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Ház a tó mélyén
￥43.65
Ház a tó mélyén
Fegyelmezés szeretettel
￥72.92
Fegyelmezés szeretettel
Júlia 491. (Hazatér? tündér)
￥18.74
Júlia 491. (Hazatér? tündér)
Az ismeretlen birtok
￥28.86
Az ismeretlen birtok
A halál kocsisa
￥17.17
A halál kocsisa
N?vekv? hold
￥28.86
N?vekv? hold
?larc nélkül
￥23.05
larc nélkül
Kalüpszó
￥69.73
Kalüpszó
?llamalkotók: Nagy Frigyes
￥23.05
llamalkotók: Nagy Frigyes
Egy cowboy megszelídítése, Hideg, mint a jég: Tiffany 327–328
￥49.54
Egy cowboy megszelídítése, Hideg, mint a jég: Tiffany 327–328
Amerikai álom: Júlia 649.
￥20.36
Amerikai álom: Júlia 649.
Anekdoták
￥24.44
Vidám, r?vid valós t?rténetek a szerz? és családja életéb?l.
On Quiet Nights
￥65.32
There's a place inside us that is cloaked in darkness, rubbed raw with silence. It's a shadow wrapped in a shadow and it screams, but it screams in harsh whispers. This collection explores the blackness within, the gritty underground that hides inside memories and cowers just outside fear. The poems, paired with illustrations from Matthias Matthies work in sync to create a collage of blunt sexuality, masochistic, and sometimes sadistic recollections of love, reflection, and self-exploration.??Lindemann paints pictures with his poems, a slave to the vulnerability and sexuality that drives mankind. His words themselves are body modifications that settle on readers, piercing then slowly penetrating and pumping his audience full with a mix of pleasure and pain. A combination of longing, emotional depth, and bestial intuition, these pieces evoke an innate nature to seek pleasure, to ask for forgiveness, to instill blame. ??On Quiet Nights pulls back the curtains at night and asks readers to think about who they are. Lindemann holds a mirror to soul, capturing desire and need, with the courage to answer some of life's biggest questions: Who am I? What am I? Why am I?
Scrappy Rough Draft: Use science to strategically motivate yourself & finish wri
￥0.01
The canonical Gospels stand very differently, as respects origin, character and reception, with the Gospels, Acts and Apocalpyses known as ‘Apocryphal.’ These apocryphal writings began to be produced (so far as known) in the second century, mostly in Ebionitic and Gnostic circles, and, with few exceptions, were repudiated and condemned by the Church. Only later, and in modified and expurgated forms, did their stories pass into the general Catholic tradition. The second century seems to have been a perfect hot-bed for the production of this class of writings. The heretical Gospel of the Egyptians is already quoted in 2 Clement (circa a.d. 140). Iren?us speaks of the sect of the Marcosians as adducing ‘an unspeakable number of apocryphal and spurious writings, which they themselves had forged, to bewilder the minds of the foolish,’ and instances the story, found in the Gospel of Thomas, of Jesus confounding the schoolmaster who sought to teach Him His letters (Adv. Haer. i. 20). Later tradition attributed the composition of many of the apocryphal writings (Pseudo-Matthew, Acts of Apostles) to a mythical Leucius, a disciple of the Apostles (cp. art. ‘Leucius,’ Dict. of Christ. Biog.). Eusebius gives a list of spurious and disputed books: ‘That we may have it in our power to know both these books (the canonical) and those that are adduced by the heretics under the name of the Apostles, such, viz., as compose the Gospels of Peter, of Thomas, and of Matthew, and certain others beside these, or such as contain the Acts of Andrew and John, and of the other Apostles, of which no one of those writers in the ecclesiastical succession has condescended to make any mention in his works; and, indeed, the character of the style itself is very different from that of the Apostles, and the sentiments, and the purport of those things that are advanced in them, deviating as far as possible from sound orthodoxy, evidently proves they are the fictions of heretical men; whence they are not only to be ranked among the spurious writings, but are to be rejected as altogether absurd and impious’ (H. E. iii. 25). Only a small part of this extensive literature remains to us, and in no case in its original form, but solely in later, and often much-altered recensions. CrossReach Publications
Gaismas vēsture
￥53.71
Gaismas vēsture?ir biogrāfisks romāns par slaveno ?ehu fotogrāfu Franti?eku Drtikolu. Grāmatas autors Jans ?emecs (Jan Němec, 1981) dzimis Brno, ?ehijā. Strādā par redaktoru ikmēne?a literatūras ?urnālā Host. Masarika universitātē (Brno) mācījies reli?ijas un sociālās zinātnes, savukārt Jana?eka Mūzikas un tēlotājmākslas akadēmijā apguvis dramatur?iju. ?emeca pirmā grāmata “Pirmā dzīve” (První ?ivot) iznāca 2007.gadā. Tai sekoja “Spēlē ?etras rokas” (Hra pro ?ty?i ruce, 2009).? 2013. gadā iznākusī “Gaismas vēsture” (Dějiny světla) ir biogrāfisks romāns par slaveno ?ehu fotogrāfu Franti?eku Drtikolu.? Par ?o romānu autors sa?ēmis vairākas balvas: ?ehijas grāmata 2014, Magnesia Litera 2014 (prozas kategorija) un Josefa ?kvorecka balvu, un Eiropas Savienības Literatūras balvu. Grāmata tulkota 13 valodās. Grāmatu latvie?u valodā tulkojis Jānis Krasti??, bet tās redaktore ir Aija Lāce. Fotogrāfs Ainārs Mazjānis par ?o Jana ?emeca romānu saka ?ādi:?Tas, ko grāmatas varonis darīja fotomākslas jomā 20.gs. sākumā ir kas neaptverams un jebkur? eso?ais vai topo?ais fotogrāfs var daudz no vi?a mācīties. Gaismas, ēnu un formu spēle padara vi?a darbus ?oti at??irīgus no tīras fotogrāfijas un pietuvina tos mākslai - savā zi?ā tā ir kā glezno?ana ar gaismu. Lai arī cik ironiski tas būtu, pa ?iem gadiem strādājo?a fotogrāfa dzīves modelis nav nemaz tik ?oti mainījies. Tāpēc topo?ajiem fotogrāfiem būtu ?oti vērtīgi ielūkoties cita fotogrāfa dzīvē, lai sparastu, kas tas ir un vai tas ir domāts tev. ?oti interesants romāns ikvienam, kuru interesē foto un māksla. Projektu līdzfinansē Eiropas Savienības programma “Rado?ā Eiropa”. Grāmatas izdo?anu līdzfinansējusi Latvijas Republikas Kultūras ministrija un ?ehijas Kultūras ministrija.
Cruel to Be Kind: Saying no can save a child’s life
￥58.86
Cruel To Be Kind is the true story of Max, aged 6. He is fostered by Cathy while his mother is in hospital with complications from type 2 diabetes. Fostering Max gets off to a bad start when his mother, Caz, complains and threatens Cathy even before Max has moved in. Cathy and her family are shocked when they first meet Max. But his social worker isn’t the only one in denial; his whole family are too.
The Duchess: The Untold Story – the explosive biography, as seen in the Daily Ma
￥73.58
THE #2 SUNDAY TIMES BESTSELLER ‘The last untold account of the biggest crisis to hit the royals since the abdication … Explosive biography by Britain’s top royal author … A gripping story of human frailty, love, loss, sadness, and tragedy’ Daily Mail In her relationship with Charles that has survived for more than forty years, Camilla’s story has seen a great many myths. This book is the definitive account. The relationship between Charles, Prince of Wales and Camilla, Duchess of Cornwall, is one of the most remarkable love stories of the age. It has endured against all the odds, and in the process nearly destroyed the British monarchy. It is a rich and remarkable story that has never been properly told – indeed, it is one of the most extraordinary, star-crossed love stories of the past fifty years.
The Good Mothers: The True Story of the Women Who Took on The World's Most Power
￥147.35
You are born into it or marry in. Loyalty is absolute, bloodshed revered and you kill or go to your grave before betraying The Family. This code of omertà is how the 'Ndrangheta became the world’s most powerful mafia. The Good Mothers is the story of the women who broke the silence. We live in their buildings, work in their companies, shop in their stores, eat in their restaurants and elect politicians they fund. Founded more than 150 years ago by shepherding families in the toe of Italy, the ’Ndrangheta is today the world’s most powerful mafia, with a crushing presence in southern Italy, a market-moving size in global finance and a reach that extends to fifty countries around the world. And yet, remarkably, few of us have ever heard of it. The ’Ndrangheta’s power rests on a code of silence, omertà, enforced by a claustrophobic family hierarchy and murderous misogyny. Men and boys rule. Girls are married off as teenagers in arranged clan alliances. Beatings are routine. A woman who is ‘unfaithful’ – even to a dead husband – can expect her sons, brothers or father to kill her to erase the ‘family shame’. In 2009, when abused wife Lea Garofalo ‘disappears’ after giving evidence against her mafiosi husband, prosecutor Alessandra Cerreti realises the ’Ndrangheta’s bigotry may be its great flaw. The key to bringing down this criminal empire is to free its women and allow them to speak out and testify. When Alessandra finds two collaborators inside Italy’s biggest crime families, she must persuade them to cooperate, and save themselves and their children. The stakes could not be higher. Alessandra is fighting to save a nation. The mafiosi are fighting for their existence. The women are fighting for their lives. Not all will survive.
A Life of Crime: The Memoirs of a High Court Judge
￥95.75
A frank and witty memoir of life at the Bar and on the Bench, from former High Court Judge The Hon. Sir Harry Ognall. For many years, Harry Ognall enjoyed a formidable reputation as an advocate at the criminal Bar. As counsel, and later as judge, he was involved in numerous high-profile trials, both in Britain and abroad. Among many cases as a QC, he prosecuted Peter Sutcliffe, the so-called ‘Yorkshire Ripper’. He successfully defended six officers of the Air Force of Zimbabwe at their trial in Harare, where they faced a charge of treasonable sabotage. As a judge, he presided over the trial of Colin Stagg (the alleged ‘Wimbledon Common murderer’), the trial arising from the Lyme Bay canoe tragedy and the trial for the first time in the United Kingdom of a doctor’s alleged involvement in euthanasia. Thoughtful and provocative, Sir Harry has advice for the aspiring young advocate, and invests this penetrating memoir with warmth, humour and understanding. His frank portrait of a lifetime in the criminal law offers unique perspectives on some of the most notorious cases of the twentieth century, as well as fascinating insights into a colourful professional life and the burdens and responsibilities that come with the privilege of high judicial office.
Harvey Keitel
￥53.76
Originally published in 1997 and now available as an ebook. It has not been possible to include the illustrations in the electronic edition. Perhaps the bravest and most inspiring actor of his generation, Harvey Keitel has made his menacing presence felt in some of the greatest cult movies ever, from Scorsese's Mean Streets and Taxi Driver to Tarantino's Reservoir Dogs and Pulp Fiction. With over fifty films to his name, a dozen of them since 1992, Keitel is one of the most ubiquitous and sought-after actors in Hollywood. Yet unlike so many of his contemporaries, he constantly surprises with daring and risk-taking performances in ground-breaking films such as Bad Lieutenant, The Last Temptation of Christ, The Piano and Smoke. Since his tough childhood in Brooklyn, Keitel's life has been a dramatic and unconventional as his screen roles. 'Harvey Keitel: The Art of Darkness 'tells, for the first time, the story of the rollercoaster career and turbulent personal life of this most powerful performer.
He Died With a Felafel in His Hand
￥46.11
Here for the first time is the full horror and madness of sharing a house, told by someone who’s been there. Birmingham pulls no punches: from dead rats in the kitchen to tent-dwelling lodgers in the living room, you’ll run for the safety of living alone. ‘A rat died in the living room at King Street and we didn’t know. There was at least six inches of compacted rubbish between our feet and the floor. Old Ratty must have crawled in there and died of pleasure. A visitor uncovered him while groping around for a beer.’ Tales of debauchery, drugs, flatmates from hell and nasty things lurking in the kitchen sink abound in Rolling Stone journalist John Birmingham’s hilarious account of sharing houses in Melbourne and Brisbane. He Died with a Felafel in His Hand makes Withnail & I look like a lesson in clean living.
