The war may be over, but the fight to belong is just beginning. Left homeless, starving, and almost killed by the Second World War, the Saforo family are refugees fleeing Italy for a better life. The shores of Australia are calling to them and they head off, packing dreams of jobs, a home and … soccer. But from the moment they get off the boat, adapting to the Australian way of life is harder than it seems. Their family doesn’t speak right, eat right or even look right. As they struggle to build a simple life against the backdrop of 1950s racism, they start to wonder if they will be outsiders forever. A true family affair, Wanderers No More will make you laugh, remind you of your family, and warm your heart.

Los pazos de Ulloa es una novela de Emilia Pardo Bazán (1852-1921) publicada en 1886. Es una de las novelas que mejor ejemplifica la corriente naturalista, al reflejar la aceptación de las teorías positivistas aplicadas a la literatura por el escritor francés y padre del naturalismo ?mile Zola.

Es la sexta y última colección de cuentos de Emilia Pardo Bazán que narra historias de amores enormes, mediocres, irrisorios, molestos, peque?os, sorprendentes, entra?ables, dramáticos o felices. Sus personajes proceden de todo el abanico de la sociedad en la Espa?a de su tiempo.

Getting into prison is easy. Getting out is hard. Getting away is nearly impossible. Getting the power to control your own destiny might cost everything you have. Emmeline, Matilda, and Patrick are sworn to rescue Patrick's mother from the infamous Female Factory prison, but when a vengeful police officer tracks down their hideout, things get worse fast. Soon they're framed for a double murder and fighting a magical monster in the eerie and unfamiliar island of Tasmania. Patrick's mother hides crucial papers in a tin under her prison smock, and her best friend Fei Fei is dying in the overcrowded prison. More than one woman's life hangs in the balance.

During the 1979 Islamic revolution in Iran, Zahra, a young Afghan refugee has to make a terrible choice. Stay with her lover or leave to save her anarchist cousin's life.

No es una novela. Es una "nivola", según su autor. Nuevo género creado por Unamuno, no tuvo mucho arraigo, pero aún así Niebla es una de las obras de ficción más importantes del escritor vasco. El libro aborda la inseguridad del hombre moderno que se preocupa por su destino y su mortalidad. El título está cargado de significado, dado que el libro difumina la línea entre la ficción y la realidad. También son nebulosas las descripciones físicas de los personajes y lugares, y hasta pone en duda la naturaleza de la existencia humana.

La tía Tula, es, según su autor, ?la historia de una joven que, rechazando novios, se queda soltera para cuidar a unos sobrinos, hijos de una hermana que se le muere. Vive con el cu?ado, a quien rechaza para marido, pues no quiere manchar con el débito conyugal el recinto en que respiran aire de castidad sus hijos. Satisfecho el instinto de maternidad, ?para qué perder su virginidad? Es virgen madre?. Pero sobre este ca?amazo argumental teje Unamuno una obra cargada de sentidos plurales: Tula, la protagonista, que encarna la concepción tradicional de la familia y de la mujer y que es, a al vez, víctima de ella, ejemplifica la figura del agonista unamuniano dividido en mil contradicciones.

When a young, unidentified woman is pulled alive and well from Sydney Harbour in 2013, the connections to another woman - found in similar circumstances forty years earlier - present psychiatrist Kathryn Brookley with a terrible decision as the events of the present and past begin to mirror each other and the gap between truth and illusion shrinks. When the young woman goes further and declares that she has lived continuously since coming to 'understanding' in the 14th century, her vivid accounts of life, love, childbirth, and loss in the Middle Ages seem so authentic that they test Kathryn's scientific objectivity to the limit. As Kathryn delves she discovers that she is not the only one whose habitual assumptions about life have been torn asunder by an apparent experience of the miraculous in connection with the mystery woman.

Al igual que la mayor parte de las novelas de Unamuno, y a diferencia de las novelas realistas al uso en la época, Abel Sánchez carece de indicaciones cronológicas y geográficas concretas se sitúa así en un "tiempo sin tiempo". Por otro lado, en esta novela Unamuno refleja una lucha interior del protagonista, acosado por sus miedos, por sus celos y por sus concepciones encontradas, su religiosidad sin dogmas y la eterna historia bíblica que se repite, en los caínes y abeles.

Aurora Award Finalist Think of human emotion as a geography, with peaks of pleasure and valleys of pain. Imagine a drug that flips the valleys and makes them peaks, too. You react now to an event based not on the pleasure or pain it brings, but solely on the intensity of the emotion created. Pain brings pleasure, grief gives joy, horror renders ecstasy. Now give this drug to a soldier. Tell them to kill. Not in the historically acceptable murder of war, but in a systematic corporate strategy--of xenocide. They will kill. And they will revel in it. Welcome to the world of Scream. Jarrod is a Scream-addicted soldier forced to take part in the destruction of entire races. But when his unit encounters the Be’nan, aliens who hold the secret to true enlightenment, no one is prepared for the result. "…reaches far past the muddled mediocrity of swashbuckling tales forgotten before the page is turned to the next story. I enjoyed the alien anthropology and the details are tremendous…in this tale of tremendous sacrifice" —Tangent Online "My favourite of the selection was 'Enlightenment' by Douglas Smith. A strange story indeed about Earth people engaged in strip-mining planets and relocating indigenous populations. ... The end is horrific in many respects but it's also thought-provoking." —SF Crowsnest Reviews "…[tells of] a spiritual undertaking by a member of a brutal planetary occupation force who "goes native" in which Douglas Smith provides a riff on Ray Bradbury's famous rationale of space travel: for Man to find God in the cosmos. A science fictional depiction of the mistreatment of "aliens" to subvertly criticize the atrocities of imperialist colonization." —SF Site "... unexpected twists and a superb ending; the story is as powerful as any in the [Chimerascope] collection (A++)" —Fantasy Book Critic "Douglas Smith…succeeds in evoking an alien society with mythic/religious overtones in his moving tale ‘Enlightenment’." —New Hope International Review Online "Another strong story, looking at humanity's treatment of indigenous people." —Best SF "...oppressed inhabitants of distant worlds making the ultimate sacrifice in order to bring mankind back to the realisation of what right and wrong truly mean." —Whispers of Wickedness reviews "Nicely judged depictions of alien customs…" —SF Site "...was my favourite of the issue. ‘Enlightenment’ went exactly where I expected it to, but that was where I wanted it to go--I was there for the ride" "Stories [were] great, particularly ‘Enlightenment.’ [I] was just engrossed in the whole thing...and applaud it thoroughly!" "…just blew me away…I was taken away by the lovely prose." "...provoked some really interesting ideas…" "…mind-blowing…" —InterZone readers forum

Roudine est admis dans le salon de Daria Lassounska. Il brille par son éloquence, séduit les ?mes, s'installe comme interlocuteur privilégié de la ma?tresse de maison, ravissant jusqu'au coeur de Natalie, la fille de Daria. Est-ce un tartuffe ? Un beau parleur ? Qui peut dire si Roudine, homme de paroles et d'idées, est capable d'éprouver une passion véritable ? Dimitri Roudine, publié en 1856, marque durablement Henry James, qui déclare Tourguéniev premier romancier de son temps.

A la même époque, il y avait à Ferrare une jeune damoiselle du nom de Valéria. Elle passait pour être l'une des plus grandes beautés de la ville, encore qu'on ne la v?t guère, car elle menait un genre de vie fort retiré et ne sortait de chez elle que pour se rendre à l'église, ou à la promenade, les jours de fête. Elle habitait avec sa mère, une veuve noble, mais peu fortunée, dont elle était l'unique enfant. Quiconque la croisait dans la rue, éprouvait aussit?t un sentiment d'involontaire surprise, due à sa beauté, et de tendre respect, inspiré par sa modestie : la jeune fille semblait ne pas se rendre compte du charme qui émanait de toute sa personne.

Assez ! me disais-je à moi-même, en gravissant péniblement le flanc d’une montagne escarpée qui s’élevait depuis les rives d’un fleuve paisible. Assez ! me répétai-je, en humant l’haleine résineuse d’un bosquet de sapins, particulièrement odorante dans la fracheur du crépuscule… Assez ! me dis-je de nouveau en m’asseyant sur un tertre moussu qui surplombait le fleuve, les yeux fixés sur les vagues sombres et paresseuses que dominaient les tiges vert clair des joncs… Assez,assez remué, assez erré : il est temps de rentrer en soi-même, de se prendre la tête à deux mains, et d’ordonner à son cur de ne plus battre.

Je voulus discerner les traits de la femme mystérieuse, mais un tremblement involontaire me parcourut tout entier et une bouffée d'air glacé me frappa au visage. Je n'étais plus couché, mais assis sur mon séant, et, à l'endroit où j'avais cru apercevoir la vision, il n'y avait plus qu'une longue raie de lumière blanche, projetée par la lune.

A woman tries in vain to convince those around her that the world is ending. Is she right…or is she losing her mind?

When a young graduate returns home he is accompanied, much to his father and uncle's discomfort, by a strange friend "who doesn't acknowledge any authorities, who doesn't accept a single principle on faith." Turgenev's masterpiece of generational conflict shocked Russian society when it was published in 1862 and continues today to seem as fresh and outspoken as it did to those who first encountered its nihilistic hero.

Aurora Award Finalist.? The colony ship, The Last Chance, has fled a plague-poisoned Earth with the remnants of the human race. Launched before completion of its biosphere, the ship is only partly self-sustaining. Humanity has to find a new home—and time is running out. It isn’t called The Last Chance for nothing. When they find the planet, it seems a dream come true. Earth-like, breathable atmosphere, unpopulated. They name it Aurora, for the beauty that dances in its skies. At least, it had seemed beautiful at the time. Now they aren’t so sure. Now people are dying. Gar Franck is the ship’s communication expert. When signs point to a non-human intelligence on the planet, Gar becomes the key to communicating with it. But how can he communicate with an alien being when he can’t even talk to his autistic son, Anton, or his increasingly distant wife, Clara? "There are two stories in "Symphony"...both converge in a spectacular, explosive finale. Smith's prose is poetic and evocative. He creates an intricate fabric of light, color, and sound with effortless flair. The story’s fluid style and the abundance of complex, wrenching emotions [make this] another recommended story in this issue." —Eugie Foster and Marsha Sisolak, Tangent Online "A strong SF-nal story about a 'sentient light symphony' that objects to humans colonizing 'its planet.' How would you communicate with such and how would it react to a baby who lacks all 'human baggage' are some of the issues addressed here. (A+)" —Fantasy Book Critic

Aurora Award Finalist.? Alexander King has everything--wealth, power, a business empire over which he rules. But lately, the corporate game in which he excels has lost its thrill for him. He needs a new game. And then, on the crowded streets of Toronto, in the dead cold of winter, she appears before him. The Dancer. Achingly beautiful, half-naked, and dancing to a song that only she and King seem to hear, she becomes King’s new obsession, an obsession that draws him into a journey through a secret world hidden within the city he thought he knew…and to a very special club. "'The Dancer at the Red Door,' with its mix of oblique horror, urban fantasy, and monsters ... recalls British horror novelist Clive Barker at his most disturbingly fanciful." —Quill and Quire "An excellent story … urban fantasy at its best." —Fantasy Book Critic "...intriguing meditation on escapism...evoking Gaiman's Neverwhere, the obligatory helping of Lovecraft, plus a touch of something like Kubrick's Eyes Wide Shut" —Strange Horizons "Just as the song of the city leads King throughout his journey, so too does it lead the reader throughout Douglas Smith's beautifully crafted 'The Dancer at the Red Door.' The writing is lean and evocative; every element of the story works double-time as setting informs character, action creates mood, and nothing is superfluous. The song becomes a living, breathing creature which, more so than hearing, I could feel viscerally as I read Doug's wonderful story. Highly, highly recommended." —Rainbow Dragon Recommends

Un productor neobosit de surprize, n spaiul nostru literar, este Nicolae Breban…“ (Gabriel Dimisianu, Romnia literar“, nr. 42, 2009) Nicolae Breban este stpnit de – i ajunge sa stpneasc el nsui – voina de putere creatoare. Creaia este, dup Fr. Nietzsche, adevrata voina de putere. Ct pot crea – att exist“, iat relaia definitorie i poate chiar sensul vieii, raliat adnc unei ontologii a artei literare. Scriitorul se teme cel mai mult de insuficiena voinei. ntotdeauna a fost ngrozit de un succes de mna a doua. Un succes a fost faptul ca n Frana i-au fost publicate romane dificile“, ntr-un context literar i istoric defavorabil. (…) Breban triete cu luciditate abisal un vis estetic“. Urmeaz, aadar, i nu contrazice autonomia esteticului. Omul i cultura sunt artificioase, nu naturale. El crede c, n esen, literatura nu s-a schimbat niciodat de la Homer ncoace.“ (Marian Victor Buciu) Un romancier pentru o generaie a literaturii. Nici un prozator roman nu a trit, dup 1960, o evoluie att de rapid. Succesul fulgertor al lui Nicolae Breban nu poate i nici nu trebuie s fie judecat independent de momentul 1965 al literaturii tinere. O generaie de povestitori i de poei avea nevoie de un adevrat romancier pentru a-i consacra, aa cum se cuvine, strlucirea. Nu de un romancier fcut prin aglomerarea povestirilor, strlucitor pe fiecare pagina, spectaculos prin fiecare personaj al sau; generaia reclama nu un autor care tie sa povesteasc, ci un scriitor nzestrat cu vocaie de romancier: de adevrat constructor.“ (Cornel Ungureanu)

Bestseller New York TimesUn roman din seria inspectorul Guido BrunettiCelebra c?nt?rea?? de oper? Flavia Petrelli reapare cu totul nea?teptat ?n via?a inspectorului de poli?ie Guido Brunetti.Flavia, care o interpreteaz? acum pe Floria Tosca din faimoasa oper? a lui Puccini, ?i m?rturise?te c? un admirator necunoscut a urmat-o de la Londra la Sankt Petersburg ?i la Vene?ia, cople?ind-o cu buchete imense de trandafiri galbeni. Pe m?sur? ce admiratorul invadeaz? via?a c?nt?re?ei, Brunetti ?ncearc? s? afle identitatea acestuia. Inspectorul ??i d? seama c? Flavia e ?n pericol c?nd un coleg de-al ei este r?nit grav.Va reu?i Brunetti s? intre ?n mintea admiratorului psihopat ?nainte ca Flavia sau altcineva din preajma ei s? p??easc? ceva r?u?"Un roman care are grandoarea unui spectacol de oper?… Seria Inspectorul Brunetti nu ?i-a pierdut deloc prospe?imea. Acesta e talentul extraordinar al Donnei Leon. Scriitura ei are exuberan?a unei opere de Puccini." - Independent (UK)"C?r?ile Donnei Leon se remarc? prin pitorescul locurilor unde se petrece ac?iunea ?i farmecul personajelor." - New York Times Book ReReview"Reapari?ia Flaviei ?i ofer? autoarei Donna Leon ocazia de a-?i exprima profunda dragoste pentru muzic? ?i de a construi o scen? magnific? ?ntre Flavia ?i admiratorul ei, scena ce reia finalul operei Tosca." - Booklist"Stilul elegant ?i expresiv al romanelor Donnei Leon face pentru Vene?ia ceea ce a f?cut Canaletto cu pensula ?i paleta de culori pentru cel mai seren dintre ora?e." - Daily Express

Vrnd s fac un dar poeilor romni – de la care n tineree am primit inestimabile daruri, Nichita, Cezar, Grigore – am ndrznit o versiune romneasc a intraductibilelor i abstruselor poeme rilkeene. Mostre supreme ale unui discurs poetic somnambulic, desfidnd nu numai logica i sintaxa curent dar i cea poetic, aceste Elegii… sunt, cred eu, un vrf dac nu un monument al spiritualitii moderne europene. Sunt fericit ca limba romn a strmoilor mei i a marilor poei romni a primit i a putut cuprinde arta poetului austriac, ce se clatin i cuvnt ntr-un aer de o tensiune insuportabil, ntre Pindar i Holderlin, un monument de vrf inegalabil, cu siguran, al creaiei europene.“ (Nicolae Breban)