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Gr?dina lui Eros
￥46.36
Cititorul va g?si ?n cartea mea un Bucure?ti al scriitorilor, un Bucure?ti al oamenilor politici ?i al gazetarilor, un Bucure?ti al dueli?tilor de ocazie ?i al fan?ilor de salon, al boierilor risipitori ?i sibari?i, al briganzilor de felul unor Tunsu, Grozea sau Iancu Jianu, al domnitorilor cu sau f?r? noroc, al pasiunilor amoroase, al dramelor ?i comediilor vie?ii, o adev?rat? surs? de subiecte pentru scenari?tii care vor s?-?i ?ncerce norocul ?n produc?ia unor seriale TV, ca s? nu spun ?telenovele“. Exist? oameni care merit? aminti?i cu p?r?ile lor bune ?i rele, domnitori ca Mircea Ciobanul, Matei Basarab, Br?ncoveanu, Mavrocorda?ii, Nicolae Mavrogheni, Ioan Gheorghe Caragea, Gheoghe Bibescu, Barbu ?tirbei, Alexandru Ioan Cuza, Carol I sau boieri ca Mihai Cantacuzino, Kre?ule?tii, V?c?re?tii, logof?tul Dudescu, Ion C?mpineanu, Ion Ghica, Nicolae B?lcescu, arhitec?i ca Alexandru Or?scu ?i al?ii. Am pornit ?n scrierea acestei c?r?i av?nd ?n fata ochilor r?ndurile scriitorului Mircea Constantinescu, foarte inspirat atunci c?nd afirma ?n romanul sau documentar ?C?nd toca la Radu Voda“ ca ?Bucure?tii nasc pove?ti de amor ca o mam? eroin?“.
Da Vinci Notebooks
￥40.79
A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description.
Leviathan
￥40.79
Leviathan is one of the earliest and most influential examples of social contract theory. A classic western work on statecraft comparable to Machiavelli's The Prince. Written during the English Civil War (1642–1651), Leviathan argues for a social contract and rule by an absolute sovereign.
Arabian Nights
￥40.79
When Sheherazad is brought to the palace to be the Sultan’s new bride, her very life depends upon her skill as a storyteller. She tells him tales of lost cities and buried treasure, of slave girls and robbers, of genies in bottles and evil sorcerers. But will it be enough to save her? The stories of the Arabian Nights date back more than a thousand years and originate from Persia, India and Arabia. Neil Duffield has combined elements of many of them, keeping alive the excitement and humour to produce a show which will transport the audience into a world of myth and legend where fantasy and reality can never be separated.
Combustion
￥40.79
Bradford, in the month of Ramadan. Shaz, a local garage mechanic, is trying to keep his business going despite the terrible scandal of Asian men involved in grooming young girls for sex in the area. A protest march through the city is planned and Samina, Shaz’s sister wants to make a speech at a counter-demonstration for Peace. Shaz just wants a quiet life so that his prospective in-laws will let him marry their beautiful daughter, but as the city gets swept up in the protest, his world gets turned upside down. Asif Khan’s debut play is a fabulously comic take on the combustion surrounding young British Muslim lives.
The Libation Bearers
￥40.79
Orestes arrives at the grave of his father, accompanied by his cousin Pylades, the son of the king of Phocis, where he has grown up in exile; he places two locks of his hair on the tomb. Orestes and Pylades hide as Electra, Orestes' sister, arrives at the grave accompanied by a chorus of elderly slave women (the libation bearers of the title) to pour libations on Agamemnon's grave; they have been sent by Clytemnestra in an effort to ward off harm. Just as the ritual ends, Electra spots a lock of hair on the tomb which she recognizes as similar to her own; subsequently she sees two sets of footprints, one of which has proportions similar to hers. At this point Orestes and Pylades emerge from their hiding place and Orestes gradually convinces her of his identity.
Oresteia
￥40.79
The Oresteia, a trilogy of Greek tragedies written by Aeschylus. The name derives from the character Orestes, who sets out to avenge his father's murder. The only extant example of an ancient Greek theater trilogy, the Oresteia won first prize at the Dionysia festival in 458 BC. Principal themes of the trilogy include the contrast between revenge and justice, as well as the transition from personal vendetta to organized litigation.
The Suppliants
￥40.79
The Danaids form the chorus and serve as the protagonists. They flee a forced marriage to their Egyptian cousins. When the Danaides reach Argos, they entreat King Pelasgus to protect them. He refuses pending the decision of the Argive people, who decide in the favor of the Danaids. Danaus rejoices the outcome, and the Danaids praise the Greek gods. Almost immediately, a herald of the Egyptians comes to attempt to force the Danaids to return to their cousins for marriage. Pelasgus arrives, threatens the herald, and urges the Danaids to remain within the walls of Argos. The play ends with the Danaids retreating into the Argive walls, protected.
Utilitarianism
￥8.82
John Stuart Mill's book Utilitarianism is a philosophical defense of utilitarianism in ethics. The essay first appeared as a series of three articles published in Fraser's Magazine in 1861; the articles were collected and reprinted as a single book in 1863. It went through four editions during Mill's lifetime with minor additions and revisions. Although Mill includes discussions of utilitarian ethical principles in other works such as On Liberty and The Subjection of Women, Utilitarianism contains Mill's only major discussion of the fundamental grounds for utilitarian ethical theory.
Drame Oskara Vajlda
￥37.20
Ni prevodi najzna?ajnijih drama Oskara Vajlda: Salome, Sveta kurtizana i Va?no je?da si?Ernest
Kultur in Cartoons: "With Accompanying Notes by Well-Known English Writers"
￥28.61
When his cartoons began to reach America toward the end of 1916 this country was neutral. It is with peculiar satisfaction, therefore, that I base this brief foreword upon press extracts published prior to America’s participation in the war. If it were possible to discover today an individual who was entirely ignorant as to the causes and conduct of the war, he would, after an inspection of a hundred or more of these cartoons, probably utter his conviction somewhat as follows: ?“I do not believe that these drawings have the slightest relation to the truth; I do not believe that it is possible for such things to happen in the twenti-eth century.” ??He would be quite justified, in his ignorance of what has happened in Europe, in expressing such an opinion, just as any of us, with the possible exception of the disciples of Bernhardi himself, would have been justified in expressing a similar view in July, 1914.??What is the view of all informed people today? “To Raemaekers the war is not a topic, or a subject for charity. It is a vivid heartrending reality,” says the New York “Evening Post,” “and you come away from the rooms where his cartoons now hang so aware of what war is that mental neutrality is for you a horror. If you have slackened in your determination to find out, these cartoons are a slap in the face. ??Raemaekers drives home a universal point that concerns not merely Germans, but every country where royal decrees have supreme power. Shall one man ever be given the power to seek his ends, using the people as his pawns? We cannot look at the cartoons and remain in ignorance of exactly what is the basis of truth on which they are built.”?The “Philadelphia American” likens Raemaekers to a sensitized plate upon which the spirit which brought on the war has imprinted itself forever, and adds: ?“What he gives out on that subject is as pitilessly true as a photograph. They look down upon us in their naked truth, those pictures which are to be, before the judgment-seat of history, the last indictment of the German nation. Of all impressions, there is one which will hold you in its inexorable grip: it is that Louis Raemaekers has told you the truth.”
A First Book in American History: "An Early Life of America"
￥28.29
IN preparing a first book of American history, it is necessary to keep in mind the two purposed such a work is required to serve. There are children whose school life is brief; these must get all the instruction they are to receive in their country's history from a book of the grade of this.To another class of pupils the first book of American history is a preparation for the intelligent study of a textbook more advanced. It is a manifest waste of time and energy to require these to learn in a lower class the facts that must be re-studied in a higher grade. Moreover, primary histories which follow the order of larger books are likely to prove dry and unsatisfactory condensations. But a beginner's book ought before all things else to be interesting. A fact received with the attention raised to its highest power remains fixed in the memory; that which is learned listlessly is lost easily, and a lifelong aversion to history is often the main result produced by the use of an unsuitable textbook at the outset.The main peculiarity of the present book is that it aims to teach children the history of the country by making them acquainted with some of the most illustrious actors in it. A child is interested, above all, in persons. Biography is for him the natural door into history. The order of events in a nation's life is somewhat above the reach of younger pupils, but the course of human life and the personal achievements of an individual are intelligible and delightful. In teaching younger pupils by means of biography, which is the very alphabet of history, we are following a sound principle often forgotten, that primary education should be pursued along the line of the least resistance. Moreover, nothing is more important to the young American than an acquaintance with the careers of the great men of his country.
The Master Key An Electrical Fairy Tale by L. Frank Baum - Delphi Classics (Illu
￥8.09
This eBook features the unabridged text of ‘The Master Key An Electrical Fairy Tale by L. Frank Baum - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of L. Frank Baum’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Baum includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Master Key An Electrical Fairy Tale by L. Frank Baum - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Baum’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the text Please visit www.delphiclassics.com to learn more about our wide range of titles
Shakespeare Love Tales
￥48.97
Shakespeare was familiar with all beautiful forms and images, with all that is sweet or majestic in the simple aspects of nature and human life, of that indestructible love, and clear waters, and soft airs and sounds, and bright skies and woodland solitudes, and moon-light bowers. The writings of Shakespeare have been justly termed the richest, the purest, the fairest, that genius uninspired ever penned. This collection of Shakespeare love tales includes: Romeo and Juliet, King Lear, Pericles. These timeless stories are retold in modern English retaining all key elements of Shakespeare's original storyline, characters and wisdoms.
Storm in a Teacup
￥48.97
Shakespeare instructed by delighting. His comedies and tragedies contain more actual wisdom than the whole body of English learning. He is the teacher of all good – pity, generosity, true courage, love. His bright wit is cut out into little stars. This collection of Shakespeare tales includes: The Tempest, Much Ado About Nothing, Cymbeline. These timeless stories are retold in modern English retaining all key elements of Shakespeare's original storyline, characters and wisdoms.
Dancing Deeper Still:The Practice of Contact Improvisation
￥77.31
You went to your first Contact Improvisation (C.I.) class, or a friend invited you to the weekly jam, and you’re captivated. Or perhaps, you’ve been dancing and investigating for years. What’s next? What discoveries await you in your dance? In 1972, Steve Paxton convened a group of athletes and dancers to research the principles of Contact Improvisation. Since then the form has matured into a worldwide, collaborative experiment with no central control. Everyone who enters adds their findings and permutations to this inherently unfinished dance form. Dancing Deeper Still is a sourcebook of essays on Contact Improvisation, a philosophical treatise, and a handbook. This compilation of 30 years of writings is meant to accompany and support your investigation as you discover new pathways and dynamics in your dancing. It includes chapters on: ·??????Contact Improvisation in performance ·??????Boundaries and sexuality ·??????Political activism ·??????Dancing while aging ·??????Expanded teaching research notes ·??????Advanced skills Whether you are the improviser who savors the slow rivers of sensation…or who delights in spontaneous acrobatics…or any of the bountiful realms in between, this book was written for you. Your discoveries enrich the community-held body of knowledge in our ever-evolving form. I invite you to dance deeper still. ? Martin Keogh dances, teaches, and researches Contact Improvisation. His love for the dance has taken him to 31 countries across six continents. Keogh was named a Fulbright Senior Specialist for his contribution to the development of the form. Martin spent time in monasteries in Japan and Korea and was the director of the Empty Gate Zen Center in Berkeley, CA before he discovered the world of dance. He is the author of: As Much Time as it Takes and the anthology: Hope Beneath Our Feet: Restoring Our Place in the Natural World. He lives with his family by the Salish Sea in British Columbia. martinkeogh.com
Marilyn, Norma Jean and Me
￥24.44
In this boisterous but sensitive drama, playwright J. Ajlouny looks beyond public image to find the heart of this young woman thrust wildly into fame as a sex symbol. Presented as a play-in-the-making within a play, Marilyn, Norma Jean and Me weaves biography with humor to explore the movie star’s widely speculated plan to leave Hollywood for Broadway. The author imagines her innocence and vulnerability, her friendliness and loyalty, even as the public image threatens to steal her humanity. This play is a must-see or -read for fans of film and stage, not just because it is so good, but for its powerful way of finding the real Norma Jean in the legend known as Marilyn Monroe.
The Transitional Social Art Group: For Children with Autism or Adjustment Diffic
￥31.56
According to various research data, transition from primary to secondary school causes concern to many children (Jindal-Snape, 2010). This is more intense in the case of children with autism, because of their difficulty to face changes (Al-Ghani & Kenward, 2009). In the Transitional Social Art Group numerous topics can be explored systematically about this transition through an arts activity programme. Furthermore meetings involve presentation of sensory material, group discussion and group games relevant to each topic. Mainstream students can participate voluntarily in this group; in this case they could be prepared to provide practical and social support to peers with autism/communication difficulties during this transition under adult supervision. In this way this programme could also contribute to the prevention or elimination of bullying. In the present book there is an analytical presentation of the Transitional Social Art Group Programme addressed to practitioners or parents of children with autism. Additionally it could be implemented for children having communication or adjustment difficulties due to other reasons. The Transitional Social Art Group Programme can be used during other transitions, too.
Beyond The Law of Attraction: A Compendium For Creativists: Insights For Creativ
￥19.58
This is not a book about writing or innovation, arts or craft but a guide to being more creative and to applying the creative process to everything. Orna Ross, award-winning and best-selling novelist, and founder of the global non-profit self-publishing association, the Alliance of Independent Authors, has gathered extracts from a selection of her books -- novels, poems and the Go Creative! series into this anthology of inspirations, aimed at helping you to be more creative in everything you do. Ranging widely across her work, this anthology is at once a memoir, a meditation on the creative process, and an eloquent companion to living life as a conscious creator: a creativist. At its core is the concept of creativism, the art of creating more of what you truly want in your life and less of what you don’t. Through a blend of stories from lore and literature, from science and psychology, from her students and from her own life, Orna offers enduring wisdoms about creative practice as it applies to life, love and the pursuit of happiness -- including how to foster flow, overcome self-sabotage and enjoy true creative living. Chapters include: "The Seven Stages of The Creative Process"; "How To Create Anything" and "Where The Law of Attraction Goes Wrong” but what makes this volume unique is the stories and poems. Extracts from Orna's novels illustrate creative principles in action in the lives of her characters. And inspirational poems ignite the state of creative presence as you read. The combination of ancient wisdoms and up-to-date creative research equips you for the creative age in which we now live. Guaranteed to inspire and ignite your own creative spark, this compendium is also an excellent introduction to the Go Creative! series, as well as a practical guide to being more creative at work, at home and in everything you do.
On Walking: A guide to going beyond wandering around looking at stuff
￥104.99
Phil Smith of Wrights & Sites' fame is not the first to walk in the footsteps of W.G. Sebald, whose? The?Rings of Saturn ?is an account a walk round Suffolk 20 years ago.? What? is? remarkable is that Phil's own walk was quite as extraordinary as Sebald's and that he matches Sebald's erudition, originality and humour swathe for swathe.? On one level ?On Walking...? describes an actual, lumbering walk from one incongruous B&B to the next, taking in Dunwich, Lowestoft, Southwold, Covehithe, Orford Ness, Sutton Hoo, Bungay, Halesworth and Rendlesham Forest - with their lost villages, Cold War testing sites, black dogs, white deer and alien trails.? On a second level it sets out a ? kind? of walking that the author has been practising for many years and for which he is quietly famous. It's a kind of walking that burrows beneath the guidebook and the map, looks beyond the shopfront and the Tudor facade and feels beneath the blisters and disgruntlement of the everyday. Those who try it report that their walking [and their whole way of seeing the world] is never quite the same again. And the Suffolk walk described in this book is an? exemplary? walk, a case study - this is exactly how to do it.? Finally, on a third level,? On Walking...? is?an intellectual tour de force, encompassing Situationism, alchemy, jouissance, dancing, geology, psychogeography, 20th century cinema and old TV, performance, architecture, the nature of grief, pilgrimage, World War II, the Cold War, Uzumaki, pub conversations, synchronicity, somatics and the Underchalk.
O inim? de Broscu??. Volumul X. Puterea z?mbetului
￥46.60
Volumul Sublimul tr?d?rii reprezint? o incursiune ?n lumea ?multidimensional?“ a crea?iei teatrale. Convins de existen?a unor straturi rarefiate ale spiritului, ?n care reprezenta?ia a fost h?r?zit? s? existe, autorul se ?ndep?rteaz? de orice interpretare ?vulgar?“, la prima m?n?, a artei scenice. F?c?ndu-se apel la teorii ale esteticii teatrale, dar ?i ale filosofiei, psihanalizei, exegezei ?i criticii literare, ne este relevat un univers artistic complicat, complex, predispus unei analize profunde. Astfel, locul care ?i este destinat spectatorului nu mai este acela de privitor pasiv, ci de partener al actorilor.?Oper?nd alegerea de sine“, spectatorul iese din plasa esteticului nu pentru a-i desfide rostul, ci pentru a se proiecta ?n centrul ac?iunii scenice, ?ntr-un loc ?n care ??i poate afirma prezen?a. Actul ?lecturii“ teatrului implic? ?ndatoriri egale cu cele din spa?iul public, for??ndu-l pe insul aflat ?n sala de spectacol s? faca o eschiva printre imperativele vie?ii, consider?nd interpretarea ca circumscriere concret? ?n ?legea universal?“ a eticului. Doar ?n acest fel, spectatorul poate accepta responsabilit??i legate de ceea ce i se ?nt?mpl?, atent la (?i preocupat de) via?a sa superioar?, spiritual?.“
