Destinul, s?n?tatea ?i fericirea reprezint? concepte inseparabile. Este foarte posibil ca acestea s? reprezinte diferite versiuni ale aceluia?i ?ntreg, c?tre care tinde fiecare dintre noi pe parcursul vie?ii. ?n aceast? carte, Iurie Zemun – un mag contemporan – va povesti despre tainele Haosului ?i tehnicile magiei, care func?ioneaz? ?n spa?iul misterios al oportunit??ilor. Oportunit??ile Haosului reprezint? baza psiho-tehnologiei Eterling-ului, care reune?te tehnicile antice ale ?amanilor, metodele eficiente ale tehnologiei neuro-lingvistice ?i noua viziune a lumii, oferit? de fizica cuantic? contemporan?. Acesta este drumul c?tre s?n?tate, fericire ?i dragoste. Eterling-ul va schimba via?a dumneavoast?: acea lupt? continu? va fi ?nlocuit? cu un joc captivant, care, f?r? ?ndoial?, va deveni atractiv ?i pl?cut.

S? nu mai arunc at??ia ani pe fereastr?. S? renun? la atitudinea de spectator al propriei vie?i. S? m? sperii de c?t de t?rziu am l?sat s? se fac? peste mine. S? nu m? mai comport ca ?i cum nu e al meu timpul pe care ?l investesc ?n orice. S? nu m? intereseze c? nu mai vreau sau nu mai pot sau alte c?te asemenea. S? ?lefuiesc intens verbul ?a fi” dac? vreau ceva.

Chiara Matraini (1515-1604?) was a member of the great flowering of poetic imitators and innovators in the Italian literary heritage begun by Petrarch, cultivated later by the lyric poet Pietro Bembo, and supplanted by the epic poet Torquato Tasso. Though without formal training, Matraini excelled in a number of literary genres popular at the time-poetry, religious meditation, discourse, and dialogue. In her midlife, she published a collection of erotic love poetry, but later in life her work shifted toward a search for spiritual salvation. Near the end of her life, she published a new poetry retrospective.Mostly available in only a handful of rare book collections, her writings are now adeptly translated here for an English-speaking audience and situated historically in an introduction by noted Matraini expert Giovanna Rabitti. Selected Poetry and Prose allows the poet to finally take her place as one of the seminal authors of the Renaissance, next to her contemporaries Vittoria Colonna and Laura Battiferra, also published in the Other Voice series.

Barbara Cartland wurde 1901 geboren und stammt mütterlicherseits aus einem alten englischen Adelsgeschlecht. Nach dem Tod des Vaters und Gro?vaters ern?hrte ihre Mutter die Familie allein. Sie war zweimal verheiratet und hatte drei Kinder. Ihre Tochter Raine war die Stiefmutter von Prinzessin Diana von Wales. Sie schrieb über 700 Romane, die ein Millionenpublikum ansprechen. Barbara Cartland starb im Jahr 2000. Als Tamaras Schwester und ihr Schwager bei einem Bootsunglück ums Leben kommen, fühlt sie sich für deren drei Kinder verantwortlich. Doch ohne Geld und als kontroverse Romanschriftstellerin kann sie die Kinder ohne gro?en Skandal nicht versorgen. Also zieht sie mit ihnen weg aus dem heimatlichen Cornwall in das Anwesen ihres gesetzlichen Vormunds, dem Herzog von Granchester - als Gouvernante verkleidet. Der zynische Herzog zeigt anfangs wenig Interesse an den Kindern seines Bruders. Kann Tamara sein Herz erw?rmen trotz ihres Romans, der den Herzog blostellt?

Eleven years on from the Great War, Lord Connor finds himselfonce more thrown into the depth of battle. This time his journeytakes him and his friends Will, Jasmine and Kustos into thenon-returnable world of Judgment. Here they face once more theirnemesis Volnar who somehow managed to escape his eternalpunishment. Advised by , a native of Judgment, the quartetsplit up in search of Hunter and Armon who they believe can helpthem defeat the Dark Lord once and for all. Each expedition isfilled with danger and both Connor and Will call upon new skillsand friendships to aid them through the ordeal to face the finalshowdown About the Author: Marty Connor and Rosie J May live inPortsmouth, England. Marty is an IT administrator and Rosie is aSenior Technology Project Manager. Marty was motivated to write theAwake series to honor the lives of his grandparents. This is thethird book in the saga. The next two installments continue with theadventure, and finally bring the story to its conclusion.Publisher's Website: http://sbpra.com/MartyConnor Author's Website:www.awake-are-we.com

In Jennifer Summit's account, libraries are more than inert storehouses of written tradition; they are volatile spaces that actively shape the meanings and uses of books, reading, and the past. Considering the two-hundred-year period between 1431, which saw the foundation of Duke Humfrey's famous library, and 1631, when the great antiquarian Sir Robert Cotton died, Memory's Library revises the history of the modern library by focusing on its origins in medieval and early modern England.Summit argues that the medieval sources that survive in English collections are the product of a Reformation and post-Reformation struggle to redefine the past by redefining the cultural place, function, and identity of libraries. By establishing the intellectual dynamism of English libraries during this crucial period of their development, Memory's Library demonstrates how much current discussions about the future of libraries can gain by reexamining their past.

In 1815, Goethe gave symbolic expression to his intense relationship with Marianne Willemer, a recently married woman thirty-five years his junior. He gave her a leaf from the ginkgo tree, explaining that, like its deeply cleft yet still whole leaf, he was "single yet twofold." Although it is not known if their relationship was ever consummated, they did exchange love poetry, and Goethe published several of Marianne's poems in his West-East Divan without crediting her authorship.In this beautiful little book, renowned Goethe scholar Siegfried Unseld considers what this episode means to our estimation of a writer many consider nearly godlike in stature. Unseld begins by exploring the botanical and medical lore of the ginkgo, including the use of its nut as an aphrodisiac and anti-aging serum. He then delves into Goethe's writings for the light they shed on his relationship with Marianne. Unseld reveals Goethe as a great yet human being, subject, as any other man, to the vagaries of passion.

Paul Scheerbart (1863-1915) was a visionary German novelist, theorist, poet, and artist who made a lasting impression on such icons of modernism as Walter Benjamin, Bruno Taut, and Walter Gropius. Fascinated with the potential of glass architecture, Scheerbart's satirical fantasies envisioned an electrified future, a world composed entirely of crystalline, colored glass.In 1912, Scheerbart published The Light Club of Batavia, a Novelle about the formation of a club dedicated to building a spa for bathing-not in water, but in light-at the bottom of an abandoned mineshaft. Translated here into English for the first time, this rare story serves as a point of departure for Josiah McElheny, who, with an esteemed group of collaborators, offers a fascinating array of responses to this enigmatic work.The Light Club makes clear that the themes of utopian hope, desire, and madness in Scheerbart's tale represent a part of modernism's lost project: a world based on political and spiritual ideals rather than efficiency and logic. In his compelling introduction, McElheny describes Scheerbart's life as well as his own enchantment with the writer, and he explains the ways in which The Light Club of Batavia inspired him to produce art of uncommon breadth. The Light Club also features inspired writings from Gregg Bordowitz and Ulrike Mller, Andrea Geyer, and Branden W. Joseph, as well as translations of original texts by and about Scheerbart. A unique response by one visionary artist to another, The Light Club is an unforgettable examination of what it might mean to see radical potential in absolute illumination.

The Victorian period in Britain was an "age of reform." It is therefore not surprising that two of the era's most eminent intellects described themselves as reformers. Both William Whewell and John Stuart Mill believed that by reforming philosophy-including the philosophy of science-they could effect social and political change. But their divergent visions of this societal transformation led to a sustained and spirited controversy that covered morality, politics, science, and economics. Situating their debate within the larger context of Victorian society and its concerns, Reforming Philosophy shows how two very different men captured the intellectual spirit of the day and engaged the attention of other scientists and philosophers, including the young Charles Darwin. Mill-philosopher, political economist, and Parliamentarian-remains a canonical author of Anglo-American philosophy, while Whewell-Anglican cleric, scientist, and educator-is now often overlooked, though in his day he was renowned as an authority on science. Placing their teachings in their proper intellectual, cultural, and argumentative spheres, Laura Snyder revises the standard views of these two important Victorian figures, showing that both men's concerns remain relevant today. A philosophically and historically sensitive account of the engagement of the major protagonists of Victorian British philosophy, Reforming Philosophy is the first book-length examination of the dispute between Mill and Whewell in its entirety. A rich and nuanced understanding of the intellectual spirit of Victorian Britain, it will be welcomed by philosophers and historians of science, scholars of Victorian studies, and students of the history of philosophy and political economy.

When middle-class residents fled American cities in the 1960s and 1970s, government services and investment capital left too. Countless urban neighborhoods thus entered phases of precipitous decline, prompting the creation of community-based organizations that sought to bring direly needed resources back to the inner city. Today there are tens of thousands of these CBOs-private nonprofit groups that work diligently within tight budgets to give assistance and opportunity to our most vulnerable citizens by providing services such as housing, child care, and legal aid.Through ethnographic fieldwork at eight CBOs in the Brooklyn neighborhoods of Williamsburg and Bushwick, Nicole P. Marwell discovered that the complex and contentious relationships these groups form with larger economic and political institutions outside the neighborhood have a huge and unexamined impact on the lives of the poor. Most studies of urban poverty focus on individuals or families, but Bargaining for Brooklyn widens the lens, examining the organizations whose actions and decisions collectively drive urban life.

The reach of the Catholic Church is arguably greater than that of any other religion, extending across diverse political, ethnic, class, and cultural boundaries. But what is it about Catholicism that resonates so profoundly with followers who live under disparate conditionsWhat is it, for instance, that binds parishioners in America with those in MexicoFor Joseph M. Palacios, what unites Catholics is a sense of being Catholic-a social imagination that motivates them to promote justice and build a better world.In The Catholic Social Imagination, Palacios gives readers a feeling for what it means to be Catholic and put one's faith into action. Tracing the practices of a group of parishioners in Oakland, California, and another in Guadalajara, Mexico, Palacios reveals parallels-and contrasts-in the ways these ordinary Catholics receive and act on a church doctrine that emphasizes social justice. Whether they are building a supermarket for the low-income elderly or waging protests to promote school reform, these parishioners provide important insights into the construction of the Catholic social imagination. Throughout, Palacios also offers important new cultural and sociological interpretations of Catholic doctrine on issues such as poverty, civil and human rights, political participation, and the natural law.

H. Jefferson Powell offers a powerful new approach to one of the central issues in American constitutional thinking today: the problem of constitutional law's historicity, or the many ways in which constitutional arguments and outcomes are shaped both by historical circumstances and by the political goals and commitments of various actors, including judges. The presence of such influences is often considered highly problematic: if constitutional law is political and historical through and through, then what differentiates it from politics per se, and what gives it integrity and coherencePowell argues that constitutional theory has as its (sometimes hidden) agenda the ambition of showing how constitutional law can escape from history and politics, while much constitutional history seeks to identify an historically true meaning of the constitutional text that, once uncovered, can serve as a corrective to subsequent deviations from that truth.Combining history and theory, Powell analyzes a series of constitutional controversies from 1790 to 1944 to demonstrate that constitutional law from its very beginning has involved politically charged and ideologically divisive arguments. Nowhere in our past can one find the golden age of apolitical constitutional thinking that a great deal of contemporary scholarship seeks or presupposes. Viewed over time, American constitutional law is a history of political dispute couched in constitutional terms.Powell then takes his conclusions one step further, claiming that it is precisely this historical tradition of argument that has given American constitutional law a remarkable coherence and integrity over time. No matter what the particular political disputes of the day might be, constitutional argument has provided a shared language through which our political community has been able to fight out its battles without ultimately fracturing.A Community Built on Words will be must reading for any student of constitutional history, theory, or law.

Over the past two decades, the United States has seen a dramatic increase in the number and magnitude of punitive damages verdicts rendered by juries in civil trials. Probably the most extraordinary example is the July 2000 award of $144.8 billion in the Florida class action lawsuit brought against cigarette manufacturers. Or consider two recent verdicts against the auto manufacturer BMW in Alabama. In identical cases, argued in the same court before the same judge, one jury awarded $4 million in punitive damages, while the other awarded no punitive damages at all. In cases involving accidents, civil rights, and the environment, multimillion-dollar punitive awards have been a subject of intense controversy.But how do juries actually make decisions about punitive damagesTo find out, the authors-experts in psychology, economics, and the law-present the results of controlled experiments with more than 600 mock juries involving the responses of more than 8,000 jury-eligible citizens. Although juries tended to agree in their moral judgments about the defendant's conduct, they rendered erratic and unpredictable dollar awards. The experiments also showed that instead of moderating juror verdicts, the process of jury deliberation produced a striking "severity shift" toward ever-higher awards. Jurors also tended to ignore instructions from the judges; were influenced by whatever amount the plaintiff happened to request; showed "hindsight bias," believing that what happened should have been foreseen; and penalized corporations that had based their decisions on careful cost-benefit analyses. While judges made many of the same errors, they performed better in some areas, suggesting that judges (or other specialists) may be better equipped than juries to decide punitive damages.Using a wealth of new experimental data, and offering a host of provocative findings, this book documents a wide range of systematic biases in jury behavior. It will be indispensable for anyone interested not only in punitive damages, but also jury behavior, psychology, and how people think about punishment.

For much of the twentieth century, Americans had a love/hate relationship with France. While many admired its beauty, culture, refinement, and famed joie de vivre, others thought of it as a dilapidated country populated by foul-smelling, mean-spirited anti-Americans driven by a keen desire to part tourists from their money. We'll Always Have Paris explores how both images came to flourish in the United States, often in the minds of the same people.Harvey Levenstein takes us back to the 1930s, when, despite the Great Depression, France continued to be the stomping ground of the social elite of the eastern seaboard. After World War II, wealthy and famous Americans returned to the country in droves, helping to revive its old image as a wellspring of sophisticated and sybaritic pleasures. At the same time, though, thanks in large part to Communist and Gaullist campaigns against U.S. power, a growing sensitivity to French anti-Americanism began to color tourists' experiences there, strengthening the negative images of the French that were already embedded in American culture. But as the century drew on, the traditional positive images were revived, as many Americans again developed an appreciation for France's cuisine, art, and urban and rustic charms.Levenstein, in his colorful, anecdotal style, digs into personal correspondence, journalism, and popular culture to shape a story of one nation's relationship to another, giving vivid play to Americans' changing response to such things as France's reputation for sexual freedom, haute cuisine, high fashion, and racial tolerance. He puts this tumultuous coupling of France and the United States in historical perspective, arguing that while some in Congress say we may no longer have french fries, others, like Humphrey Bogart in Casablanca, know they will always have Paris, and France, to enjoy and remember.

Once maligned as a swampy outpost, the fledgling city of Chicago brazenly adopted the motto Urbs in Horto or City in a Garden, in 1837. Chicago Gardens shows how this upstart town earned its sobriquet over the next century, from the first vegetable plots at Fort Dearborn to innovative garden designs at the 1933 World's Fair. Cathy Jean Maloney has spent decades researching the city's horticultural heritage, and here she reveals the unusual history of Chicago's first gardens. Challenged by the region's clay soil, harsh winters, and fierce winds, Chicago's pioneering horticulturalists, Maloney demonstrates, found imaginative uses for hardy prairie plants. This same creative spirit thrived in the city's local fruit and vegetable markets, encouraging the growth of what would become the nation's produce hub. The vast plains that surrounded Chicago, meanwhile, inspired early landscape architects, such as Frederick Law Olmsted, Jens Jensen, and O.C. Simonds, to new heights of grandeur. Maloney does not forget the backyard gardeners: immigrants who cultivated treasured seeds and pioneers who planted native wildflowers. Maloney's vibrant depictions of Chicagoans like "Bouquet Mary," a flower peddler who built a greenhouse empire, add charming anecdotal evidence to her argument-that Chicago's garden history rivals that of New York or London and ensures its status as a world-class capital of horticultural innovation. With exquisite archival photographs, prints, and postcards, as well as field guide de*ions of living legacy gardens for today's visitors, Chicago Gardens will delight green-thumbs from all parts of the world.

Alberto Giacometti's 1934 Cube stands apart for many as atypical of the Swiss artist, the only abstract sculptural work in a wide oeuvre that otherwise had as its objective the exploration of reality. With The Cube and the Face, renowned French art historian and philosopher Georges Didi-Huberman has conducted a careful analysis of Cube, consulting the artist's sketches, etchings, texts, and other sculptural works in the years just before and after Cube was created. Cube, he finds, is indeed exceptional-a work without clear stylistic kinship to the works that came before or after it. At the same time, Didi-Huberman shows, Cube marks the transition between the artist's surrealist and realist phases and contains many elements of Giacometti's aesthetic consciousness, including his interest in dimensionality, the relation of the body to geometry, and the portrait-or what Didi-Huberman terms "abstract anthropomorphism." Drawing on Freud, Bataille, Leiris, and others Giacometti counted as influence, Didi-Huberman presents fans and collectors of Giacometti's art with a new approach to transitional work.

Unlock more than 50 amazing tips and tricks to enhance your QlikView skillsAbout This BookLearn QlikView development best practices from the expertsDiscover valuable tips, tricks, and undocumented featuresA fast-paced guide with techniques and best practices to optimize high-performance, robust, and scalable applicationsWho This Book Is ForQlikView Unlocked is intended for anyone with at least some experience in designing, developing, or supporting QlikView applications. Whether you are new to QlikView or are a seasoned developer, there is something for everyone in this book.What You Will LearnBuild the QlikView environment correctly so that it is flexible and robustDeliver a successful QlikView projectUnderstand and implement QlikView best practicesDiscover the best way to prototype, develop, and deploy applicationsOvercome data modeling challengesExplore the in’s and out’s of Section AccessSolve post-deployment issues in Server and PublisherIn DetailQlikView is considered as one of the most used tool for Business Intelligence (BI). An efficient BI tool should provide five important capabilities for effective data analysis—collection (gathering important information), reporting, analysis (the ability to interact with data), visualization (the presentation of data), and discovery (exploring data). QlikView offers all these necessary skills required to deal with big data in real-world scenarios.QlikView Unlocked will provide you with new insights to get the very best from QlikView. This book will help you to develop skills to work with data efficiently. We will cover all the secrets of unleashing the full power of QlikView, which will enable you to make better use of the tool and create better results for future projects.In the course of this book, we will walk you through techniques and best practices that will enable you to be more productive. You will gain quick insights into the tool with the help of short steps called ”keys,” which will help you discover new features of QlikView. Moving on you will learn new techniques for data visualization, *ing, data modeling, and more. This book will then cover best practices to help you establish an efficient system with improved performance. We will also teach you some tricks that will help you speed up development processes, monitor data with dashboards, and so on.By the end of this book, you will have gained beneficial tips, tricks, and techniques to enhance the overall experience of working with QlikView.Style and approachWritten in a fairly informal style, this is a book that can be read cover-to-cover or simply used as a ”how-to” reference. Using real-world examples with clear explanations, code samples, and screenshots, you will be able understand each topic fully. You will be able to apply the knowledge gained to your QlikView projects.

Learn the different colors of the rainbow through lyrical, rhyming text in this vividly-designed book. Each color is paired with a photograph of an animal, food or plant, so that young readers will recognize where they see the colors in their day-to-day lives. Based in Stow, Ohio, Twin Sisters Productions has been dedicated to producing quality educational and inspirational music resources for over 25 years. Fraternal twins Karen Mitzo Hilderbrand and Kim Mitzo Thompson founded the company when they realized Kim’s success teaching third grade math through her catchy multiplication song could help children beyond her classroom. From there, Twin Sisters expanded its product line to include e-books, digital music, CDs, read-along and sing-along books, floor puzzles and educational workbooks, all with the purpose of learning through music. These internationally sold products have received nearly 170 awards, including nine Record Industry Association of America (RIAA) certified Gold albums and one Platinum albu, over the years for excellence, creativity and amusement. With thousands of songs and 35 million albums sold, Twin Sisters positions itself as the leader in children’s educational music.

Learn day-to-day words with this adorable book from the Baby’s First Books Collection. Based in Stow, Ohio, Twin Sisters Productions has been dedicated to producing quality educational and inspirational music resources for over 25 years. Fraternal twins Karen Mitzo Hilderbrand and Kim Mitzo Thompson founded the company when they realized Kim’s success teaching third grade math through her catchy multiplication song could help children beyond her classroom. From there, Twin Sisters expanded its product line to include e-books, digital music, CDs, read-along and sing-along books, floor puzzles and educational workbooks, all with the purpose of learning through music. These internationally sold products have received nearly 170 awards, including nine Record Industry Association of America (RIAA) certified Gold albums and one Platinum albu, over the years for excellence, creativity and amusement. With thousands of songs and 35 million albums sold, Twin Sisters positions itself as the leader in children’s educational music.

Adapted versions feature illustrations of popular fairy tales. Based in Stow, Ohio, Twin Sisters Productions has been dedicated to producing quality educational and inspirational music resources for over 25 years. Fraternal twins Karen Mitzo Hilderbrand and Kim Mitzo Thompson founded the company when they realized Kim’s success teaching third grade math through her catchy multiplication song could help children beyond her classroom. From there, Twin Sisters expanded its product line to include e-books, digital music, CDs, read-along and sing-along books, floor puzzles and educational workbooks, all with the purpose of learning through music. These internationally sold products have received nearly 170 awards, including nine Record Industry Association of America (RIAA) certified Gold albums and one Platinum albu, over the years for excellence, creativity and amusement. With thousands of songs and 35 million albums sold, Twin Sisters positions itself as the leader in children’s educational music.

Join Noah as he builds an ark for his family and all the living creatures of the earth in obedience to God. Based in Stow, Ohio, Twin Sisters Productions has been dedicated to producing quality educational and inspirational music resources for over 25 years. Fraternal twins Karen Mitzo Hilderbrand and Kim Mitzo Thompson founded the company when they realized Kim’s success teaching third grade math through her catchy multiplication song could help children beyond her classroom. From there, Twin Sisters expanded its product line to include e-books, digital music, CDs, read-along and sing-along books, floor puzzles and educational workbooks, all with the purpose of learning through music. These internationally sold products have received nearly 170 awards, including nine Record Industry Association of America (RIAA) certified Gold albums and one Platinum albu, over the years for excellence, creativity and amusement. With thousands of songs and 35 million albums sold, Twin Sisters positions itself as the leader in children’s educational music.