The life of William Shakespeare, arguably the most significant figure in the Western literary canon, is relatively unknown. Shakespeare was born in Stratford-upon-Avon in 1565, possibly on the 23rd April, St. George's Day, and baptised there on 26th April. Little is known of his education and the first firm facts to his life relate to his marriage, aged 18, to Anne Hathaway, who was 26 and from the nearby village of Shottery. Anne gave birth to their first son six months later. Shakespeare's first play, The Comedy of Errors began a procession of real heavyweights that were to emanate from his pen in a career of just over twenty years in which 37 plays were written and his reputation forever established. This early skill was recognised by many and by 1594 the Lord Chamberlain's Men were performing his works. With the advantage of Shakespeare's progressive writing they rapidly became London's leading company of players, affording him more exposure and, following the death of Queen Elizabeth in 1603, a royal patent by the new king, James I, at which point they changed their name to the King's Men. By 1598, and despite efforts to pirate his work, Shakespeare's name was well known and had become a selling point in its own right on title pages. No plays are attributed to Shakespeare after 1613, and the last few plays he wrote before this time were in collaboration with other writers, one of whom is likely to be John Fletcher who succeeded him as the house playwright for the King's Men. William Shakespeare died two months later on April 23rd, 1616, survived by his wife, two daughters and a legacy of writing that none have since yet eclipsed.

Edgar Rice Burroughs was born on September 1, 1875, in Chicago, Illinois. His early career was unremarkable. After failing to enter West Point he enlisted in the 7th Calvary but was discharged after heart problems were diagnosed. A series of short term jobs gave no indication as to a career path but finally, in 1911, married and with two young children, he turned his hand to writing. He aimed his works squarely at the very popular pulp serial magazines. His first effort 'Under The Moons Of Mars' ran in Munsey's Magazine in 1912 under the pseudonym Norman Bean. With its success he began writing full time. A continuing theme of his work was to develop series so that each character had ample opportunities to return in sequels. John Carter was in the Mars series and there was another on Venus and one on Pellucidar among others. But perhaps the best known is Tarzan. Indeed Burroughs wanted so much to capitalise upon the brand that he introduced a syndicated Tarzan comic strip, movies and merchandise. He purchased a large ranch north of Los Angeles, California, which he named "e;Tarzana."e; The surrounding communities outside the ranch voted in 1927 to adopt the name as their own. By 1932 Burroughs set up his own company to print his own books. Here we publish the fourth in the Tarzan series 'The Son of Tarzan'. Another cultural classic.

The Atlantic magazine was founded as the Atlantic Monthly in Boston, Massachusetts in 1857 and first published on November 1st of that year. The magazine's founder was Francis H. Underwood, also an assistant to the publisher, who because he was "e;neither a 'humbug' nor a Harvard man"e; received less recognition than his other founders who included Ralph Waldo Emerson; Oliver Wendell Holmes, Sr.; Henry Wadsworth Longfellow; Harriet Beecher Stowe; John Greenleaf Whittier; and James Russell Lowell, who served as its first editor.It quickly gained a reputation as a leading literary magazine being the first to publish pieces by the abolitionists Julia Ward Howe ("e;Battle Hymn of the Republic"e; on February 1, 1862), and William Parker's slave narrative, "e;The Freedman's Story"e; (in February & March 1866) and Charles W. Eliot's "e;The New Education"e;, a call for practical reform that led to his appointment to the presidency of Harvard University in 1869.In 1860, it became part of the Boston publishing house Ticknor and Fields (itself later part of Houghton Mifflin). It was purchased again in 1908 by its then editor, Ellery Sedgwick.The Atlantic has always been seen as a distinctively New England literary magazine (others ie Harper's and The New Yorker, were both from New York City) and its national reputation was instrumental in the launch of many other American writers and poets including Emily Dickinson. The Atlantic, in its earlier years, also published compendiums and anthologies of short stories and plays bringing many to far greater attention that would otherwise have been possible.In 1980, the magazine was acquired by Mortimer Zuckerman, property magnate and founder of Boston Properties, who became its Chairman. In 1999 Zuckerman transferred ownership to David G. Bradley, owner of the National Journal Group, who along with previous owners pledged to keep the magazine in Boston.However, in 2005, the publishers announced that the editorial offices would be moved from Boston to join the company's advertising and circulation divisions in Washington, D.C. in order to pool all of Bradley's publications into one location where they could collaborate under the Atlantic Media Company umbrella.

Jedi apprentices and little princesses will delight in this (heart)felt retelling of the Star Wars saga. And so will Star Wars fans of any age! The series launches with the original trilogy, and every word counts in these small but perfectly formed yarns. That's because each volume features 12 iconic scenes, handcrafted in felt and pithily summarized in just a single word. The attention to detail is eye-opening; the proportions are just-right for small hands; the fun is guaranteed. In The Empire Strikes Back, Luke meets his teacher Yoda, Han Solo makes a friend, and there is a lightsaber duel with a Sith Lord in the dark. and TM Lucasfilm Ltd. Used Under Authorization

Following its defeat in World War One, Germany was a country in ruins. Inflation, poverty, exhaustion, humiliation and disillusionment wrecked the nation. Out of the ashes arose a man that promised to revitalise the country and give it back its dignity. He would deal, for once and for all, with the nation’s internal enemies – the communists and the Jews. That man, of course, was Adolf Hitler.?Read about how Hitler turned Germany into a one-party state, of his murderous reign and the descent into war and genocide.The Clever Teens’ Guide to Nazi Germany covers all the major facts and events giving you a clear and straightforward overview: from the rise of Hitler and the Nazi Party, his domestic policies and foreign dealings, the racism and murder to World War Two and the Holocaust. ?Ideal for your “clever teenager”.

A ghost train carries a murderous secret deep through the North Georgia mountains. Betrayal colder than the wind blowing through the pines. A young girl with a burden a hundred years out of time.An old man’s tale of guilt and regret.A heartbroken woman caught in a mystery only she can solve.A boy long past living holds the key. Can unearthed secrets end the nightmare at last?

Akosua Annan is a confident and fiercely intelligent student at a posh girls' school in Cape Coast, Ghana. There she comes under the influence of a charismatic feminist teacher. Osman Said's background is very different. Upon the death of his parents, a police sergeant and an unschooled market trader, immigrants to the capital, Accra, from the impoverished north of the country, he is adopted by a retired school teacher, Hajia Zainab. After a spell as an apprentice in an auto workshop, he returns to school. There, finding the teaching inadequate, he becomes an avid reader and educates himself. Akosua and Osman are thrown together by chance in the course of a school visit to the slave dungeon at Cape Coast Castle. Their paths cross again as finalists in the national school debating competition where the subject is "The problem of poverty in Ghana is insoluble." They meet for the third time as students at the University of Ghana and as we leave them, it looks as if their relationship might develop into something permanent. This story won a Burt Award for African Literature in 2011. The judges commented: "This fascinating novel tells the story of how these two young people from disparate backgrounds are brought together as if by an unseen hand, in a process that teaches us about our history, our common humanity despite ethnic differences, the need to pursue our ambitions, the strength of human sexuality and the need for self-discipline, and, above all, the power of love."

Leo Sabov never imagined a day without his beloved wife Maria. Now he faces the rest of his life alone. After bringing Maria to rest in her native Transylvania, Leo only wants to escape the rumors and superstitions taking over the tiny mountain village. A former Communist Party boss, a string of unexplainable deaths, and an ancient mama dog force him into mysteries he can’t understand or explain. Will Leo survive a test even greater than the heartbreaking?death of his wife, one with life or death consequences?

schylus is often regarded as the father of Greek tragedy; he moved play writing from the simple interaction of a single character and a chorus to one where many characters interact and thereby create more dynamic and dramatic situations. schylus, was the son of Euphorion, and a scion of a Eupatrid or noble family. He was born at Eleusis 525 B.C., or, as the Greeks calculated time, in the fourth year of the 63rd Olympiad. He first worked at a vineyard and whilst there claimed to have been visited by Dionysis in a dream and told to turn his attention to the tragic art. It was a dream that would deliver a rich and incredible legacy through his writing talents. His earliest tragedy, composed when he was twenty-six years of age, failed to win the fabled Dionysia, (a revered festival of theatre) and it was not until fifteen years later that he gained this victory in 484BC going on to win it again in 472 BC (for The Persians), 467 BC (for Seven Against Thebes) and 463 BC (for The Suppliants). schylus was also known for his military skills and was ready to fight in defence of Athens whenever the call was made. He and his brother, Cynegeirus, fought against Darius's invading Persian army at the Battle of Marathon in 490 BCE and, although the Greeks won against overwhelming odds, Cynegeirus died in the battle, which had a naturally had a profound effect on schylus. He made several visits to the important Greek city of Syracuse in Sicily at the invitation of the tyrant Hieron, and it is thought that he also travelled extensively in the region of Thrace. His writing continued to be the envy of others. With the series of plays of which Seven Against Thebes was a part, his supremacy was undisputed. He was the "e;father of tragedy."e; schylus made many changes to dramatic form. The importance of the chorus was demoted and a second added to give prominence to the dialogue and making that interchange the leading feature of the play. He removed all deeds of bloodshed from the public view, and in their place provided various spectacular elements, improving the costumes, making the masks more expressive and convenient, and probably adopting the cothurnus to increase the stature of the performers. Finally, he established the custom of contending for the prize with trilogies, an inter-connecting set of three independent dramas. The closing years of the life of schylus were mainly spent in Sicily, which he had first visited soon after his defeat at the Dionysia by Sophocles. schylus returned to Athens to produce his Orestean trilogy, probably the finest of his works, although the Eumenides, the last of the three plays, revealed so openly his aristocratic tendencies that he became extremely unpopular, and returned to Sicily for the last time in 458 BCE and it was there that he died, while visiting the city of Gela in 456 or 455 BCE.

For many of us DH Lawrence was a schoolboy hero. Who can forget sniggering in class at the mention of Women In Love or Lady Chatterley's Lover? Lawrence was a talented if nomadic writer whose novels were passionately received, suppressed at times and generally at odds with Establishment values. This of course did not deter him. At his death in 1930 at the young age of 44 he was more often thought of as a pornographer but in the ensuing years he has come to be more rightly regarded as one of the most imaginative writers these shores have produced. As well as his novels and of course his poetry - he wrote in excess of 800 of them he was also a very talented playwright. These works have not been given quite the attention they deserve. Here we publish 'The Widowing of Mrs Holroyd.

The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over. Gilbert's sharp, funny words and Sullivan's deliciously lively and hummable tunes create a world that is distinctly British in view but has the world as its audience. Both men were exceptionally talented and gifted in their own right and wrote much, often with other partners, that still stands the test of time. However, together as a team they created Light or Comic Operas of a standard that have had no rivals equal to their standard, before or since. That's quite an achievement. To be recognised by the critics is one thing but their commercial success was incredible. The profits were astronomical, allowing for the building of their own purpose built theatre - The Savoy Theatre. Beginning with the first of their fourteen collaborations, Thespis in 1871 and travelling through many classics including The Sorcerer (1877), H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1885), The Gondoliers (1889) to their finale in 1896 with The Grand Duke, Gilbert & Sullivan created a legacy that is constantly revived and admired in theatres and other media to this very day.

John Webster is known primarily for his two Jacobean tragedies, The Duchess of Malfi and The White Devil. Much of the detail and chronology of his life that led to these two pivotal works is, however, unknown. His father, a carriage maker also named John Webster, married a blacksmith's daughter, Elizabeth Coates, on November 4th, 1577, and it is likely that Webster was born within a year or two in or near London. The family lived in St. Sepulchre's parish. Both his father and his uncle, Edward Webster, were Freemen of the Merchant Taylors' Company and Webster attended Merchant Taylors' School in Suffolk Lane, London. Some accounts say he began to study law but nothing is certain although there are some legal aspects to his later works to suggest this may have been so. By 1602, Webster was employed working as part of various teams of playwrights on history plays, though unfortunately most were never printed and therefore do not survive. These include a tragedy Caesar's Fall (written with Michael Drayton, Thomas Dekker, Thomas Middleton and Anthony Munday), and a collaboration with Thomas Dekker; Christmas Comes but Once a Year (1602). This factory line assembly of plays may seem rather odd to us today but plays then ran for much shorter durations and consequently a steady supply had to be assured. Webster's relationship with Dekker seems to have been a good one. Together they wrote Sir Thomas Wyatt, printed in 1607, although it is thought first performed in 1602 and two city comedies, Westward Ho! in 1604 and Northward Ho! in 1605. It seems Webster also adapted, in 1604, John Marston's The Malcontent for staging by the King's Men. On March 18th, 1606 Webster married the 17-year-old Sara Peniall at St Mary's Church, Islington. Sara was 7 months pregnant and marrying during Lent required the issuing of a special permit, hence the certainty of the date. Their first child, John, was baptised at the parish of St Dunstan-in-the-West on March 8th, 1606. Records show that on the death of a neighbour, who died in 1617, several bequests were made to the Webster family and it is therefore thought that other children were born to the couple. Despite his ability to write comedy, and to collaborate with others, Webster is remembered best for his sole authorship on two brooding English tragedies based on Italian sources. The White Devil, retells the intrigues involving Vittoria Accoramboni, an Italian woman assassinated at the age of 28. It was performed at the open-air Red Bull Theatre in 1612 but was unsuccessful, perhaps being too high brow for a working-class audience. In 1614 The Duchess of Malfi was first performed by the King's Men, most probably in the indoor Blackfriars Theatre and to a more high-brow audience. It proved to be more successful. The play Guise, based on French history, was also written but him but no text has survived. Webster wrote one more play on his own: The Devil's Law Case (c. 1617-1619), a tragicomedy. He continued to write thereafter but always in collaboration and usually city comedies; Anything for a Quiet Life (c. 1621), with Thomas Middleton, and A Cure for a Cuckold (c. 1624), with William Rowley. In 1624, he also co-wrote a topical play about a recent scandal, Keep the Widow Waking (with John Ford, Rowley and Dekker). The play itself is lost, although its plot is known from a court case. There is also some certainty that he contributed to the tragicomedy The Fair Maid of the Inn with John Fletcher, John Ford, and Phillip Massinger. His Appius and Virginia, was probably written with Thomas Heywood, and is of uncertain date. It is believed, mainly from Thomas Heywood's Hierarchie of the Blessed Angels (licensed 7 November 1634) that speaks of him in the past tense that John Webster had died at some point in that year of 1634.

Publius Terentius Afer is better known to us as the Roman playwright, Terence.Much of his life, especially the early part, is either unknown or has conflicting sources and accounts.His birth date is said to be either 185 BC or a decade earlier: 195 BC. His place of birth is variously listed as in, or, near Carthage, or, in Greek Italy to a woman taken to Carthage as a slave. It is suggested that he lived in the territory of the Libyan tribe that the Romans called Afri, near Carthage, before being brought to Rome as a slave. Probability suggests that it was there, in North Africa, several decades after the destruction of Carthage by the Romans in 146 BC, at the end of the Punic Wars, that Terence spent his early years.One reliable fact is that he was sold to P. Terentius Lucanus, a Roman senator, who had him educated and, impressed by his literary talents, freed him.These writing talents were to ensure his legacy as a playwright down through the millennia. His comedies, partially adapted from Greek plays of the late phases of Attic Comedy, were performed for the first time around 170-160 BC. All six of the plays he has known to have written have survived.Indeed, thanks to his simple conversational Latin, which was both entertaining and direct, Terence's works were heavily used by monasteries and convents during the Middle Ages and The Renaissance. Scribes often learned Latin through the copious copying of Terence's texts. Priests and nuns often learned to speak Latin through re-enactment of Terence's plays. Although his plays often dealt with pagan material, the quality and distinction of his language promoted the copying and preserving of his text by the church. This preservation enabled his work to influence a wide spectrum of later Western drama.When he was 25 (or 35 depending on which year of birth you ascribe too), Terence travelled to Greece but never returned. It has long been assumed that he died at some point during the journey.Of his own family nothing is known, except that he fathered a daughter and left a small but valuable estate just outside Rome.His most famous quotation reads: "e;Homo sum, humani nihil a me alienum puto"e;, or "e;I am human, and I think nothing human is alien to me."e;

George Eliot opens her complex study of life in the provincial Midlands with a brilliant portrait of Dorothea Brooke in all her strengths and weaknesses. Dorothea's misguided marriage is only one of the many, at first seemingly quite separate, stories of thwarted ideals, passions and ambitions. In the end the 'web of relationships' comes together as every character meets an appropriate fate. The story links the struggles of the individuals with the problems of society as a whole, as it wrestles with the disturbances that are approaching through industrialisation and a changing social order.

A hero’s journey starts with a single step—but what if that step rested on a broken foundation? When all you know about your world crumbles into ashes. When truth rests on a broken foundation. When what you believe to be true lies on a broken foundation. A book, a broken faith, a promise of hope. Never open a book without knowing what lies between its covers. When what you knew to be truth crumbles in the face of reality. When your heritage leads you to doubt all you’ve known. Diondray's Discovery is the first book in The Diondray's Chronicles that will transport you to the world of Kammbia, an imaginative and colorful world in which Diondray discovers his inner hero. If you can't get enough of rich new worlds, breathtaking adventure, introspective characters, and subtle social commentary, then you're ready to ride along with Diondray as he discovers his destiny.

Bianca Wells, the President’s daughter, experiences a close encounter with the aliens who invaded Earth five years ago. The Krinar are powerful, attractive, but also mysterious. There is one in particular she can’t get out of her head—the seductive Krinar Ambassador named Soren. With his hauntingly beautiful eyes and god-like body, he invades her dreams, spinning sensual encounters that leave her aching and breathless. But he, like the others of his kind, is dangerous. With impossible speed and strength, wielding incredible intelligence and advanced technology, the Krinar control this planet and every human on it. Bianca should want nothing to do with Soren. A single touch from him might cause an interstellar war. But after one scorching, forbidden kiss, she’ll risk everything to be with him. Soren came to Earth to ensure the survival of his people, but now he has one desire: to possess the brave and irresistible Bianca. Knowing he could destroy peaceful relations with the humans if anyone sees him with her, he takes matters into his own hands, rescuing her from an assassin. After one “big-bang” of a kiss, he knows he can’t let her go home. She belongs to him, and he will break every rule in his carefully controlled world to keep her. After their forbidden night of passion, Bianca enters Soren’s dark, seductive world. But her new life as Soren’s woman puts a target on her back, and her status as First Daughter only makes things worse. As enemies surface all around them, Bianca realizes she will have to trust Soren with her heart, even if it means giving up her freedom.

20th Century War and Misery.The suicide of Hitler’s niece, the assassinations of Malcolm X and Franz Ferdinand, the Battle of the Somme and Stalingrad, and the betrayal of Anne Frank – these are some of the stories you’ll find in Rupert Colley’s new collection of articles, The Savage Years: Tales From the 20th Century.?Covering World War One, World War Two, the Cold War, the Soviet Union, Nazi Germany, and much more besides, immerse yourself in sixty stories from some of the key moments of modern (and a few not so modern) history.?Fully illustrated with 140 photos, this makes perfect reading for commuters, students or the curious.?A paperback version of this title is also available – an ideal birthday present for those who love a bit of war and misery.?Within?The Savage Years: Tales From the 20th Century, you’ll also meet Vladimir Lenin, Douglas Haig, Horst Wessel, Nikolai Bukharin, Fritz Haber, Joseph Goebbels, Joseph McCarthy, Rudolph Hess, Stalin’s mother and daughter, Leon Trotsky, Edith Cavell, Charles de Gaulle, Wilhelm II, Abraham Lincoln, Grigori Rasputin, and many, many more.?

Edgar Rice Burroughs was born on September 1, 1875, in Chicago, Illinois. His early career was unremarkable. After failing to enter West Point he enlisted in the 7th Calvary but was discharged after heart problems were diagnosed. A series of short term jobs gave no indication as to a career path but finally, in 1911, married and with two young children, he turned his hand to writing. He aimed his works squarely at the very popular pulp serial magazines. His first effort 'Under The Moons Of Mars' ran in Munsey's Magazine in 1912 under the pseudonym Norman Bean. With its success he began writing full time. A continuing theme of his work was to develop series so that each character had ample opportunities to return in sequels. John Carter was in the Mars series and there was another on Venus and one on Pellucidar among others. But perhaps the best known is Tarzan. Indeed Burroughs wanted so much to capitalise upon the brand that he introduced a syndicated Tarzan comic strip, movies and merchandise. He purchased a large ranch north of Los Angeles, California, which he named "e;Tarzana."e; The surrounding communities outside the ranch voted in 1927 to adopt the name as their own. By 1932 Burroughs set up his own company to print his own books. Here we publish the third in the Tarzan series 'The Beasts of Tarzan'. Another cultural classic.

The life of William Shakespeare, arguably the most significant figure in the Western literary canon, is relatively unknown. Shakespeare was born in Stratford-upon-Avon in 1565, possibly on the 23rd April, St. George's Day, and baptised there on 26th April. Little is known of his education and the first firm facts to his life relate to his marriage, aged 18, to Anne Hathaway, who was 26 and from the nearby village of Shottery. Anne gave birth to their first son six months later. Shakespeare's first play, The Comedy of Errors began a procession of real heavyweights that were to emanate from his pen in a career of just over twenty years in which 37 plays were written and his reputation forever established. This early skill was recognised by many and by 1594 the Lord Chamberlain's Men were performing his works. With the advantage of Shakespeare's progressive writing they rapidly became London's leading company of players, affording him more exposure and, following the death of Queen Elizabeth in 1603, a royal patent by the new king, James I, at which point they changed their name to the King's Men. By 1598, and despite efforts to pirate his work, Shakespeare's name was well known and had become a selling point in its own right on title pages. No plays are attributed to Shakespeare after 1613, and the last few plays he wrote before this time were in collaboration with other writers, one of whom is likely to be John Fletcher who succeeded him as the house playwright for the King's Men. William Shakespeare died two months later on April 23rd, 1616, survived by his wife, two daughters and a legacy of writing that none have since yet eclipsed.

An unnamed protagonist chooses to spend the night in an allegedly haunted room in Lorraine Castle. He intends to disprove the legends surrounding it. Despite vague warnings from the three infirm custodians who reside in the castle, the narrator ascends to the Red Room to begin his night's vigil.

Butcher, employed by a collector, is engaged in finding Aepyornis eggs. He is looking for them in a swamp on the east coast of Madagascar, helped by two native assistants in a canoe who are probing the mud with rods. They find several whole eggs but one is dropped, apparently when an assistant is bitten by something.