The Doctrine of the Mean is a text rich with symbolism and guidance to perfecting oneself. The person who follows the mean is on a path of duty and must never leave it. A superior person is cautious, a gentle teacher and shows no contempt for his or her inferiors.

On the defeat of Pharnaces and reduction of Africa, those who escaped from those battles fled to young Cn. Pompey, who had taken possession of Further Spain, while Caesar was detained in Italy in exhibiting games. Pompey began to throw himself on the protection of every state, in order the more readily to establish the means of defense against him. Accordingly, with a considerable force which had been collected, partly by entreaty, partly by force, he began to lay waste the province. Under these circumstances some states voluntarily sent him supplies, others shut the gates of their towns against him. If any of these chanced to fall into his hands by assault, although some citizen in it had deserved well of Cn. Pompey (his father), yet some cause was alleged against him on account of the greatness of his wealth, so that, he being dispatched, his fortune might become the reward of the soldiers.

While these things were going forward in Spain, Caius Trebonius, Caesar's lieutenant, who had been left to conduct the assault of Massilia, began to raise a mound, vineae, and turrets against the town, on two sides; one of which was next the harbor and docks, the other on that part where there is a passage from Gaul and Spain to that sea which forces itself up the mouth of the Rhone. For Massilia is washed almost on three sides by the sea, the remaining fourth part is the only side which has access by land.

Come on a journey into the nature of consciousness, finding the space 'between thoughts' as the most obvious place to recognize your true and eternal Self. We recognize overlooked aspects of the natural world around us; as ourselves, as well as using nature to demonstrate spiritual concepts such as God, union and liberation. Your true 'nature' awaits...---------------------------"No matter how it is approached, no amount of words will ever transmit to another person the indescribable 'ultimate Truth'. The fact that it's described as indescribable should be enough to stop us trying. Yet it's made even more difficult because of our troublesome human mind. As intelligent and magnificent as it is, it has a deep and tragic habit of confusing the symbols we use (for simple convenience) in our lives, for the actual things or ideas they represent. As Alan Watts used to say, it's like climbing a signpost rather than walking in the direction it points. Our greatest of misunderstandings is that we confuse the story and idea of who we are, with what is actually true; pure and simple. We make a false judgment on who or what we are, and you wouldn't believe the amount of mischief that arises in result.As exaggerated or humorous as all this may sound on first impressions, this habit of confusing symbols for reality is a very real problem plaguing our human world, and the implications are exceptionally far reaching. We have confused such things as money for wealth, status or fame for character and even the virtual world for real - but most appropriate to this book, is that religious or spiritual concepts are always confused for the things they are pointing towards. That's particularly true of our concepts of 'God', particularly true of Buddha's Dharma, particularly true of any teaching towards enlightenment or liberation."---------------------------"OmniscienceOh father in heaven, omniscience cannot be. It makes no sense, no sense to me....***Between thoughts, your functioning remains flawless. Between thoughts you are ego-less, yet still exist...?How is it so that your heart beats without your control?How do migrating birds travel without directions, newborn horses stand straight up and embryos form without instruction. How does a plant know how to flower and a seed mature into a tree??Without thought or instruction, nature around you is already omniscient. Are you different from nature, or one and the same?***Young one, nature already exists in an omniscient state with no mind…?Between thoughts, are you omniscient?Mid-thought, do you believe you're not?"

Dac? Riscul g?ndirii nu s-a bucurat de aten?ia meritat?, probabil din cauza exploziei nea?teptate de produc?ii culturale – ?i mai ales pseudoculturale – care s-a petrecut dup? decembrie 1989, noua lucrare a celor doi g?nditori, scris? dup? aproape dou? decenii, ar trebui s? aib? toate premisele pentru a fi receptat? cum se cuvine.Sub forma ?n?el?toare a dialogului ?ntre cinci personaje caracterizate – fiecare – de un stil de g?ndire bine determinat cei doi ascund nenum?rate giuvaere ale g?ndirii originale, penetrante ?i vizionare. Cititorul obi?nuit s? caute pe copert? elementele care s?-i permit? m?car printr-un exerci?iu deductiv descifrarea ingredientelor discursului celor doi autori va fi surprins la fiecare pagin?.Dac? ?cele 5 lucruri esen?iale pe care trebuie s? le ?tii despre via??“ reprezint? de cele mai multe ori o simpl? etichet?, sub care compozi?ia eterogen? a con?inutului, superficialitatea ?i caracterul facil al expunerii mul?umesc ?i conving doar pe termen scurt, ?n cazul lucr?rii celor doi filosofi rom?ni lucrurile stau exact pe dos. ?n cele cinci capitole care analizeaz? avatarurile g?ndirii sunt ascunse nenum?rate modele de ?n?elepciune ?i de disciplin? a logosului, f?r? a fi anun?ate, explicate cu toate determina?iile conexe sau accentuate ?n vreun fel. Acesta este probabil cel mai elegant mod de a r?spl?ti cititorii: spun?ndu-le cum f?r? a-i avertiza c?.Pentru cine ??i dore?te totu?i o etichet? care s? u?ureze clasificarea acestui volum, cea mai concis? ?i mai potrivit? este oferit? de un binecunoscut dicton latin: Sapienti sat. ?ntr-un ocean de solu?ii, Sorin Vieru ?i Terente Robert construiesc o insul? de probleme a c?rei tr?inicie este alarmant? ?i, ?n acela?i timp, reconfortant?.

Istoriile excentricit??ii din Logica elefan?ilor adopt? tonul comentariului pe dou? voci, simul?nd (?i stimul?nd) un canon care dubleaz?, prin reluare, recuperarea detaliului ca fiind princip(i)al. Fiziologiile devin ilustre, consecven?a ??i expune abera?ia, apetitul pentru trecut este inevitabil patologic, iar neao?ismele curente rezoneaz?, fire?te, cu globalizarea. ?ntr-o logic? elefantin?, inteligen?a are a se v?di, chiar gigantesc, ?n nimicnicia ?faptului divers“. Supraabunden?a concentr?rii miniaturale exacerbeaz? efectele ?ngurgit?rii unei mu?te ori ale studierii timpului liber al felinelor de cas?. Lenjeria intim? necesit? un tratament aristocratic, iar ?njur?tura ?i b?taia se sacralizeaz? ?ntr-un univers ?n care guvernarea p?r?se?te modelul pastoral pentru recursul la structuri galinacee. Textele lui Ciprian V?lcan ?i ale Danei Percec (sur)prind acest nesa? cu care lumea ?ns??i pare a-?i exprimenta limitele, n?ucit? parc? de proliferarea propriilor excese.

Such is the system which underlies the Meditations of Marcus Aurelius. Some knowledge of it is necessary to the right understanding of the book, but for us the chief interest lies elsewhere. We do not come to Marcus Aurelius for a treatise on Stoicism. He is no head of a school to lay down a body of doctrine for students; he does not even contemplate that others should read what he writes. His philosophy is not an eager intellectual inquiry, but more what we should call religious feeling. The uncompromising stiffness of Zeno or Chrysippus is softened and transformed by passing through a nature reverent and tolerant, gentle and free from guile; the grim resignation which made life possible to the Stoic sage becomes in him almost a mood of aspiration. His book records the innermost thoughts of his heart, set down to ease it, with such moral maxims and reflections as may help him to bear the burden of duty and the countless annoyances of a busy life. It is instructive to compare the Meditations with another famous book, the Imitation of Christ. There is the same ideal of self-control in both. It should be a man's task, says the Imitation, 'to overcome himself, and every day to be stronger than himself.' 'In withstanding of the passions standeth very peace of heart.' 'Let us set the axe to the root, that we being purged of our passions may have a peaceable mind.' To this end there must be continual self-examination. 'If thou may not continually gather thyself together, namely sometimes do it, at least once a day, the morning or the evening. In the morning purpose, in the evening discuss the manner, what thou hast been this day, in word, work, and thought.' But while the Roman's temper is a modest self-reliance, the Christian aims at a more passive mood, humbleness and meekness, and reliance on the presence and personal friendship of God. The Roman scrutinises his faults with severity, but without the self-contempt which makes the Christian 'vile in his own sight.' The Christian, like the Roman, bids 'study to withdraw thine heart from the love of things visible'; but it is not the busy life of duty he has in mind so much as the contempt of all worldly things, and the 'cutting away of all lower delectations.' Both rate men's praise or blame at their real worthlessness; 'Let not thy peace,' says the Christian, 'be in the mouths of men.' But it is to God's censure the Christian appeals, the Roman to his own soul. The petty annoyances of injustice or unkindness are looked on by each with the same magnanimity. 'Why doth a little thing said or done against thee make thee sorry? It is no new thing; it is not the first, nor shall it be the last, if thou live long. At best suffer patiently, if thou canst not suffer joyously.' The Christian should sorrow more for other men's malice than for our own wrongs; but the Roman is inclined to wash his hands of the offender. 'Study to be patient in suffering and bearing other men's defaults and all manner infirmities,' says the Christian; but the Roman would never have thought to add, 'If all men were perfect, what had we then to suffer of other men for God?' The virtue of suffering in itself is an idea which does not meet us in the Meditations. Both alike realise that man is one of a great community. 'No man is sufficient to himself,' says the Christian; 'we must bear together, help together, comfort together.' But while he sees a chief importance in zeal, in exalted emotion that is, and avoidance of lukewarmness, the Roman thought mainly of the duty to be done as well as might be, and less of the feeling which should go with the doing of it. To the saint as to the emperor, the world is a poor thing at best. 'Verily it is a misery to live upon the earth,' says the Christian; few and evil are the days of man's life, which passeth away suddenly as a shadow. ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?*** ? "MARCUS AURELIUS ANTONINUS" was born on April 26, A.D. 121. His real name was M. Annius Verus, and he was sprung of a noble family which claimed descent from Numa, second King of Rome. Thus the most religious of emperors came of the blood of the most pious of early kings. His father, Annius Verus, had held high office in Rome, and his grandfather, of the same name, had been thrice Consul. Both his parents died young, but Marcus held them in loving remembrance. On his father's death Marcus was adopted by his grandfather, the consular Annius Verus, and there was deep love between these two. On the very first page of his book Marcus gratefully declares how of his grandfather he had learned to be gentle and meek, and to refrain from all anger and passion. The Emperor Hadrian divined the fine character of the lad, whom he used to call not Verus but Verissimus, more Truthful than his own name. He advanced Marcus to equestrian rank when six years of age, and at the age of eight made him a member of the ancient Salian priesthood. The boy's aunt, A

Avem o carte preponderent de sondare a mentalit??ii ruse, care este rezultatul unei radiografieri a societ??ii pe mai multe pali?ere, dintre care se deta?eaz? cel istoric ?i cel religios. (…) Rusia bolnav? este scris? ?n primii ani dup? evenimentele revolu?ionare din 1905?l907, ?n cursul c?rora autorul a avut o participare activ?, mai ales ?n ce prive?te punerea acestei revolu?ii sub semnul lui Hris?tos. Este o carte important? tocmai pentru c? oglinde?te deziluziile unei naturi pasiona?le, care, ?n centrul istoriei ?i al religiei, pune mereu fapta. Fire?te acum, dup? Arhipelagul lui Soljeni??n, pamfletele lui Merejkovski par simple exerci?ii de stil, ?nelibertatea” deza?vuat? ?n ele, Rusia ?arist? ca ??nchisoare a popoarelor” ap?r?nd chiar foarte apropiat? de ceea ce s?ar putea numi ?stat de drept”. ?n privin?a ?demasc?rii” ororilor contemporane?it??ii, putem spune c? – a?a cum au dovedit?o deceniile bol?evice – ?ntotdeauna este loc de mai r?u. (Emil Iordache)

Elveink nem tudnak olyan szilárdak lenni, mint naiv pillanatainkban gondolnánk, mert világunkat az érzelmek, az értelem és a hit folyton változó egyensúlya tartja ?ssze. Az ember hajlamos nagy titkokat sejteni ott, ahol egyszer?en csak nagyobb er?k m?k?dnek, mint amiket uralni tud. Azonnal a nagy titkot keresi, amikor kiemelked? tehetségekkel találkozik, amikor a hit alapvet? kérdéseit firtatja, amikor a saját érzelmeit vizsgálja, és akkor is, amikor a tudomány eszk?zeivel igyekszik mélyebben megérteni a világot. Pedig: ?A nagy titok az, hogy nincs titok”. ?j k?nyvében Mér? László az elvek, az érzelmek, a hit és a tudomány erejét valamint korlátait járja k?rül. A csattanós, “?tperces” esszék felvillantják a témák kül?nféle arcait a mindennapi életben, a hosszabbak pedig bemutatják, mit tett mindehhez a modern pszichológia.

A comet called Gallia touches the Earth in its flight and collects a few small chunks of it. On the territory that was carried away by the comet there remained a total of thirty-six people of French, English, Spanish and Russian nationality. These people did not realize at first what had happened, and considered the collision an earthquake.

A collection of tales, sketches and stories by the master of American naturalism and realism Stephen Crane featuring: The Scotch Express, London Impressions, The Snake, The Mesmeric Mountain, A Tent in Agony, The Dark Brown Dog, And Experiment in Misery, and other stories.

Juvenal’s ‘Satires’ are a vital source for the study of Latin literature, offering a lurid, comic and fascinating window into the world of ancient Rome. Delphi’s Ancient Classics series provides eReaders with the wisdom of the Classical world, with both English translations and the original Latin and Greek texts. This comprehensive eBook presents Juvenal’s complete extant works, with beautiful illustrations, rare texts and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Juvenal's life and works * Features the complete works of Juvenal, in both English translation and the original Latin * Concise introduction to the ‘Satires’ * Includes Ramsay’s translations, which previously appeared in Loeb Classical Library editions of Juvenal’s works * Excellent formatting of the texts * Easily locate the Satires you want to read with individual contents tables * Includes line numbers in both the English and Latin texts – ideal for students * Provides a special dual English and Latin text, allowing readers to compare each Satire paragraph by paragraph – ideal for students * Features a bonus biography – discover Juvenal's ancient world * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Translations THE SATIRES The Latin Text CONTENTS OF THE LATIN TEXT The Dual Text DUAL LATIN AND ENGLISH TEXT The Biography THE LIFE OF JUVENAL by G. G. Ramsay Please visit www.delphiclassics.com to browse through our range of exciting titles

Long ago, in the merry days of good King Arthur, there lived a ploughman and his wife. They were very poor, but would have been contented and happy if only they could have had a little child. One day, having heard of the great fame of the magician Merlin, who was living at the Court of King Arthur, the wife persuaded her husband to go and tell him of their trouble. Having arrived at the Court, the man besought Merlin with tears in his eyes to give them a child, saying that they would be quite content even though it should be no bigger than his thumb. Merlin determined to grant the request, and what was the countryman’s astonishment to find when he reached home that his wife had a son, who, wonderful to relate, was no bigger than his father’s thumb!

Milvain, one of the two central characters of the novel is a modern young man driven by pure financial ambition in navigating his literary career. He accepts that he will always despise the people he writes for, networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel.

The story of the romantic and sexual initiation of a suburban heroine, Nancy Lord which Gissing wrote after his return from Exeter. He took lodgings with his second wife at 76 Burton Road, Brixton where South London provided new literary inspiration. He went for long walks through nearby Camberwell, soaking up impressions of the way of life he saw emerging there.

Alma's farther looses fortunes at his bank and commits suicide forcing his 20 years old daughter to go abroad to make plans and pursue her career. Two admirers follow her: Cyrus Redgrave a wealthy bachelor who makes an indecent proposal and Harvey Rolfe whom she ends up marrying.

Lord Colambre finds that his mother Lady Clonbrony's attempts to buy her way into the high society of London are only ridiculed, while his father, Lord Clonbrony, is in serious debt as a result of his wife's lifestyle. His mother wishes him to marry an heiress, Miss Broadhurst, who is a friend of Grace Nugent. However, Colambre has already fallen in love with his cousin, Grace Nugent, who lives with the family as a companion to Lady Clonbrony. Worried that his mother will pressure him into a marriage with someone he does not love, Colambre decides to leave the London social scene and visit his ancestral home in County Wicklow in Ireland.

In the town there was a shoemaker by the name of Martin, who lived in a basement with a tiny little window looking out into the street. Martin could see the people pass, and though he only got a glimpse of their feet, he still knew every one, for Martin could recognize people by their boots. Martin had lived in that basement for many a long year and had numbers of acquaintances.

A delightful children's classic dealing with questions of natural life with plentiful and colourful examples of how things work, and more importantly, why such things as rain, snow, wind and others happen.

Michael Snowdon inherits a substantial sum of money from his deceased son and decides to return from Australia to London. He spends only on necessities and lives like a poor man despite being able to live comfortably. His fortune is kept a secret even from his close friends and relatives.

This eBook features the unabridged text of ‘The Song of Triumphant Love by Ivan Turgenev - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Collected Works of Ivan Turgenev’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Turgenev includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Song of Triumphant Love by Ivan Turgenev - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Turgenev’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the text Please visit www.delphiclassics.com to learn more about our wide range of titles