New York Times bestselling author William Lashner returns with a brilliantly twisty tale that probes the dark side of the law -- and man Unlike the rest of you, I cheerfully admit to my own utter selfishness. I am self-made, self-absorbed, self-serving, self-referential, even self-deprecating, in a charming sort of way. In short, I am all the selfs except selfless. Yet every so often, I run across a force of nature that shakes my sublime self-centeredness to its very roots. Something that tears through the landscape like a tornado, leaving nothing but ruin and reexamination in its wake. Something like Bob. --Victor Carl A beautiful young woman is dead, her husband convicted of the murder. In seeking a new trial for the husband, defense attorney Victor Carl must confront not only a determined prosecutor and a police detective who might have set up his client, but also a strange little busybody named Bob. Bob has the aspiration, one could even say compulsion, to help those around him. And it usually works out well for all concerned, except when it ends in blood. But Victor doesn’t know that . . . yet. Thanks to Bob, Victor is suddenly dressing better, dating a stunning woman, and both his economic prospects and his teeth are gleaming. It’s all good, until Victor finds a troubling connection between Bob and the murdered wife. Is Bob a kind of saint or is this obsessive Good Samaritan, in reality, a murdererFilled with the keen wit, deep poignancy, twisting suspense, and dark realism that has entranced readers, impressed reviewers, and made William Lashner’s previous novels bestsellers, Falls the Shadow is a riveting novel sure to leave readers eager for more.

"Lust will make a fool of any man, but it is only love that can truly ruin him." So says Victor Carl, the ethically adventurous Philadelphia lawyer who usually ends up doing the right thing, but, as his law partner says, often for all the wrong reasons. Late one night Victor gets a panicked phone call from an old law school classmate. Guy Forrest claims he has just found the body of his fiancée lying murdered in the house they shared. The victim is Hailey Prouix, for whose love Guy had abandoned his children, his job, his wife, his life. Hailey had mesmerized every man she ever met -- including, unbeknownst to Guy, Victor Carl. Convinced that Guy is Hailey's killer, Victor agrees to represent him, all the while secretly vowing to see justice done, whatever the cost. The plan would have to be dirty, base, vile, the plan would have to exhibit a complete lack of moral fiber in the soul of the deranged maniac who dreamed it up. I was just the man for the job. But when Victor's certainty begins to crack, he embarks on a quest that will take him from Philadelphia to Las Vegas to the valleys of West Virginia and back again. He digs further and further into Hailey Prouix's past and discovers that nothing is as simple as it had seemed, especially the woman he thought he loved. Who was Hailey ProuixBehind the answer lurks a killer. As Guy's murder trial heads toward its shattering conclusion, Victor must find the brutal truth before the mechanism of retribution he himself has set into motion falls like a hatchet, smack on his client's head.

In the night-still canyons of the Arizona desert, a girl is on the run. Alone but for her beloved red-tailed hawk, she flees from the dark shadows of her young life, the horror she has witnessed…and the terror that now stalks her.New York Times bestselling author J.A. Jance returns with her eighth novel in the highly acclaimed Joanna Brady mystery series. Set against the backdrop of the modern west, this gripping tale finds Sheriff Brady juggling a precarious overload in both her personal and professional lives. About to be married, Joanna's facing a daughter turning twelve and going on twenty, a meddlesome mother micro-managing her wedding, and new in-laws arriving any day. The sudden death of her much-loved neighbor and handyman, Clayton Rhodes, creates further turmoil, leaving Joanna shocked, saddened, and the target of Clayton's irate and irrational daughter, who accuses the Sheriff's Department of covering up a possible murder.But amidst the uproar, the report of a homicide at Cochise Stronghold in the Dragoon Mountains quickly captures Joanna's full attention. An Indian woman has been found shot to death--a woman recently released from prision after serving time for the manslaughter killing of her husband. She is the mother of a missing fifteen-year-old, Lucy Ridder.The death at first appears to be a case of domestic rage finally exploding'and a troubled teen runaway may be a victim, or a cold-blooded killer. Yet as Joanna deals with the long-standing troubles of Clayton Rhodes' family and digs deeper into the mysterious life of Lucy and her family, she discovers that investigating family hostilities is leading her down a twisted trail of hatred, greed, and far-reaching consequences--and into a dangerous world where violence is the first response and long buried secrets are a reason to kill…or die.Once again, J.A. Jance delivers a gritty, deftly written thriller that unfolds on a vivid landscape of raw beauty and unrelenting danger. And, as always, Sheriff Joanna Brady brings the setting to life with the sensitivity, spirit, and intense passion for justice that makes Jance novels ring with authenticity.

Someone,or something,is rippingthe hearts from living men.Justinian, Lord Sterling, has lived for centuries, serving an ancient entity known only as the Dragon. Immortality is Justin's reward. But to keep it, he must keep killing. Lt. Sandra McCormick is a dedicated cop, a loner whose job is her refuge from a twisted past. But to keep it, she must stop the killing.Two loners, each stalking the other. Each destined to be the other's savior--and downfall. For love, unexpected, unstoppable, draws them together. And love is the one vice the Dragon will not allow . . .

Jonathan Santlofer once again combines his extraordinary talents as both a writer and an artist in this second chilling thriller featuring NYPD forensic sketch artist Nate Rodriguez. Though plagued by the death of his father years ago, Rodriguez has little time to dwell on the past. A rash of seemingly unrelated murders holds New York City in a gridlock of terror, and with his reputation for having a sixth sense—an uncanny ability to draw things he hasn't even seen—Rodriguez lands a spot on the task force investigating the crimes. But with his mind's eye clouded, he's forced to search for an answer the old-fashioned way: by hitting the streets.Rodriguez begins to suspect a common thread between the victims, confirmed when more bodies turn up—those of the killers themselves. As the slayings continue, the link between the crimes comes into focus and Rodriguez must convince the NYPD that they are up against something bigger—and more heinous—than anyone ever suspected.The Murder Notebook is a smart, innovative suspense novel with a terrifying, ripped-from-the-headlines urgency. Where is the line between advancement and criminality in matters of manipulating the human psycheWhat would happen if someone were no longer able to feel fearWith his unique blend of gripping prose and original sketches, Jonathan Santlofer has crafted a tale of morality and duty, love and justice, that is as shocking as it is timely.

Though unalike as snowflakes, sisters Patricia Anne and Mary Alice share a sympathetic heart for their distraught cousin Luke -- known affectionately in his boyhood as "Pukey Lukey," because of his penchant for getting sick in moving vehicles. Luke is desperate to hunt down Virginia, his wife of forty years, who has run off with a housepainter/snake-handling preacher named "Monk." And the sisters have graciously agreed to accompany their stricken kinsman on his search...in Luke's car, of course.But, while practical "Mouse" and flamboyant "Sister" are unable to find their runaway cousin-in-law among the asp-loving faithful on Chandler Mountain, they do manage to stumble upon the corpse of a pretty young redhead who was prematurely sent to her eternal reward. And before you can say "anaconda," they are hot on the serpentine trail of a killer who'd like nothing better than to sink a pair of poisonous fangs into two meddling Southern sisters!

Patricia Anne can't imagine why Mary Alice is in such an uproar over her son Ray's new bride. Sunshine Dabbs is Ucute as can be," even if she is a bit unconventional, which should hardly come as a shock to Mary Alicc given that she's the one who raised her boy. But with all her motherly instincts, Mary Alice is sure that this sweet little blonde Barbie doll--who met her son in Bora Bora after she won the trip on Wheel of Fortune--thinks she's found herself a fortune in Ray's hefty wallet. The sisters can't wait to get a look at Sunshine's family, and quite a look it turns out to be. As soon as Meemaw Turkett invites Mary Alice and Patricia Anne into her cozy trailer on the family compound they stumble over a corpse, and Meemaw's best hog butchering knife is stuck in its chest. Meemaw, a Cabbage Patch look-alike and Sunshine's grandmother, guardian, and the family matriarch is shocked to pieces and immediately summons the family to her trailer. Pawpaw, a lovable bearded grump has his own trailer, and their grown kids each enjoy a private home-away-from-home on the five-trailer compound. The discovery of the mysterious body brings in Mary Alice's nemesis, good ol' boy Sheriff Reuse, who, she knows from her experience at the Skoot 'n' Boot, is nothing but trouble. Within minutes, the compound is strewn with a weird collection of friends, neighbors and relatives. There's Meemaw's spooky channeler, ready to give guidance as needed; Sunshine's jilted boyfriend skulking around; a bunch of dogs ready to attack...and Kerrigan, Sunshine's mostly absentee mama, who stars in the kind of video flicks that might even shock Mary Alice. Patricia Anne can't imagine why Mary Alice is in such an uproar over her son Ray's new bride. Sunshine Dabbs is Ucute as can be," even if she is a bit unconventional, which should hardly come as a shock to Mary Alicc given that she's the one who raised her boy. But with all her motherly instincts, Mary Alice is sure that this sweet little blonde Barbie doll--who met her son in Bora Bora after she won the trip on Wheel of Fortune--thinks she's found herself a fortune in Ray's hefty wallet. The sisters can't wait to get a look at Sunshine's family, and quite a look it turns out to be. As soon as Meemaw Turkett invites Mary Alice and Patricia Anne into her cozy trailer on the family compound they stumble over a corpse, and Meemaw's best hog butchering knife is stuck in its chest. Meemaw, a Cabbage Patch look-alike and Sunshine's grandmother, guardian, and the family matriarch is shocked to pieces and immediately summons the family to her trailer. Pawpaw, a lovable bearded grump has his own trailer, and their grown kids each enjoy a private home-away-from-home on the five-trailer compound. The discovery of the mysterious body brings in Mary Alice's nemesis, good ol' boy Sheriff Reuse, who, she knows from her experience at the Skoot 'n' Boot, is nothing but trouble. Within minutes, the compound is strewn with a weird collection of friends, neighbors and relatives. There's Meemaw's spooky channeler, ready to give guidance as needed; Sunshine's jilted boyfriend skulking around; a bunch of dogs ready to attack...and Kerrigan, Sunshine's mostly absentee mama, who stars in the kind of video flicks that might even shock Mary Alice.

Rebecca Lopez enjoys a life of privilege in Elizabeth's England -- yet she guards secrets she dares not reveal. The beautiful, tempestuous daughter of the queen's own physician, Rebecca is also a converso -- a Jew who practices her prohibited religion clandestinely -- helping others of her banned faith escape persecution and death. And her insatiable hunger for excitement often takes her to the bustling streets of London in male garb to experience the kind of adventure available only to men. But one such outing is leading her into a dangerous viper's nest built of intrigue and foul murder in the company of a dashing young actor who inflames her romantic passions, even as he escorts her toward peril, a charming and fearless would-be playwright who calls himself Will Shakespeare.

It has been years since Swenson, a professor in a New England creative writing program, has published a novel. It's been even longer since any of his students have shown promise. Enter Angela Argo, a pierced, tattooed student with a rare talent for writing. Angela is just the thing Swenson needs. And, better yet, she wants his help. But, as we all know, the road to hell is paved with good intentions. . . .Deliciously risqué, Blue Angel is a withering take on today's academic mores and a scathing tale that vividly shows what can happen when academic politics collides with political correctness.

Why is Professor Peace Porterfield trying to save Beet CollegeHis own wife, Livi, hates the place. The Board of Trustees, led by developer Joel Bollovate, has squandered the endowment. Debutante-cum-self-styled-poet Matha Polite, an indis-criminate radical with a four-student following, wants to bring the institution down. Akim Ben Ladin (né Arthur Horowitz), a sweet-tempered terrorist hopeful and the college’s only Homeland Security major (who lives in an off-campus cave), wants to blow up the school. Faculty members, when not concocting useless, trendy courses, fly at one another’s throats. Not to mention that American higher education is already going down the tubes. So why is Porterfield trying to save BeetBeats us.

Joanne Harris, bestselling author of Chocolat, presents her most accomplished novel yet -- an intoxicating concoction that blends theology and reason, deception and masquerade, with a dash of whimsical humor and a soup?on of sensuality.Britanny, 1610. Juliette, a one-time actress and rope dancer, is forced to seek refuge among the sisters of the abbey of Sainte Marie-de-la-mer. Reinventing herself as Soeur Auguste, Juliette makes a new life for herself and her young daughter, Fleur.But when the kindly abbess dies, Juliette's comfortable existence begins to unravel. The abbey's new leader is the daughter of a corrupt noble family, and she arrives with a ghost from Juliette's past -- Guy LeMerle, a man she has every reason to fear and hate.This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

Claire and her mother are running out of time, but they don't know it. Not yet. Claire is wrapped up with the difficulties of her bourgeoning adulthood—boys, school, friends, identity; Claire's mother, a single mom, is rushed off her feet both at work and at home. They rarely find themselves in the same room at the same time, and it often seems that the only thing they can count on are notes to each other on the refrigerator door. When home is threatened by a crisis, their relationship experiences a momentous change. Forced to reevaluate the delicate balance between their personal lives and their bond as mother and daughter, Claire and her mother find new love and devotion for one another deeper than anything they had ever imagined. Heartfelt, touching, and unforgettable, Life on the Refrigerator Door is a glimpse into the lives of mothers and daughters everywhere. In this deeply touching novel told through a series of notes written from a loving mother and her devoted fifteen-year-old daughter, debut author Alice Kuipers deftly captures the impenetrable fabric that connects mothers and daughters throughout the world. Moving and rich with emotion, Life on the Refrigerator Door delivers universal lessons about love in a wonderfully simple and poignant narrative.

Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . .Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town. . . .Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . .John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .

"These are the rules I've picked up along the way to help me remain invisible when I'm writing a book, to help me show rather than tell what's taking place in the story."—Elmore LeonardFor aspiring writers and lovers of the written word, this concise guide breaks down the writing process with simplicity and clarity. From adjectives and exclamation points to dialect and hoopetedoodle, Elmore Leonard explains what to avoid, what to aspire to, and what to do when it sounds like "writing" (rewrite).Beautifully designed, filled with free-flowing, elegant illustrations and specially priced, Elmore Leonard's 10 Rules of Writing is the perfect writer's—and reader's—gift.

Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . .Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town. . . .Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . .John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .

Everywhere she turns, Linda Randolph hears voices: from empty dark corners and lonely rooms. But it is the house itself that speaks the loudest, telling Linda to run for her life. Her husband, Gordon, the noted statesman and scholar, suggests she's losing her mind. Linda almost hopes it's true, because the alternate explanation is too terrible to contemplate: that Gordon is intimately involved with dark, diabolical forces beyond the scope of the natural and rational. Either Linda Randolph is half-mad ... or her husband is pure evil.

In the last 20 years Phil Broker has pulled himself together. A good, tough undercover cop in Minnesota, he knows the difference between a sucker punch and a lucky break. And although he's put his Vietnam years behind him, the grown daughter of his old commander has been dogging his heels for months. Nina Pryce is trying to exonerate her dishonorably discharged dead father and—more importantly—find the 10 tons of gold he helped liberate during a U.S. commando mission.Broker doesn't like the smell of it. Still, Nina has her charms, and can be very persuasive. The only problem is, two of Broker's old army buddies have beaten them to the search. Rich, sadistic Cyrus La Porte has the means, but no direction. Convicted thief Jimmy Tuna has a line on the location but no cash. Jimmy's a dying man with nothing left to win—or lose. And Broker and Nina know both men would kill them for the slimmest chance to take it all.A riveting suspense novel that reads like a thrilling treasure hunt with a murderous legacy that echoes down from the past.

Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . .Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town. . . .Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . .John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .

On the day of her father's funeral, twenty-eight-year-old Clarissa Iver?ton discovers that he wasn't her biological father after all. Her mother disappeared fourteen years earlier, and her fiancé has just revealed a life-changing secret to her. Alone and adrift, Clarissa travels to mystical Lapland, where she believes she'll meet her real father. There, at a hotel made of ice, Clarissa is confronted with the truth about her mother's his?tory, and must make a decision about how—and where—to live the rest of her life.

With calculated cunning, renegade Syrian intelligence operatives have discovered how to smuggle uranium-235—the key material required to manufacture an atomic weapon—into the United States undetected, exploiting a network of the most experienced and sophisticated smugglers the world has ever known.As the CIA repeatedly misinterprets numerous intelligence warnings, only Marta Pradilla—Colombia's beautiful, hard-minded new president—can assist the United States' conservative, isolationist President Stockman in finding the terrorists and their deadly cargo before it's too late. Set in Washington, D.C., Bogotá, Rome, and Tbilisi, and featuring a cast of major international figures, Point of Entry brings readers into an intensely treacherous world that reads less like fiction every day.

Sandy Kinsolving's once-glittering life hangs by a threat; his future depends on his wife's inheritance and whether or not she's about to throw him out on his ear. What he wouldn't give for a solution to his money and marriage problems. If this were an Alfred Hitchcock movie, the solution would be obvious. Enter a stranger with wife problems of his own, who offers a violent -- and mutually advantageous -- proposal.Them in the time it takes to whisper a word, Kinsolving's normal life ends. What radiates like a mirage before him is wealth, security, and freedom. But lurking in the shadows are a brutal murder he cannot prevent, and a madman who stalks his every waking moment.