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Renoir
￥40.79
皮埃尔-奥古斯特·雷诺阿生活和呼吸着的是一种新的艺术风格，对他来说，次印象派画展意义重大，他的画作得到艺术家们的肯定。1873年他搬到了蒙马特并在那里度过了一生，在那里有他需要的“外光”题材，他的模特，以及他的家人。在夏季，雷诺阿大量的室外画作是和莫奈一起完成，有时还有爱德华·马奈。在1877年，在第三次印象派画展，雷诺阿展示了超过二十余幅画作，并且在1880年后，他取得了“持续性的成功”。他受雇于富有的金融家，画作在伦敦和布鲁塞尔，以及1886年在法国乔治·帕蒂举办的第七届国际展览会上展出。
Monet
￥40.79
对于克劳德·莫奈，“印象派大师”的称号始终是他自豪的源泉，他始终是一名坚定的印象主义者直到生命终结，或许因为只坚持印象艺术的创作，放弃了很多机会但是他有惊人的天赋作支撑。他只创作风景画，并且他达到了同时代人无可以超越的完美程度。当一个记者问他的画室在哪，他回答道：“我的画室！我从来没有画室，我不明白为什么要把一个人关在屋子里。绘画，是的。涂色，不 。”然后，他指向塞纳河，指向山丘，指着小镇的剪影，他宣称：“这里就是我的画室。”莫奈的一个朋友，作家奥克塔夫·米尔博写到，他完成了一个奇迹，在画布上重新创造出了几乎不可能被捕获的景象：他用无数的倒影把阳光重塑。
Hokusai
￥114.37
毫无疑问，葛饰北斋是十九世纪中期以来负盛名的日本艺术家，他的作品在西方世界广为人知。葛饰北斋的作品是对于一种被孤立的文明的艺术表达和反应，极大影响了诸如梵高之类的欧洲印象派和后印象派画家；这也使得葛饰北斋成为了跻身欧洲艺术界个日本艺术家。葛饰北斋是位日本浮世绘的大师，他的作品丰富多样、意蕴重大，创作年限长达九十年，其气势恢宏和类型缤纷的特点在本书中展现得淋漓尽致。
Art in Europe
￥114.37
The European continent gathers together, without a doubt, the most famous works of art, evidence of the history of Western art. The cultural capitals and their emblematic museums contain paintings, sculptures, or rather works of art, devised by the great artists, representative of European culture. From Madrid to London, passing through Prague, the major works of the old continent are presented here. Thanks to detailed information about the museums and their collections, you, too, can explore and discover Europe’s fascinating cultural heritage.
1000 Paintings of Genius
￥114.37
从早期文艺复兴到巴洛克，再到浪漫主义、立体主义、超现实主义和流行绘画，这些标准的方艺术跨越了八个世纪，探索了众多的主题。在这里，有神圣的和诽谤的，有抽象的和丰富的，也有开天辟地的和因循守旧的。这些绘画作品抓住了时代的脉搏，吹响了新时代的号角。有的艺术作品一经问世便获得认可，还有一些则被拒之门外。 无论艺术的概念如何改变，无论艺术究竟在多大程度上照射现实，也无论艺术能如何改变现实，所有的这些作品都经历了时间的考验，并以独特的方式宣示着其伟大之处。总而言之，这些伟大的作品照亮了我们的先人变换的聚焦点和视线，也让我们停下来思考我们时代的哪些作品能够终成为标准。
1000 Drawings of Genius
￥114.37
Long thought of as the neglected stepchild of painting, the art of drawing has recently begun to enjoy a place in the sun. With major museums around the world, from the Met to the Uffizi, mounting exhibitions focused on the art of draughtsmanship, drawing is receiving more critical and academic attention than ever before. This captivating text gives readers a sweeping analysis of the history of drawing, from Renaissance greats like Leonardo da Vinci and Michelangelo, to Modernist masters like M.C. Escher, Pablo Picasso, and everyone in between.
1000 Masterpieces of Decorative Art
￥114.37
From ancient Sumerian pottery to Tiffany stained glass, decorative art has been a fundamental part of the human experience for generations. While fine art is confined to galleries and museums, decorative art is the art of the every day, combining beauty with functionality in objects ranging from the prosaic to the fantastical. In this work, Albert Jacquemart celebrates the beauty and artistic potential behind even the most quotidian object. Readers will walk away from this text with a newfound appreciation for the subtle artistry of the manufactured world.
Little Girls
￥61.23
Ever since the ancient greeks sculpted the first kouros, children have been a source of inspiration for some of the world’s greatest artists. Whether portraits of their own children, friends, and family members, or a nostalgic psychological portrayal of the artist’s own youth, depictions of children in art remain arresting examples of an intersection between the picturesque innocence of childhood and the methodical work of adult artistry. In this delightful new puzzle book, children get a chance to see little boys and girls just like them as portrayed by great artists, learning about how children grew up throughout history while experiencing a genuine connection with works of artistic genius.
Top 5 Masterpieces vol 2
￥61.23
Ever since the ancient greeks sculpted the first kouros, children have been a source of inspiration for some of the world’s greatest artists. Whether portraits of their own children, friends, and family members, or a nostalgic psychological portrayal of the artist’s own youth, depictions of children in art remain arresting examples of an intersection between the picturesque innocence of childhood and the methodical work of adult artistry. In this delightful new puzzle book, children get a chance to see little boys and girls just like them as portrayed by great artists, learning about how children grew up throughout history while experiencing a genuine connection with works of artistic genius.
Persian Miniatures
￥61.23
文森特·梵高（1853-1890）是传奇，是被诅咒的艺术家神话的化身，是当代艺术的楷模。作为后印象派运动中表现主义画家，他的艺术在他生前备受误解。在荷兰，他研习农民的人物形象，参与了荷兰现实主义绘画运动。梵高一生忧心忡忡，丧心丧意，创作了超过两千幅艺术作品，但只在生前卖出去了一幅。梵高是一位自力更生的画家，他的作品因为粗犷而富含感情之美而闻名于世，是当今艺术市场上为有名的作品之一。
Caravaggio
￥61.23
直到二十世纪中期，长期以来备受争议的意大利画家卡拉瓦乔（Caravaggio,1571-1610）才重新被发现。作为现实主义的倡导者，这位反宗教改革的艺术家挑战陈习旧规，回归圣人形象的人性感。这位神秘的画家赋予了圣人纵欲之情，远远超出了通常的圣人崇拜，为模糊的色情打开了一扇门，这也导致了教廷的愤怒。这位影子画家矛盾而强烈地阐释了他堕落的生活方式和放荡的道德准绳。他所创造的明暗处理技巧，在艺术史上留下了血腥的印象。
Beauty of the Beast
￥61.23
一直以来，艺术家都与动物世界保持着紧密的关系，这样常常是他们灵感的无穷无尽的资源。首先，他们直接从环境中获得灵感。动物是人类的朋友，是亲密的家庭生活的象征，也是天马行空的想象力的起点，因此在艺术中频频出现，特别是在文艺复兴时期备受推崇。在之后的东方主义中，异国动物群出现在动物艺术中，吸引了当代艺术家的目光。动物及其野性的美通过阿尔布雷特·丢勒（Albrecht Durer）、布勒哲尔（Pieter Brueghel）、莱昂纳多·达·芬奇（Leonard da Vinci）、欧仁·德拉克洛瓦（Eugene Delacroix）、亨利·卢梭 （Henri Rousseau）和保罗·克利（Paul Klee）的作品在本书中体现得淋漓尽致。
Van Gogh
￥40.79
来吧，来翻来书页欣赏优美的画作，来探索后印象主义的创造性天才——文森特·梵高（Vincent van Gogh）。生动活泼的色彩，异想天开的画笔，这些画作让我们能够洞察梵高波动的内心世界。这本Mega Square的小册子带你领略这位成就非凡的画家。
Bosch
￥40.79
在电子游戏发明之前，希罗尼穆斯波希（Hieronymus Bosch）的笔下就已经创作出了恐怖但丑萌的怪物，还带有一点小幽默。他的作品是自信的宣言，有力地挑战了背叛基督教教义之人的精神恐慌。波希生于1450年，死于1516年，他的出生之时正值文艺复兴的高潮时期，也见证了这一时期的宗教战争。中世纪传统和价值观轰然倒塌，为新世纪的到来开辟了道路。在这样的新世纪里，信念失去了力量和魔力。 ?波希开始警告那些不信教者和对上帝丧失了信仰的人——等待是危险的。波希相信所有人必须要有自己的道德选择，他关注地狱、天堂和欲望的主题，才华横溢地挖掘了水果和植物的象征意义，让他的意向充满了强烈的性欲色彩。这本独特的选集展示了波希为引人入胜的作品，小巧的形式也让它成为了一份完美的礼物。
Goya
￥40.79
Goya is perhaps the most approachable of painters. His art, like his life, is an open book. He concealed nothing from his contemporaries, and offered his art to them with the same frankness. The entrance to his world is not barricaded with technical difficulties. He proved that if a man has the capacity to live and multiply his experiences, to fight and work, he can produce great art without classical decorum and traditional respectability. He was born in 1746, in Fuendetodos, a small mountain village of a hundred inhabitants. As a child he worked in the fields with his two brothers and his sister until his talent for drawing put an end to his misery. At fourteen, supported by a wealthy patron, he went to Saragossa to study with a court painter and later, when he was nineteen, on to Madrid. Up to his thirty-seventh year, if we leave out of account the tapestry cartoons of unheralded decorative quality and five small pictures, Goya painted nothing of any significance, but once in contro
Diego Rivera
￥122.54
弗里达卡罗（Frida Kahlo）与迭戈里维拉（Diego Rivera）在1928年相识，当年弗里达才21岁，而迭戈42岁。当时迭戈已经是举世闻名的画家，而弗里达还在努力中。 这对备受折磨的组合——特别是对于弗里达来说，在痛苦和磨难中催生了大量艺术创作。弗里达时常处于丈夫的阴影下，忍受着他的不忠和她的妒忌，将所有的痛苦倾注在了画布上，逐渐吸引了公众的目光。在美洲和欧洲两块大陆上，坚定的艺术家宣告着自由的自白书，留下了卓越绝伦的才华。 在这本书中，作者Gerry Souter不仅为我们带来了艺术家的传记，也热情地凸显了这两位二十世纪伟大的墨西哥艺术家之间的联系。
Cézanne
￥40.79
让我们去发现保罗·塞尚（Paul Cezanne）的作品，他对于技巧和形式的探讨定义了绘画的后印象主义运动，也为立体主义的出现搭建了艺术的舞台。他大胆地运用亮丽的色彩，影响了之后好几代艺术家，也让今天的我们感到惊喜和愉悦。这本Mega Square收录了大量这位重要的法国画家的作品——当然，对于任何一位艺术粉丝来说，都是一份至上的礼物。
Picasso
￥40.79
Picasso was born a Spaniard and, so they say, began to draw before he could speak. As an infant he was instinctively attracted to artist’s tools. In early childhood he could spend hours in happy concentration drawing spirals with a sense and meaning known only to himself. At other times, shunning children’s games, he traced his first pictures in the sand. This early self-expression held out promise of a rare gift. Málaga must be mentioned, for it was there, on 25 October 1881, that Pablo Ruiz Picasso was born and it was there that he spent the first ten years of his life. Picasso’s father was a painter and professor at the School of Fine Arts and Crafts. Picasso learnt from him the basics of formal academic art training. Then he studied at the Academy of Arts in Madrid but never finished his degree. Picasso, who was not yet eighteen, had reached the point of his greatest rebelliousness; he repudiated academia’s anemic aesthetics along with realism’s pedestrian prose and, quite naturall
Rembrandt
￥40.79
Rembrandt is completely mysterious in his spirit, his character, his life, his work and his method of painting. What we can divine of his essential nature comes through his painting and the trivial or tragic incidents of his unfortunate life; his penchant for ostentatious living forced him to declare bankruptcy. His misfortunes are not entirely explicable, and his oeuvre reflects disturbing notions and contradictory impulses emerging from the depths of his being, like the light and shade of his pictures. In spite of this, nothing perhaps in the history of art gives a more profound impression of unity than his paintings, composed though they are of such different elements, full of complex significations. One feels as if his intellect, that genial, great, free mind, bold and ignorant of all servitude and which led him to the loftiest meditations and the most sublime reveries, derived from the same source as his emotions. From this comes the tragic element he imprinted on everything he pa
Gustav Klimt
￥110.28
“I am not interested in myself as a subject for painting, but in others, particularly women…”Beautiful, sensuous and above all erotic, Gustav Klimt’s paintings speak of a world of opulence and leisure, which seems aeons away from the harsh, post-modern environment we live in now. The subjects he treats – allegories, portraits, landscapes and erotic figures – contain virtually no reference to external events, but strive rather to create a world where beauty, above everything else, is dominant. His use of colour and pattern was profoundly influenced by the art of Japan, ancient Egypt, and Byzantium. Ravenne, the flat, two-dimensional perspective of his paintings, and the frequently stylised quality of his images form an oeuvre imbued with a profound sensuality and one where the figure of woman, above all, reigns supreme. Klimt’s very first works brought him success at an unusually young age. Gustav, born in 1862, obtained a state grant to study at Kunstgewerbeschule (the Vienna School of
The Pre-Raphaelites
￥110.28
在维多利亚时代，工业革命席卷了英格兰。诸如威廉·莫里斯（William Morris）的拉斐尔前派艺术家们以及工艺美术运动激发了回到传统价值观的灵感。带着重新树立意大利文艺复兴的纯正和高贵形式的愿望，包括约翰·艾佛雷特·米莱（John Everett Millais）、但丁·加百列·罗塞蒂 （Dante Gabriel Rossetti）、爱德华·伯恩·琼斯（Edward Burne-Jones）的艺术家们更加偏爱现实主义和圣经主题。这本著作以翔实的内容和丰富的阐释，热情洋溢地描述了这场激发了象征主义和新艺术主义的运动。
