We all know that higher education has changed dramatically over the past two decades. Historically a time of exploration and self-discovery, the college years have been narrowed toward an increasingly singular goal-career training-and college students these days forgo the big questions about who they are and how they can change the world and instead focus single-mindedly on their economic survival. In The Purposeful Graduate, Tim Clydesdale elucidates just what a tremendous loss this is, for our youth, our universities, and our future as a society. At the same time, he shows that it doesn't have to be this way: higher education can retain its higher cultural role, and students with a true sense of purpose-of personal, cultural, and intellectual value that cannot be measured by a wage-can be streaming out of every one of its institutions.The key, he argues, is simple: direct, systematic, and creative programs that engage undergraduates on the question of purpose. Backing up his argument with rich data from a Lilly Endowment grant that funded such programs on eighty-eight different campuses, he shows that thoughtful engagement of the notion of vocational calling by students, faculty, and staff can bring rich rewards for all those involved: greater intellectual development, more robust community involvement, and a more proactive approach to lifelong goals. Nearly every institution he examines-from internationally acclaimed research universities to small liberal arts colleges-is a success story, each designing and implementing its own program, that provides students with deep resources that help them to launch flourishing lives.Flying in the face of the pessimistic forecast of higher education's emaciated future, Clydesdale offers a profoundly rich alternative, one that can be achieved if we simply muster the courage to talk with students about who they are and what they are meant to do.

The ideas and terminology of Darwinism are so pervasive these days that it seems impossible to avoid them, let alone imagine a world without them. But in this remarkable rethinking of scientific history, Peter J. Bowler does just that. He asks:?What if Charles Darwin had not returned from the voyage of the Beagle and thus did not write On the Origin of SpeciesWould someone else, such as Alfred Russel Wallace, have published the selection theory and initiated a similar transformationOr would the absence of Darwin's book have led to a different sequence of events, in which biology developed along a track that did not precipitate a great debate about the impact of evolutionismWould there have been anything equivalent to social Darwinism, and if so would the alternatives have been less pernicious and misappropriated?In Darwin Deleted, Bowler argues that no one else, not even Wallace, was in a position to duplicate Darwin's complete theory of evolution by natural selection.?Evolutionary biology would almost certainly have emerged, but through alternative theories, which were frequently promoted by scientists, religious thinkers, and moralists who feared the implications of natural selection. Because non-Darwinian elements of evolutionism flourished for a time in the real world, it is possible to plausibly imagine how they might have developed, particularly if the theory of natural selection had not emerged until decades after the acceptance of the basic idea of evolution. Bowler's unique approach enables him to clearly explain the non-Darwinian tradition-and in doing so, he reveals how the reception of Darwinism was historically contingent. By taking Darwin out of the equation, Bowler is able to fully elucidate the ideas of other scientists, such as Richard Owen and Thomas Huxley, whose work has often been misunderstood because of their distinctive responses to Darwin.Darwin Deleted boldly offers a new vision of scientific history. It is one where the sequence of discovery and development would have been very different and would have led to an alternative understanding of the relationship between evolution, heredity, and the environment-and, most significantly, a less contentious relationship between science and religion. Far from mere speculation, this fascinating and compelling book forces us to reexamine the preconceptions that underlie many of the current controversies about the impact of evolutionism. It shows how contingent circumstances surrounding the publication of On the Origin of Species polarized attitudes in ways that still shape the conversation today.?

When Patrick Buchanan took the stage at the Republican National Convention in 1992 and proclaimed, "e;There is a religious war going on for the soul of our country,"e; his audience knew what he was talking about: the culture wars, which had raged throughout the previous decade and would continue until the century's end, pitting conservative and religious Americans against their liberal, secular fellow citizens. It was an era marked by polarization and posturing fueled by deep-rooted anger and insecurity.?Buchanan's fiery speech marked a high point in the culture wars, but as Andrew Hartman shows in this richly analytical history, their roots lay farther back, in the tumult of the 1960s-and their significance is much greater than generally assumed. Far more than a mere sideshow or shouting match, the culture wars, Hartman argues, were the very public face of America's struggle over the unprecedented social changes of the period, as the cluster of social norms that had long governed American life began to give way to a new openness to different ideas, identities, and articulations of what it meant to be an American. The hot-button issues like abortion, affirmative action, art, censorship, feminism, and homosexuality that dominated politics in the period were symptoms of the larger struggle, as conservative Americans slowly began to acknowledge-if initially through rejection-many fundamental transformations of American life.?As an ever-more partisan but also an ever-more diverse and accepting America continues to find its way in a changing world, A War for the Soul of America reminds us of how we got here, and what all the shouting has really been about.

As the heady promise of the 1960s sagged under the weight of widespread violence, rioting, and racial unrest, two young men--one black and one white--took to stages across the nation to help Americans confront their racial divide: by laughing at it.Tim and Tom tells the story of that pioneering duo, the first interracial comedy team in the history of show business--and the last. Tim Reid and Tom Dreesen polished their act in the nightclubs of Chicago, then took it on the road, not only in the North, but in the still-simmering South as well, developing routines that even today remain surprisingly frank--and remarkably funny--about race. Most nights, the shock of seeing an integrated comedy team quickly dissipated in uproarious laughter, but on some occasions the audience's confusion and discomfort led to racist heckling, threats, and even violence. Though Tim and Tom perpetually seemed on the verge of making it big throughout their five years together, they grudgingly came to realize that they were ahead of their time: America was not yet ready to laugh at its own failed promise.Eventually, the grind of the road took its toll, as bitter arguments led to an acrimonious breakup. But the underlying bond of friendship Reid and Dreesen had forged with each groundbreaking joke has endured for decades, while their solo careers delivered the success that had eluded them as a team. By turns revealing, shocking, and riotously funny, Tim and Tom unearths a largely forgotten chapter in the history of comedy.?

A work of striking originality bursting with unexpected insights, The Human Condition is in many respects more relevant now than when it first appeared in 1958. In her study of the state of modern humanity, Hannah Arendt considers humankind from the perspective of the actions of which it is capable. The problems Arendt identified then-diminishing human agency and political freedom, the paradox that as human powers increase through technological and humanistic inquiry, we are less equipped to control the consequences of our actions-continue to confront us today. This new edition, published to coincide with the fortieth anniversary of its original publication, contains an improved and expanded index and a new introduction by noted Arendt scholar Margaret Canovan which incisively analyzes the book's argument and examines its present relevance. A classic in political and social theory, The Human Condition is a work that has proved both timeless and perpetually timely.Hannah Arendt (1906-1975) was one of the leading social theorists in the United States. Her Lectures on Kant's Political Philosophy and Love and Saint Augustine are also published by the University of Chicago Press.

The quest to pinpoint the age of the Earth is nearly as old as humanity itself. For most of history, people trusted mythology or religion to provide the answer, even though nature abounds with clues to the past of the Earth and the stars. In A Natural History of Time, geophysicist Pascal Richet tells the fascinating story of how scientists and philosophers examined those clues and from them built a chronological scale that has made it possible to reconstruct the history of nature itself.Richet begins his story with mythological traditions, which were heavily influenced by the seasons and almost uniformly viewed time cyclically. The linear history promulgated by Judaism, with its story of creation, was an exception, and it was that tradition that drove early Christian attempts to date the Earth. For instance, in 169 CE, the bishop of Antioch, for instance declared that the world had been in existence for quote;5,698 years and the odd months and days quote;Until the mid-eighteenth century, such natural timescales derived from biblical chronologies prevailed, but, Richet demonstrates, with the Scientific Revolution geological and astronomical evidence for much longer timescales began to accumulate. Fossils and the developing science of geology provided compelling evidence for periods of millions and millions of years-a scale that even scientists had difficulty grasping. By the end of the twentieth century, new tools such as radiometric dating had demonstrated that the solar system is four and a half billion years old, and the universe itself about twice that, though controversial questions remain.The quest for time is a story of ingenuity and determination, and like a geologist, Pascal Richet carefully peels back the strata of that history, giving us a chance to marvel at each layer and truly appreciate how far our knowledge-and our planet-have come.

from "e;Ozone Journal"e;?Bach's cantata in B-flat minor in the cassette,we lounged under the greenhouse-sky, the UVBs hackingat the acids and oxides and then I could hear the difference?between an oboe and a bassoonat the river's edge under cover-trees breathed in our respiration;?there was something on the other side of the river,something both of us were itching toward-?radical bonds were broken, history became science.We were never the same.?The title poem of Peter Balakian's Ozone Journal is a sequence of fifty-four short sections, each a poem in itself, recounting the speaker's memory of excavating the bones of Armenian genocide victims in the Syrian desert with a crew of television journalists in 2009. These memories spark others-the dissolution of his marriage, his life as a young single parent in Manhattan in the nineties, visits and conversations with a cousin dying of AIDS-creating a montage that has the feel of history as lived experience. Bookending this sequence are shorter lyrics that span times and locations, from Nairobi to the Native American villages of New Mexico. In the dynamic, sensual language of these poems, we are reminded that the history of atrocity, trauma, and forgetting is both global and ancient; but we are reminded, too, of the beauty and richness of culture and the resilience of love.

Winner of the 2012 National Book Award for Poetry.To read David Ferry's Bewilderment is to be reminded that poetry of the highest order can be made by the subtlest of means. The passionate nature and originality of Ferry's prosodic daring works astonishing transformations that take your breath away. In poem after poem, his diction modulates beautifully between plainspoken high eloquence and colloquial vigor, making his distinctive speech one of the most interesting and ravishing achievements of the past half century. Ferry has fully realized both the potential for vocal expressiveness in his phrasing and the way his phrasing plays against-and with-his genius for metrical variation. His vocal phrasing thus becomes an amazingly flexible instrument of psychological and spiritual inquiry. Most poets write inside a very narrow range of experience and feeling, whether in free or metered verse. But Ferry's use of meter tends to enhance the colloquial nature of his writing, while giving him access to an immense variety of feeling. Sometimes that feeling is so powerful it's like witnessing a volcanologist taking measurements in the midst of an eruption.?Ferry's translations, meanwhile, are amazingly acclimated English poems. Once his voice takes hold of them they are as bred in the bone as all his other work. And the translations in this book are vitally related to the original poems around them.?From Bewilderment:OctoberThe day was hot, and entirely breathless, soThe remarkably quiet remarkably steady leaf fallSeemed as if it had no cause at all.The ticking sound of falling leaves was likeThe ticking sound of gentle rainfall asThey gently fell on leaves already fallen,Or as, when as they passed them in their falling,Now and again it happened that one of them touchedOne or another leaf as yet not falling,Still clinging to the idea of being summer:As if the leaves that were falling, but not the day,Had read, and understood, the calendar.

"e;I believe in rules. Sure I do. If there weren't any rules, how could you break them?"e;The history of baseball is rife with colorful characters. But for sheer cantankerousness, fighting moxie, and will to win, very few have come close to Leo "e;the Lip"e; Durocher. Following a five-decade career as a player and manager for baseball's most storied franchises, Durocher teamed up with veteran sportswriter Ed Linn to tell the story of his life in the game. The resulting book, Nice Guys Finish Last, is baseball at its best, brimming with personality and full of all the fights and feuds, triumphs and tricks that made Durocher such a success-and an outsized celebrity.Durocher began his career inauspiciously, riding the bench for the powerhouse 1928 Yankees and hitting so poorly that Babe Ruth nicknamed him "e;the All-American Out."e; But soon Durocher hit his stride: traded to St. Louis, he found his headlong play and never-say-die attitude a perfect fit with the rambunctious "e;Gashouse Gang"e; Cardinals. In 1939, he was named player-manager of the Brooklyn Dodgers-and almost instantly transformed the underachieving Bums into perennial contenders. He went on to manage the New York Giants, sharing the glory of one of the most famous moments in baseball history, Bobby Thomson's "e;shot heard 'round the world,"e; which won the Giants the 1951 pennant. Durocher would later learn how it felt to be on the other side of such an unforgettable moment, as his 1969 Cubs, after holding first place for 105 days, blew a seemingly insurmountable 8-1/2-game lead to the Miracle Mets.All the while, Durocher made as much noise off the field as on it. His perpetual feuds with players, owners, and league officials-not to mention his public associations with gamblers, riffraff, and Hollywood stars like George Raft and Larraine Day-kept his name in the headlines and spread his fame far beyond the confines of the diamond.A no-holds-barred account of a singular figure, Nice Guys Finish Last brings the personalities and play-by-play of baseball's greatest era to vivid life, earning a place on every baseball fan's bookshelf.

Anna Benz aminte?te de Karenina, combin?nd ?n plus senzualitatea periculoas? din 50 de umbre ale lui Grey ?i disperarea Doamnei Bovary.Anna Benz, o americanc? ?n v?rst? de aproape 40 de ani, locuie?te cu so?ul s?u elve?ian, Bruno – care este bancher – ?i cei trei copii mici ai lor ?ntr-un or??el lini?tit de l?ng? Zürich. De?i duce o via?? prosper? ?i a?ezat?, Anna simte c? e ?n pragul unui colaps mental. ?n deriv? ?i incapabil? s? comunice cu so?ul ei ?i s?-?i ?n?eleag? propriile g?nduri ?i sentimente, Anna ?ncearc? s?-?i reg?seasc? entuziasmul cu ajutorul unor experien?e noi: cursuri de german?, analiz? jungian? ?i o serie de aventuri sexuale ?n care intr? cu o non?alan?? ce o uime?te p?n? ?i pe ea.Dar situa?ia devine tot mai ap?s?toare ?i v?rtejul de minciuni ?i scap? de sub control.Pentru c? a trecut dincolo de limitele moralei, Anna va descoperi c? nu mai exist? ?ntoarcere.“Un roman de debut despre Anna, o casnic? plictisit? care, asemenea eroinei cu acela?i nume din romanul lui Tolstoi, se arunc? ?ntr-o aventur? psihologic? ?i sexual? a autocunoa?terii.“ - The Oprah MaMagazine“Senzual ?i profund, acest roman extraordinar de bine scris dezv?luie sufletul sf??iat al unei femei.“ - People“Cartea lui Essbaum e construit? impecabil, meticulos, iar alternan?a trecut-prezent e redat? cu mare virtuozitate.“ - Chicago Tribune“?n copil?rie visam s? ajung o romancier? faimoas?. Scriam pove?ti care erau minunate, a?a cum sunt inven?iile copil?riei, dar sunau ?ngrozitor. Mai t?rziu mi-am dat seama c? m? pricep la jocul poeziei, apoi versurile au devenit paragrafe…“ - Jill Alexanander Essbaum

Proiecte de c?s?torie menite s? cimenteze vechi alian?e; jocuri la burs? riscante ?i amenin?area cu falimentul unui personaj bine v?zut ?n cercurile financiare; dezv?luirea unui infanticid pe care protagoni?tii ?l credeau definitiv uitat; apari?ia ?n scen? a unui t?n?r nobil foarte bogat, dar cu ciudate sc?p?ri ?n ce prive?te manierele. Contele de Monte-Cristo este implicat ?n toate aceste evenimente, ac?ion?nd conform planului s?u bine pus la punct. Oare ?tie ?i cine este asasinul care folose?te cu at?ta ?ndem?nare otrava, sem?n?nd moartea chiar ?n familia unui om al legii?

Roman de suspans ?i psihologic sofisticat ?i, ?n acela?i timp, medita?ie sf??ietor de onest? asupra memoriei, identit??ii ?i ?mb?tr?nirii, Elizabeth a disp?rut spune povestea lui Maud, o femeie ?n v?rst? care se lupt? cu ravagiile demen?ei senile ?i care ?ncepe o c?utare disperat? pentru a-?i g?si cea mai bun? prieten?, Elizabeth, despre care crede c? a disp?rut. Demersul ei ?n c?utarea adev?rului o va purta ?napoi zeci de ani ?i va avea consecin?e cutremur?toare. Nimeni nu o crede ?ns? pe Maud – nici fiica ei, Helen, nici ?ngrijitoarele ei, nici poli?ia, nici, mai ales, temperamentalul fiu al lui Elizabeth, Peter. ?narmat? cu noti?e scrise de m?n? pe care ?i le las? singur? ?i cu un sentiment cople?itor c? Elizabeth are nevoie de ajutorul ei, Maud este hot?r?t? s? descopere adev?rul ?i s?-?i salveze prietena iubit?. Dar indiciile pe care le descoper? par s? o conduc? tot mai departe ?n propriu-i trecut, la o alt? dispari?ie r?mas? nerezolvat? – cea a surorii ei, Sukey, survenit? la scurt timp dup? al Doilea R?zboi Mondial. ?n timp ce amintirile vii ale tragediei care a avut loc cu mai mult de cincizeci de ani ?n urm? o cople?esc, Maud g?se?te o nou? motiva?ie ?n c?utarea ei. Ar putea misterul dispari?iei lui Sukey s? fie cheia pentru a o g?si pe Elizabeth?

Angels! Demons! Love! Snark! The first three books of the best-selling series are now in one ebook collection with extended editions...ANGELBOUND?(Book 1) - Extended Wedding Edition!Myla Lewis is a girl who loves two things: kicking ass and kicking ass. She’s not your every day quasi-demon, part-demon and part-human, girl. Myla lives for the days she gets to fight in Purgatory’s Arena. That is, until she meets Prince Lincoln, a super-sexy half-human and half-angel demon hunter. But what’s a quasi-demon girl to do when she falls for a royal demon killer? With a love with fighting for, Myla’s about to shake up the after-realms.SCALA?(Book 2)?- Extended Edition!Myla Lewis has a whole lot of trouble. A magical object called Lucifer’s Orb is threatening millions of souls, and it’s Myla’s job to make it go away. Plus, an old enemy is plotting to separate Myla from her Angelbound love, Prince Lincoln. But Myla and Lincoln are fighting back. Can they stop the Orb, save Purgatory’s souls, and stay together… Or will both the after-realms and their relationship be destroyed?ACCA?(Book 3)In just one week, supernatural warrior Myla Lewis must discover enough evidence to send the evil House of Acca to prison … or she’ll end up in jail herself, along with her fiancé. Time to kick some ass.“I’m virtually speechless when it comes to these novels. I have not found an author that I adore the writing style of this much since Jennifer L. Armentrout. The world that Bauer creates is amazing.”?-?Brittany's Book Reviews Angelbound OriginsIn which Myla Lewis kicks ass and takes names1. Angelbound2. Scala3. Acca4. Thrax5. The Dark Lands6. The Brutal Time7. Armageddon8. Quasi Redux?(future)Angelbound OffspringThe next generation takes on Heaven, Hell, and everything in between1. Maxon2. Portia3. Zinnia4. Rhodes5. Kaps?(Summer 2020)6. Huntress?(Summer 2021)Angelbound LincolnStories from the point of view of Mister The Prince1. Duty Bound2. Lincoln3. Trickster?4. BaculumAlso From Christina Bauer- Fairy Tales of the Magicorum, a series of modern fairy tales with sass, action, and romance- Beholder,?where a medieval farm girl discovers necromancy and true love- Dimension Drift,?a dystopian adventure with science, snark, and hot aliens- Pixieland Diaries,?which tells the story of sassy pixie Calla and 'her' elf prince, Dare

The MX Book of New Sherlock Holmes Stories - Part V: Christmas Adventures features contributions by: Bob Byrne, Derrick Belanger, Amy Thomas, David Marcum, Denis O. Smith, C.H. Dye, Marcia Wilson, Julie McKuras, Sir Arthur Conan Doyle, Bert Coules, John Hall, Jim French, S.F. Bennett, Narrelle M. Harris, William Patrick Maynard, Vincent W. Wright, James Lovegrove, Arthur Hall, Nicholas Utechin, Mike Chinn, Tracy J. Revels, Roger Riccard, Wendy C. Fries, Paul D. Gilbert, Jan Edwards, Molly Carr, S. Subramanian, Peter K. Andersson, Matthew J. Elliott, Hugh Ashton, and Mark Mower, with a poem by Ashley D. Polasek and forewords by Jonathan Kellerman, Roger Johnson, Steve Emecz, Melissa Farnham, and David Marcum.

The New Labour project was not conjured up out of thin air - it only looks that way because of the party's amnesia about the intellectual roots and political traditions which have guided it. This book provides extracts from fifteen thinkers and politicians located within the revisionist tradition as an antidote to that amnesia. It is an 'all star cast' from R.H. Tawney, Hugh Gaitskell and Anthony Crosland to Roy Hattersley, Gordon Brown and Tony Blair. The collection demonstrates that Labour's revisionism is not a rigid body of doctrine but a 'cast of mind' that distinguishes between core values (ends) and policy instruments (means) - revisionist thinkers are engaged in the continuous pursuit of policy innovation, never shrinking from abandoning policies that fail to achieve the desired ends. All successful Labour governments have been determined to avoid the confusion of means and ends. These essays show a determination throughout the party's history to debate and discuss political ideas in the cause of a fairer, more equal society. Fully updated and revised edition.

This book presents Giovanni Gentile's actual idealism as a radical constructivist doctrine for use in moral theory. The first half describes the moral theory that Gentile explicitly identifies with actual idealism, according to which all thinking, rather than an exclusive domain of 'practical reason', has a moral character. It is argued that after Gentile's turn to Fascism in the early 1920s, this theory is increasingly conflated with his political doctrine. This entails several major changes that cannot be squared with the underlying metaphysics. The second half of the book develops a more plausible account of Gentilean moral constructivism based on the pre-Fascist idea of reasoning as an internal dialogue. Comparisons and contrasts are drawn with contemporary constructivist doctrines, as well as theories employing dialogical conceptions of reason. The internal dialogue is presented as a device enabling the thinking subject to make objective judgments about real-world problems despite the impossibility of her occupying a fully objective standpoint. Thus actual idealist moral theory is offered as an example of constructivism at its most radical, inviting advocates of less radical varieties to reassess the foundations on which their theories are built.

The chapters in this volume attempt to establish some foundational principles of a theory of the mind/brain grounded in evolutionary and process theory. From this standpoint, the book discusses some main problems in philosophical psychology, including the nature and origins of the mind/brain state, experience and consciousness, feeling, subjective time and free will. The approach - that of microgenesis - holds that formative phases in the generation of the mental state are the primary focus of explanation, not the assumed properties of logical solids. For microgenesis, the process leading to a conscious end point is, together with the final content, part of an epochal state, the outcome of which, an act, object or word, incorporates earlier segments of that series, such as value, meaning and belief.

Liberal education used to command wide political support. Radicals disagreed with conservatives on whether the best culture could be appreciated by everyone, and they disagreed, too, on whether the barriers to understanding it were mainly social and economic, but there was no dispute that any worthwhile education ought to hand on the best that has been thought and said. That consensus has vanished since the 1960s. The book examines why social radicals supported liberal education, why they have moved away from it, and what the implications are for the future of an intellectually stimulating and culturally literate education.

Draw Across the Curriculum is a collection of 50 photocopiable art worksheets, designed to provide a handy cross-curricular drawing resource for the busy primary classroom teacher. Perfect for getting pupils to put pencil to paper, this collection of artsheets is brimming with humorous designs to copy and patterns to make.

This volume addresses the question of what it is like to be depressed. Despite the vast amount of research that has been conducted into the causes and treatment of depression, the experience of depression remains poorly understood. Indeed, many depression memoirs state that the experience is impossible for others to understand. However, it is at least clear that changes in emotion, mood, and bodily feeling are central to all forms of depression, and these are the book's principal focus. In recent years, there has been a great deal of valuable philosophical and interdisciplinary research on the emotions, complemented by new developments in philosophy of psychiatry and scientifically-informed phenomenology. The book draws on all these areas, in order to offer a range of novel insights into the nature of depression experiences. To do so, it brings together a distinguished group of philosophers, psychiatrists, anthropologists, clinical psychologists and neuroscientists, all of whom have made important contributions to current research on emotion and/or psychiatric illness.

Illusionism is the view that phenomenal consciousness (in the philosophers' sense) is an illusion. This book is a reprint of a special issue of the Journal of Consciousness Studies devoted to this topic. It takes the form of a target paper by the editor, followed by commentaries from various thinkers, including leading defenders of the theory such as Daniel Dennett, Nicholas Humphrey, Derk Pereboom and Georges Rey. A number of disciplines are represented and different viewpoints are discussed and defended. The colleciton is tied together with a response to the commentaries from the editor.