Edi?ie bilingv? Veaceslav Samo?kin este rus, corespondent de pres? la Bucure?ti, dar ?n primul r?nd, poet. Universul lui poetic penduleaz? ?ntre tragismul ?nsingur?rii ?i nevoia de confesiune. Elegiac? ?i intimist?, lirica din volumul Po?ta?ul nocturn este strig?tul de am?r?ciune al intelectualului lucid ?n fa?a vicisitudinilor unei istorii contorsionate ?i, totodat?, supapa prin care se revars? preaplinul propriilor drame existen?iale. Poet prin excelen?? citadin, Veaceslav Samo?kin ??i aminte?te cu nostalgie de ora?ul natal ?cu nume bol?evic“, care ?i-a pus amprenta asupra ?ntregii lui vie?i – ?Arhitectura sufletului meu/ e-a str?zilor lui prelungire“–, descrie cu delicate?e ner?bdarea de a ?nt?lni fata drag? –  ?ochii mei ?nverzesc semaforul“ –, identific? ?n triste?ea unei toamne destinul unei iubiri trecute –  ?era acea toamn?/ nu un anotimp, ci/ soarta noastr? doamn?“–, sufer? al?turi de femeile care pl?ng noaptea, cu hohote ?n?bu?ite, ?vie?ile nen?scute ori ucise/ ?n disperate p?ntece de mam?“... Tr?itor de c?teva decenii ?n ?ara noastr?, Veaceslav Samo?kin s-a integrat perfect ?n peisajul d?mbovi?ean: ?l putem ?nt?lni pe str?zile ora?ului sau ?i putem asculta, ?ntr-o cafenea, considera?iile generoase asupra literaturii ?i artei, politicii sau vie?ii, ?n general. C?ci cel pe care prietenii ?l apeleaz? cu diminutivul Slava nu este doar un intelectual de stirpe aleas?, impresionant prin erudi?ie, ci ?i un om de o fermec?toare ?i bl?nd? colocvialitate. ?n c?teva din versurile sale, poetul pentru care Rom?nia a devenit a doua patrie zugr?ve?te imaginea Bucure?tiului sub ar?i?a necru??toare a verii, anotimp ?nscris ?ntr-un ineluctabil ciclu universal. (Dinu Moraru)

Tr?g?nd linie, am spune c? ne afl?m ?n prezen?a unui demers pertinent de mare actualitate, a unui pre?ios instrument de lucru menit s? umple un gol ?n literatura didactico-?tiin?ific? de specialitate, dar totodat? put?nd deveni util ?i unor cercuri intelectuale interesate de evolu?ia fenomenului poetic rusesc ?n secolul XX, situate ?n afara comunit??ii universitare. (Mircea Croitoru) E o bibliotec? umbl?toare. A citit mii de c?r?i ale altora ?i a scris c?teva ale sale. ?l recuno?ti dintr-o mie. Ziarele, revistele, c?r?ile ?i sunt lipite de degete. Merge pe strad? ?i cite?te, a?teapt? lini?tit la o coad? ?i cite?te. Absent pentru lumea aceasta viermuitoare ?i pragmatic?, el s-a retras protector ?n spatele ziarelor ?i c?r?ilor, ?i a rezistat. Cu o ?inut? sobr?, de o ?epeno?enie verde, demn? de ?ara Fagilor de unde-?i trage ob?r?ia, nu-i po?i da anii pe care, incredibil, ?i are. (…) Dac? te duci la el acas?, totul pare sprijinit pe tomuri, iar dac? ai proasta inspira?ie s? clinte?ti ceva, acea ?arhitectur? intelectual?“ ??i poate fi fatal?. Un soi de Manole Anapoda, zidit ?n chip de An? ?ntr-o m?n?stire de c?r?i. Prietenii ?i spun Dima. Am tradus ?mpreun? din Bulat Okudjava volumul de versuri C?ntecul esen?ial ?i, din mul?i al?i poe?i contemporani ru?i, ?n periodice. Metodic, punctual, suferind de acribie ?i, bine?n?eles, scufundat ?ntr-o lectur? atunci c?nd nu lucram ?mpreun?, a dovedit c? nu e doar un consumator de literatur?, ci ?i un excelent cunosc?tor al limbii din care traducea, ?i chiar un creator. ?l invidiez pentru felul sfid?tor ?n care ?tie s? uite de televizor ?i de calculator. Dima cite?te. El e scufundat ?n ecranul unei file de carte, al unei pagini de ziar sau de revist?. ?ntr-o vreme ?n care aceste dou? ustensile subjug? lumea obosind-o, nevroz?nd-o, ?mb?tr?nind-o, f?c?nd abstrac?ie de mirajul lor, el a r?mas ?nc? proasp?t, zdrav?n ?i t?n?r. (Passionaria Stoicescu)

O carte incitant? despre unul dintre cei mai mari poe?i interbelici, taxat pe nedrept de c?tre G. C?linescu drept un poet minor. Studiul este semnat de cunoscutul exeget literar Mihai Cimpoi, pre?edinte al Uniunii Scriitorilor din R. Moldova, Membru al Academiei Rom?ne. Cartea se adreseaz? elevilor, studen?ilor, precum ?i publicului larg de cititori.

B?R DAMLA SEVG?YLE MERHABA ?Dokunan hafif bir esinti, bir damla ya?, bir kü?ük ka?amak bak??tan ve bir tatl? s?zden sonra yüre?in ?eperlerine yap???p kalan a?k?n izleriyle dolu ya?amakt?r belki de istenilen… ??zlemek sevgiyle yüre?e dokunmaksa; bir tatl? s?z, bir gidenin ard?ndan kalan iz, bir hüzün i?indeki umutsuzluklarda bile, umut arayan kalple var olmakt?r kimbilir belki de i?imizde kalan… ??zlemek; a?k?n g?zya?lar?nda, yar?n? olmayan a?klarda ve bir garip a?k?n i?inde bile mutlulu?u, sevginin kanatlar?nda ?zlemle arayarak yazmakt?r belki de sayfalarda saklanan… ?Kim bilir belki de sevgiyi i?inde bularak kanatlanmakt?r, kanats?z hallerinde bile ?zlemle a?ka u?makt?r… ?Her okunan ?iirin i?inde hissedebilmektir belki de; tarifi olmayan, tarifsiz o duyguyu, yüre?indeki bir k?v?lc?m ate?iyle canland?r?p ya?atabilmektir belki de arzulanan... ?Sevgiyle dolu sayfalarda, hissettiklerinizi bulup dolu dolu ya?aman?z dile?iyle… Cengiz ?ET?K 1964 y?l?nda Konya/Karap?nar do?du. ?lkokulu Emirgazi il?esinde okudu. Ortaokulu ve liseyi Karap?nar’da okudu. Endüstri Meslek Lisesi Torna tesviye’den mezun oldu. 1989 y?l?nda Burdur E?itim Yüksek Okulu’ndan S?n?f ??retmeni olarak mezun olduktan sonra 1990 y?l?ndan bu yana zaman zaman idarecilik yapsa da ?u an Uzman S?n?f ??retmeni olarak ?al??makta olup iki k?z babas?d?r. 1986 y?l?nda ilk ?yküsü “sonun Ba?lang?c?” bir sinema dergisinin a?t??? yar??mada birinci gelmi?tir. Finike yerel gazetelerinde 2005 y?l?ndan sonra bir?ok k??e yaz?lar? yay?nland?. 2006 y?l?nda ilk ?iir kitab? “Son S?züm Sana Gülüm” yay?nlad?. ?kinci kitab? “Siyahlarday?m Alev Bak??l?m” 2008 y?l?nda yay?nland?. Ayr?ca güfte halinde “ Siyahlarday?m” 2010 y?l?nda ve “Vazge? G?nlüm” 2016 y?l?nda iki ?iiri bestelenip ?ark? olarak hayat bulmu?tur. 2017 y?l? son ay?nda ilk bilimkurgu roman? “Pokentranl? G?kmen” okurlar?yla tan??t?.

On the second day of July in the year 1863 the Civil War in America was at its height. Late in the preceding month Lee had turned his face northward, and, with an army of a hundred thou-sand Confederate soldiers at his back, had marched up into Penn-sylvania. There was little to hinder his advance. Refraining, by reason of strict orders, from wanton destruction of property, his soldiers nevertheless lived on the rich country through which they passed. York and Carlisle were in their grasp. Harrisburg was but a day’s march away, and now, on this second day of July, flushed with fresh victories, they had turned and were giving desperate battle, through the streets and on the hills of Gettysburg, to the Union armies that had followed them. The old commonwealth was stirred as she had not been stirred before since the fall of Sumter. Every town and village in the state responded quickly to the governor’s call for emergency troops to defend the capital city. Mount Hermon, already depleted by gen-erous early enlistments, and by the draft of 1862, gathered to-gether the bulk of the able-bodied men left in the village and its surroundings, and sent them forth in defense of the common-wealth. Not that Mount Hermon was in especial danger from Lee’s invasion, far from it. Up in the northeastern corner of the state, on a plateau of one of the low foot-hills of the Moosic range, sheltered by the mountains at its back, it was well protected, both by reason of distance and location, from the advancing foe. But Mount Hermon was intensely patriotic. In the days preceding the Revolution the sturdy pioneers from Connecticut had met the equally sturdy settlers from the domain of Penn, and on this plateau they had fought out their contentions and settled their differences; the son of the Pennamite had married the daughter of the Yankee; and the new race, with love of country tingeing every drop of its blood a deeper red, had stayed on and possessed the land. So, on this July day, when the armies of North and South were striving and struggling with each other in bloody combat back and forth across the plain and up the hills of Gettysburg, Mount Hermon’s heart beat fast. But it was not for themselves that these people were anxious. It was for the fathers, husbands, sons, lovers in that army with which Meade, untried and unproven, was endeavoring to match the strategy and strength of Lee. News of the first day’s skirmishing had reached the village, and it was felt that a great battle was imminent. In the early evening, while the women were still busy at their household tasks, the men gathered at the post-office and the stores, eager for late news, anxious to discuss the situation as they had learned it. In the meantime the boys of the town had congregated on the village green to resume the military drills which, with more or less frequency, they had carried on during the summer. These drills were not wholly without serious intent. It was play, indeed; but, out of the ranks of these boys, three of the older ones had already gone to the front to fight real battles; and it was felt, by the men of the town, that the boys could not be too thoroughly imbued with the military spirit. So, on this July evening, wakened into new ardor by the news from Gettysburg, they had gathered to resume their nightly work—and play.There were thirty-three of them, ranging in years all the way from eight to eighteen. They were eager and enthusiastic. At the command to fall in there was much pushing and jostling, much striving for desirable places, and even the young captain, with great show of authority, could not quite adjust all differences to the complete satisfaction of his men.Before the confusion had wholly ceased, and while there were still awkward gaps in the ranks, a tall, straight, shy-mannered boy of seventeen, who had remained hitherto on the outskirts of the group, quietly slipped into one of the vacant places.

Proiectul acestei cri m frmnta de mai muli ani. n ultimul timp am tot cutat motivaii pentru care o asemenea carte merit s fie scris. Iat ce am gsit.n primul rnd, chiar dac printr-o fereastr foarte ngust, ea este o mrturie a ultimilor 20 de ani. Conine o frm din istoria acestor dou decenii, mici instantanee ale devenirii Romniei dup 1989.n al doilea rnd, exist n mintea fiecrui romn – i aici m includ i pe mine – preconcepia c toate afacerile postrevoluionare sunt mnjite, nscute din privatizri dubioase sau dezvoltate la umbra unor reele de influen care-i ntind rdcinile n era comunist. Povestea din aceast carte arta contrariul. S-au putut constitui i iniiative independente i curate, cum sunt convins c mai exist cu miile. Povestea de fa poate fi o contribuie la schimbarea de mentalitate, att de necesar pentru intrarea n normalitate.“ (Mihail Penescu)

Yirmi birinci yüzy?lda, teknolojik geli?melerin de etkisiyle, büyük bir "öz güven patlamas?" ya?ayan insanl?k; kurulu?undan bu yana kendi yasalar?na göre çal??an ba?ta ekolojik sistem olmak üzere: Biyolojik ve jeolojik sistemlere müdahale ederek; kendi kurallar?na göre de?i?tirmeye kalkt?. ??te, ba?ta baz? hastal?klar olmak üzere; birçok sorunlar da burada ortaya ç?kt?. Maalesef bugün nerede ise hepimiz, hastay?z! Hastal?klar?m?z?n ise çe?it çe?it ad? olsa bile en yayg?n olan?: "Parçalama Hastal???" olup çok da kolay tedavi edilebilecek gibi de görünmemektedir.Günümüzde, teknolojik geli?mi?li?in de etkisiyle: ?nsano?lu, bütünü anlamak için onu parçalamay? seçti. Parçalar? üzerinden bütünü; anlamaya ve tan?maya çal??maktad?r.. Oysa ki, parçalar? birle?tirerek bütünü tan?mak hem daha kolay, hem de daha do?al bir yöntem oldu?unu da bilmesine ra?men.Y?llard?r; maddeleri parçalad?k yetmedi. Atomlar? parçalad?k bitmedi. Bu i? daha nereye kadar gidecek? Ve ne kadar daha sürecek? Bilinmez! Ancak bizler, bir an önce maddeleri ve sistemleri parçalamaktan vazgeçmek mecburiyetindeyiz! Yoksa: Korkar?m çok yak?nda, yeryüzündeki ya?am? kökünden bitirece?iz!..Bu arada, baz? "Laboratuvar Ka?iflerine" de birkaç hat?rlatmada bulunmak isterim:Hani; Sizlerin, mikro organizmalar? incelemek için hergün bakt???n?z o devasa büyüteçler'iniz (Dev Elektron Mikroskoplar?n?z) var ya! ??te o büyüteçler; inceledi?iniz o organizmalar?, sizlerin gözünde milyonlarca kez büyütmekte iken; sizleri de belki onlar?n "gözünde" milyonlarca kez küçültüyor olmas?nlar (?) Yine: Belki de sizler; onlar? tan?maya çal???rken; onlar da bizleri anlamaya çabal?yor olmas?nlar? Dahas?: Belki de onlar da bizleri merak ediyorlard?r (?) Kim bilir? Ne dersiniz? Bir de böyle dü?ünmeyi denemelisiniz!.."LABORATUARDAK? ?BL?S"{???R L?STES? & ?Ç?NDEK?LER}:YAZAR HAKKINDA {ÖZ GEÇM??}TANITMALIK {PROSPEKTÜS}T?N VE TENZERRELABORATUARDAK? ?BL?SB?ZDEN M?D?R?RUH YARASIKONDUNEFES?ST?R?DYEN?N HÜNER?MOLEKÜLER SEYAHATYARI?L?NÇHIZ/HAZ ÇEL??MECES?HAL?S YAPAYLIKLAR D?YARINDA -1MAZ?DEK? AYAK ?ZLER?MMAN?SA TARZANIARKA KAPAK?a’irin Yay?nlanm?? Di?er Kitaplar?VEYSEL TOPALO?LU (?A?R; SADEKUL)

ncercarea de a ptrunde n magmele clocotirilor artistice este o ispitire mai veche a mea. Adncimile au n ele murmur de siren. Sigur a fost semea ncercarea mea i, probabil, neinspirat. Germinarea crii de fa mi pare acum un experiment al bucuriei. Doi preoi i doi slujitori ai literei, totodat doi duhovnici fiecare cu ucenicul su, au vrut s cltoreasc pentru o clip n inefabilul chenozelor, al deertrilor de sine. Nu tiu dac are armonie, mi este greu acum s precizez. Atunci prea c rezonm. Depun doar mrturie i gnd mulumitor c a fost o sear unic. (Preot Niculae Constantin)

Mai ales inteligena speculativ i iueala fixrii prioritilor n cmpul de idei au facut din Rzvan Voncu un critic de ntmpinare imposibil de ignorat n peisajul literar romnesc.“ (Eugen Negrici)O panoram literar a ultimului deceniu. Istorie literar, evenimente editoriale. Cri de excepie i autori de excepie. Istoria ultimului deceniu de literatur romn semnat de Rzvan Voncu ofer un peisaj exact, descris n cunotin de cauz.

George Gissing est un auteur anglais estimé, dont les livres ont cependant été peu traduits et, souvent, relativement peu vendus, y compris dans sa contrée d'origine. Son ?uvre, comme sa biographie, est restée marginale, comme la plupart des écrivains, dont il a régulièrement décrit l'existence dans ses romans. Pourtant, il entretenait et dans une certaine mesure, en tant que sujet d'études, de recherche, entretient toujours des liens privilégiés avec la France, où il a passé les dernières années de sa vie. Revitrans fait revivre par la traduction en langue fran?aise des auteurs oubliés ou en marge, dont l'oeuvre ne trouve pas sa place dans l'édition classique. Cette brève nouvelle de Gissing, qu'on peut interpréter comme une forme de danse macabre, est sa première expérience, dont les suites dépendront des capacités du traducteur et des éventuelles réactions des lecteurs.

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