"The Crawling Chaos" is a short story by American writers H. P. Lovecraft and Winifred V. Jackson (first published April 1921 in the United Cooperative. As in their other collaboration, "The Green Meadow", the tale was credited to "Elizabeth Berkeley" (Jackson) and "Lewis Theobald, Jun" (Lovecraft). The story begins with the narrator describing the effects of opium and the fantastical vistas it can inspire. The narrator then tells of his sole experience with opium in which he was accidentally administered an overdose by a doctor during the "year of the plague".

"The Colour Out of Space" is a first-person narrative written from the perspective of an unnamed surveyor from Boston. In order to prepare for the construction of a new reservoir in Massachusetts, he surveys a rural area that is to be flooded near Lovecraft's fictional town of Arkham. He comes across a mysterious patch of land, an abandoned five-acre farmstead, which is completely devoid of all life.

„Romanele ?i povestirile lui Golding nu sunt numai parabole morale sobre ?i mituri întunecate despre for?ele distrug?toare ?i perfide ale r?ului, ci ?i istorii aventuroase, pline de farmec, ce pot fi citite ca atare, debordând de pl?cerea de a povesti, de inventivitate ?i suspans.“ – Comitetul Nobel „Compact ?i plin de vigoare… O poveste captivant?.“ – The New York Times Book Review „Golding a fost un scriitor […] cu o minunat? voca?ie epopeic?. [S-a priceput s? spun?] pove?ti originare, despre cum a înv??at omul s? vorbeasc?, despre izvoarele r?ului, despre straniile surse ale artei.“ – Malcom Bradbury Clasici moderni Litera pune laolalt? scriitori moderni ale c?ror opere au devenit deja repere clasice. Cele mai importante, mai provocatoare, mai emo?ionante, mai revolu?ionare opere din ultimii 125 de ani – c?r?i care vor continua s? fie citite de la o genera?ie la alta.

Kafka se pricepe s dezvluie pretutindeni lumina tinuit. Ai impresia c descoperi o mare nsorit, cu valuri ce sunt niri de lumin i n faa creia trebuie s nchizi, orbit, ochii, pentru a te adposti la umbr.“ (Max Brod) Kafka este cel mai mare scriitor de limb german al timpului nostru. Poei precum Rilke, romancieri precum Mann par fies pleasc n comparaie cu el, fie s radieze o lumin puternic, dar artificial.“ (Vladimir Nabokov) Poate cel mai interesant scriitor al generaiei sale... Un geniu straniu i deconcertant.“ (Edwin Muir) Cu ct opera e mai desvrit, cu att mai puin ne trimite ea spre autorul ei. [...] Franz Kafka este scriitorul care i-a consumat experiena de via n asemenea msur, nct referirea la biografie devine superflu.“ (Martin Walser)

L’action se passe dans un pays que l’auteur nomme Austrasie par pure convenance, car sa capitale est Vienne, on y parle allemand et la famille impériale est décimée par des deuils, dont une double mort à Mayerling. C’est dire que l’on est en Autriche et que l’auteur donne sa version très personnelle des drames qu’a réellement connus la dynastie des Habsbourg. Le livre a été écrit en 1911, alors que l’empereur Fran?ois-Joseph (Fran?ois tout court dans le texte) régnait encore et que ces deuils étaient tout récents, ce qui expliquerait la très relative pudeur de l’auteur. Il n’est pas possible de résumer ce roman sans en donner les clés et par là en g?cher irrémédiablement la lecture. Disons que c’est une histoire de vengeance et de mort, une histoire terriblement sanglante. L’assassinat qui constitue le prologue du livre n’est qu’un aspect, presque secondaire, de l’intrigue. Mais si le feuilleton ne compte plus les invraisemblances, si l’auteur a recours à tous les artifices les plus classiques du genre : sosies, portes secrètes, déguisements, talents extraordinaires des héros, il faut reconna?tre que l’histoire est remarquablement construite, se développe de fa?on à soutenir constamment l’intérêt du lecteur et que les épisodes s’embo?tent parfaitement les uns à la suite des autres.

ONCE upon a time, a long while ago—in fact long before Egypt had risen to power and before Rome or Greece had ever been heard of—and that was some time before you were born, you know—there was a king who reigned over a very large and powerful kingdom. Now this king was rather old, he had founded his kingdom himself, and he had reigned over it nine hundred and ninety-nine and a half years already. As I have said before, it was a very large kingdom, for it contained, among other things, the whole of the western half of the world. The rest of the world was divided into smaller kingdoms, and each kingdom was ruled over by separate princes, who, however, were none of them so old as Intafernes, as he was called.

LITTLE RED RIDING HOOD from "Brothers Grimm" ONCE upon a time... in the middle of a thick forest stood a small cottage, the home of a pretty little girl known to everyone as Little Red Riding Hood. One day, her Mummy waved her goodbye at the garden gate, saying, "Grandma is ill. Take her this basket of cakes, but be very careful. Keep to the path through the wood and don't ever stop. That way, you will come to no harm." Little Red Riding Hood kissed her mother and ran off. "Don't worry", she said, "I'll run all the way to Grandma's without stopping". Full of good intensions, the little girl made her way through the wood, but she was soon to forget her mother's wise words. "What lovely strawberries! And so red..."

VIRGIN SOIL by Ivan Sergeyevich Turgenev (1818-1883) is his last and longest novel. In it he finally says everything yet unsaid on the subject of social change, idealism and yet futility of revolutions, serfs and peasants, and the upper classes. The hero, Nezhdanov -- the disillusioned young son of a nobleman -- and the Populist movement are young idealists working to bridge the gap between the common people and the nobility, and through them Turgenev works out his own troubled thoughts about social reform and tradition, vitality and stagnation. The ideas of gradual reform shown here are eventually to be supplanted by the extremism of the Russian Revolution -- but that is yet to come.

"TOM!"?No answer.?"TOM!"?No answer.??"What's gone with that boy, I wonder? You TOM!"?No answer.??The old lady pulled her spectacles down and looked over them about the room; then she put them up and looked out under them. She seldom or never looked through them for so small a thing as a boy; they were her state pair, the pride of her heart, and were built for "style," not service—she could have seen through a pair of stove-lids just as well. She looked perplexed for a moment, and then said, not fiercely, but still loud enough for the furniture to hear:??"Well, I lay if I get hold of you I'll—"??She did not finish, for by this time she was bending down and punching under the bed with the broom, and so she needed breath to punctuate the punches with. She resurrected nothing but the cat.??"I never did see the beat of that boy!"?She went to the open door and stood in it and looked out among the tomato vines and "jimpson" weeds that constituted the garden. No Tom. So she lifted up her voice at an angle calculated for dis-tance and shouted:??"Y-o-u-u TOM!"

"The Unnamable" is a horror short story by American author H. P. Lovecraft. It was written in September 1923, first published in the July 1925 issue of Weird Tales, and first collected in Beyond the Wall of Sleep. Carter, a weird fiction writer, who is likely the Randolph Carter who features in some of Lovecraft's other tales such as The Statement of Randolph Carter, meets with his close friend, Joel Manton, in a cemetery near an old, dilapidated house on Meadow Hill in the town of Arkham, Massachusetts. As the two sit upon a weathered tomb, Carter tells Manton the tale of an indescribable entity that allegedly haunts the house and surrounding area. He contends that because such an entity cannot be perceived by the five senses, it becomes impossible to quantify and accurately describe, thus earning itself the term unnamable.

In Sister Carrie, Dreiser portrayed a changing society, writing about a young woman who flees rural life for the city (Chicago) and struggles with poverty, complex relationships with men, and prostitution. It sold poorly and was considered controversial because of moral objections to his featuring a country girl who pursues her dreams of fame and fortune through relationships with men. The book has since acquired a considerable reputation. It has been called the "greatest of all American urban novels." It was adapted as a 1952 film by the same name, directed by William Wyler and starring Laurence Olivier and Jennifer Jones.??"..When Caroline Meeber boarded the afternoon train for Chicago, her total outfit consisted of a small trunk, a cheap imita-tion alligator-skin satchel, a small lunch in a paper box, and a yellow leather snap purse, containing her ticket, a scrap of paper with her sister's address in Van Buren Street, and four dollars in money. It was in August, 1889. ??She was eighteen years of age, bright, timid, and full of the illusions of ignorance and youth. Whatever touch of regret at parting characterised her thoughts, it was certainly not for advantages now being given up. A gush of tears at her mother's farewell kiss, a touch in her throat when the cars clacked by the flour mill where her father worked by the day, a pathetic sigh as the familiar green environs of the village passed in review, and the threads which bound her so lightly to girlhood and home were irretrievably broken.."

So long a time had passed that Dorothy C. had grown to be what father John called "a baker's dozen of years old"; and upon another spring morning, as fair as that when she first came to them, the girl was out upon the marble steps, scrubbing away most vigorously. The task was known locally as "doing her front," and if one wishes to be considerable respectable, in Baltimore, one's "front" must be done every day. On Saturdays the entire marble facing of the basement must also be polished; but "pernickity" Mrs. Chester was known to her neighbors as such a forehanded housekeeper that she had her Saturday's work done on Friday, if this were possible.??Now this was Friday and chanced to be a school holiday; so Dorothy had been set to the week-end task, which she hated; and therefore she put all the more energy into it, the sooner to have done with it, meanwhile singing at the top of her voice. Then, when the postman came round the corner of the block, she paused in her singing to stare at him for one brief instant. The next she had pitched her voice a few notes higher still, and it was her song that greeted her father's ears and set him smiling in his old familiar fashion. ??Unfortunately, he had not been smiling when she first perceived him and there had been a little catch in her tones as she resumed her song. Each was trying to deceive the other and each pretending that nothing of the sort was happening.??"Heigho, my child! At it again, giving the steps a more tombstone effect? Well, since it's the fashion—go ahead!"??"I wish the man, or men, who first thought of putting scrubby-steps before people's houses had them all to clean himself! Hateful old thing!"

nchipuiete-i c i-ai pierdut prinii, dar nu ntr-un loc, ci ntr-un alt timp…Londra, secolul XXI. ntr-o zi ploioas, la ntoarcerea de la coal, Jake Djones un puti de paisprezece ani, este rpit de nite brbai ciudai. Acetia pretind c acioneaz pentru propria lui siguran i l duc n cartierul general al organizaiei lor, n Normandia, n… veacul al XIX-lea! Acolo, Jake afl c prinii lui au disprut i c ar putea fi oriunde, din Epoca Pietrei pn n secolul al XIX-lea, pentru c sunt cltori n timp i membri ai Serviciului Secret al Pzitorilor Istoriei. Responsabilitatea lor este aceea de a pzi istoria aa cum o tim noi, mpiedicnd un duman extrem de periculos s schimbe cursul evenimentelor.Veneia, iulie 1506. Diabolicul prin Zeldt i acoliii si pun la cale un plan minuios de a declana ciuma i de distruge epoca Renaterii. Alturi de cei trei ageni desemnai de organizaia secret, Jake se mbarc ntr-o cltorie plin de suspans, hotrt s-i gseasc prinii. Avnd ca arme doar calitile sale nnscute, curajul i o sticlu cu un lichid care nlesnete saltul n timp, putiul i asum misiunea de a lupta mpotriva teribilei armate a prinului Zeldt. Aventurile lui sunt pline de rsturnri neateptate de situaie, n care se confrunt cu spionaj de nalt clas, rpiri periculoase, chiar i o crim!Trecutul este n primejdie! Numai Jake l poate salva!A sosit clipa s faci cunotin cu un nou erou!Roman tradus n peste 25 de limbin curs de ecranizare la Working Title Films

C?nd se treze?te ?n cartierul general al C?ut?torilor, du?manii ei dintotdeauna, Calla Tor este sigur? c? zilele ?i sunt num?rate. Dar C?ut?torii ?i fac o ofert? care ?i d? ?ansa de a-?i distruge fo?tii st?p?ni ?i de a-?i salva haita ?i partenerul, pe care a fost nevoit? s?-i abandoneze. Merit? oare Ren pre?ul libert??ii ei? ?i va r?m?ne Shay al?turi, orice s-ar ?nt?mpla? Lu?ndu-?i soarta ?n propriile m?ini, Calla trebuie s? ?nve?e ce b?t?lii merit? purtate ?i prin c?te ?ncerc?ri poate trece adev?rata dragoste f?r? s? se sting?.Merit? oare dragostea sacrificiul suprem? R?spunsul ?l vei g?si ?n ultima parte a trilogiei.?O poveste tulbur?toare, plin? de ac?iune, de suspans ?i, evident, de dragoste… ??i vei dori mai mult!“ – Romantic Times Book Reviews?O saga fantasy construit? inteligent, care te ?ine cu sufletul la gur?.“ – The Associated Press?Sexy ?i palpitant?.“ – Becca Fitzpatrick

Suite des Cages flottantes. Extrait : Et alors votre mari a administré une gifle formidable au baron, qui est allé rouler dans les placards en cassant de la porcelaine de prix. Oh ! ?a a été admirablement fait ! Maxime a toujours eu une poigne très solide. Là-dessus, il est parti en disant : ? J’attends vos témoins. ? Le baron m’a prié d’être son premier témoin. Je me suis récusé. J’ai toujours été beaucoup plus l’ami de Maxime que celui du baron ; enfin, madame, je suis aussi votre ami, à vous, et je viens offrir mes services au marquis.

Spionaj de anvergur? interna?ional? ?i o urm?rire spectaculoas? de la un cap?t la altul al Europei. La c?teva luni dup? ce a z?d?rnicit un atac terorist interna?ional, Jonathan Ransom, chirurg ?n cadrul organiza?iei Medici F?r? Frontiere, lucreaz? sub acoperire ?ntr-un col? ?ndep?rtat al Africii. So?ia sa, Emma, urm?rit? de serviciul secret american Divizia, din care f?cuse parte, se ascunde ?i ea. Cei doi sperau s? se ?nt?lneasc? ?n secret ?n Londra, dar un nou atac terorist le strica weekendul romantic. Emma dispare din nou, Jonathan devine suspectul principal ?i totul se transform? ?ntr-un adev?rat haos. Obligat s? fie mereu cu un pas ?naintea poli?iei ?i s? anticipeze totodat? mi?c?rile Emmei, ?n al c?rei trecut se vede nevoit s? sape tot mai ad?nc, Jonathan ?ncepe o curs? de-a lungul Europei, ?n care va descoperi c? nu este dec?t un pion ?ntr-un joc al spionajului interna?ional a c?rui miz? ?i complexitate dep??esc cu mult orice imagina?ie.

Gaston Leroux est un romancier fran?ais, né le 6 mai 1868 à Paris (10e arr.) et mort le 15 avril 1927 à Nice (Alpes-Maritimes). Il est surtout connu pour ses romans policiers empreints de fantastique.

"The Moon-Bog" is a short story by American horror fiction writer H. P. Lovecraft, written in or before March 1921. The story was first published in the June 1926 issue of the pulp magazine Weird Tales. In the story, the unnamed narrator describes the final fate of his good friend, Denys Barry, an Irish-American who reclaims an ancestral estate in Kilderry, a fictional village in Ireland. Barry ignores pleas from the superstitious local peasantry not to drain the nearby bog, with unfortunate supernatural consequences.

Al sentir un roce en el cuello, Fernando de Ojeda soltó la pluma y levantó la cabeza. Una palmera enana movía detrás de él con balanceo repentino sus anchas manos de múltiples y puntiagudos dedos. Para evitarse este contacto avanzó el sillón de junco, pero no pudo seguir escribiendo. Algo nuevo había ocurrido en torno de él mientras con el pecho en el filo de la mesa y los ojos sobre los papeles huía lejos, muy lejos, acompa?ado en esta fuga ideal por el leve crujido de la pluma. Vio con el mismo aspecto exterior cosas y personas al salir de su abstracción; pero una vida interna, ruidosa y móvil parecía haber nacido en las cosas hasta entonces inanimadas, mientras la vida ordinaria callaba y se encogía en las personas, como poseída de súbita timidez.??Sus ojos, fatigados por la escritura, huían de las ampollas eléctri-cas del techo, inflamadas en plena tarde, para reposarse en los rectángulos de las ventanas que encuadraban el azul grisáceo de un día de invierno. La blancura de la madera laqueada temblaba con cierto reflejo húmedo que parecía venir del exterior. Dos salones agrandados por la escasez de su altura eran el campo visual de Ojeda. En el primero, donde estaba él, mezclábase a la blancura uniforme de la decoración el verde charolado de las palmeras de inver-náculo, el verde pictórico de los enrejados de madera tendidos de pilastra a pilastra y el verde amarillento y velludo de unas parras artificiales, cuyas hojas parecían retazos de terciopelo. Sillones de floreada cretona en torno de las mesas de bambú formaban islas, a las que se acogían grupos de personas para embadurnar con manteca y mermeladas el pan tostado, husmear el perfume del té o seguir el burbujeo de las aguas minerales te?idas de jarabes y licores. ? AUTOR: Vicente Blasco Ibanez nacio el 29 de enero de 1867 en Valencia (Espana). Era hijo de Ramona Ibanez y del comerciante Gaspar Blanco. Estudio Derecho en la Universidad de Valencia. Participo en la politica uniendose al Partido Republicano". En 1894 fundo el periodico El pueblo. En el ano 1896, fue detenido y condenado a varios meses de prision. En 1889 contrajo matrimonio con Maria Blasco del Cacho, hija del magistrado Rafael Blasco y Moreno. Cuando subio al poder Canovas del Castillo, el escritor se exilio brevemente en la ciudad de Paris. Fue un autor vinculado en muchos aspectos al naturalismo frances. Por otra parte, la explicita intencion politicosocial de algunas de las novelas de Blasco Ibanez, aunada al escaso bagaje intelectual del autor, lo mantuvo alejado de los representantes de la Generacion del 98. Murio el 28 de enero de 1928 en Menton (Francia)a los 60 anos. Entre sus titulos destacan: "Arroz y Tartana" (1894), "La Barraca" (1898), "Entre Naranjos (1900), "Canas y Barro" (1902), "La Horda" (1905), "Sangre y Arena" (1908) o "Los Cuatro Jinetes Del Apocalipsis" (1916).

An undertaker finds himself trapped in the vault where coffins are stored during winter for burial in the spring, and is mysteriously injured when he escapes.

"Hypnos" is a short story by H.P. Lovecraft, penned in March 1922 and first published in the May 1923 issue of National Amateur. The narrator, a sculptor, recounts meeting a mysterious man in a railway station. The moment the man opened his "immense, sunken and widely luminous eyes", the narrator knew that the stranger would become his friend-–"the only friend of one who had never possessed a friend before". In the eyes of the stranger he saw the knowledge of the mysteries he always sought to learn