In the glittering, steam-driven high society of Waldron’s Gate, no one needs to dream. Karl Gilmore spends his days caring for people with broken?minds. The Dream Thief fulfills twisted fantasies. The seductive lure of irresistible power threatens to destroy all they both?hold dear. A wildly imaginative tale of the seedy underbelly of the perfect Engine World city and beyond. An epic adventure of airships and monsters, love and heartbreak. An Engine World novel.

Now a USA Today bestseller Join the five McCabe siblings on their journeys to the dark and dangerous side of love! An intense, exhilarating collection of romantic thrillers you won’t want to miss. This collection includes all the books in this new spinoff series. Don't Stop Me, Don't Catch Me, Don't Run From Me, Don't Hide From Me, and the newest addition Claudia's story in Don't Leave Me

The greatest gift to us is caring. What would the world be like without someone to care for or to care with? Would love survive if we don't care? From the world of twenty-three science fiction and fantasy authors comes a world that can be funny, heartwarming, strange, or sad. Or not what we expect. Nominated – 2018 (Canadian SF&F) Aurora Award Shortlist (anthology/Best Related Work) 2018 Alberta Book Publishing Award Shortlist (Best Speculative Fiction) Finalist One story selected for Best of British Science Fiction 2017 (ed. by Donna Scott) One story selected for Best Indie Speculative Fiction, Vol. 1 (Bards & Sages Publishing) Five stories on Tangent Online Recommended Reading List 2017 One story nominated – 2018 (Canadian SF&F) Aurora Award Short Fiction Finalist One story – 2018 WSFA Small Press Award Finalist One story nominated – 2018 Sunburst Award for Excellence in Canadian Literature of the Fantastic Short Fiction Shortlist Three stories – 2018 Sunburst Award for Excellence in Canadian Literature of the Fantastic Short Fiction Longlist How can a henchman keep up with a mischievous retired supervillain? Can a dog help a hockey player score again? Will an odd couple with a zany sense of adventure and diminished capabilities survive an earthquake? Where does a stray cat go to find love every night? What secret does a pious monk have with a cargo of sleeping human? Will terrorism in space take out a young apprentice and a blind welder? What does an oracle tell a lover about her final days? Can a "heart of gold" prevent a soldier from crossing the enemy line with the governor's children? These, and many more. Featuring Original Stories by Colleen Anderson, Charlotte Ashley, Brenda Cooper, Ian Creasey, A.M. Dellamonica, Bev Geddes, Claire Humphrey, Sandra Kasturi, Tyler Keevil, Juliet Marillier, Matt Moore, Heather Osborne, Nisi Shawl, Alex Shvartsman, Karina Sumner-Smith, Kate Story, Amanda Sun, Hayden Trenholm, James Van Pelt, Liz Westbrook-Trenholm, Edward Willett, Christie Yant & Caroline M. Yoachim With Introduction by Dominik Parisien Edited by Susan Forest and Lucas K. Law Anthologies in this series (Strangers Among Us, The Sum of Us, Where the Stars Rise) have been recommended by Publishers Weekly, Booklist (American Library Association), Kirkus Reviews, Library Journal, School Library Journal, Locus, Foreword Reviews, and Quill & Quire. REVIEWS for THE SUM OF US “A strong collection . . . make it worth reading.” –Publishers Weekly “Definitely consider buying a copy, if not for yourself, then for someone who is serving as a caretaker. At the very least, it should make us all appreciate caretakers for all they do.” –Lightspeed Magazine “Thought provoking page-turners.” –Tangent “These stories take a broad exploration of what care can mean . . .” —Speculating Canada (Derek Newman-Stille)

When the ties of loyalty are severed, whom do you trust?Part of?The Love and War Series, novels set during the 20th century's darkest years. World War Two. It is June 1940. France has surrendered and the Nazi German occupation begins. A small village in northern France awaits the arrival of a garrison of conquering Germans.?To their dismay, 16-year-old Pierre and his parents, Georges and Sandrine, are forced to accommodate a German major, Major Hurtzberger. He is the enemy within their midst; the invader of their country, and, more pertinently, the unwanted lodger within their home. The problem, however, is that the German is annoyingly pleasant. The major, with a son of his own, empathises with Pierre in a way Georges has never been able to. Immediately the two of them find a bond, leaving Pierre confused and his understanding of good and bad, of black and white, shattered.?But then, Georges, Pierre’s father, is arrested by the Gestapo and taken away. Forced to confront the prejudices of others, as well as his own, Pierre has to ask where his loyalties lie, and who are his friends and who, exactly, is the enemy.?Desperate to prove himself a man, Pierre is continually thwarted by those he trusts – his parents, the villagers and especially Claire, the girl he so desires.?Pierre’s quest brings to the fore a traumatic event in the family’s past, a tragedy never forgotten but never mentioned. Only by confronting his trauma, can Pierre find the answer and prove he is a man in a country at war.From the founder of the History In An Hour series, comes another powerful work of WW2 historical fiction that will remain with you long after you’ve turned the final page.“Really enjoyed this book. Loved the characters and their involvement in the story.”“This is a book with difference. I will look for more books by this author.”“Colley draws his characters with fine lines, illustrating both the brutality and compassion shown by individuals on both sides of this war.”“Told with great poignancy.”Historical fiction with heart and drama.

Three thrilling tales that transcend time: The Long Commute Shon Howard and others like him go to work every day to reverse the ravages of climate change, pollution, and other evils. His daughter’s life depends on it. Because in Shon’s world, mistakes of past centuries can be corrected by visiting key moments in time. As long as he doesn’t get caught. A Taste Of Time Gabby Dufour hates the blueberries that grow over the site of her home town, destroyed in a fire decades ago. Then young berry-loving Amanda comes to visit, with inexplicable knowledge about the town, and Gabby is forced to wonder if there’s more to blueberries than meets the tongue. (First published in On Spec #88 vol 24 no 1, August 2014.) Hurricane The crew of a Hurricane Hunter aircraft is assigned to monitor an experiment designed to collect the awesome energy of a powerful storm. When the project succeeds too well, nowhere is beyond its destructive reach. Praise for Scott Overton: “A storyteller of boundless skill…a writer to watch.” “A gifted wordsmith.”

Can British magick survive? As the pace of modern life accelerates, the old ways wither and die. But to the Society for Magickal Heritage, that just isn’t good enough. The Witch: Friend to the unicorns, lover of pancakes, and wielder of potent artefacts, star agent Cordelia “Ves” Vesper will stop at nothing — okay, very little — to drag ancient magicks back out of the grave. The Waymaster: New recruit Jay Patel has some rare and powerful arts at his disposal. With a penchant for old books and motorbikes in near equal measure, he’s a force to be reckoned with. The Necromancer: Prankster Zareen Dalir may be high-spirited but she’s got a darker side. A much, much darker side. Head of the Toil and Trouble division, Zar’s the best kind of bad news. The Baron: Is Baron Alban the handsomest troll alive or... forget it, yes. Yes, he is. But he’s not just a pretty face. With the powerful Troll Court at his back and a smile to slay an army, Alban’s a staunch ally. Join these four champions, the enigmatic “Milady” of the Society, and the sentient house they call Home as they fight to keep magick alive! This compendium brings you the first three wild adventures all in one: The Road to Farringale, Toil and Trouble, and The Striding Spire.? Praise for the Modern Magick series: 'Charming, quirky, and funny.' 'Enjoyable and imaginative fantasy series with whimsical overtones... A fresh magical world.' 'This is an incredibly entertaining story... help, I'm running out of superlatives.' 'The writing is excellent and fun... a rousing, gripping adventure. ' '...delightfully fun, whimsical and engaging, with great characters and settings.' 'If you like Jodi Taylor's St Mary's books, this is for you.' '...quirky and fun and I couldn't ask for more... Her usual unique charm.' ''...characters that are easy to love, an invisible boss and a house that seems to have a mind of it's own. I devoured the book in one sitting.' 'Written with charm and intelligence, this series is a delight to read!' '...the pages just seem to fly by! Can't wait to read the next one.' '...the entire quirky cast is fun and endearing... our heroine is a delightful companion for adventure.'

Someone saves your life. Now you wish they hadn't. World War Two, summer, 1942, Nazi-occupied France. A nervous young resistance fighter sits on a train. The Gestapo demand his papers. An older woman, sitting opposite, intervenes.Paris, 1968. The young man is now the most successful music conductor in France. Yet, 26 years on, he still wonders why the woman on the train saved him that fateful day? He knows he owes her everything. Unexpectedly, he receives a letter from her, begging him to come to her aid. Honour-bound, he gladly offers to return the favour.? But the woman hides a dark and terrible secret, which, if exposed, threatens to destroy them both. Torn between those he loves and his sense of honour, his life rapidly spirals out of control.?Who exactly was The Woman on the Train?Historical fiction with heart and drama.Part of?The Love and War Series, novels set during the 20th century's darkest years.Also included,?The Last Act of War, a heart-rending short story.?

The eight short stories in this collection look at the ties that bind and the transformations they provoke. Whether bound by love, blood, or violent circumstance, the characters in these tales are fundamentally altered by those closest to them … and not always for the better. ? Two mothers become entwined in revenge against a violent man, with unexpected consequences. A roving gang of sirens finds themselves challenged from without and within. In a last, desperate act of love, a young surgeon goes under the knife. And in a distant territory, a mother and daughter struggle to survive—but the aid they summon is far more dangerous. ? At turns brutal and tender, subtle and shocking, these stories blend realism, fantasy, and horror to create an unsettling—and unforgettable—experience.

Eugene Gladstone O'Neill was born on October 16, 1888 in a hotel bedroom in what is now Times Square, New York. Much of his childhood was spent in the comfort of books at boarding schools whilst his actor father was on the road and his Mother contended with her own demons. He spent only a year at University - Princeton - and various reasons have been given for his departure. However whatever his background and education denied or added to his development it is agreed amongst all that he was a playwright of the first rank and possibly America's greatest. His introduction of realism into American drama was instrumental in its development and paved a path for many talents thereafter. Of course his winning of both the Pulitzer Prize (4 times) and the Nobel Prize are indicative of his status. His more famous and later works do side with the disillusionment and personal tragedy of those on the fringes of society but continue to build upon ideas and structures he incorporated in his early one act plays. Eugene O'Neill suffered from various health problems, mainly depression and alcoholism. In the last decade he also faced a Parkinson's like tremor in his hands which made writing increasingly difficult. But out of such difficulties came plays of the calibre of The Iceman Cometh, Long Day's Journey Into Night, and A Moon for the Misbegotten. Eugene O'Neill died in Room 401 of the Sheraton Hotel on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "e;I knew it. I knew it. Born in a hotel room and died in a hotel room."e;

The life of William Shakespeare, arguably the most significant figure in the Western literary canon, is relatively unknown. Shakespeare was born in Stratford-upon-Avon in 1565, possibly on the 23rd April, St. George's Day, and baptised there on 26th April. Little is known of his education and the first firm facts to his life relate to his marriage, aged 18, to Anne Hathaway, who was 26 and from the nearby village of Shottery. Anne gave birth to their first son six months later. Shakespeare's first play, The Comedy of Errors began a procession of real heavyweights that were to emanate from his pen in a career of just over twenty years in which 37 plays were written and his reputation forever established. This early skill was recognised by many and by 1594 the Lord Chamberlain's Men were performing his works. With the advantage of Shakespeare's progressive writing they rapidly became London's leading company of players, affording him more exposure and, following the death of Queen Elizabeth in 1603, a royal patent by the new king, James I, at which point they changed their name to the King's Men. By 1598, and despite efforts to pirate his work, Shakespeare's name was well known and had become a selling point in its own right on title pages. No plays are attributed to Shakespeare after 1613, and the last few plays he wrote before this time were in collaboration with other writers, one of whom is likely to be John Fletcher who succeeded him as the house playwright for the King's Men. William Shakespeare died two months later on April 23rd, 1616, survived by his wife, two daughters and a legacy of writing that none have since yet eclipsed.

Henrik Ibsen (20th March, 1828 - 23rd May, 1906) is often referred to as the father of realism and ranked just below Shakespeare as Europe's greatest ever playwright especially as his plays are performed most frequently throughout the world after Shakespeare's. He was Norwegian and although set his plays in Norway, he wrote them in Danish and lived most of his professional life in Italy and Germany. His affect on the theatre is still evident today and shapes the distinction of plays being art as opposed to entertainment since he broke down all previous traditions and explored issues, developed characterisation, revealed uncomfortable truths, challenged assumptions and brokedown facades in ourselves as well as society. These factors are clearly demonstrated in the Pillars of Society, a contemporary drama set in a small Norwegian coastal town dominated by shipbuilder Karsten Bernick who is planning a railway to connect the town to the main line and a tract of land he has been secretly buying. His past comes crashing in on him by the return of his brother in law who had gone to America to take the blame for Bernick stealing family business money and having an affair with an actress and the return of the love of his life who he had rejected for his current wealthy wife. Ibsen skilfully builds on these characters to provide a gripping tragedy underlining the ways of the rich and corrupt and Ibsen's conclusions in this play were a cause of great controversy and much surprise.

John Dryden was born on August 9th, 1631 in the village rectory of Aldwincle near Thrapston in Northamptonshire. As a boy Dryden lived in the nearby village of Titchmarsh, Northamptonshire. In 1644 he was sent to Westminster School as a King's Scholar. Dryden obtained his BA in 1654, graduating top of the list for Trinity College, Cambridge that year. Returning to London during The Protectorate, Dryden now obtained work with Cromwell's Secretary of State, John Thurloe. At Cromwell's funeral on 23 November 1658 Dryden was in the company of the Puritan poets John Milton and Andrew Marvell. The setting was to be a sea change in English history. From Republic to Monarchy and from one set of lauded poets to what would soon become the Age of Dryden. The start began later that year when Dryden published the first of his great poems, Heroic Stanzas (1658), a eulogy on Cromwell's death. With the Restoration of the Monarchy in 1660 Dryden celebrated in verse with Astraea Redux, an authentic royalist panegyric. With the re-opening of the theatres after the Puritan ban, Dryden began to also write plays. His first play, The Wild Gallant, appeared in 1663 but was not successful. From 1668 on he was contracted to produce three plays a year for the King's Company, in which he became a shareholder. During the 1660s and '70s, theatrical writing was his main source of income. In 1667, he published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London in 1666. It established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate (1668) and then historiographer royal (1670). This was truly the Age of Dryden, he was the foremost English Literary figure in Poetry, Plays, translations and other forms. In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697), which was published by subscription. It was a national event. John Dryden died on May 12th, 1700, and was initially buried in St. Anne's cemetery in Soho, before being exhumed and reburied in Westminster Abbey ten days later.

Thomas Middleton was born in London in April 1580 and baptised on 18th April. Middleton was aged only five when his father died. His mother remarried but this unfortunately fell apart into a fifteen year legal dispute regarding the inheritance due Thomas and his younger sister. By the time he left Oxford, at the turn of the Century, Middleton had and published Microcynicon: Six Snarling Satirese which was denounced by the Archbishop of Canterbury and publicly burned. In the early years of the 17th century, Middleton wrote topical pamphlets. One - Penniless Parliament of Threadbare Poets was reprinted several times and the subject of a parliamentary inquiry. These early years writing plays continued to attract controversy. His writing partnership with Thomas Dekker brought him into conflict with Ben Jonson and George Chapman in the so-called War of the Theatres. His finest work with Dekker was undoubtedly The Roaring Girl, a biography of the notorious Mary Frith. In the 1610s, Middleton began another playwriting partnership, this time with the actor William Rowley, producing another slew of plays including Wit at Several Weapons and A Fair Quarrel. The ever adaptable Middleton seemed at ease working with others or by himself. His solo writing credits include the comic masterpiece, A Chaste Maid in Cheapside, in 1613. In 1620 he was officially appointed as chronologer of the City of London, a post he held until his death. The 1620s saw the production of his and Rowley's tragedy, and continual favourite, The Changeling, and of several other tragicomedies. However in 1624, he reached a peak of notoriety when his dramatic allegory A Game at Chess was staged by the King's Men. Though Middleton's approach was strongly patriotic, the Privy Council silenced the play after only nine performances at the Globe theatre, having received a complaint from the Spanish ambassador. What happened next is a mystery. It is the last play recorded as having being written by Middleton. Thomas Middleton died at his home at Newington Butts in Southwark in the summer of 1627, and was buried on July 4th, in St Mary's churchyard which today survives as a public park in Elephant and Castle.

Johan August Strindberg was born on January 22nd 1849 in Stockholm in Sweden. It was only at the age of 32 that Strindberg managed to break through as a playwright with 'Master Olef'. Of course with a predecessor as famous as Henrik Ibsen overshadowing everything it was difficult, perhaps, to make headway. However Stringberg took to the task, exploring a wide range of styles, experimenting at every opportunity and with The Red Room wrote what is lauded as the first modern Swedish novel. His career spanned some 60 plays and another 30 novels and associated texts. Whilst he was prolific writer he was also something of a polymath, a telegrapher, theosophist, painter, photographer and alchemist. Much of the 1890's was spent abroad but several psychotic attacks between 1894 to 1896 (referred to as his "e;Inferno crisis"e;) led to his hospitalisation and return to Sweden. His works continued to expand and reshape the boundaries of theatre and many are considered classics and deservedly so. Strindberg became ill with pneumonia during Christmas 1911 and never recovered completely. On April 9th 1912 he at last premiered in New York at the Berkeley Theatre with 'The Father'. He died on 14 May 1912 at the age of 63. Strindberg was interred in the Norra begravningsplatsen in Stockholm.

Thomas Middleton was born in London in April 1580 and baptised on 18th April. Middleton was aged only five when his father died. His mother remarried but this unfortunately fell apart into a fifteen year legal dispute regarding the inheritance due Thomas and his younger sister. By the time he left Oxford, at the turn of the Century, Middleton had and published Microcynicon: Six Snarling Satirese which was denounced by the Archbishop of Canterbury and publicly burned. In the early years of the 17th century, Middleton wrote topical pamphlets. One - Penniless Parliament of Threadbare Poets was reprinted several times and the subject of a parliamentary inquiry. These early years writing plays continued to attract controversy. His writing partnership with Thomas Dekker brought him into conflict with Ben Jonson and George Chapman in the so-called War of the Theatres. His finest work with Dekker was undoubtedly The Roaring Girl, a biography of the notorious Mary Frith. In the 1610s, Middleton began another playwriting partnership, this time with the actor William Rowley, producing another slew of plays including Wit at Several Weapons and A Fair Quarrel. The ever adaptable Middleton seemed at ease working with others or by himself. His solo writing credits include the comic masterpiece, A Chaste Maid in Cheapside, in 1613. In 1620 he was officially appointed as chronologer of the City of London, a post he held until his death. The 1620s saw the production of his and Rowley's tragedy, and continual favourite, The Changeling, and of several other tragicomedies. However in 1624, he reached a peak of notoriety when his dramatic allegory A Game at Chess was staged by the King's Men. Though Middleton's approach was strongly patriotic, the Privy Council silenced the play after only nine performances at the Globe theatre, having received a complaint from the Spanish ambassador. What happened next is a mystery. It is the last play recorded as having being written by Middleton. Thomas Middleton died at his home at Newington Butts in Southwark in the summer of 1627, and was buried on July 4th, in St Mary's churchyard which today survives as a public park in Elephant and Castle.

John Dryden was born on August 9th, 1631 in the village rectory of Aldwincle near Thrapston in Northamptonshire. As a boy Dryden lived in the nearby village of Titchmarsh, Northamptonshire. In 1644 he was sent to Westminster School as a King's Scholar. Dryden obtained his BA in 1654, graduating top of the list for Trinity College, Cambridge that year. Returning to London during The Protectorate, Dryden now obtained work with Cromwell's Secretary of State, John Thurloe. At Cromwell's funeral on 23 November 1658 Dryden was in the company of the Puritan poets John Milton and Andrew Marvell. The setting was to be a sea change in English history. From Republic to Monarchy and from one set of lauded poets to what would soon become the Age of Dryden. The start began later that year when Dryden published the first of his great poems, Heroic Stanzas (1658), a eulogy on Cromwell's death. With the Restoration of the Monarchy in 1660 Dryden celebrated in verse with Astraea Redux, an authentic royalist panegyric. With the re-opening of the theatres after the Puritan ban, Dryden began to also write plays. His first play, The Wild Gallant, appeared in 1663 but was not successful. From 1668 on he was contracted to produce three plays a year for the King's Company, in which he became a shareholder. During the 1660s and '70s, theatrical writing was his main source of income. In 1667, he published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London in 1666. It established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate (1668) and then historiographer royal (1670). This was truly the Age of Dryden, he was the foremost English Literary figure in Poetry, Plays, translations and other forms. In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697), which was published by subscription. It was a national event. John Dryden died on May 12th, 1700, and was initially buried in St. Anne's cemetery in Soho, before being exhumed and reburied in Westminster Abbey ten days later.

Jane Austen's Emma (1815) explores the life of women in Regency England, combining romance with some aspects of the comedy of manners. The story centers around the eponymous character who, unlike Austen's other popular heroines, is an upper middle-class young woman with no pecuniary concerns. Emma Woodhouse is rather a strong-headed, beautiful young woman who lives with her father and who has resolved not to marry. Yet, she spends considerable time and energy trying to make matches for the other people around her and tends to draw amusement and satisfaction from such practice. After one successful experience, Emma tries to match her friend Harriet to a man named Mr. Elton. Her earnest and honest friend George Knightley warns her of Mr. Elton's snobbish nature. Nonetheless, Emma starts by making her friend Harriet reject a marriage proposal. Surprisingly, while she believes Mr. Elton's attention is drawn towards Harriet, the man ends up declaring his love for the match-maker herself. When Emma informs Mr. Elton of her intention to match him to her friend, he feels insulted, considering Harriet's inferior social class. He leaves the town while Emma keeps on trying to find a husband for Harriet. By the end of the novel, Emma marries Mr. Knightley to finally give up her favorite hobby while Harriet marries Robert Martin. We've also included a concise and informative biography of Jane's works and life at the end of the book. We hope it helps to give a little context and colour about how her life interacted with her art.

Booth Tarkington was born on July 29, 1869 in Indianapolis, Indiana. He is one of only three novelists to win the Pulitzer Prize more than once. When you look through the quality of his work it is easy to understand why. The Magnificent Ambersons, Alice Adams, Penrod, Penrod And Sam - all classics. The Penrod novels depict a typical upper-middle class American boy of 1910 vintage, revealing a fine, bookish sense of American humor. At one time, his Penrod series was as well known andregarded as Twain's Huckleberry Finn. Much of Tarkington's work consists of satirical and closely observed studies of the American class system and its foibles. Coming as he did from a patrician Midwestern family that lost much of its wealth after the Panic of 1873 the foundations for that outlook are clear. Today, he is best known for his novel The Magnificent Ambersons which contrasted the decline of the "e;old money"e; Amberson dynasty with the rise of "e;new money"e; industrial tycoons in the years between the American Civil War and World War I. In this volume you have an opportunity to read one his plays, The Gibson Upright

John Marston was born to John and Maria Marston nee Guarsi, and baptised on October 7th, 1576 at Wardington, Oxfordshire.Marston entered Brasenose College, Oxford in 1592 and earned his BA in 1594. By 1595, he was in London, living in the Middle Temple. His interests were in poetry and play writing, although his father's will of 1599 hopes that he would not further pursue such vanities.His brief career in literature began with the fashionable genres of erotic epyllion and satire; erotic plays for boy actors to be performed before educated young men and members of the inns of court.In 1598, he published 'The Metamorphosis of Pigmalion's Image and Certaine Satyres', a book of poetry. He also published 'The Scourge of Villanie', in 1598. 'Histriomastix' regarded as his first play was produced 1599. It's performance kicked off an episode in literary history known as the War of the Theatres; a literary feud between Marston, Jonson and Dekker that lasted until 1602.However, the playwrights were later reconciled; Marston wrote a prefatory poem for Jonson's 'Sejanus' in 1605 and dedicated 'The Malcontent' to him. Beyond this episode Marston's career continued to gather both strength, assets and followers. In 1603, he became a shareholder in the Children of Blackfriars company. He wrote and produced two plays with the company. The first was 'The Malcontent' in 1603, his most famous play. His second was 'The Dutch Courtesan', a satire on lust and hypocrisy, in 1604-5.In 1605, he worked with George Chapman and Ben Jonson on 'Eastward Ho', a satire of popular taste and the vain imaginings of wealth to be found in the colony of Virginia.Marston took the theatre world by surprise when he gave up writing plays in 1609 at the age of thirty-three. He sold his shares in the company of Blackfriars. His departure from the literary scene may have been because of further offence he gave to the king. The king suspended performances at Blackfriars and had Marston imprisoned.On 24th September 1609 he was made a deacon and them a priest on 24th December 1609. In October 1616, Marston was assigned the living of Christchurch, Hampshire.He died (accounts vary) on either the 24th or 25th June 1634 in London and was buried in the Middle Temple Church.

The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over. Gilbert's sharp, funny words and Sullivan's deliciously lively and hummable tunes create a world that is distinctly British in view but has the world as its audience. Both men were exceptionally talented and gifted in their own right and wrote much, often with other partners, that still stands the test of time. However, together as a team they created Light or Comic Operas of a standard that have had no rivals equal to their standard, before or since. That's quite an achievement. To be recognised by the critics is one thing but their commercial success was incredible. The profits were astronomical, allowing for the building of their own purpose built theatre - The Savoy Theatre. Beginning with the first of their fourteen collaborations, Thespis in 1871 and travelling through many classics including The Sorcerer (1877), H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1885), The Gondoliers (1889) to their finale in 1896 with The Grand Duke, Gilbert & Sullivan created a legacy that is constantly revived and admired in theatres and other media to this very day.

Thomas Middleton was born in London in April 1580 and baptised on 18th April. Middleton was aged only five when his father died. His mother remarried but this unfortunately fell apart into a fifteen year legal dispute regarding the inheritance due Thomas and his younger sister. By the time he left Oxford, at the turn of the Century, Middleton had and published Microcynicon: Six Snarling Satirese which was denounced by the Archbishop of Canterbury and publicly burned. In the early years of the 17th century, Middleton wrote topical pamphlets. One - Penniless Parliament of Threadbare Poets was reprinted several times and the subject of a parliamentary inquiry. These early years writing plays continued to attract controversy. His writing partnership with Thomas Dekker brought him into conflict with Ben Jonson and George Chapman in the so-called War of the Theatres. His finest work with Dekker was undoubtedly The Roaring Girl, a biography of the notorious Mary Frith. In the 1610s, Middleton began another playwriting partnership, this time with the actor William Rowley, producing another slew of plays including Wit at Several Weapons and A Fair Quarrel. The ever adaptable Middleton seemed at ease working with others or by himself. His solo writing credits include the comic masterpiece, A Chaste Maid in Cheapside, in 1613. In 1620 he was officially appointed as chronologer of the City of London, a post he held until his death. The 1620s saw the production of his and Rowley's tragedy, and continual favourite, The Changeling, and of several other tragicomedies. However in 1624, he reached a peak of notoriety when his dramatic allegory A Game at Chess was staged by the King's Men. Though Middleton's approach was strongly patriotic, the Privy Council silenced the play after only nine performances at the Globe theatre, having received a complaint from the Spanish ambassador. What happened next is a mystery. It is the last play recorded as having being written by Middleton. Thomas Middleton died at his home at Newington Butts in Southwark in the summer of 1627, and was buried on July 4th, in St Mary's churchyard which today survives as a public park in Elephant and Castle.