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Rembrandt's Jews
￥175.40
There is a popular and romantic myth about Rembrandt and the Jewish people. One of history's greatest artists, we are often told, had a special affinity for Judaism. With so many of Rembrandt's works devoted to stories of the Hebrew Bible, and with his apparent penchant for Jewish themes and the sympathetic portrayal of Jewish faces, it is no wonder that the myth has endured for centuries.Rembrandt's Jews puts this myth to the test as it examines both the legend and the reality of Rembrandt's relationship to Jews and Judaism. In his elegantly written and engrossing tour of Jewish Amsterdam-which begins in 1653 as workers are repairing Rembrandt's Portuguese-Jewish neighbor's house and completely disrupting the artist's life and livelihood-Steven Nadler tells us the stories of the artist's portraits of Jewish sitters, of his mundane and often contentious dealings with his neighbors in the Jewish quarter of Amsterdam, and of the tolerant setting that city provided for Sephardic and Ashkenazic Jews fleeing persecution in other parts of Europe. As Nadler shows, Rembrandt was only one of a number of prominent seventeenth-century Dutch painters and draftsmen who found inspiration in Jewish subjects. Looking at other artists, such as the landscape painter Jacob van Ruisdael and Emmanuel de Witte, a celebrated painter of architectural interiors, Nadler is able to build a deep and complex account of the remarkable relationship between Dutch and Jewish cultures in the period, evidenced in the dispassionate, even ordinary ways in which Jews and their religion are represented-far from the demonization and grotesque caricatures, the iconography of the outsider, so often found in depictions of Jews during the Middle Ages and the Renaissance.Through his close look at paintings, etchings, and drawings; in his discussion of intellectual and social life during the Dutch Golden Age; and even through his own travels in pursuit of his subject, Nadler takes the reader through Jewish Amsterdam then and now-a trip that, under ever-threatening Dutch skies, is full of colorful and eccentric personalities, fiery debates, and magnificent art.
University of Chicago
￥247.21
One of the most influential institutions of higher learning in the world, the University of Chicago has a powerful and distinct identity, and its name is synonymous with intellectual rigor. With nearly 170,000 alumni living and working in more than 150 countries, its impact is far-reaching and long-lasting.With The University of Chicago: A History, John W. Boyer, Dean of the College since 1992, presents a deeply researched and comprehensive history of the university. Boyer has mined the archives, exploring the school's complex and sometimes controversial past to set myth and hearsay apart from fact. The result is a fascinating narrative of a legendary academic community, one that brings to light the nature of its academic culture and curricula, the experience of its students, its engagement with Chicago's civic community, and the conditions that have enabled the university to survive and sustain itself through decades of change.Boyer's extensive research shows that the University of Chicago's identity is profoundly interwoven with its history, and that history is unique in the annals of American higher education. After a little-known false start in the mid-nineteenth century, it achieved remarkable early successes, yet in the 1950s it faced a collapse of undergraduate enrollment, which proved fiscally debilitating for decades. Throughout, the university retained its fierce commitment to a distinctive, intense academic culture marked by intellectual merit and free debate, allowing it to rise to international acclaim. Today it maintains a strong obligation to serve the larger community through its connections to alumni, to the city of Chicago, and increasingly to its global community.Published to coincide with the 125th anniversary of the university, this must-have reference will appeal to alumni and anyone interested in the history of higher education of the United States.
Rhetoric of Plato's Republic
￥247.21
Plato isn't exactly thought of as a champion of democracy, and perhaps even less as an important rhetorical theorist. In this book, James L. Kastely recasts Plato in just these lights, offering a vivid new reading of one of Plato's most important works: the Republic. At heart, Kastely demonstrates, the Republic is a democratic epic poem and pioneering work in rhetorical theory. Examining issues of justice, communication, persuasion, and audience, he uncovers a seedbed of theoretical ideas that resonate all the way up to our contemporary democratic practices. As Kastely shows, the Republic begins with two interrelated crises: one rhetorical, one philosophical. In the first, democracy is defended by a discourse of justice, but no one can take this discourse seriously because no one can see-in a world where the powerful dominate the weak-how justice is a value in itself. That value must be found philosophically, but philosophy, as Plato and Socrates understand it, can reach only the very few. In order to reach its larger political audience, it must become rhetoric; it must become a persuasive part of the larger culture-which, at that time, meant epic poetry. Tracing how Plato and Socrates formulate this transformation in the Republic, Kastely isolates a crucial theory of persuasion that is central to how we talk together about justice and organize ourselves according to democratic principles.?
Hidden Game of Baseball
￥147.15
Long before Moneyball became a sensation or Nate Silver turned the knowledge he'd honed on baseball into electoral gold, John Thorn and Pete Palmer were using statistics to shake the foundations of the game. First published in 1984, The Hidden Game of Baseball ushered in the sabermetric revolution by demonstrating that we were thinking about baseball stats-and thus the game itself-all wrong. Instead of praising sluggers for gaudy RBI totals or pitchers for wins, Thorn and Palmer argued in favor of more subtle measurements that correlated much more closely to the ultimate goal: winning baseball games.The new gospel promulgated by Thorn and Palmer opened the door for a flood of new questions, such as how a ballpark's layout helps or hinders offense or whether a strikeout really is worse than another kind of out. Taking questions like these seriously-and backing up the answers with data-launched a new era, showing fans, journalists, scouts, executives, and even players themselves a new, better way to look at the game.This brand-new edition retains the body of the original, with its rich, accessible analysis rooted in a deep love of baseball, while adding a new introduction by the authors tracing the book's influence over the years. A foreword by ESPN's lead baseball analyst, Keith Law, details The Hidden Game's central role in the transformation of baseball coverage and team management and shows how teams continue to reap the benefits of Thorn and Palmer's insights today. Thirty years after its original publication, The Hidden Game is still bringing the high heat-a true classic of baseball literature.
Capital and Interest
￥365.93
Produced throughout the first fifteen years of Hayek's career, the writings collected in Capital and Interest see Hayek elaborate upon and extend his landmark lectures that were published as Prices and Production and work toward the technically sophisticated line of thought seen in his later Pure Theory of Capital. Illuminating the development of Hayek's detailed contributions to capital and interest theory, the collection also sheds light on how Hayek's work related to other influential economists of the time. Highlights include the 1936 article "e;The Mythology of Capital"e;-presented here alongside Frank Knight's criticisms of the Austrian theory of capital that prompted it-and "e;The Maintenance of Capital,"e; with subsequent comments by the English economist A. C. Pigou. These and other familiar works are accompanied by lesser-known articles and lectures, including a lecture on technological progress and excess capacity. An introduction by the book's editor, leading Hayek scholar Lawrence H. White, places Hayek's contributions in careful historical context, with ample footnotes and citations for further reading, making this a touchstone addition to the University of Chicago Press's Collected Works of F. A. Hayek series.
Petrarch
￥311.96
Although Francesco Petrarca (1304-74) is best known today for cementing the sonnet's place in literary history, he was also a philosopher, historian, orator, and one of the foremost classical scholars of his age. Petrarch: A Critical Guide to the Complete Works is the only comprehensive, single-volume source to which anyone-scholar, student, or general reader-can turn for information on each of Petrarch's works, its place in the poet's oeuvre, and a critical exposition of its defining features.A sophisticated but accessible handbook that illuminates Petrarch's love ofclassical culture, his devout Christianity, his public celebrity, and his struggle for inner peace, this encyclopedic volume covers both Petrarch's Italian and Latin writings and the various genres in which he excelled: poem, tract, dialogue, oration, and letter. A biographical introduction and chronology anchor the book, making Petrarch an invaluable resource for specialists in Italian, comparative literature, history, classics, religious studies, the Middle Ages, and the Renaissance.
Political Theory of The Federalist
￥188.35
In The Political Theory of"e;The Federalist,"e; David F. Epstein offers a guide to the fundamental principles of American government as they were understood by the framers of the Constitution. Epstein here demonstrates the remarkable depth and clarity of The Federalist's argument, reveals its specifically political (not merely economic) view of human nature, and describes how and why the American regime combines liberal and republican values."e;While it is a model of scholarly care and clarity, this study deserves an audience outside the academy. . . . David F. Epstein's book is a fine demonstration of just how much a close reading can accomplish, free of any flights of theory or fancy references."e;-New Republic"e;Epstein's strength lies in two aspects of his own approach. One is that he reads the text with uncommon closeness and sensitivity; the other is an extensive knowledge of the European political thought which itself forms an indispensable background to the minds of the authors."e;-Times Literary Supplement
Siena
￥147.15
Jane Tylus's Siena is a compelling and intimate portrait of this most secretive of cities, often overlooked by travelers to Italy. Cultural history, intellectual memoir, travelogue, and guidebook, it takes the reader on a quest of discovery through the well- and not-so-well-traveled roads and alleys of a town both medieval and modern.?As Tylus leads us through the city, she shares her passion for Siena in novelistic prose, while never losing sight of the historical complexities that have made Siena one of the most fascinating and beautiful towns in Europe. Today, Siena can appear on the surface standoffish and old-fashioned, especially when compared to its larger, flashier cousins Rome and Florence. But first impressions wear away as we learn from Tylus that Siena was an innovator among the cities of Italy: the first to legislate the building and maintenance of its streets, the first to publicly fund its university, the first to institute a municipal bank, and even the first to ban automobile traffic from its city center.?We learn about Siena's great artistic and architectural past, hidden behind centuries of painting and rebuilding, and about the distinctive characters of its different neighborhoods, exemplified in the Palio, the highly competitive horserace that takes place twice a year in the city's main piazza and that serves as both a dividing and a uniting force for the Sienese. Throughout we are guided by the assured voice of a seasoned scholar with a gift for spinning a good story and an eye for the telling detail, whether we are traveling Siena's modern highways, exploring its underground tunnels, tracking the city's financial history, or celebrating giants of painting like Simone Martini or giants of the arena, Siena's former Serie A soccer team.?A practical and engaging guide for tourists and armchair travelers alike, Siena is a testament to the powers of community and resilience in a place that is not quite as timeless and serene as it may at first appear.
Forests
￥147.15
In this wide-ranging exploration of the role of forests in Western thought, Robert Pogue Harrison enriches our understanding not only of the forest's place in the cultural imagination of the West, but also of the ecological dilemmas that now confront us so urgently. Consistently insightful and beautifully written, this work is especially compelling at a time when the forest, as a source of wonder, respect, and meaning, disappears daily from the earth."e;Forests is one of the most remarkable essays on the human place in nature I have ever read, and belongs on the small shelf that includes Raymond Williams' masterpiece, The Country and the City. Elegantly conceived, beautifully written, and powerfully argued, [Forests] is a model of scholarship at its passionate best. No one who cares about cultural history, about the human place in nature, or about the future of our earthly home, should miss it.-William Cronon, Yale Review"e;Forests is, among other things, a work of scholarship, and one of immense value . . . one that we have needed. It can be read and reread, added to and commented on for some time to come."e;-John Haines, The New York Times Book Review
Ancient Shore
￥105.95
Born in Australia, Shirley Hazzard first moved to Naples as a young woman in the 1950s to take up a job with the United Nations. It was the beginning of a long love affair with the city. The Ancient Shore collects the best of Hazzard's writings on Naples, along with a classic New Yorker essay by her late husband, Francis Steegmuller. For the pair, both insatiable readers, the Naples of Pliny, Gibbon, and Auden is constantly alive to them in the present.With Hazzard as our guide, we encounter Henry James, Oscar Wilde, and of course Goethe, but Hazzard's concern is primarily with the Naples of our own time-often violently unforgiving to innocent tourists, but able to transport the visitor who attends patiently to its rhythms and history. A town shadowed by both the symbol and the reality of Vesuvius can never fail to acknowledge the essential precariousness of life-nor, as the lover of Naples discovers, the human compassion, generosity, and friendship that are necessary to sustain it.Beautifully illustrated by photographs from such masters as Henri Cartier-Bresson and Herbert List, The Ancient Shore is a lyrical letter to a lifelong love: honest and clear-eyed, yet still fervently, endlessly enchanted."e;Much larger than all its parts, this book does full justice to a place, and a time, where 'nothing was pristine, except the light.'"e;-Bookforum"e;Deep in the spell of Italy, Hazzard parses the difference between visiting and living and working in a foreign country. She writes with enormous eloquence and passion of the beauty of getting lost in a place."e;-Susan Slater Reynolds, Los Angeles Times?"e;The two voices join in exquisite harmony. . . . A lovely book."e;-Booklist, starred review
Portrait of a Man Known as Il Condottiere
￥147.15
Puckish and playful, Georges Perec infused avant-garde and experimental fiction with a wit and wonder that belied the serious concerns and concepts that underpinned it. A prominent member of the OuLiPo, and an abiding influence on fiction writers today, Perec used formal constraints to dazzling effect in such works as A Void-a murder mystery that contains nary an "e;e"e;-and Life A User's Manual, in which an apartment building, systematically canvassed, unfolds secrets and, ultimately offers a reflection on creation, destruction, and the devotion to art.?Before embarking on these experiments, however, Perec tried his hand at a relatively straightforward novel, Portrait of a Man. His first book, it was rejected by publishers when he submitted it in 1960, after which he filed it away. Decades after Perec's death, David Bellos discovered the manu*, and through his translation we have a chance to enjoy it in English for the first time. What fans will find here is a thriller that combines themes that would remain prominent in Perec's later work, such as art forgery, authenticity, and murder, as well as craftsman Gaspard Winckler, who whose namesakes play major roles in Life A User's Manual and W or The Memory of Childhood.?Engaging and entertaining on its own merits, and gaining additional interest when set in the context of Perec's career, Portrait of a Man is sure to charm the many fans of this postmodern master.
Under a Bad Sign
￥229.55
Many people have contributed to the completion of this book．Its inception can be traced to a seminar that Lary May and Paula Rabinowitz asked me to deliver on hip hop's gangsta culture toward the end of my graduate studies in the American studies program at the University of Minnesota．The media hype and moral panic surrounding gangsta culture in the early 1990s bore an uncanny resemblance to the troublesome reception of Hollywood's white ethnic gangsters in the 1930s, the subject of my research at the time．The chance to discuss the gangster/gangsta relation also fueled the development of an undergraduate course on African American popular culture．So I have the American studies faculty and fellow graduates in Scott Hall, as well as the students on the consequent course, to thank for setting me on the road to writing Under a Bad Sign．A particular shout-out has to go to John Wright, who insisted I dig up Claude McKay's Harlem: Negro Metropolis in the rare books section of Wilson Library to see how deep the provenance and complex the relationship was between black denizens of the American city and their gangster culture heroes.
Medicine Show
￥117.72
In Medicine Show, inner conflict is wonderfully realized in the clash of down-home plain speech and European high culture utterances. Freely translating and adapting Catullus (Latin), Villon (Middle French), Corbiere (French), Hikmet (Turkish), and Orpheus (Greek), and placing them alongside Jagger and Richards, skinheads, and psalms, Tom Yuill's book mirrors an old-style hawking of wares, with all the charm and absurdity that results when high culture meets pop, when city meets small town, and when provincialism confronts urbanity. Here, the poems talk to one another, one poem nudging the cusps of many others, those poems touching still others' circumferences. Yuill, by invoking the Rolling Stones as muses and as background music, offers cover versions of Shakespeare, Keats, and Dylan Thomas, ultimately giving us a new kind of verse, funneled through the languages and rhythms of his masters' voices.
Marked
￥129.49
Nearly every job application asks it: have you ever been convicted of a crimeFor the hundreds of thousands of young men leaving American prisons each year, their answer to that question may determine whether they can find work and begin rebuilding their lives.The product of an innovative field experiment, Marked gives us our first real glimpse into the tremendous difficulties facing ex-offenders in the job market. Devah Pager matched up pairs of young men, randomly assigned them criminal records, then sent them on hundreds of real job searches throughout the city of Milwaukee. Her applicants were attractive, articulate, and capable-yet ex-offenders received less than half the callbacks of the equally qualified applicants without criminal backgrounds. Young black men, meanwhile, paid a particularly high price: those with clean records fared no better in their job searches than white men just out of prison. Such shocking barriers to legitimate work, Pager contends, are an important reason that many ex-prisoners soon find themselves back in the realm of poverty, underground employment, and crime that led them to prison in the first place."e;Using scholarly research, field research in Milwaukee, and graphics, [Pager] shows that ex-offenders, white or black, stand a very poor chance of getting a legitimate job. . . . Both informative and convincing."e;-Library Journal?"e;Marked is that rare book: a penetrating text that rings with moral concern couched in vivid prose-and one of the most useful sociological studies in years."e;-Michael Eric Dyson
Freebooters and Smugglers
￥280.96
This book is the result of several years of collaboration with historians, students, archivists, and friends.The final product owes much to a collection of individuals who offered insight, analysis, recommendations, and sometimes their gut-level opinion about the project. In reflecting on its evolution, this study benefited greatly from two individuals in particular. In the embryonic stages of this work, Cynthia Bouton, being the true colleague that she is, took time from her own hectic academic schedule to offer several critiques, probing questions, and trenchant comments about the manu*.At a later stage in the writing, Gwendolyn Midlo Hall canvassed the study, detected gaps, and then pointed me toward additional sources without which the final product would not have been as thorough.
Conflagration of Community
￥270.76
"e;After Auschwitz to write even a single poem is barbaric."e; The Conflagration of Community challenges Theodor Adorno's famous statement about aesthetic production after the Holocaust, arguing for the possibility of literature to bear witness to extreme collective and personal experiences. J. Hillis Miller masterfully considers how novels about the Holocaust relate to fictions written before and after it, and uses theories of community from Jean-Luc Nancy and Derrida to explore the dissolution of community bonds in its wake.Miller juxtaposes readings of books about the Holocaust-Keneally's Schindler's List, McEwan's Black Dogs, Spiegelman's Maus, and Kertsz's Fatelessness-with Kafka's novels and Morrison's Beloved, asking what it means to think of texts as acts of testimony. Throughout, Miller questions the resonance between the difficulty of imagining, understanding, or remembering Auschwitz-a difficulty so often a theme in records of the Holocaust-and the exasperating resistance to clear, conclusive interpretation of these novels. The Conflagration of Community is an eloquent study of literature's value to fathoming the unfathomable.
Solidarity in Strategy
￥282.53
Popular conceptions hold that capitalism is driven almost entirely by the pursuit of profit and self-interest. Challenging that assumption, this major new study of American business associations shows how market and non-market relations are actually profoundly entwined at the heart of capitalism.In Solidarity in Strategy, Lyn Spillman draws on rich documentary archives and a comprehensive data set of more than four thousand trade associations from diverse and obscure corners of commercial life to reveal a busy and often surprising arena of American economic activity. From the Intelligent Transportation Society to the American Gem Trade Association, Spillman explains how business associations are more collegial than cutthroat, and how they make capitalist action meaningful not only by developing shared ideas about collective interests but also by articulating a disinterested solidarity that transcends those interests.Deeply grounded in both economic and cultural sociology, Solidarity in Strategy provides rich, lively, and often surprising insights into the world of business, and leads us to question some of our most fundamental assumptions about economic life and how cultural context influences economic.
Empire's Children
￥265.87
Europe's imperial projects were often predicated on a series of legal and scientific distinctions that were frequently challenged by the reality of social and sexual interactions between the colonized and the colonizers.When Emmanuelle Saada discovered a 1928 decree defining the status of persons of mixed parentage born in French Indochina-the mtis-she found not only a remarkable artifact of colonial rule, but a legal bombshell that introduced race into French law for the first time. The decree was the culmination of a decades-long effort to resolve the "e;mtis question"e;: the educational, social, and civil issues surrounding the mixed population. Operating at the intersection of history, anthropology, and law, Empire's Children reveals the unacknowledged but central role of race in the definition of French nationality.Through extensive archival work in both France and Vietnam, and a close reading of primary and secondary material from the Pacific islands and sub-Saharan and North Africa, Saada has created in Empire's Children an original and compelling perspective on colonialism, law, race, and culture from the end of the nineteenth century until decolonization.
In the Home of the Famous Dead
￥192.08
In the Home of the Famous Dead will appeal to newcomers as well as to avid followers of Jo McDougall's long career and complex work, providing valuable insights to the development of a poet's signature, inimitable style. This collection presents work known for its sparse, compact language; surprising metaphor; humor; irony; idiomatic speech; and a stoic, sadly earned wisdom concerning death and loss. In McDougall's world, folks making do with what they have take the stage to speak of, in the words of one critic, "e;the tangled mysteries of their faltering lives."e; Her work has been described as having "e;excruciating honesty"e; (Gerald Stern), giving voice to the "e;ineffable emotions of plain people"e; (Judith Kitchen). Miller Williams notes that the work has "e;cleanness and clarity . . . in all the funk and smell of humanity."e; This is the poetry of midwestern plains and southern botttomlands, of waitresses and professors, farmers and bankers, the disadvantaged and privileged alike. Often beginning in the personal and expanding to the universal, this poet takes note of the phenomenological world with a mixture of joy, despair, and awe, providing a haunting look at the cosmic irony of our existence. McDougall's style is indescribable, yet wholly accessible. As Kelly Cherry notes, "e;Call it magic, call it art; either way [Jo McDougall's work] is something like a miracle."e;
Instructions for American Servicemen in France during World War II
￥100.06
"e;You are about to play a personal part in pushing the Germans out of France. Whatever part you take-rifleman, hospital orderly, mechanic, pilot, clerk, gunner, truck driver-you will be an essential factor in a great effort."e;?As American soldiers fanned out from their beachhead in Normandy in June of 1944 and began the liberation of France, every soldier carried that reminder in his kit. A compact trove of knowledge and reassurance, Instructions for American Servicemen in France during World War II was issued to soldiers just before they embarked for France to help them understand both why they were going and what they'd find when they got there. After lying unseen in Army archives for decades, this remarkable guide is now available in a new facsimile edition that reproduces the full text and illustrations of the original along with a new introduction by Rick Atkinson setting the book in context. Written in a straightforward, personal tone, the pamphlet is equal parts guidebook, cultural snapshot, and propaganda piece. A central aim is to dispel any prejudices American soldiers may have about the French-especially relating to their quick capitulation in 1940. Warning soldiers that the defeat "e;is a raw spot which the Nazis have been riding"e; since the occupation began, Instructions is careful to highlight France's long historical role as a major U.S. ally. Following that is a brief, fascinating sketch of the French character ("e;The French are mentally quick;"e; "e;Rich or poor, they are economical"e;) and stark reminders of the deprivation the French have endured under occupation. Yet an air of reassuring confidence pervades the final section of the pamphlet, which reads like a straightforward tourists' guide to Paris and the provinces-like a promise of better days to come once the soldiers complete their mission.Written by anonymous War Department staffers to meet the urgent needs of the moment, with no thought of its historical value, Instructionsfor American Servicemen in France during World War II nevertheless brings to vivid life the closing years of World War II-when optimism was growing, but a long, demanding road still lay ahead.
Everyday Technology
￥147.15
In 1909 Mohandas Karamchand Gandhi, on his way back to South Africa from London, wrote his now celebrated tract Hind Swaraj, laying out his vision for the future of India and famously rejecting the technological innovations of Western civilization. Despite his protestations, Western technology endured and helped to make India one of the leading economies in our globalized world. Few would question the dominant role that technology plays in modern life, but to fully understand how India first advanced into technological modernity, argues David Arnold, we must consider the technology of the everyday.?Everyday Technology is a pioneering account of how small machines and consumer goods that originated in Europe and North America became objects of everyday use in India in the late nineteenth and early twentieth centuries. Rather than investigate "e;big"e; technologies such as railways and irrigation projects, Arnold examines the assimilation and appropriation of bicycles, rice mills, sewing machines, and typewriters in India, and follows their impact on the ways in which people worked and traveled, the clothes they wore, and the kind of food they ate. But the effects of these machines were not limited to the daily rituals of Indian society, and Arnold demonstrates how such small-scale technologies became integral to new ways of thinking about class, race, and gender, as well as about the politics of colonial rule and Indian nationhood.?Arnold's fascinating book offers new perspectives on the globalization of modern technologies and shows us that to truly understand what modernity became, we need to look at the everyday experiences of people in all walks of life, taking stock of how they repurposed small technologies to reinvent their world and themselves.
