A fascinating biography of the great Queen Victoria by American author, poet and lecturer Sara Jane Lippincott, better known by her pen-name of Grace Greenwood.

Throughout history people have claimed, or have been claimed, to have magical powers through contacting dead spirits. This is a fascinating look at some of those people, from ancient times to the modern age.

A fascinating look at the history of gambling and gaming, stretching from the modern age right back to the ancient world.

Using a trajectory of 20th century Anglican approaches to mission in rural Africa, the book tells the story of the development of an educational institution by tracing the faith journey of Eelin Beardall, a woman who dedicated thirty years of her life to the people of Nyamandlovu in Matabeleland region in Zimbabwe. Eelin and her husband Frank played a pioneering role in the development of Nyamandlovu's first secondary school. One of her greatest contributions to humanity was to carry out a vision for education both in the days of guerrilla warfare and in the context of post-independence troubles in rural Matabeleland. Eelin's bravery, resilience and care for African children earned her long-lasting love and respect among educationists and ordinary people alike. Her legacy continues today as an inspiration to those whose lives are dedicated to the service and welfare of others.

Diana, Princess of Wales is one of the most recognisable figures in history. However how much do you really know about the woman who stole a nation's heart? This quick-read eBook gives you all the information you need in easy to digest sections which cover her life from a young child through her ill-fated marriage and subsequent divorce, her relationships, charity work plus much more. Find out everything there is to know about the people's princess whose life was tragically cut short.

A fascinating fictionalised story of the life of Harold Godwinson, the last Anglo-Saxon King of England, written by bestselling novelist and coiner of such phrases as "e;the pen is mightier than the sword"e; and "e;It was a dark and stormy night"e;, Edward Bulwer-Lytton.

It is 1888 and the foggy streets of Whitechapel, one of the poorest areas of Victorian London, are gripped by fear. Five women thought have been murdered by the same hand, all but one of their corpses terrifyingly mutilated. But who were these women? And who could the murderer be? This fascinating book contains over one hundred facts about the awful crimes of the serial killer we all know as Jack the Ripper. Organised into sections covering each individual victim, clues to the Ripper's identity, possible suspects and more, this is an excellent addition to any classic crime fan's bookshelf.

A fascinating look into the life of King Frederick II of Prussia (also prince-elector of the Holy Roman Empire Frederick IV of Brandenburg), and the members of his court.

This text was taken from 'Celebrated Crimes', a series of essays on famous criminals and crimes by the author of 'The Count of Monte Cristo' and 'The Three Musketeers', Alexandre Dumas. This volume is on Mary Stuart, better known as Mary Queen of Scots.

Choking Back the Devil by Donna Lynch is an invocation, an ancient invitation that summons the darkness within and channels those lonely spirits looking for a host. It's a collection that lives in the realm of ghosts and family curses, witchcraft and urban legends, and if you're brave enough to peek behind the veil, the hauntings that permeate these pages will break seals and open doorways, cut throats and shatter mirrors. You see, these poems are small drownings, all those subtle suffocations that live in that place between our ribs that swells with panic, incubates fear. Lynch shows her readers that sometimes our shadow selves--our secrets--are our sharpest weapons, the knives that rip through flesh, suture pacts with demons, cut deals with entities looking for more than a homecoming, something better, more intimate than family. It's about the masks we wear and the reflections we choose not to look at, and what's most terrifying about the spells is these incantations show that we are the possessed, that we are our greatest monster, and if we look out of the corner of our eyes, sometimes--if we've damned ourselves enough--we can catch a glimpse of our own burnings, what monstrosities and mockeries we're to become. So cross yourselves and say your prayers. Because in this world, you are the witch and the hunter, the girl and the wolf. "Lynch mixes in childhood fables with waking nightmares, the result is electrifying; sometimes in a few razor sharp words; sometimes in longer numbered verses counting down the cycle of a damaged life. The silent cries of souls tormented to healthiness by pills and poultices, force fed by imperfect humans, echo in the silhouette of these poems. I smiled at the shadows unexpectedly delivered by her words, as will you."--Linda D. Addison, award-winning author of How to Recognize a Demon Has Become Your Friend and HWA Lifetime Achievement Award winner "This collection is not for the chronically disturbed, as fear is doled out in terse, potent portions. I got the shivers reading these unsettling poems."--Marge Simon, Bram Stoker Award winner, SFPA Grand Master Poet "Choking Back the Devil is unlike any other poetry collection you've ever read. Donna Lynch crafts beautifully terrifying worlds, packed with dense imagery and horrifying yet lush details. This collection will get your blood racing even as it breaks your heart." --Gwendolyn Kiste, Bram Stoker Award-winning author of The Rust Maidens "Some dark poets use their verse as a means to exorcise their demons. Lynch instead embraces her torment, nurtures it, and transforms it into equal parts hideous and heavenly. With a mix of wicked wit, carnal fury, and commentary that has sharpened its fangs to drain you until you're left with nothing but despair, Choking Back the Devil is essential sustenance for harrowed souls."--Chad Stroup, author of Secrets of the Weird and Sexy Leper

Hold your screams and enter a world of seasonal creatures, dreams of bones, and confessions modeled from open eyes and endless insomnia. Christina Sng’s?A Collection of Nightmares?is a poetic feast of sleeplessness and shadows, an exquisite exhibition of fear and things better left unsaid. Here are ramblings at the end of the world and a path that leads to a thousand paper cuts at the hands of a skin carver. There are crawlspace whispers, and fresh sheets gently washed with sacrifice and poison, and if you’re careful in this ghost month, these poems will call upon the succubus to tend to your flesh wounds and scars.?? ?These nightmares are sweeping fantasies that electrocute the senses as much as they dull the ache of loneliness by showing you what’s hiding under your bed, in the back of your closet, and inside your head. Sng’s poems dissect and flower, her autopsies are delicate blooms dressed with blood and syntax. Her words are charcoal and cotton, safe yet dressed in an executioner’s garb.?? ?Dream carefully.?? ?You’ve already made your bed.?? ?The nightmares you have now will not be kind.?? ?And you have no one to blame but yourself.

When Patrick McGoohan first starred in “Danger Man” in 1960 and as ‘Number 6’ in cult show “The Prisoner”, industry insiders hailed the arrival of an enigmatic genius and Hollywood beckoned. But who was this man who worked as a chicken farmer and bank clerk before becoming a hugely successful actor simply by chance? In this up-to-date biography Rupert Booth reveals the true character of a man whose off-screen behaviour matched his fiery on-screen persona. Why was he so puritanical, refusing even to kiss a woman for any part he played? Why was he so controlling over his work in “The Prisoner” and other productions? A timely exploration of the man whose declaration ‘I will not be pushed, filed, stamped, indexed, briefed, de-briefed or numbered!’ continues to resonate with audiences decades after it was first uttered with such conviction.

Ronnie Biggs: The Inside Story, written by two of Ronnie Biggs's closest friends and most ardent supporters, delivers exactly what it says on the label, giving a very personal, unique and yet disturbing insight into the mind and subsequent treatment by the judicial and penal systems of the man that became a legendary household name for his role in one of Britain's most notorious crimes, the Great Train Robbery of 1963, and his subsequent life on the run upon his escape from prison in 1965. Raising pointed questions and dispelling many myths, the story makes one wonder who is the greater criminal: the carpenter that played a bit part in an unarmed robbery 45 years ago, who has remained incarcerated since his return to the UK in 2001 despite the fact that he is now a frail, wheelchair-bound 79-year-old grandfather who is no threat to society, is fed via a tube to his stomach and can only communicate by pointing to letters on a laminated sheet; or the justice and prison systems that have allowed him to rot in jail for so long. One thing's for sure, although Ronnie Biggs's body is letting him down after a series of strokes and other illnesses, his legal team, campaign supporters, underworld friends and devoted family certainly aren't, and neither is his own fighting spirit or his humanity in the face of inhumanity. All he wants now is to be able to die a free man rather than suffer "e;a slow crucifixion on the Home Office cross"e;, and once all the facts have been digested one can only be moved to ask: "e;How could anyone deny him that?"e;

Laura was just eighteen years of age when she fled her family home on the Serbian Kosovo border at the height of the former Yugoslavian conflict. Her father felt she would be safer in Kosovo, free from the rape camps, massacres and ethnic cleansing that took place on their doorstep, the streets of the capital patrolled by US peacekeeping forces. Reluctantly she made the long journey through the mountains and eventually arrived in Pristina. Neither Laura or her father were aware she had entered a city one US delegate described, "e;as one vast crime scene."e; She had no idea what terrors lay ahead, as she crossed the path of 'The Chief', a self professed freedom fighter in the Kosovan Liberation Army. On the face of it The Chief' claimed to be fighting a noble cause. Behind closed doors he was the mastermind of a huge operation dealing in organ harvesting, people trafficking and prostitution and his evil gang raped tortured and killed at will. Laura had stumbled through the gates of hell. Follow her quite unbelievable true story of kidnap, murder, brutality and abuse set against the backdrop of one of Europe's most recent and bloody conflicts and how she encountered some of the most evil men on the planet.This is Laura's story of courage and hope and how some of the most evil men on the planet did not break her spirit.

Great Britain can be accused of many things; a proliferation of queuing, a fondness of the demon drink; but it's not without more than its fair share of important historical and modern people. 'Great Britons: A Very Peculiar History' looks at a myriad brillliant Britons and their influence on the world. The book features a short potted history of each person, detailing their acheivements, personalities and lifestyles in a quirky and memorable way. From kings and queens, pirates and politicians, actors and directors to sportsmen, explorers, scientists and inventors, 'Great Britons: A Very Peculiar History' celebrates the men and women who have shaped Great Britain and made it what it is today.

Planning for Learning through ICT aims to introduce young children to what ICT is, and provides over six weeks worth of activities that explore a range of technologies suitable for children 3-5. The book provides ideas for helping children learn about the different purposes of ICT and explores how to use ICT to create, to find information, to play, to shop. The book focuses in particular on how to use ICT creatively as well as outdoors. Whatever your daily learning, this book aims to show how ICT can be easily and appropriately included in your everyday play and learning.

Writings about the journey through life from a young adults life experiences.

If you've ever wondered what McGonagall was like before she became the firm but fair Transfiguration professor at Hogwarts (Was she ever in love? How did she form such a strong and trusting friendship with Dumbledore?) or reflected on what Remus Lupin's childhood might have been like - then From the Wizarding Archive (Volume 2) should go straight to the top of your must-read list. Containing 35 articles written by J.K. Rowling for the original Pottermore website, Harry PotterTM fans everywhere are in for a treat. If there's one thing Harry Potter fans have in common (apart from impeccably good taste), it's questions... so many questions. From the details that perplex us all - How does the Sorting Hat work, exactly? Was Dolores Umbridge always evil? - to the personal details that bring us closer to J.K. Rowling's writing process - from her least favourite school subject and its impact on Professor Snape's career, to the personal significance of King's Cross and why it's always where the Hogwarts Express departs - this is a veritable treasure trove of answers. With thematically curated chapters and editorial writing linking and exploring the articles in greater depth than ever before, this is essential reading for any Harry Potter afficionado. These articles were originally featured on pottermore.com and are still free, and available to read in English, on the official Wizarding World website. Note: This eBook is available as two separate volumes or as a combined edition. The articles in Volume 2 were previously published as three Pottermore Presents eBooks. If you already own those, you might prefer to read From the Wizarding Archive (Volume 1) instead. Pottermore Limited will be donating author royalties to the Lumos Foundation on behalf of J.K. Rowling, expected to be equivalent to a minimum of ?1 (or the local currency equivalent) for each copy of From the Wizarding Archive sold. The Lumos Foundation is a registered charity in England and Wales with charity number 1112575.

If you've ever wondered what happened when Vernon Dursley first met James Potter, wanted to know more about the magical properties of wand cores or pondered whether the Malfoys were always wealthy and firmly anti-Muggle - then From the Wizarding Archive (Volume 1) should go straight to the top of your must-read list. Containing 45 articles written by J.K. Rowling for the original Pottermore website, Harry PotterTM fans everywhere are in for a treat. If there's one thing Harry Potter fans have in common (apart from impeccably good taste), it's questions... so many questions. How do the Hogwarts staff know where every magical child lives, and are mistakes ever made when sending out admittance letters? Why don't wizards just use phones? From the history of wizarding schools to background on magical transportation - this is a veritable treasure trove of answers. With editorial writing linking and exploring the articles in greater depth than ever before, plus an exclusive foreword by Evanna Lynch, this is essential reading for any Harry Potter afficionado. These articles were originally featured on pottermore.com and are still free, and available to read in English, on the official Wizarding World website. Note: This eBook is available as two separate volumes or as a combined edition. The articles in Volume 2 were previously published as three Pottermore Presents eBooks. If you already own those, you might prefer to read this edition, From the Wizarding Archive (Volume 1), instead of the combined eBook. Pottermore Limited will be donating author royalties to the Lumos Foundation on behalf of J.K. Rowling, expected to be equivalent to a minimum of ?1 (or the local currency equivalent) for each copy of From the Wizarding Archive sold. The Lumos Foundation is a registered charity in England and Wales with charity number 1112575.

Bertolt Brecht once worried that our sympathy for the victims of a social problem can make the problem's "e;beauty and attraction"e; invisible. In?The Beauty of a Social Problem, Walter Benn Michaels explores the effort to overcome this difficulty through a study of several contemporary artist-photographers whose work speaks to questions of political economy.Although he discusses well-known figures like Walker Evans and Jeff Wall, Michaels's focus is on a group of younger artists, including Viktoria Binschtok, Phil Chang, Liz Deschenes, and Arthur Ou. All born after 1965, they have always lived in a world where, on the one hand, artistic ambition has been synonymous with the critique of autonomous form and intentional meaning, while, on the other, the struggle between capital and labor has essentially been won by capital. Contending that the aesthetic and political conditions are connected, Michaels argues that these artists' new commitment to form and meaning is a way for them to depict the conditions that have taken US economic inequality from its lowest level, in 1968, to its highest level today. As Michaels demonstrates, these works of art, unimaginable without the postmodern critique of autonomy and intentionality, end up departing and dissenting from that critique in continually interesting and innovative ways. ?

Fought in the wake of a decade of armed struggle against colonialism, the Mozambican civil war lasted from 1977 to 1992, claiming hundreds of thousands of lives while displacing millions more. As conflicts across the globe span decades and generations, Stephen C. Lubkemann suggests that we need a fresh perspective on war when it becomes the context for normal life rather than an exceptional event that disrupts it. Culture in Chaos calls for a new point of departure in the ethnography of war that investigates how the inhabitants of war zones live under trying new conditions and how culture and social relations are transformed as a result.Lubkemann focuses on how Ndau social networks were fragmented by wartime displacement and the profound effect this had on gender relations. Demonstrating how wartime migration and post-conflict return were shaped by social struggles and interests that had little to do with the larger political reasons for the war, Lubkemann contests the assumption that wartime migration is always involuntary. His critical reexamination of displacement and his engagement with broader theories of agency and social change will be of interest to anthropologists, political scientists, historians, and demographers, and to anyone who works in a war zone or with refugees and migrants.