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Velasquez
￥40.79
Diego Rodríguez de Silva y Velázquez (June 1599 – August 6 1660), known as Diego Vélasquez, was a painter of the Spanish Golden Age who had considerable influence at the court of King Philip IV. Along with Francisco Goya and Le Greco, he is generally considered to be one of the greatest artists in Spanish history. His style, whilst remaining very personal, belongs firmly in the Baroque movement. Velázquez’s two visits to Italy, evidenced by documents from that time, had a strong effect on the manner in which his work evolved. Besides numerous paintings with historical and cultural value, Diego Vélasquez painted numerous portraits of the Spanish Royal Family, other major European figures, and even of commoners. His artistic talent, according to general opinion, reached its peak in 1656 with the completion of Las Meninas, his great masterpiece. In the first quarter of the 19th century, Velázquez's style was taken as a model by Realist and Impressionist painters, in particular by ?douard
Picasso
￥61.23
Picasso was born a Spaniard and, so they say, began to draw before he could speak. As an infant he was instinctively attracted to artist’s tools. In early childhood he could spend hours in happy concentration drawing spirals with a sense and meaning known only to himself. At other times, shunning children’s games, he traced his first pictures in the sand. This early self-expression held out promise of a rare gift. Málaga must be mentioned, for it was there, on 25 October 1881, that Pablo Ruiz Picasso was born and it was there that he spent the first ten years of his life. Picasso’s father was a painter and professor at the School of Fine Arts and Crafts. Picasso learnt from him the basics of formal academic art training. Then he studied at the Academy of Arts in Madrid but never finished his degree. Picasso, who was not yet eighteen, had reached the point of his greatest rebelliousness; he repudiated academia’s anemic aesthetics along with realism’s pedestrian prose and, quite naturall
Degas
￥40.79
Degas was closest to Renoir in the impressionist’s circle, for both favoured the animated Parisian life of their day as a motif in their paintings. Degas did not attend Gleyre’s studio; most likely he first met the future impressionists at the Café Guerbois. He started his apprenticeship in 1853 at the studio of Louis-Ernest Barrias and, beginning in 1854, studied under Louis Lamothe, who revered Ingres above all others, and transmitted his adoration for this master to Edgar Degas. Starting in 1854 Degas travelled frequently to Italy: first to Naples, where he made the acquaintance of his numerous cousins, and then to Rome and Florence, where he copied tirelessly from the Old Masters. His drawings and sketches already revealed very clear preferences: Raphael, Leonardo da Vinci, Michelangelo, and Mantegna, but also Benozzo Gozzoli, Ghirlandaio, Titian, Fra Angelico, Uccello, and Botticelli. During the 1860s and 1870s he became a painter of racecourses, horses and jockeys. His fabulous p
Claude Monet:Vol1
￥122.54
对莫奈而言，艺术创作始终是一种痛苦的挣扎。较之同时代人，他更深沉地痴迷于表达情感，更强烈地渴望传达超越大自然的光线效果。用他自己的话来形容：“技巧来来去去……艺术始终如一——它是大自然的转译，需要与意志力同等的敏感性。我和太阳搏斗……（我）应该用金子和宝石作画。”
Claude Monet:Vol2
￥122.54
对莫奈而言，艺术创作始终是一种痛苦的挣扎。较之同时代人，他更深沉地痴迷于表达情感，更强烈地渴望传达超越大自然的光线效果。用他自己的话来形容：“技巧来来去去……艺术始终如一——它是大自然的转译，需要与意志力同等的敏感性。我和太阳搏斗……（我）应该用金子和宝石作画。”
Art of the 20th century
￥114.37
二十世纪是艺术史上的革命岁月。在其短短的几年中，现代主义喷薄而出，打破了几个世纪以来的古典形象艺术传统，创造出了崭新的作品。这本令人震撼地全面地展现了艺术的现代时代的作品，勾勒了二十世纪几场关键的艺术运动，从野兽派到流行艺术，详细特写了这一时代中负盛名的一些作品，也刊登了艺术批评家和艺术史学家的那些富有启发性的文章。翻开此书犹如打开了一扇进入现代艺术大家心灵世界的大门，生动而丰富，对于任何一个现代艺术粉丝来说，二十世纪的艺术都是不可或缺之物。
Art of Siberia
￥122.54
这本书讨论了西伯利亚的人民和传统，作为一本艺术、社会和历史的读物，将吸引很多读者。近，在圣彼得堡民族博物馆隐藏的密室中发现的材料具有轰动一时的重要性。在这本书中，这些材料的内容次出版面市，并经过了重新解释。作者才华横溢地表达了他们对这一反抗艰难环境和政治统治的民族热情和崇拜。
Broadside e-books
￥109.31
It's hard to remember the dark days before 2008. It was a time of hatred, racism, violence, obese children, war, untaxed rich people, and incandescent light bulbs -- perhaps the worst days we had ever seen. And at the heart of it all was a thuggish, thoughtless man, George W. Bush, who lashed out angrily at whatever he didn't understand -- and he understood so very little. Then there was that laugh of his -- that horrible snicker that mocked everything intelligent and nuanced. Also, he looked like a chimp. It seemed like the end for the United States of America. We would crumble in the hands of vicious, superstitious dimwits determined to hunt "ter'ists" or other figments of Bush's rotten mind. There was nothing left to do but head to Whole Foods to prepare our organic, sustainable, fair-trade last meal as the country ended around us. Despair had overtaken us, and we wondered aloud whether we could ever feel hope again. And then a man emerged who firmly answered, "Yes we can!" Oh, but Barack Obama was no mere man. He was a paragon of intelligence and civilized society. A savior to the world's depressed. A lightbringer. A genius thinking thoughts the common man could never hope to comprehend. And his words -- his beautiful words read from crystal panes -- reached down to our souls and told us all would be well. With the simple act of casting a ballot for Barack Obama, we could make the world an immeasurably better place -- a world of peace, of love, of understanding, of unicorns, of rainbows, of expanded entitlements. This was his promise. And now, having had him as president for more than two years, we can say without reservation that he has delivered all his promises and more and is the best president this country -- or any country -- has ever had or could even imagine to have.
President Me
￥88.56
My fellow Americans,President John F. Kennedy once famously said, "Hey, is that blond intern eighteen yet?" He also said, "Ask not what your country can do for you, but what you can do for your country."We've changed a lot since JFK asked us all to pitch in. We've become a nation of narcissistic, yoga-mat-toting, service-dog-having, absentee dads and gluten-free, hand-wringing, hypochondriac moms of overcaffeinated (yet somehow still lazy) twerking tweens. And our government is an inept bureaucracy incapable of doing anything except getting in our wallets and in our way. We've got to get it together, America.That is why I, Adam Carolla, hereby declare myself Candidate Carolla. The tome you hold in your hands is a statement of my intent to whip our country back into fighting shape, to eliminate the "what are you going to do for me?" mentality that has invaded our country.President Me is my manifesto, my vision for a better place . . . free of Big Government, barefoot fliers, lazy hipsters who'd rather "Occupy" than work, and the other things that are bringing our country down. With my cabinet appointees, my list of worthy and necessary presidential ManDates, and tons of great ideas for fixing our health care, education, energy, and even national parks systems . . . behold an America we can be proud of. The America I see in my head.You're welcome in advance.Your future leader,Adam
Get Rich Cheating
￥88.56
In these difficult times, there's only one proven path to ridiculous amounts of money: Cheating. Everyone's doing it from sleazy CEOs to 'roided-up home run kings, silicone-enhanced starlets, and backroom-dealing congressmen so why not youGet Rich Cheating is your definitive guide to the illegal, immoral, and fun, detailing the schemes that have proven time and time again to generate more cash than God, Google, and the Treasury combined. No one ever bought a fleet of Bentleys with hard work, perseverance, and honesty. Simply by purchasing this book, you've already done more than most "ethical" people dare. Open it, savor the moment, and inhale deeply in the musk of your impending wealth it's time to Get Rich Cheating.
Red, White & Liberal
￥83.93
As one of the foremost liberal voices in television and radio today, Alan Colmes has long been braving the wilds of controversial issues and conservative slander. The host of the talk-radio show Fox News Live with Alan Colmes and cohost of Fox News Channel's hit debate show Hannity Colmes, Colmes now offers this witty, passionate wake-up call to America.Colmes takes on the fundamental question: How can we protect our nation without diminishing our liberties, and regain our place in the world as an example of democracyColmes urges Americans to see past the government's manipulation of the War on Terror to silence critics; the lies we've been force-fed about the war in Iraq and Afghanistan; and the conservative smear campaign that has turned "liberal" into a four-letter word. From debunking the myth of the liberal media to exposing conservative hypocrisy, Colmes presents the issues with thoughtful, provocative arguments, hard facts and logic, and searing humor.Certain to spark debate and cause readers to reevaluate and reaffirm their beliefs, Red, White Liberal powerfully argues that despite our differences, we must extend our hands across party lines to find solutions, protect our shores, and preserve our freedoms.
Why Girls Can't Throw
￥72.70
Warning: the truth can be shocking, seductive, offensive, outrageous...even disgusting!Are you perplexed by the mysteries of the universe, confounded by the workings of the human body, prone to pondering the great imponderablesAt long last, the answers are here for every inquiring mind that's not afraid to face up to the cold, hard facts of life. The author who brought you That Book . . . of Perfectly Useless Information now addresses the quirky, the eclectic, and the essential conundrums of our age in Why Girls Can't Throw . . . and Other Questions You Always Wanted Answered, including: What's the kindest way to tell a friend he has halitosisIs it cheaper to send yourself as a package to Australia rather than fly on an airplaneAre there any benefits to smokingIs it true that Keith Richards used to regularly replace all the blood in his body?
Fifteen Candles
￥84.05
For the uninitiated, the quincea era celebrates the passage of a fifteen-year-old girl into adulthood: It's a bit bat mitzvah with a dash of debutante ball, and loaded with the same potential for hilarity and adolescent angst. In this original anthology, fifteen of the brightest and funniest Latino writers, men and women alike, share their own memories of these moving and often absurd extravaganzas tales of that unique form of familial humiliation that is borne of the best intentions, fierce love, and the infectious joy of parents finally allowing their little girl to grow up.
A Field Guide to Evangelicals and Their Habitat
￥83.93
They're Going to Heaven . . . and They Know ItAt last, a complete, unsparing guide to evangelical Christians. This hilarious and highly useful manual, written by an insider, illuminates this rapidly growing and unique segment of America and offers a thoroughly entertaining, no-holds-barred, laugh-out-loud survey of evangelical culture. See inside for the scoop on: What Evangelicals Believe -- Plus a Master List of Who Is Going to Hell How to Party Like an Evangelical -- Ambrosia, Li'l Smokies, and Potluck Fever The Diversity of Evangelical Politics -- From Right-Wing to Wacko Evangelical Mating Habits -- The Shocking Truth
The Dictionary of Love
￥83.93
In its more than three hundred pages, The Dictionary of Love gets to the heart of the matter: To rusticate is to get out of town with one's lover.A ballabust is a controlling wife or girlfriend.Bob Hope had the longest Hollywood marriage.Kinkalicious is your girlfriend in a teddy.Tahiti is an island where lovers do the 'upa'upa. From "afterglow" to "zipper," "Ikea" to "Twister," The Dictionary of Love is chockablock with everything you ever wanted to know about love but couldn't find in your Funk Wagnalls. The book draws from all areas of life: love songs, poems, history, law books, sex manuals, medical and psychology texts, folklore, modern science, cookbooks, classical literature, Internet dating sites, TV shows, and today's slang. What famous people best define loveAccording to The Dictionary of Love, they include Johnny Depp, Angelina Jolie, Bill Clinton, Casanova, Lana Turner, Nefertiti, Zsa Zsa Gabor, Don Quixote, Ben & Jerry even Flipper and Lassie!Included, too, are charts, graphs, and illustrations, plus a G-spot directional map for women to give their boyfriend or lover. An indispensable tool for anyone who is composing a love sonnet, breaking up over e-mail, writing a romance novel, planning a romantic getaway, or just looking for something juicy to whisper in their lover's ear, The Dictionary of Love is a first-of-its-kind compendium of all things amorous.
More Mirth of a Nation
￥95.52
More seriously funny writing from American's most trusted humor anthology Witty, wise, and just plain wonderful, the inaugural volume of this biennial, Mirth of a Nation, ensured a place for the best contemporary humor writing in the country. And with this second treasury, Michael J. Rosen has once again assembled a triumphant salute to one of America's greatest assets: its sense of humor. More than five dozen acclaimed authors showcase their hilariously inventive works, including Paul Rudnick, Henry Alford, Susan McCarthy, Media Person Lewis Grossberger, Ian Frazier, Richard Bausch, Amy Krouse Rosenthal, Nell Scovell, Andy Borowitz, and Ben Greenman -- just to mention a handful so that the other contributors can justify their feelings that the world slights them. But there's more! More Mirth of a Nation includes scads of Unnatural Histories from Randy Cohen, Will Durst's "Top Top-100 Lists" (including the top 100 colors, foods, and body parts), and three unabridged (albeit rather short) chapbooks: David Bader's "How to Meditate Faster" (Enlightenment for those who keep asking, "Are we done yet?") Matt Neuman's "49 Simple Things You Can Do to Save the Earth" (for instance, "Make your own honey" and "Share your shower.") Francis Heaney's "Holy Tango of Poetry" (which answers the question, "What if poets wrote poems whose titles were anagrams of their names, i.e., 'Toilets,' by T. S. Eliot?") And there's still more: "The Periodic Table of Rejected Elements," meaningless fables, Van Gogh's Etch A Sketch drawings, a Zagat's survey of existence, an international baby-naming encyclopedia, Aristotle's long-lost treatise "On Baseball," and an unhealthy selection of letters from Dr. Science's mailbag. And that's just for starters! Just remember, as one reviewer wrote of the first volume, "Don't drink milk while reading."
The Freedom Manifesto
￥90.77
The author of How to Be Idle, Tom Hodgkinson, now shares his delightfully irreverent musings on what true independence means and what it takes to be free. The Freedom Manifesto draws on French existentialists, British punks, beat poets, hippies and yippies, medieval thinkers, and anarchists to provide a new, simple, joyful blueprint for modern living. From growing your own vegetables to canceling your credit cards to reading Jean-Paul Sartre, here are excellent suggestions for nourishing mind, body, and spirit witty, provocative, sometimes outrageous, yet eminently sage advice for breaking with convention and living an uncluttered, unfettered, and therefore happier, life.
It's Not Easy Bein' Me
￥77.49
An American comic icon tells the story of his second act rise from obscurity to multimedia stardom. "When I was a kid," writes Rodney Dangerfield, "I worked tough places in show business places like Fonzo's Knuckle Room. Or Aldo's, formerly Vito's, formerly Nunzio's. That was a tough joint. I looked at the menu. They had broken leg of lamb." For once, one of America's most beloved comic icons isn't kidding. Dangerfield has seen every aspect of the entertainment industry: the rough and tumble nightclubs, the backstage gag writing sessions, the drugs, the hookers, the lousy day jobs and the red carpet star treatment. As he traces his route from a poor childhood on Long Island to his enshrinement as a comedy legend, he takes readers on a roller coaster ride through a life that has been alternately touching, sordid, funny, raunchy, and uplifting equal parts "Little Orphan Annie" and "Caligula." And unlike most celebrity autobiographers, he seems to have no qualms about delivering the unfiltered whole story, warts and all. Dangerfield's personal story is also a rollicking show business tale, full of marquee name droppings (Adam Sandler, Sam Kinison, Jim Carrey, Johnny Carson, Jerry Seinfeld) and good stories about same. Defying the old saws about the fleeting nature of fame and the dearth of second acts in American life, Dangerfield transformed himself from a debt ridden aluminium siding salesman named Jack Roy to a multimedia superstar and stayed an icon for decades. His catchphrase "I get no respect" has entered the lexicon, and he remains a visible cultural presence and perennial talk show guest. Dangerfield's hilarious and inspiring musings should thrill comedy fans and pop culture watchers, and his second act comeback will strike a chord with readers of all stripes. Maybe he'll even get some respect.
A Grammar of Murder
￥282.53
The dark shadows and offscreen space that force us to imagine violence we cannot see. The real slaughter of animals spliced with the fictional killing of men. The missing countershot from the murder victim's point of view. Such images, or absent images, Karla Oeler contends, distill how the murder scene challenges and changes film.?Reexamining works by such filmmakers as Renoir, Hitchcock, Kubrick, Jarmusch, and Eisenstein, Oeler traces the murder scene's intricate connections to the great breakthroughs in the theory and practice of montage and the formulation of the rules and syntax of Hollywood genre. She argues that murder plays such a central role in film because it mirrors, on multiple levels, the act of cinematic representation. Death and murder at once eradicate life and call attention to its former existence, just as cinema conveys both the reality and the absence of the objects it depicts. But murder shares with cinema not only this interplay between presence and absence, movement and stillness: unlike death, killing entails the deliberate reduction of a singular subject to a disposable object. Like cinema, it involves a crucial choice about what to cut and what to keep.
Sorcery in the Black Atlantic
￥253.10
Girls abused in London and torsos of black boys found in the Thames; African boys disappearing from school and child traffic in Africa; child sacrifice and Brazilian Pentecostal exorcism. Unrelated events are swiftly connected in an uncanny work of prestidigitation, including hitech digital images of torsos and forensic drawings of abused children. Les correspondances symboliques, Baudelaire would say, or contiguous magic, in Frazer’s more prosaic de*ion. It all could make sense, if we believe in our fears, suspicions, gossip, and prejudices. Furthermore, this incredible work of prestidigitation was engineered by two respectable institutions, known for their enlightened search of truth: the BBC and Scotland Yard. But where was the evidence that all these things were connectedThe “exorcism scandal” bewitched the media in Britain for the whole month of June, until some dissenting voices started to talk about a “racist witch hunt.” 5 By then, however, a population of hundreds of thousands of Africans, in particular Pentecostal Africans, was already under suspicion. “What if some of that was true?” some people still may ask. In fact, shortly before completing this introduction, the local London newspaper Evening Standard published a two-page report on an African church in the United Kingdom, with the title “Miracles and claims of baby-snatching,” mixing rumors of child trafficking, sorcery, syncretism, and extreme wealth. 6 That is how sorcery works: not by fully demonstrating its power, but by opening a possible doubt; one is never fully sure it is not true.
Paul Klee
￥370.82
The fact that Paul Klee (1879-1940) consistently intertwined the visual and the verbal in his art has long fascinated commentators from Walter Benjamin to Michel Foucault. However, the questions it prompts have never been satisfactorily answered-until now. In?Paul Klee, Annie Bourneuf offers the first full account of the interplay between the visible and the legible in Klee's works from the 1910s and 1920s.Bourneuf argues that Klee joined these elements to invite a manner of viewing that would unfold in time, a process analogous to reading. From his elaborate titles to the small scale he favored to his metaphoric play with materials, Klee created forms that hover between the pictorial and the written. Through his unique approach, he subverted forms of modernist painting that were generally seen to threaten slow, contemplative viewing. Tracing the fraught relations among seeing, reading, and imagining in the early twentieth century, Bourneuf shows how Klee reconceptualized abstraction at a key moment in its development.
