When a new baby arrives among the Beng people of West Africa, they see it not as being born, but as being reincarnated after a rich life in a previous world. Far from being a tabula rasa, a Beng infant is thought to begin its life filled with spiritual knowledge. How do these beliefs affect the way the Beng rear their children?In this unique and engaging ethnography of babies, Alma Gottlieb explores how religious ideology affects every aspect of Beng childrearing practices-from bathing infants to protecting them from disease to teaching them how to crawl and walk-and how widespread poverty limits these practices. A mother of two, Gottlieb includes moving discussions of how her experiences among the Beng changed the way she saw her own parenting. Throughout the book she also draws telling comparisons between Beng and Euro-American parenting, bringing home just how deeply culture matters to the way we all rear our children.All parents and anyone interested in the place of culture in the lives of infants, and vice versa, will enjoy The Afterlife Is Where We Come From."e;This wonderfully reflective text should provide the impetus for formulating research possibilities about infancy and toddlerhood for this century."e; - Caren J. Frost, Medical Anthropology Quarterly?"e;Alma Gottlieb's careful and thought-provoking account of infancy sheds spectacular light upon a much neglected topic. . . . [It] makes a strong case for the central place of babies in anthropological accounts of religion. ?Gottlieb's remarkably rich account, delivered after a long and reflective period of gestation, deserves a wide audience across a range of disciplines."e;-Anthony Simpson, Critique of Anthropology?

In the years following the Civil War, a veritable army of homeless men swept across America's "e;wageworkers' frontier"e; and forged a beguiling and bedeviling counterculture known as "e;hobohemia."e; Celebrating unfettered masculinity and jealously guarding the American road as the preserve of white manhood, hoboes took command of downtown districts and swaggered onto center stage of the new urban culture. Less obviously, perhaps, they also staked their own claims on the American polity, claims that would in fact transform the very entitlements of American citizenship.In this eye-opening work of American history, Todd DePastino tells the epic story of hobohemia's rise and fall, and crafts a stunning new interpretation of the "e;American century"e; in the process. Drawing on sources ranging from diaries, letters, and police reports to movies and memoirs, Citizen Hobo breathes life into the largely forgotten world of the road, but it also, crucially, shows how the hobo army so haunted the American body politic that it prompted the creation of an entirely new social order and political economy. DePastino shows how hoboes-with their reputation as dangers to civilization, sexual savages, and professional idlers-became a cultural and political force, influencing the creation of welfare state measures, the promotion of mass consumption, and the suburbanization of America. Citizen Hobo's sweeping retelling of American nationhood in light of enduring struggles over "e;home"e; does more than chart the change from "e;homelessness"e; to "e;houselessness."e; In its breadth and scope, the book offers nothing less than an essential new context for thinking about Americans' struggles against inequality and alienation.

In a cemetery on the southern outskirts of Paris lie the bodies of nearly a hundred of what some have called the first casualties of global climate change. They were the so-called abandoned victims of the worst natural disaster in French history, the devastating heat wave that struck in August 2003, leaving 15,000 dead. They died alone in Paris and its suburbs, and were then buried at public expense, their bodies unclaimed. They died, and to a great extent lived, unnoticed by their neighbors--their bodies undiscovered in some cases until weeks after their deaths.Fatal Isolation tells the stories of these victims and the catastrophe that took their lives. It explores the multiple narratives of disaster--the official story of the crisis and its aftermath, as presented by the media and the state; the life stories of the individual victims, which both illuminate and challenge the ways we typically perceive natural disasters; and the scientific understandings of disaster and its management. Fatal Isolation is both a social history of risk and vulnerability in the urban landscape and a story of how a city copes with emerging threats and sudden, dramatic change.

In this latest book, renowned philosopher and scholar Robert B. Pippin offers the thought-provoking argument that the study of historical figures is not only an interpretation and explication of their views, but can be understood as a form of philosophy itself. In doing so, he reconceives philosophical scholarship as a kind of network of philosophical interanimations, one in which major positions in the history of philosophy, when they are themselves properly understood within their own historical context, form philosophy's lingua franca. Examining a number of philosophers to explore the nature of this interanimation, he presents an illuminating assortment of especially thoughtful examples of historical commentary that powerfully enact philosophy.After opening up his territory with an initial discussion of contemporary revisionist readings of Kant's moral theory, Pippin sets his sights on his main objects of interest: Hegel and Nietzsche. Through them, however, he offers what few others could: an astonishing synthesis of an immense and diverse set of thinkers and traditions. Deploying an almost dialogical, conversational approach, he pursues patterns of thought that both shape and, importantly, connect the major traditions: neo-Aristotelian, analytic, continental, and postmodern, bringing the likes of Heidegger, Honneth, MacIntyre, McDowell, Brandom, Strauss, Williams, and A iA ek-not to mention Hegel and Nietzsche- into the same philosophical conversation.By means of these case studies, Pippin mounts an impressive argument about a relatively under discussed issue in professional philosophy-the bearing of work in the history of philosophy on philosophy itself-and thereby he argues for the controversial thesis that no strict separation between the domains is defensible.

"e;It is hard to put this profound book into a category. Despite the author's criticisms of Thoreau, it is more like Walden than any other book I have read. . . . The book makes great strides toward bringing the best insights from medieval philosophy and from contemporary environmental ethics together. Anyone interested in both of these areas must read this book."e;-Daniel A. Dombrowski, The Thomist"e;Those who share Kohk's concern to understand nature as other than a mere resource or matter in motion will find his temporally oriented interpretation of nature instructive. It is here in particular that Kohk turns moments of experience to account philosophically, turning what we habitually overlook or avoid into an opportunity and basis for self-knowledge. This is an impassioned attempt to see the vital order of nature and the moral order of our humanity as one."e;-Ethics

What is the relationship between anger and justice, especially when so much of our moral education has taught us to value the impartial spectator, the cold distance of reasonIn?Sing the Rage, Sonali Chakravarti wrestles with this question through a careful look at the emotionally charged South African Truth and Reconciliation Commission, which ?from 1996 to 1998 saw, day after day, individuals taking the stand to speak-to cry, scream, and wail-about the atrocities of apartheid. Uncomfortable and surprising, these public emotional displays, she argues, proved to be of immense value, vital to the success of transitional justice and future political possibilities.?Chakravarti takes up the issue from Adam Smith and Hannah Arendt, who famously understood both the dangers of anger in politics and the costs of its exclusion. Building on their perspectives, she argues that the expression and reception of anger reveal truths otherwise unavailable to us about the emerging political order, the obstacles to full civic participation, and indeed the limits-the frontiers-of political life altogether. Most important, anger and the development of skills needed to truly listen to it foster trust among citizens and recognition of shared dignity and worth. An urgent work of political philosophy in an era of continued revolution,?Sing the Rage?offers a clear understanding of one of our most volatile-and important-political responses.

The term "e;community organizer"e; was deployed repeatedly against Barack Obama during the 2008 presidential campaign as a way to paint him as an inexperienced politician unfit for the presidency. The implication was that the job of a community organizer wasn't a serious one, and that it certainly wasn't on the list of credentials needed for a presidential?resume.?In reality, community organizers have played key roles in the political lives of American cities for decades, perhaps never more so than during the 1970s in Chicago, where African Americans laid the groundwork for further empowerment as they organized against segregation, discrimination, and lack of equal access to schools, housing, and jobs.In?Crucibles of Black Empowerment, Jeffrey Helgeson recounts the rise of African American political power and activism from the 1930s onward, revealing how it was achieved through community building. His book tells stories of the housewives who organized their neighbors, building tradesmen who used connections with federal officials to create opportunities in a deeply discriminatory employment sector, and the social workers, personnel managers, and journalists who carved out positions in the white-collar workforce. ?Looking closely at black liberal politics at the neighborhood level in Chicago, Helgeson explains how black Chicagoans built the networks that eventually would overthrow the city's seemingly invincible political machine.

Ground-breaking when first published in 1945, Black Metropolis remains a landmark study of race and urban life. Few studies since have been able to match its scope and magnitude, offering one of the most comprehensive looks at black life in America. Based on research conducted by Works Progress Administration field workers, it is a sweeping historical and sociological account of the people of Chicago's South Side from the 1840s through the 1930s. Its findings offer a comprehensive analysis of black migration, settlement, community structure, and black-white race relations in the first half of the twentieth century. It offers a dizzying and dynamic world filled with captivating people and startling revelations.A new foreword from sociologist Mary Pattillo places the study in modern context, updating the story with the current state of black communities in Chicago and the larger United States and exploring what this means for the future. As the country continues to struggle with race and our treatment of black lives, Black Metropolis continues to be a powerful contribution to the conversation.

A witty memoir about the trials of adolescence, the tribulations of family life and the embarrassment that ensues from having larger-than-life parents Neville and Liz Hodgkinson bought into the Thatcherite dream of home ownership, aspiration and advancement. The first children of their working class parents to go to university and have professional careers, they lived in a semi-detached house in Richmond, sent their sons Tom and Will to private school, and went on holiday to Greece once a year. Neville was an award-winning science writer and Liz was a high-earning tabloid hack. Then a disastrous boat holiday, followed by a life-threatening bout of food poisoning from a contaminated turkey, led to the search for a new way of life. Nev joined the Brahma Kumaris, who believe evolution is a myth, time is circular, and a forthcoming Armageddon will make way for a new Golden Age. Out went drunken dinner parties and Victorian décor schemes; in came large women in saris meditating in the living room and lurid paintings of smiling deities on the walls. Liz took the arrival of the Brahma Kumaris as a chance to wage all-out war on convention, from announcing her newfound celibacy on prime time television to writing books that questioned the value of getting married and raising children. By an unfortunate coincidence, this dramatic and highly public transformation of the self coincided with the onset of Will’s adolescence. This is his story.

The sixth book in the bestselling Confessions series. What is life like for a female Undercover Cop? Ash Cameron gives readers a behind-the-scenes look at life in the Police. Funny, moving and irreverent, you’ll never look at a bobby the same way again…! What is life like for an Undercover Cop? Ash Cameron joined the police in the 70s – think Life on Mars with added ladders in her tights. From arresting East End gangsters, dealing out justice to football hooligans and coping with sexism on the job, Ash did it all. So when she was asked to go undercover, well, it was just another job, wasn’t it? Told with warmth and humour, these ‘confessions’ will make you laugh, make you cry, and make you roll your eyes as you learn exactly what goes on behind-the-scenes in the police…

The first official account of the iconic record label. An NME Book of the Year 2013 ? A Rough Trade Book of the Year 2013 ? A Times Literary Supplement Book of the Year 2013 This Mortal Coil, Birthday Party, Bauhaus, Cocteau Twins, Pixies, Throwing Muses, Breeders, Dead Can Dance, Lisa Germano, Kristin Hersh, Belly, Red House Painters. Just a handful of the bands and artists who started out recording for 4AD, a record label founded by Ivo Watts-Russell and Peter Kent in 1979, a label which went on to be one of the most influential of the modern era. Combining the unique tastes of Watts-Russell and the striking design aesthetic of Vaughan Oliver, 4AD records were recognisable by their look as much their sound. In this comprehensive account concentrating on the label’s first two decades (up to the point that Watts-Russell left), music journalist Martin Aston explores the fascinating story with unique access to all the key players and pretty much every artist who released a record on 4AD during that time, and to its notoriously reclusive founder. With a cover designed by Vaughan Oliver this is an essential book for all 4AD fans and anyone who loved the music of that time.

This is a chapter from Alex Ross’s groundbreaking history of twentieth-century classical music, ‘The Rest is Noise’. Further extracts are available as digital shorts, accompanying the London Southbank festival programme. After Paul McCartney listened to the electronic layering and looping of Stockhausen, the Beatles used the same effects on Revolver’s ‘Tomorrow Never Knows’ and put an image of the composer on Sgt. Pepper’s Lonely Hearts Club Band. For a split second during ‘Revolution 9’ the final chords of Sibelius’s Seventh Symphony can be heard. Even the most jaded veteran of twentieth century music must have been startled by the influence of the post-war avant-garde on the psychedelic generation. Now a major festival running throughout 2013 at London’s Southbank, The Rest is Noise is an intricate commentary not just on the sounds that defined the century, but on art’s troublesome dance with politics, social and cultural change. Alex Ross is the New Yorker’s music critic, and the winner of the Guardian First Book Award and the National Book Critics Circle Award for The Rest is Noise, which was also shortlisted for the Samuel Johnson and Pulitzer prizes for non-fiction.

A major in-depth biography of Sven-Goran Eriksson - the first foreign manager of the England football team - which chronicles his time in the hot seat, from taking over from Kevin Keegan, the story of the 2002 World Cup Finals in Japan and South Korea, through to the 2004 European Championships. Reserved - some would say introvert - by nature, he has so far dismissed as intrusive almost all questions about anything other than the England team. There is a fascinating story to be told about the moderate full-back who failed in his own country, retired from playing at 27, then went on to become one of the best coaches in the world. The son of a truck driver from a small provincial town in Sweden, Eriksson left school early and worked in a social security office. He went to college to study PE and played football as an amateur before being persuaded by an older teammate Tord Grip (now his assistant with England) that his career lay elsewhere in management. Modest success at Roma and Fiorentina was followed by a renewal of Sampdoria's fortunes. It wasn't long before Lazio came knocking - but not before an acrimonious fallout with Blackburn when his surprise about-turn left the Lancashire club without a new manager. He enjoyed phenomenal success in Rome, however, where he led Lazio to the scudetto, and this eventually paved the way to the England manager's job. Since then Eriksson has come under the microscope from the English press, as much for his private affairs as for his team's stuttering performances. Despite his achievements in leading England to the quarter-finals of the World Cup in 2002, his methods, formations and team selections are the subject of fierce debate up and down the country. Joe Lovejoy's book captures the essence of the man and goes some way to explaining his influence behind England. This paperback edition explores his thoughts about his captain playing his football in Spain and documents England's rocky road to the 2004 European Championship finals.

A hilariously honest, and rather sweary, book about parenting from the author of The Bad Cook. From play dates to potty training, from weening to whining or whether to have two, or three, or more! Esther Walker focuses her unique humour on the art of parenting. Fans of Esther’s blog and journalism, or her bestselling Bad Cook book, will not be disappointed. This is every bit as funny, sweary and just plain honest as you would expect. Esther offers up her occasional successes and many failures as examples to parents everywhere: look, this is what happens, you’ll just have to deal with it! Harassed mums and dads will read this and smile, as well as sighing with ‘it isn’t just me’ relief.

This is Claire’s story, one of four individual journeys taken from Wherever You Are by The Military Wives. Claire Balneaves never thought she’d end up as a military wife. But when she met a young medical assistant, Dave Balneaves, at a naval hospital, everything changed. Before long Claire and Dave had tied the knot and moved into married quarters – and Claire began to settle into the unique life of a military wife. Moving from house to house, from country to country, often solitary – in many ways Claire lived as a single mother. When family and medical difficulties cast a cloud over her personal life, Claire had no one to turn to. But from the moment she joined a nascent choir of military wives, that changed: wives with similar stories came together to sing, and there they found solace and strength. They found each other. Mere months later, the Military Wives choir would have met Gareth Malone, performed for the Queen, recorded a bestselling album and achieved a Christmas number 1. This is one woman’s true story of heartbreak and hope, and of how the choir changed the course of her life. Sales of this book will benefit the Military Wives Choirs Foundation, a network of choirs that reaches across the military community to provide support, guidance and funding for individual choirs, but first and foremost to bring women closer together through singing. The Foundation is a registered subsidiary charity of SSAFA Forces Help.

This is Nicky’s story, one of four individual journeys taken from Wherever You Are by The Military Wives. At 33, Nicky Clarke had stopped thinking she would ever fall in love. But they say when you stop looking, love happens – and that was the year she was swept off her feet by Hugo Clarke, a major in the Scots Guards. A year later Hugo and Nicky were married. But life in the military is never calm for long, and the next few years saw Hugo leave for Iraq and Afghanistan for months at a time. In married quarters Nicky met other military wives quickly, but forging friendships proved difficult: the occasional coffee morning just wasn’t enough. Nicky decided that this community needed to be brought together. With the help of a friend and a local choirmistress, Nicky set a time for the local wives to gather and sing. Before she knew it, a family was growing and a support network was formed. The first Military Wives choir was born. Mere months later, the choir would become a nationwide phenomenon. The Wives would go on to perform for the Queen, record a bestselling album and achieve a Christmas number 1. This is one woman’s true story of heartbreak and hope; of how singing changed the course of her life. Sales of this ebook will benefit the Military Wives Choirs Foundation, a network of choirs that reaches across the military community to provide support, guidance and funding for individual choirs, but first and foremost to bring women closer together through singing. The Foundation is a registered subsidiary charity of SSAFA Forces Help.

Will You Love Me can either be read as a full-length eBook or in 3 serialised eBook-only parts. This is PART 1 of 3 (Chapters 1-9 of 27). You can read Part 1 two weeks ahead of release of the full-length eBook and paperback. The eleventh memoir and latest title from the internationally bestselling author and foster carer Cathy Glass. This book tells the true story of Cathy’s adopted daughter Lucy. Lucy was born to a single mother who had been abused and neglected for most of her own childhood. Right from the beginning Lucy’s mother couldn’t cope, but it wasn’t until Lucy reached eight years old that she was finally taken into permanent foster care. By the time Lucy is brought to live with Cathy she is eleven years old and severely distressed after being moved from one foster home to another. Withdrawn, refusing to eat and three years behind in her schooling, it is thought that the damage Lucy has suffered is irreversible. But Cathy and her two children bond with Lucy quickly, and break through to Lucy in a way no-one else has been able to, finally showing her the loving home she never believed existed. Cathy and Lucy believe they were always destined to be mother and daughter – it just took them a little while to find each other.

A humorous look at the influence of celebrity style, charting the hairdos (and hair don’ts) James King has fashioned over the years. From the classic ‘Rachel from Friends’ to the questionable David Beckham mohawk, most of us, probably unwisely, have tried to emulate our favourite star’s hairstyles at some point. In HOLLYWOOD SHAPED MY HAIR, James King takes us on a hair-history of cinema.

Will You Love Me can either be read as a full-length eBook or in 3 serialised eBook-only parts. This is PART 3 of 3 (Chapters 17-27 of 27). You can read Part 3 on release of the full-length eBook and paperback. The eleventh memoir and latest title from the internationally bestselling author and foster carer Cathy Glass. This book tells the true story of Cathy’s adopted daughter Lucy. Lucy was born to a single mother who had been abused and neglected for most of her own childhood. Right from the beginning Lucy’s mother couldn’t cope, but it wasn’t until Lucy reached eight years old that she was finally taken into permanent foster care. By the time Lucy is brought to live with Cathy she is eleven years old and severely distressed after being moved from one foster home to another. Withdrawn, refusing to eat and three years behind in her schooling, it is thought that the damage Lucy has suffered is irreversible. But Cathy and her two children bond with Lucy quickly, and break through to Lucy in a way no-one else has been able to, finally showing her the loving home she never believed existed. Cathy and Lucy believe they were always destined to be mother and daughter – it just took them a little while to find each other.

“You have the luck of Croesus on stilts (as my Auntie Vi would have said) if you’ve had the sort of career, ups and downs, warts and all that I have in that wondrous little corner of show business called musical theatre.” One of the most successful and distinguished artists of our time, Andrew Lloyd Webber has reigned over the musical theatre world for nearly five decades. The winner of numerous awards, including multiple Tonys and an Oscar, Lloyd Webber has enchanted millions worldwide with his music and numerous hit shows, including Jesus Christ Superstar, Evita, Cats, The Phantom of the Opera―Broadway’s longest running show―and most recently, School of Rock. In Unmasked, written in his own inimitable, quirky voice, the revered, award-winning composer takes stock of his achievements, the twists of fate and circumstance which brought him both success and disappointment, and the passions that inspire and sustain him. The son of a music professor and a piano teacher, Lloyd Webber reveals his artistic influences, from his idols Rodgers and Hammerstein and the perfection of South Pacific’s ‘Some Enchanted Evening,’ to the pop and rock music of the 1960s and Puccini’s Tosca, to P. G. Wodehouse and T. S. Eliot. Lloyd Webber recalls his bohemian London youth, reminiscing about the happiest place of his childhood, his homemade Harrington Pavilion―a make-believe world of musical theatre in which he created his earliest entertainments. A record of several exciting and turbulent decades of British and American musical theatre and the transformation of popular music itself, Unmasked is ultimately a chronicle of artistic creation. Lloyd Webber looks back at the development of some of his most famous works and illuminates his collaborations with luminaries such as Tim Rice, Robert Stigwood, Harold Prince, Cameron Mackintosh, and Trevor Nunn. Taking us behind the scenes of his productions, Lloyd Webber reveals fascinating details about each show, including the rich cast of characters involved with making them, and the creative and logistical challenges and artistic political battles that ensued. Lloyd Webber shares his recollections of the works that have become cultural touchstones for generations of fans: writings songs for a school production that would become his first hit, Joseph and the Amazing Technicolor Dreamcoat; finding the coterie of performers for his classic rock opera Jesus Christ Superstar; developing his first mega-hit, Evita, which would win seven Tonys Awards, including Best Musical; staking his reputation and fortune on the groundbreaking Cats; and making history with the dazzling The Phantom of the Opera. Reflecting a life that included many passions (from architecture to Turkish Swimming Cats), full of witty and revealing anecdotes, and featuring cameo appearances by numerous celebrities―Elaine Paige, Sarah Brightman, David Frost, Julie Covington, Judi Dench, Richard Branson, A.R. Rahman, Mandy Patinkin, Patti LuPone, Richard Rodgers, Norman Jewison, Milos Forman, Plácido Domingo, Barbra Streisand, Michael Crawford, Gillian Lynne, Betty Buckley, and more―Unmasked at last reveals the true face of the extraordinary man beneath the storied legend.

What pushed Blunt, Burgess, Cairncross, Maclean and Philby into Soviet hands? With access to recently released papers and other neglected documents, this sharp analysis of the intelligence world examines how and why these men and others betrayed their country and what this cost Britain and its allies. Enemies Within is a new history of the influence of Moscow on Britain told through the stories of those who chose to spy for the Soviet Union. It also challenges entrenched assumptions about abused trust, corruption and Establishment cover-ups that began with the Cambridge Five and the disappearance of Guy Burgess and Donald Maclean on the night boat to Saint-Malo in 1951. In a book that is as intellectually thrilling as it is entertaining and illuminating, Richard Davenport-Hines traces the bonds between individuals, networks and organisations over generations to offer a study of character, both individual and institutional. At its core lie the operative traits of boarding schools, the universities of Oxford and Cambridge, the Intelligence Division, Foreign Office, MI5, MI6 and Moscow Centre. Davenport-Hines tells many stories of espionage, counter-espionage and treachery. With its vast cope, ambition and scholarship, Enemies Within charts how the undermining of authority, the rejection of expertise and the suspicion of educational advantages began, and how these have transformed the social and political temper of modern Britain.