Adrian has a unique gift for understanding drivers and racing cars. He is ultra competitive but never forgets to have fun. An immensely likeable man.' Damon Hill The world’s foremost designer in Formula One, Adrian Newey OBE is arguably one of Britain’s greatest engineers and this is his fascinating, powerful memoir. How to Build a Car explores the story of Adrian’s unrivalled 35-year career in Formula One through the prism of the cars he has designed, the drivers he has worked alongside and the races in which he’s been involved. A true engineering genius, even in adolescence Adrian’s thoughts naturally emerged in shape and form – he began sketching his own car designs at the age of 12 and took a welding course in his school summer holidays. From his early career in IndyCar racing and on to his unparalleled success in Formula One, we learn in comprehensive, engaging and highly entertaining detail how a car actually works. Adrian has designed for the likes of Mario Andretti, Nigel Mansell, Alain Prost, Damon Hill, David Coulthard, Mika Hakkinen, Mark Webber and Sebastian Vettel, always with a shark-like purity of purpose: to make the car go faster. And while his career has been marked by unbelievable triumphs, there have also been deep tragedies; most notably Ayrton Senna’s death during his time at Williams in 1994. Beautifully illustrated with never-before-seen drawings, How to Build a Car encapsulates, through Adrian’s remarkable life story, precisely what makes Formula One so thrilling – its potential for the total synchronicity of man and machine, the perfect combination of style, efficiency and speed.

Paula Byrne is the author the bestselling biographies ‘Perdita’, ‘Mad World’, ‘The Real Jane Austen’, ‘Belle’ and ‘Kick’. She is founder and chief executive of ReLit, the Bibliotherapy Foundation, a charity devoted to the mental health benefits of reading. She is married to Sir Jonathan Bate and lives in Oxford.

Cruel To Be Kind is the true story of Max, aged 6. He is fostered by Cathy while his mother is in hospital with complications from type 2 diabetes. Fostering Max gets off to a bad start when his mother, Caz, complains and threatens Cathy even before Max has moved in. Cathy and her family are shocked when they first meet Max. But his social worker isn’t the only one in denial; his whole family are too.

Experienced foster carer, Rosie Lewis, takes on the heart-breaking case of Megan, a baby born with a drug addiction and a cleft palate. Addicted to drugs from birth because of her mother’s substance abuse during pregnancy, new-born Megan is taken into Rosie’s loving care. Rosie is supposed to help Megan find her new permanent home, but it turns out that Megan has already found her ‘forever mummy’ in Rosie. Rosie grows incredibly attached to Megan and applies to adopt her, but the system refuses her in favour of a young couple and Rosie is devastated. Against all her instincts, Rosie does her job and prepares Megan for her new ‘forever family’, but everything about Megan leaving feels wrong. When Rosie learns a few months later that Megan’s adoption has broken down, she is saddened but also filled with hope – will this little girl be allowed to return to her true ‘forever home’?

In this remarkable and candid memoir the former Archbishop of Canterbury recalls his life and his spiritual quest; this is the first time in history that an Archbishop of Canterbury has written his autobiography.

During the 1930s at Oxford, C. S. Lewis, J. R. R. Tolkien, and Charles Williams--remarkable friends, writers, and scholars--met regularly to discuss philosophy and literature and to read aloud from their own works in progress. Calling themselves the Inklings, their circle grew. It was in this company that such classics as The Lord of the Rings, The Screwtape Letters, and The Lion, the Witch, and the Wardrobe first found an audience. Author Humphrey Carpenter was born in Oxford and was acquainted with Tolkien, Hugo Dyson, and several other Inklings. In this remarkable reconstruction of their meetings and momentous friendships, Carpenter brings to life those warm and enchanting evenings in Lewis' rooms at Magdalen College, when their imaginations ran wild. His account offers exciting insights into the influence these brilliant individuals had on each other's developing ideas and writing.

A frank and witty memoir of life at the Bar and on the Bench, from former High Court Judge The Hon. Sir Harry Ognall. For many years, Harry Ognall enjoyed a formidable reputation as an advocate at the criminal Bar. As counsel, and later as judge, he was involved in numerous high-profile trials, both in Britain and abroad. Among many cases as a QC, he prosecuted Peter Sutcliffe, the so-called ‘Yorkshire Ripper’. He successfully defended six officers of the Air Force of Zimbabwe at their trial in Harare, where they faced a charge of treasonable sabotage. As a judge, he presided over the trial of Colin Stagg (the alleged ‘Wimbledon Common murderer’), the trial arising from the Lyme Bay canoe tragedy and the trial for the first time in the United Kingdom of a doctor’s alleged involvement in euthanasia. Thoughtful and provocative, Sir Harry has advice for the aspiring young advocate, and invests this penetrating memoir with warmth, humour and understanding. His frank portrait of a lifetime in the criminal law offers unique perspectives on some of the most notorious cases of the twentieth century, as well as fascinating insights into a colourful professional life and the burdens and responsibilities that come with the privilege of high judicial office.

A raw, intensely personal memoir of spiritual exploration from one of the world’s great commentators on religion.

‘Gripping … so powerfully emotional that at times I had to put it down to wipe my eyes’ Mail on Sunday ‘How do you say thank you to someone for giving you their heart? It is the greatest gift a person can ever give.’ Marc is a promising young footballers of 15, growing up in Scotland. A few hundred miles away in England, Martin is a fun-loving 16-year-old. Both are enjoying their summers when they are suddenly struck down by debilitating illnesses. Within days, the boys are close to death. Although their paths have never crossed, their fortunes are about to be bound in the most extraordinary, intimate way. One of them will die and in doing so, he will save the other’s life. This is a deeply powerful and dramatic story. It is extremely rare for the family of a donor to have any personal contact with the recipient of their loved one’s organ. Yet remarkably, the mothers of these two boys meet and become friends, enabling the extraordinary, bittersweet moment in which a mother who has lost her son meets the boy he saved. Reaching out and placing her palm flat against his chest, she feels the heart of her son beating away inside another. Her boy, the boy who gave his heart away.

“You have the luck of Croesus on stilts (as my Auntie Vi would have said) if you’ve had the sort of career, ups and downs, warts and all that I have in that wondrous little corner of show business called musical theatre.” One of the most successful and distinguished artists of our time, Andrew Lloyd Webber has reigned over the musical theatre world for nearly five decades. The winner of numerous awards, including multiple Tonys and an Oscar, Lloyd Webber has enchanted millions worldwide with his music and numerous hit shows, including Jesus Christ Superstar, Evita, Cats, The Phantom of the Opera―Broadway’s longest running show―and most recently, School of Rock. In Unmasked, written in his own inimitable, quirky voice, the revered, award-winning composer takes stock of his achievements, the twists of fate and circumstance which brought him both success and disappointment, and the passions that inspire and sustain him. The son of a music professor and a piano teacher, Lloyd Webber reveals his artistic influences, from his idols Rodgers and Hammerstein and the perfection of South Pacific’s ‘Some Enchanted Evening,’ to the pop and rock music of the 1960s and Puccini’s Tosca, to P. G. Wodehouse and T. S. Eliot. Lloyd Webber recalls his bohemian London youth, reminiscing about the happiest place of his childhood, his homemade Harrington Pavilion―a make-believe world of musical theatre in which he created his earliest entertainments. A record of several exciting and turbulent decades of British and American musical theatre and the transformation of popular music itself, Unmasked is ultimately a chronicle of artistic creation. Lloyd Webber looks back at the development of some of his most famous works and illuminates his collaborations with luminaries such as Tim Rice, Robert Stigwood, Harold Prince, Cameron Mackintosh, and Trevor Nunn. Taking us behind the scenes of his productions, Lloyd Webber reveals fascinating details about each show, including the rich cast of characters involved with making them, and the creative and logistical challenges and artistic political battles that ensued. Lloyd Webber shares his recollections of the works that have become cultural touchstones for generations of fans: writings songs for a school production that would become his first hit, Joseph and the Amazing Technicolor Dreamcoat; finding the coterie of performers for his classic rock opera Jesus Christ Superstar; developing his first mega-hit, Evita, which would win seven Tonys Awards, including Best Musical; staking his reputation and fortune on the groundbreaking Cats; and making history with the dazzling The Phantom of the Opera. Reflecting a life that included many passions (from architecture to Turkish Swimming Cats), full of witty and revealing anecdotes, and featuring cameo appearances by numerous celebrities―Elaine Paige, Sarah Brightman, David Frost, Julie Covington, Judi Dench, Richard Branson, A.R. Rahman, Mandy Patinkin, Patti LuPone, Richard Rodgers, Norman Jewison, Milos Forman, Plácido Domingo, Barbra Streisand, Michael Crawford, Gillian Lynne, Betty Buckley, and more―Unmasked at last reveals the true face of the extraordinary man beneath the storied legend.

What pushed Blunt, Burgess, Cairncross, Maclean and Philby into Soviet hands? With access to recently released papers and other neglected documents, this sharp analysis of the intelligence world examines how and why these men and others betrayed their country and what this cost Britain and its allies. Enemies Within is a new history of the influence of Moscow on Britain told through the stories of those who chose to spy for the Soviet Union. It also challenges entrenched assumptions about abused trust, corruption and Establishment cover-ups that began with the Cambridge Five and the disappearance of Guy Burgess and Donald Maclean on the night boat to Saint-Malo in 1951. In a book that is as intellectually thrilling as it is entertaining and illuminating, Richard Davenport-Hines traces the bonds between individuals, networks and organisations over generations to offer a study of character, both individual and institutional. At its core lie the operative traits of boarding schools, the universities of Oxford and Cambridge, the Intelligence Division, Foreign Office, MI5, MI6 and Moscow Centre. Davenport-Hines tells many stories of espionage, counter-espionage and treachery. With its vast cope, ambition and scholarship, Enemies Within charts how the undermining of authority, the rejection of expertise and the suspicion of educational advantages began, and how these have transformed the social and political temper of modern Britain.

A brilliant study of a brilliant woman' LUCY WORSLEY History has forgotten Caroline of Ansbach, yet in her lifetime she was compared frequently to Elizabeth I and considered by some as ‘the cleverest queen consort Britain ever had’. The intellectual superior of her buffoonish husband George II, Caroline is credited with hastening the Enlightenment to Britain through her sponsorship of red-hot debates about science, religion, philosophy and the nature of the universe. Encouraged by Lady Mary Wortley Montagu, she championed inoculation; inspired by her friends Leibniz and Samuel Clarke, she mugged up on Newtonian physics; she embraced a salon culture which promoted developments in music, literature and garden design; she was a regular theatre-goer who loved the opera, gambling and dancing. Her intimates marvelled at the breadth of her interests. She was, said Lord Egmont, ‘curious in everything’. Caroline acted as Regent four times while her husband returned to Hanover, and during those periods she possessed authority over all domestic matters. No subsequent royal woman has exercised power on such a scale. So why has history forgotten this extraordinary queen? In this magnificent biography, the first for over seventy years, Matthew Dennison seeks to reverse this neglect. The First Iron Lady uncovers the complexities of Caroline’s multifaceted life: the child of a minor German princeling who, through intelligence, determination and a dash of sex appeal, rose to occupy one of the great positions of the world and did so with distinction, élan and a degree of cynical realism. It is a remarkable portrait of an eighteenth-century woman of great political astuteness and ambition, a radical icon of female power.

A charming, funny, poignant collection of twenty-three letters from Marcel Proust to his upstairs neighbour 102 Boulevard Haussmann, an elegant address in Paris’s eighth arrondissement. Upstairs lives Madame Williams, with her second husband and her harp. Downstairs lives Marcel Proust, trying to write In Search of Lost Time, but all too often distracted by the noise from upstairs. Written by Proust to Madame Williams between the years 1909 and 1919, this precious discovery of letters reveals the comings and goings of a Paris building, as seen through Proust’s eyes. You’ll read of the effort required to live peacefully with annoying neighbours; of the sadness of losing friends in the war; of concerts and music and writing; and, above all, of a growing, touching friendship between two lonely souls. ‘Delightful. Big news for Proustians’ Daily Telegraph ‘If you have suffered from noisy neighbours, you will sympathize with Marcel Proust’ Times Literary Supplement ‘A haunting portrait of a friendship between two people who lived within earshot of one another, separated only by a few inches of plaster and floorboard, but who scarcely ever met’ New Statesman

‘If you find the subject of food to be both vexing and transfixing, you’ll love What She Ate’ Elle Dorothy Wordsworth believed that feeding her poet brother, William, gooseberry tarts was her part to play in a literary movement. Cockney chef Rosa Lewis became a favourite of King Edward VII, who loved her signature dish of whole truffles boiled in Champagne. Eleanor Roosevelt dished up Eggs Mexican – a concoction of rice, fried eggs, and bananas – in the White House. Eva Braun treated herself to Champagne and cake in the bunker before killing herself, alongside Adolf Hitler. Barbara Pym's novels overflow with enjoyment of everyday meals – of frozen fish fingers and Chablis – in midcentury England. Cosmopolitan editor Helen Gurley Brown's idea of “having it all” meant having almost nothing on the plate except a supersized portion of diet gelatin. In the irresistible What She Ate, Laura Shapiro examines the plates, recipe books and shopping trolleys of these six extraordinary women, casting a new light on each of their lives – revealing love and rage, desire and denial, need and pleasure.

Here for the first time is the full horror and madness of sharing a house, told by someone who’s been there. Birmingham pulls no punches: from dead rats in the kitchen to tent-dwelling lodgers in the living room, you’ll run for the safety of living alone. ‘A rat died in the living room at King Street and we didn’t know. There was at least six inches of compacted rubbish between our feet and the floor. Old Ratty must have crawled in there and died of pleasure. A visitor uncovered him while groping around for a beer.’ Tales of debauchery, drugs, flatmates from hell and nasty things lurking in the kitchen sink abound in Rolling Stone journalist John Birmingham’s hilarious account of sharing houses in Melbourne and Brisbane. He Died with a Felafel in His Hand makes Withnail & I look like a lesson in clean living.

Stanley Spencer (1891 – 1959) has recently been recognised by a wide general public, as well as by art historians, as probably the greatest English painter of the twentieth century. His strange and thrilling settings of biblical and semi-biblical scenes, his grippingly realist portraits, his intense English landscapes, hang in pride of place in our national collections and fetch ever-escalating prices at auction. Although there have been many books about Spencer, Pople's biography is the first to give a thoroughly convincing and coherent account of the life and psyche of the man who produced these extraordinary pictures. Pople has not only had the co-operation of Spencer's daughters and remaining friends' he has had unrestricted access to the artist's letters, diaries and other writings, and has spent ten years unravelling the familiar but so often impenetrable mysteries we see on the canvas. His analysis demonstrates that there never was as artist for whom life and art were so much of a piece, and that without understanding Spencer's doings and circumstances, we have no hope of understanding his paintings.

In the tradition of ‘Agent Zigzag’ comes a breathtaking biography of WWII’s ‘Scarlet Pimpernel’ as fast-paced and emotionally intuitive as the best spy thrillers. This celebrates unsung hero Robert de La Rochefoucauld, an aristocrat turned anti-Nazi saboteur, and his exploits as a British Special Operations Executive-trained resistant A scion of one of the oldest families in France, Robert de La Rochefoucauld was raised in a magnificent chateau and educated in Europe’s finest schools. When the Nazis invaded and imprisoned his father, La Rochefoucauld escaped to England and was trained in the dark arts of anarchy and combat – cracking safes, planting bombs and killing with his bare hands – by a collection of SOE spies. With his newfound skills, La Rochefoucauld returned to France and organized Resistance cells, blew up fortified compounds and munitions factories, interfered with Germany’s wartime missions and executed Nazi officers. Caught by the Germans, La Rochefoucauld withstood months of torture and escaped his own death sentence, not once but twice. More than just a fast-paced, real-life thriller, The Saboteur is also a deep dive into an endlessly fascinating historical moment, revealing the previously untold story of a network of commandos, motivated by a shared hatred of the Nazis, who battled evil and bravely worked to change the course of history.

The Times has the most famous letters page of any newspaper. This delightful selection of over 300 items of correspondence over the last century shows precisely why. As a forum for debate, playground for opinion-formers, advertising space for decision-makers and noticeboard for eccentrics, nothing rivals it for entertainment value. By turns well-informed, well-intentioned, curious, quirky and bizarre, since 1914 it has taken the temperature of the British way of life and provided a window on the national character. Among those who have written to The Times to have their say are some of the major political and literary figures of the modern era, including Margaret Thatcher, Benito Mussolini, Graham Greene and John Le Carré. There are contributions, too, from Agatha Christie, Alastair Campbell, AA Milne, Yehudi Menuhin, Theresa May and Morrissey. If you want to know why kippers are dyed, who first turned up their trousers, how to make perfect porridge or just how to have a letter printed in The Times, this infinitely witty, diverting and memorable anthology should be, sincerely, yours.

The truth behind the spectacular rise and fall of a pop legend in his own words. For three years the Goss twins, Luke and Matt, had the world at their feet. Their records ripped to the top of the charts, they filled concert halls and were mobbed wherever they went. Their fall was as fast and spectacular as their rise. From being pop’s golden boys they became the band that everyone loved to hate, amidst spectacular rumours of bankruptcy and media manipulation. What went wrong? In this compelling book Luke Goss tells the whole incredible story, including: ? The million-point contract that left the band broke. ? The ‘weird unreality’ of going from unknown to superstar almost overnight. ? So-called ‘friends’ who turned their backs as soon as the bubble burst. It’s a cautionary tale for anyone aspiring to pop stardom, it is a saga of hurt and heartache, and, above all, it is a tribute to the family and friends – including Matt – who have stood by him through those frenetic years. It is, as Luke says, the laying to rest of a nightmare.

The term "e;community organizer"e; was deployed repeatedly against Barack Obama during the 2008 presidential campaign as a way to paint him as an inexperienced politician unfit for the presidency. The implication was that the job of a community organizer wasn't a serious one, and that it certainly wasn't on the list of credentials needed for a presidential?resume.?In reality, community organizers have played key roles in the political lives of American cities for decades, perhaps never more so than during the 1970s in Chicago, where African Americans laid the groundwork for further empowerment as they organized against segregation, discrimination, and lack of equal access to schools, housing, and jobs.In?Crucibles of Black Empowerment, Jeffrey Helgeson recounts the rise of African American political power and activism from the 1930s onward, revealing how it was achieved through community building. His book tells stories of the housewives who organized their neighbors, building tradesmen who used connections with federal officials to create opportunities in a deeply discriminatory employment sector, and the social workers, personnel managers, and journalists who carved out positions in the white-collar workforce. ?Looking closely at black liberal politics at the neighborhood level in Chicago, Helgeson explains how black Chicagoans built the networks that eventually would overthrow the city's seemingly invincible political machine.

King Lear is perhaps the most fierce and moving play ever written. And yet there is a curious puzzle at its center. The figure to whom Shakespeare gives more lines than anyone except the king-Edgar-has often seemed little more than a blank, ignored and unloved, a belated moralizer who, try as he may, can never truly speak to the play's savaged heart. He saves his blinded father from suicide, but even this act of care is shadowed by suspicions of evasiveness and bad faith.In Poor Tom, Simon Palfrey asks us to go beyond any such received understandings-and thus to experience King Lear as never before. He argues that the part of Edgar is Shakespeare's most radical experiment in characterization, and his most exhaustive model of both human and theatrical possibility. The key to the Edgar character is that he spends most of the play disguised, much of it as "e;Poor Tom of Bedlam,"e; and his disguises come to uncanny life. The Edgar role is always more than one person; it animates multitudes, past and present and future, and gives life to states of being beyond the normal reach of the senses-undead, or not-yet, or ghostly, or possible rather than actual. And because the Edgar role both connects and retunes all of the figures and scenes in King Lear, close attention to this particular part can shine stunning new light on how the whole play works.The ultimate message of Palfrey's bravura analysis is the same for readers or actors or audiences as it is for the characters in the play: see and listen feelingly; pay attention, especially when it seems as though there is nothing there.