becomes quite personal.InstructionsReal life advice, in poetry form, on what to do if you find yourself in the middle of a fairy tale.How Do You Think It FeelsAn affair with a younger woman leaves a man so despondent that he goes to extraordinary measures to protect his heart from future pain.My LifeThe monologue of a rather mangled sock monkey telling the story of his life, egged on by a couple of beers chased with whiskey.Fifteen Painted Cards from a Vampire TarotScenes inspired by a supernatural tarot deck whose cards betray surreal and somewhat blood-thirsty characters.Feeders and EatersAt a greasy all-night café a man runs into an old acquaintance, now a shriveled version of his once-handsome self. The man cannot escape the gruesome story of his friend’s deterioration involving a cat and an old woman with unnaturally long hair.Diseasemaker’s CroupAn imaginary disease in which the afflicted create imaginary diseases, Diseasemaker’s Croup takes hypochondria to a new level.

As a first-hand account of the weird mysteries and horrors of voodoo, Tell My Horse is an invaluable resource and fascinating guide. Based on Zora Neale Hurston's personal experiences in Haiti and Jamaica, where she participated as an initiate rather than just an observer of voodoo practices during her visits in the 1930s, this travelogue into a dark world paints a vividly authentic picture of ceremonies and customs and superstitions of great cultural interest.

A remote and affluent Maine community, Corpus Christi was untouched by the environmental catastrophe that destroyed the neighboring blue-collar town of Bedford. But all that will change in a heartbeat . . .The nightmare is awakened when third-grade schoolteacher Lois Larkin takes the children on a field trip to Bedford. There in the abandoned woods, a small, cruel boy unearths an ancient horror—a contagious plague that transforms its victims into something violent, hungry . . . and inhuman.The long, dark night is just beginning. And all hope must die as the contagion feeds—for the malevolence will not rest until it has devoured every living soul in Corpus Christi . . . and beyond.

The well-intentioned protagonists of Brief Encounters with Che Guevara are caught -- to both disastrous and hilarious effect -- in the maelstrom of political and social upheaval surrounding them. In "Near-Extinct Birds of the Central Cordillera," an ornithologist being held hostage in the Colombian rain forest finds that he respects his captors for their commitment to a cause, until he realizes that the Revolution looks a lot like big business. In "The Good Ones Are Already Taken," the wife of a Special Forces officer battles a Haitian voodoo goddess with whom her husband is carrying on a not-entirely-spiritual relationship. And in "The Lion's Mouth," a disillusioned aid worker makes a Faustian bargain to become a diamond smuggler for the greater good. With masterful pacing and a robust sense of the absurd, each story in Brief Encounters with Che Guevara is a self-contained adventure, steeped in the heady mix of tragedy and danger, excitement and hope, that characterizes countries in transition.Through Fountain's rounded and novelistic prose, these intelligent and keenly observed stories are painted in provocative and vibrant detail across a global canvas. Brief Encounters with Che Guevara marks the arrival of a striking and resonant new voice that speaks adeptly to the intimate connection between the foreign, the familiar, and the inescapably human.

The marvelous creations found in Fragile Things showcase the unparalleled invention and storytelling brilliance—as well as the terrifyingly dark and entertaining sense of humor—of the incomparable Neil Gaiman. By turns delightful, disturbing, and diverting, Fragile Things is a gift of literary enchantment from one of the most original writers of our time.In Selections from Fragile Things, Volume 5 you will find the following stories and poems sure to thrill and amaze.In the End“In the end,” starts the ultimate imagined biblical scene, a strange reversal of Genesis.GoliathDerived from the * of The Matrix, a giant man attempts to navigate a simple life on an Earth where even the most basic rules of time and travel are routinely broken.Pages from a Journal Found in a Shoebox Left in a Greyhound Bus Somewhere Between Tulsa, Oklahoma, and Louisville, KentuckyA rambling American journey in search of the evasive Scarlett, recorded in a journal and left in a shoebox of treasures for us to decipher.How To Talk To Girls At PartiesFifteen-year-old Enn has trouble talking to girls. His best friend Vic’s solutionWith practice comes comfort. But, this party, with its otherworldly guests, may produce just the opposite effect.The Day the Saucers CameYou would think the mass-landing of flying saucers would be hard to miss, unless of course you were distracted by the zombies or something equally consuming, as in Gaiman’s apocalyptic love poem. SunbirdWhat’s an Epicurean Club to do when it’s exhausted all the world’s finest delicacies, from flash-frozen mammoth, to unicorn flank tartare, to dung-beetle ballsHunt down a Sunbird and push the limits of gastronomic indulgence a bit further, of course. Inventing AladdinGaiman’s poem examines storytellers’ motivation through the most dire case, that of Scheherazade.

Though unalike as snowflakes, sisters Patricia Anne and Mary Alice share a sympathetic heart for their distraught cousin Luke -- known affectionately in his boyhood as "Pukey Lukey," because of his penchant for getting sick in moving vehicles. Luke is desperate to hunt down Virginia, his wife of forty years, who has run off with a housepainter/snake-handling preacher named "Monk." And the sisters have graciously agreed to accompany their stricken kinsman on his search...in Luke's car, of course.But, while practical "Mouse" and flamboyant "Sister" are unable to find their runaway cousin-in-law among the asp-loving faithful on Chandler Mountain, they do manage to stumble upon the corpse of a pretty young redhead who was prematurely sent to her eternal reward. And before you can say "anaconda," they are hot on the serpentine trail of a killer who'd like nothing better than to sink a pair of poisonous fangs into two meddling Southern sisters!

Patricia Anne can't imagine why Mary Alice is in such an uproar over her son Ray's new bride. Sunshine Dabbs is Ucute as can be," even if she is a bit unconventional, which should hardly come as a shock to Mary Alicc given that she's the one who raised her boy. But with all her motherly instincts, Mary Alice is sure that this sweet little blonde Barbie doll--who met her son in Bora Bora after she won the trip on Wheel of Fortune--thinks she's found herself a fortune in Ray's hefty wallet. The sisters can't wait to get a look at Sunshine's family, and quite a look it turns out to be. As soon as Meemaw Turkett invites Mary Alice and Patricia Anne into her cozy trailer on the family compound they stumble over a corpse, and Meemaw's best hog butchering knife is stuck in its chest. Meemaw, a Cabbage Patch look-alike and Sunshine's grandmother, guardian, and the family matriarch is shocked to pieces and immediately summons the family to her trailer. Pawpaw, a lovable bearded grump has his own trailer, and their grown kids each enjoy a private home-away-from-home on the five-trailer compound. The discovery of the mysterious body brings in Mary Alice's nemesis, good ol' boy Sheriff Reuse, who, she knows from her experience at the Skoot 'n' Boot, is nothing but trouble. Within minutes, the compound is strewn with a weird collection of friends, neighbors and relatives. There's Meemaw's spooky channeler, ready to give guidance as needed; Sunshine's jilted boyfriend skulking around; a bunch of dogs ready to attack...and Kerrigan, Sunshine's mostly absentee mama, who stars in the kind of video flicks that might even shock Mary Alice. Patricia Anne can't imagine why Mary Alice is in such an uproar over her son Ray's new bride. Sunshine Dabbs is Ucute as can be," even if she is a bit unconventional, which should hardly come as a shock to Mary Alicc given that she's the one who raised her boy. But with all her motherly instincts, Mary Alice is sure that this sweet little blonde Barbie doll--who met her son in Bora Bora after she won the trip on Wheel of Fortune--thinks she's found herself a fortune in Ray's hefty wallet. The sisters can't wait to get a look at Sunshine's family, and quite a look it turns out to be. As soon as Meemaw Turkett invites Mary Alice and Patricia Anne into her cozy trailer on the family compound they stumble over a corpse, and Meemaw's best hog butchering knife is stuck in its chest. Meemaw, a Cabbage Patch look-alike and Sunshine's grandmother, guardian, and the family matriarch is shocked to pieces and immediately summons the family to her trailer. Pawpaw, a lovable bearded grump has his own trailer, and their grown kids each enjoy a private home-away-from-home on the five-trailer compound. The discovery of the mysterious body brings in Mary Alice's nemesis, good ol' boy Sheriff Reuse, who, she knows from her experience at the Skoot 'n' Boot, is nothing but trouble. Within minutes, the compound is strewn with a weird collection of friends, neighbors and relatives. There's Meemaw's spooky channeler, ready to give guidance as needed; Sunshine's jilted boyfriend skulking around; a bunch of dogs ready to attack...and Kerrigan, Sunshine's mostly absentee mama, who stars in the kind of video flicks that might even shock Mary Alice.

Those hilarious southern sisters, who prove that sibling rivalry never ends, are heading for a vacation at the beach. Mary Alice's flamboyant behavior aside, serious, sensible Patricia Anne looks forward to relaxing at her sister's beachfront condo in Destin, Florida, so she kisses her ever-loving spouse Fred god-bye, reminds him to water the plants and feed the dog, and the girls head south for some fin in the sun. Mary Alice loses no time in making the acquaintance of just about everyone in sight, so watching the sun go down on the beautiful shores of the Gulf of Mexico is a welcome respite as far as Patricia Anne is concerned. . .until a dead body washes up in the waves and the victim turns out to be one of Mary Alice's newfound friends. With no witnesses t the crime except a few great blue herons, the sisters have no choice but to bypass the clueless police and follow their own instinct to find the killer. Before long they_re on a murky trail of dirty real-estate deals, giant turtle habitats, and a sea of evidence pointing to a mammoth motive for murderer.

Murder on a Bad Hair DayIt's hard to believe practical, petite ex-schoolteacher Patricia Anne and amiable, ample-bodied, and outrageous Mary Alice are sisters, yet sibling rivalry has survived decades of good-natured disagreement about everything from husbands to hair color. No sooner do the Southern sisters discover a common interest in some local art, when they're arguing the artistic merits of some well-coiffured heads at a gallery opening. A few hours later, one of those pretty ladies ends up dead -- with not a hair out of place. The other shows up on Patricia Anne's doorstep dazed, disheveled, and telling a wild tale of a narrow escape from some deadly cuts. Now the sisters are once again combing for clues to catch a killer with a bizarre style in art -- and murder.

A Different Kind of Sister ActPatricia Anne -- "Mouse" -- is respectful, respectable, and demure, a perfect example of genteel Southern womanhood. Mary Alice -- "Sister" -- is big, brassy, flamboyant, and bold. Together they have a knack for finding themselves in the center of some of Birmingham's most unfortunate unpleasantness.Country Western is red hot these days, so overimpulsive Mary Alice thinks it makes perfect sense to buy the Skoot 'n' Boot bar -- since that's where the many-times-divorced "Sister" and her boyfriend du jour like to hang out anyway. Sensible retired schoolteacher Patricia Anne is inclined to disagree -- especially when they find a strangled and stabbed dead body dangling in the pub's wishing well. The sheriff has some questions for Mouse and her sister Sister, who were the last people, besides the murderer, of course, to see the ill-fated victim alive. And they had better come up with some answers soon -- because a killer with unfinished business has begun sending them some mighty threatening messages...

Mary Alice has spared nothing for her only daughter's wedding -- from seventy-five yards of bridal train to gourmet food for over three hundred guests and enough glittering elegance to make Mary Alice think about finding herself a fourth rich husband to pay for it all. Practical Patricia Anne has put away her aunt-of-the-bride blue chiffon and settled back into domesticity when fun-loving Mary Alice calls to say they have a post-wedding date with a genealogist from the groom's side of the family. Lunch is a fascinating lesson on the hazards of finding dirty linens in ancestral boudoirs that ends abruptly when their guest scurries off with the local judge, leaving the sisters with their mouths open -- and finishing their luncheon companion's cheesecake -- when the police arrive. Their mysterious guest has taken a plunge from the ninth floor of the courthouse building -- an apparent suicide. But given the scandals a nosy genealogist might have uncovered, the sisters are betting that some proud Southern family is making sure their shameful secrets stay buried. . .along with anyone who tries to dig them up.

Patricia Anne would swear that either she or her sister Mary Alice were switched at birth, except they were both born at home.Flashy, flirtatious Mary Alice is one foot taller, twice the body weight of Patricia Anne, and three times as likely to do something completely off the wall. But now Mary Alice's impulsive behavior has land them both in the Birmingham jail!It all begins with a call from their good friend Mitzi Phizer, who's starting an investment club -- kind of a Beardstown Ladies group. Patricia Anne is willing to make a small, conservative investment in a thriving chain of HMOs; Mary Alice is hot to trot to put her money on Viagra. But before the club idea gets off the ground, the sisters spot Mitzi's supposedly faithful husband in a chummy little huddle with a redhead -- and the next thing they know, Arthur is accused of murdering the mystery woman. Nothing about the whole sordid story fits the kind, gently Arthur, and Patricia Anne is doing her best to console her good friends. But when their house catches on fire, and Arthur is shot in a place that won't allow him to even sit down at his own murder trial, the sisters know they have to stand up for the poor fellow. And that means checking out everyone -- from low-down cads to highbrow bank presidents -- to find a no good gun-toting arsonist who believes big money is to kill for.

Which fork do I useHow do you use chopsticksIs it okay to answer my cell phone during dinnerWhat is the polite way to eat spaghettiThese and other important questions are answered in this handy guide to eating without grossing people out. Pretty much everything you need to know to get you through any meal is here—from table settings, to eating tricky foods, to holding up your end of a dinner conversation. Written by two codirectors of The Emily Post Institute, the most trusted name in etiquette, Emily Post's Table Manners for Kids isn't just for fancy parties and dinner at your grandmother's house. It's got basic information you can use every day to improve your social life.

Tyler and Lucinda have to spend summer vacation with their ancient uncle Gideon, a farmer. They think they're in for six weeks of cows, sheep, horses, and pigs. But when they arrive in deserted Standard Valley, California, they discover that Ordinary Farm is, well, no ordinary farm. The bellowing in the barn comes not from a cow but from a dragon. The thundering herd in the valleyUnicorns. Uncle Gideon's sprawling farmhouse never looks the same twice. Plus, there's a flying monkey, a demon squirrel, and a barnload of unlikely farmhands with strange accents and even stranger powers. At first, the whole place seems like a crazy adventure. But when darker secrets begin to surface and Uncle Gideon and his fabulous creatures are threatened, Lucinda and Tyler have to pull together to take action. Will two ordinary kids be able to save the dragons, the farm—and themselvesExpert storytellers Tad Williams and Deborah Beale take readers on an extraordinary adventure in their first book about Ordinary Farm.

If you had the power of mind control, could you resist using it(Didn't think so. Fiona Blount feels your pain.) Fiona is coming to America! Her long-lost-now-found father is bringing her from London to meet his family. Of course, there's a secret agenda for her trip: Fiona has inherited her dad's psychic abilities and is off to ESP boot camp. Good thing she doesn't take after the rest of his family—a pretty moody bunch. Fiona knows she shouldn't be using her power of compulsion until she has more training, but if she can make people happier, isn't it almost her duty to do soShe's sure that with just a little bit of nudging, they'll all be on their way to being totally fabulous—but is she totally deluded?

When Bee woke up, there was a girl standing in her room. "You are me," the girl said. Then she was gone.I am a thirteen-year-old double Gemini. I get bad grades, write poetry with my left hand, dance in my room, surf the net. I Google images of the tattoos my mom won't let me get. . . .But my world belongs to someone else. Someone who lives below the concrete of Los Angeles, someone with wild eyes and twigs in her hair.And I think she wants her life back.