Lelakatolt ajtók, szokatlan fények, mutáns csótányok. Nate lakásával valami nincs rendben. De a gondolatait most más k?ti le. Utálja a munkáját, a bankszámlája lassan kimerül, és még barátn?je sincs. Elképzelni sem tudja, mit vár az életét?l. ?j lakása nem éppen ideális, de legalább élhet?, és megengedheti magának. A bérleti díj egészen alacsony, a házkezel? cég ügyn?ke szuperbarátságos, és a rendellenességek inkább csak idegesít?ek, mint nyugtalanítóak. Egészen addig, amíg a férfi nem találkozik Mandyvel, a szomszédjával, és fel nem fedezi a lány lakásának furcsaságait. ?s a másik szomszédjáét, Xela-ét . ?s Tim és Veek lakásáét is. Merthogy a régi, Los Angeles-i téglaépület minden egyes bérlakása szolgál némi rejtéllyel. Olyan rejtélyekkel, amelyeknek a t?rténete t?bb mint száz évvel korábbra nyúlik vissza. Némelyik furcsaság szembe?tl?, míg másokat zárt ajtók rejtenek el a kíváncsi tekintetek el?l. Viszont ha e kül?n?s rejtélyek ?sszeadódnak, az akár a véget is jelentheti Nate és barátai számára. Vagy az egész világ számára…

Owen élete fenekestül felfordul, amikor apja, akit a fiú meggy?z?dése szerint ártatlanul ítéltek el, meghal a b?rt?nben. Monroe, a fiú iskolájának informatikusa felajánlja neki, hogy egy Animus használatával lehet?vé teszi Owen számára, hogy tisztázza apja nevét. Az eszk?z segítségével ugyanis feltárhatja a saját DNS-ében rejl? genetikus emlékeket. ?m Owen nagyobb fába vágta a fejszéjét, mint hitte. A szimuláció alatt ugyanis felfedez egy ?si és nagy hatalmú, rég elveszettnek hitt relikviát – az ?denszigonyt. Két rivális titkos szervezet, az Orgyilkos Testvériség és a Templomos Rend semmit?l sem riad vissza, hogy megszerezze ezt az ereklyét. Owen számára hamarosan nyilvánvalóvá válik, hogy csak úgy menekülhet meg, ha ? találja meg el?sz?r a Szigonyt. Monroe irányítása alatt Owen és néhány másik fiatal egy olyan szimulációba lépnek be, amely a DNS-eikben lév? k?z?s emlékeken alapul: az 1863-as New York-i felkelés idejébe térnek vissza. Owen és társai súlyos kihívásokkal kerülnek szembe a forrongó város utcáin, ott megélt tapasztalatiknak pedig hosszú távú k?vetkezményei lesznek a jelenben. A t?bbsz?r?sen díjnyertes Matthew J. Kirby trilógiájában egy az Assassin’s Creed világában játszódó teljesen új t?rténetet ismerhetünk meg, amely szorosan illeszkedik a kánonba, számtalan utalással a játékokra és a decemberben mozikba kerül? filmre.

Miután John és Brooke magára maradt, városról városra stoppolva vadásznak Amerika k?zép-nyugati részén a még megmaradt utolsó Sorvadtakra. Csakhogy a Sorvadtak is vadásznak rájuk, ráadásul az FBI is a nyomukban van. Minden újabb várossal, minden újabb kamionos pihen?vel, minden újabb autópályával egyre k?zelebb kerülnek egy olyan kegyetlen gyilkoshoz, akire John semmilyen jól bejáratott analitikus és el?rejelz? módszere nem alkalmazható. K?zben Brooke meghasadt pszichéje az elméjén osztozó t?bb százezer halott személyiségt?l túlterhelve tántorog az ?sszeomlás peremén. Hol birtokában van szellemi képességeinek, hol nem, és minden nap új nevek, gondolatok és emlékek t?rnek felszínre benne, mígnem felbukkan az a személyiség, akire John végképp nem számított: Senki utolsó áldozata, csapdába esve John egyetlen megmaradt barátjának testében.

A New York Times bestseller Hollóárnyék-trilógia Magyarországon is nagy sikert elért szerz?jének új sorozata! TARTALOM: Véráldottak – olyan férfiak és n?k, akik a vad sárkányok véréb?l készült elixírek elfogyasztásával mérhetetlen er?knek parancsolnak. A Vashajó Szindikátust a véráldottak hatalma tette naggyá. Most azonban pusztító vihar k?zeleg: a sárkányok vérvonala gyengül?ben, a felemelked? Korvantin Birodalom pedig ugrásra készen várja a pillanatot, hogy kihasználhassa a Szindikátus gyengeségét. Ráadásul a vadonban is mozgolódás támad: a sárkányok támadásai egyre gyakoribbá válnak – és ami még ennél is rosszabb, szervezettnek t?nnek. Az utolsó reménysugár nem más, mint egy mitikus sárkány, amelynek nagyerej? vére valódi csodákra képes – ha egyáltalán létezik ez a rejtélyes lény. A sors végül három h?st választ ki magának. Claydon Tocreekre, a lajstromozatlan véráldottra és kisstíl? tolvajra hárul a feladat, hogy az ismeretlen vadonban felkutassa a legendás sárkányt, aminek a létezésében még csak nem is hisz. Lizanne Lethridge, a Szindikátus félelmetes erej?, ifjú elit kéme hirtelen találja magát ellenséges terepen, küldetése egyre veszedelmesebb helyzetekbe sodorja. Corrick Hilemore, az ismert világ peremén cirkáló kalózvadász Vashajó parancsnokhelyettese k?nnyen lehet, hogy túl nagy fába vágta a fejszéjét, amikor a k?ny?rtelen rablók nyomába eredt – és helyettük egy jóval komolyabb ellenséggel kerül szembe. Ahogy a birodalmak egymásnak feszülnek, mindhármuknak harcolni kell azért, amiben hisznek, ha nem akarják, hogy a világot elnyelje az ébred? t?z.

Mit ér az emlékezés, ha senki nem kíváncsi arra, ami elmúlt? B?n-e a hallgatás, ha védeni akarjuk szeretteinket a múlt sz?rny?ségeit?l? Mit tehetünk, ha a t?rténelem megismételni látszik ?nmagát?? Egy újságíró és egy sokat megélt nyolcvannégy éves h?lgy találkozása régi sebeket tép fel. Mélyen eltemetett emlékek kerülnek felszínre: A remény és a hit a kegyetlenséggel szemben, emberek az embertelenségben, és üzleti érdekek, melyek a pokol káoszát irányítják. Mi k?ti ?ssze egy kislány, egy náci tiszt, egy szovjet ezredes és egy m?fordító sorsát hetven év távlatából? ?Ez a t?rténet...

Inspirat de o tem? pe care o prime?te de la noul s?u profesor de ?tiin?e sociale, micul Trevor are o idee menit? s? schimbe lumea. O ambi?ie uria?? pentru un pu?ti de numai doisprezece ani, dar care reu?e?te, ?n ciuda obstacolelor, s? nu-?i piard? idealismul ?i s? demonstreze c? to?i putem fi capabili de fapte bune.?n jocul aritmetic al lui Trevor, de la un singur om care face trei lucruri importante pentru trei oameni diferi?i, se poate ajunge la o lume ?ntreag? ?n care o favoare primit? nu se ?ntoarce, ci se r?spl?te?te d?nd mai departe ajutorul celor care au nevoie de el.?O capodoper? cu un final incendiar." Kirkus Reviews?Foarte puternic… dialoguri veridice ?i nuan?e care fac personajele mai vii dec?t ar fi ?n realitate." Chicago Tribune?Catherine Ryan Hyde ne conduce c?tre un final curajos ?i puternic." Los Angeles Times?Filosofia din spatele c?r?ii este at?t de interesant?, iar optimismul ei at?t de contagios, ?nc?t cititorul absoarbe f?r? s?-?i dea seama o poveste de care-?i va aminti mult? vreme." The Denver Post

Summary: Sara Crewe, a pupil at Miss Minchin's London school, is left in poverty when her father dies, but is later rescued by a mysterious benefactor. ?"Once on a dark winter's day, when the yellow fog hung so thick and heavy in the streets of London that the lamps were lighted and the shop windows blazed with gas as they do at night, an odd-looking little girl sat in a cab with her father and was driven rather slowly through the big thoroughfares." ? She sat with her feet tucked under her, and leaned against her father, who held her in his arm, as she stared out of the window at the passing people with a queer old-fashioned thoughtfulness in her big eyes. ? She was such a little girl that one did not expect to see such a look on her small face. It would have been an old look for a child of twelve, and Sara Crewe was only seven. The fact was, however, that she was always dreaming and thinking odd things and could not herself remember any time when she had not been thinking things about grown-up people and the world they belonged to. She felt as if she had lived a long, long time. ? "The Little Princes, in this Illustrated book, a fantastic girl who Principally, she was thinking of what a queer thing it was that at one time one was in India in the blazing sun, and then in the middle of the ocean, and then driving in a strange vehicle through strange streets where the day was as dark as the night. She found this so puzzling that she moved closer to her father.." Illustrated by Murat UKray, By e-Kitap Projesi

"When Jesus arrives, Hades bids his servants to bolt and lock the doors, but to no avail; Jesus shatters the gates and enters. He seizes Satan and binds him in iron chains, then consigning him into Hades’s keeping until the second coming. Jesus next turns his attention to the patriarchs. He raises up Adam, along with all the prophets and the saints. Together, they all depart up out of Hades, and ascend into Paradise.) The “Harrowing of Hell” portion of that Gospel was widely circulated in other compilations of religious literature, most notably in the Golden Legend of the lives of the saints, compiled by Jacob of Voragine in the 13th century." The literary versions of the “Harrowing of Hell” in turn gave rise to many works of art, including the “mystery play” tradition of medieval religious drama. Most commonly, however, people would learn about Jesus’s descent into the underworld from the artwork which decorated the churches and cathedrals of Europe. A Dialogue in Hades, this illlustrated version of the book, gives a many perspective to the readers, With WELL ILLUSTRATIONS BY MURAT UKRAY {E-KITAP PROJESI}..

"A Daughter of the Snows" is Jack London's first novel. The novel features a strong female heroine, Frona Welse. Frona was born into a wealthy family and educated at Stanford but she takes to the Yukon trail after upsetting her father and his wealthy community of friends with her out-spoken ways and her innocent friendship with the town's prostitute. "All ready, Miss Welse, though I'm sorry we can't spare one of the steamer's boats." Frona Welse arose with alacrity and came to the first officer's side. "We're so busy," he explained, "and gold-rushers are such perishable freight, at least—" "I understand," she interrupted, "and I, too, am behaving as though I were perishable. And I am sorry for the trouble I am giving you, but—but—" She turned quickly and pointed to the shore. "Do you see that big log-house Between the clump of pines and the river I was born there." "Guess I'd be in a hurry myself," he muttered, sympathetically, as he piloted her along the crowded deck.Everybody was in everybody else's way; nor was there one who failed to proclaim it at the top of his lungs. A thousand gold-seekers were clamoring for the immediate landing of their outfits. Each hatchway gaped wide open, and from the lower depths the shrieking donkey-engines were hurrying the misassorted outfits skyward. On either side of the steamer, rows of scows received the flying cargo, and on each of these scows a sweating mob of men charged the descending slings and heaved bales and boxes about in frantic search. Men waved shipping receipts and shouted over the steamer-rails to them. Sometimes two and three identified the same article, and war arose. The "two-circle" and the "circle-and-dot" brands caused endless jangling, while every whipsaw discovered a dozen claimants. "The purser insists that he is going mad," the first officer said, as he helped Frona Welse down the gangway to the landing stage, "and the freight clerks have turned the cargo over to the passengers and quit work. But we're not so unlucky as the Star of Bethlehem," he reassured her, pointing to a steamship at anchor a quarter of a mile away. "Half of her passengers have pack-horses for Skaguay and White Pass, and the other half are bound over the Chilcoot. So they've mutinied and everything's at a standstill." "Hey, you!" he cried, beckoning to a Whitehall which hovered discreetly on the outer rim of the floating confusion. A tiny launch, pulling heroically at a huge tow-barge, attempted to pass between; but the boatman shot nervily across her bow, and just as he was clear, unfortunately, caught a crab. This slewed the boat around and brought it to a stop. "Watch out!" the first officer shouted. ABOUT AUTHOR: John Griffith "Jack" London (born John Griffith Chaney, January 12, 1876 – November 22, 1916) was an American author, journalist, and social activist, Authors of; "The Pearls of Parlay" and "The Heathen", and of the San Francisco Bay area in The Sea Wolf. And also; as his dystopian novel The Iron Heel, his non-fiction exposé The People of the Abyss, and The War of the Classes.

45.538 de cuvinte. At?tea stau str?nse ?n cartea asta. A?a ?mi indic? un contor al softului ?n care am editat textul. Ceea ce ?nseamn? c? ?n aceast? prezentare a ei, a c?r?ii, trebuie s? m? comport ca un gospodar care ar ?ncerca s? hr?neasc? toat? p?s?rimea satului cu o singur? m?n? de gr?un?e. N-am cum. ?i nici n-a? vorbi despre ea a?a cum o facem despre copiii no?tri, care sunt mereu ?i mai de?tep?i, mai frumo?i sau m?car mai ?nal?i dec?t ai altora. ?n momentul ?sta, tot programul de editare m? salveaz?. Observ c? are posibilitatea de a rezuma textul meu ?n numai zece sentin?e: De riduri. De paradigm?. Nu de om, ci de m?gar [...] De necur??ie. De ?coal?. De efeminat. De care uitasem. De munc?. De butie. De p?reri. ?mi dau seama ?ns? c? posibilul cititor interesat, ori librarul care ar dori s? v?nd? cartea, nu are cum s? ?n?eleag? prea multe din asta. Nu pricep nici eu de unde apeten?a programului pentru prepozi?ia de. Sunt singur ?n cas?, nimeni nu-?i poate da cu p?rerea despre volumul ?sta, editorii m? sun? rug?nd s? le trimit acest sinopsis. ?n clipa aia, Cimbru, c?inele meu, cel care m? ?n?elege mereu at?t de bine, ??i f?lf?ie coada pe l?ng? cracii pantalonilor mei. ?i pun manuscrisul ?n fa?? ?i-l rog s? m? ajute cumva. ?l miroase curios, de dou?, trei ori, p?n? ??i d? seama c? nu-i bun de m?ncat. E clar, cartea asta nu este bun? de m?ncat! Poate o fi bun? la altceva. Nu ?tiu, m?car ca palet? de ping-pong.

A regény Jókai munkásságának ahhoz a Fekete gyémántokkal megkezdett irányzatához kapcsolódik, melyben a modern ?nagyvilági” életet kívánta ábrázolni. A m? szerkezetileg két lazán ?sszefügg? részre tagolódik. Az els?, A ?tegnap” 1848-49-ben játszódik. F?h?se Illavai Ferenc, igazi Jókai alak: csúnya, de rettenthetetlenül bátor, m?velt, szerény, okos és jóságos. Gyámfiát és egyben unoka?ccsét, Opatovszky Kornélt t?bbsz?r kimenti kül?nféle halálos veszedelmekb?l, noha méltatlan rá, hogy ?r?k?séül megtartsa. Nagy szolgálatot tesz a gróf Tarnaváry családnak, életüket és vagyonukat is megmenti…. A második rész, A ?ma”: az 1860-as évek eleje, a Schmerling-korszak. Mind az Opatovszky-, mind a Tarnaváry-birtok t?nkrement az oktalan spekulációban és az egymással vívott harcban… A regény b?velkedik az izgalmas fordulatokban, ezért szerkezeti és jellemzési gyengéi ellenére kit?n? olvasmány.

Biblioteca colarului“ cuprinde cele mai preuite opere ale scriitorilor clasici ai literaturii romne din programa colar. Crile de neuitat ale copilriei sunt disponibile astzi si in format e-book.

Si intr-adevar Vlaicu-Voda intruneste toate cerintele unei drame menite sa ramana calitati literare si calitati dramatice. Autorul acestei drame e un adevarat poet care prin imagini noi si bogate prin cuvinte expresive stie sa zugraveasca oameni fapte locuri timpuri. Limba lui e o comoara pe care doar la Odobescu o mai intalnim imperecherea neologismelor cu arhaismele da o culoare delicata si in acelasi timp da putere de expresivitate frazei imperecherile acestea desigur le gasim si in Odobescu dar dl Davila a stiut sa le inmulteasca si sa le rafineze. Un patetism sincer firesc inalta parca si valoarea cuvintelor si a frazelor. Tiradele chiar cele mai lungi sunt cladite cu o arta de compozitie deplina cu o putere de convingere rara asa ca efectul lor e puternic inaltator. Emotia artistica cuprinde pe spectator si-l tine toata vremea cat aude vorbele intelepte/romanesti ale figurilor de pe scena. si pe urma sentintele cuminti neaose care sunt presarate aproape in fiecare replica. [...] Cu toate observatiile mai mult sau mai putin insemnate Vlaicu-Voda ramane o podoaba a literaturii noastre dramatice prin patetismul cald si comunicativ prin frumusetea limbii si a versurilor prin puterea de evocare a unei epoci framantate prin maiestria de amanunt cu care e construita prin efectele dramatice si prin patriotismul cald si cuminte ce transpira dintr-insa. Ca atare Vlaicu-Voda nu numai merita dar trebuie sa figureze totdeauna in repertoriul Teatrului National alaturi de dramele lui Alecsandri Caragiale Hasdeu si ale dlui Delavrancea – Liviu Rebreanu

Sunt convins c aceast carte va intra n istoria literaturii, aa cum este ea, minunat. Nu cunosc n literatura romn un mai frumos omagiu adus mamei...“ (Ana Blandiana)Titlul unui roman care ar trebui s intre n manualele de literatur: Veneticii de Ion Lazu. Acest roman nseamn anexarea unui nou domeniu pentru literatura noastr, dar mai nseamn i un pas pentru proza romneasc de dup razboi, n-a spune doar pentru cea de dup ’89. El se detaeaz prin virtui stilistice cu totul remarcabile. Aceast oper literar condenseaz n ea att un proiect autobiografic, ct i o experien extraordinar n domeniul romanescului. Este un roman emblematic pentru secolul XX, cci figura refugiatului este ea nsi emblematic pentru acest secol… Cred c cele mai bune pagini din Veneticii pot concura cu pagini memorabile din Donul linitit, pentru c bntuie peste tot acel suflu de mare proz realist.“ (Radu Voinescu)

Kog??lniceanu ?n literatura istoric?? a Rom?niei ?i Alecsandri ?n literatura noastr?? poporan?? joac?? p?n?? la un punct rolul lui Columb ?n privin?a geografic??. – Bogdan P. Hasdeu Mihail Kog??lniceanu a fost una din acele naturi alese ce greu ?ncap c?teva al??turea ?n veac; pentru care timpul care l-a tr??it a fost prea scurt ?i spa?iul ?n care i-a fost ?nvoit s?? se mi?te prea ne?nc??p??tor spre a dezvolta uria?a putere a concep?iunilor cuget??rilor ?i n??zuin?ilor lui. – A.D. Xenopol

Birileri ?anakkale’de, Kurtulu? Sava??’nda sava??p tutsak olurken, ?ehit olurken baz? az?nl?klar ve a?a tak?m? geride kal?p mal mülk edinme pe?indedirler. Devlet y?netimindeki adamlar?n?n deste?iyle A?alar halk?n elindeki topra?a zorla el koyar. El koyduklar? yetmezmi? gibi halk? adeta k?le gibi ezer, s?mürür; ?nüne ??kan her engeli yok ederler.? Fakat Goca Meryem gibi bir kad?n ??kar ve kendili?inden olu?an hareketin ba??na ge?erek kanl? bir ba?kald?r? ger?ekle?tirir.? Sonras?nda ?smet ?n?nü deste?iyle Ziraat Bankas? kredi verir ve toprak reformu yap?l?r. ?Bu y?nüyle bu ?ykü ülkemizde ya?anm?? benzeri olmayan bir ?yküdür. ?Zulme ra?men romantizmi elden b?rakmayan, a?klar?n? koruyan insan ?ykülerini k?rk kaynak ki?inin anlat?m?na ba?l? olarak ger?ek kahraman ve yer adlar?yla yaz?lm?? bir an? romand?r Goca Meryem. K?y Ak da??n eteklerinde, kü?ük bir ovan?n k?y?s?nda duran tatl? iki tepeci?e yaslanm??t?. Ovalar?nda ahlat armutlar?, güz rengine boyanm?? meyvesiz a?a?lar, kü?ücük da? elmalar?, as?rl?k cevizler toprak daml? evleri sakl?yordu. K?y iki yakas? bir araya gelmemi?, zar zor ge?inen yoksul elli alt? haneden olu?uyordu. Her evin az ?ok ke?isi, koyunu; uysal ?küzleri, inekleri vard?. ???????? 1924 y?l?nda Cumhuriyetle birlikte ??rten k?yü Mu?la’dan al?n?p Burdur iline kat?ld?. Bu nedenle Mu?lal? birka? toprak sahibi topraklar?n? sat?p gitme karar? ald?. ?Bu teklif üzerine birka? kurnaz k?ylü toprak sahiplerine: ????????? “Bekleyin biz aram?zda g?rü?üp karar? size bildirece?iz,”dediler. Bir araya gelen Muhtar Karaca, Habip ve G?k ?akir, oturmu? bu konuyu tart???yorlard?: “Ta?lay?verelim gitsinler. Bu zamanda kim para bulmu? da toprak sat?n alacak. Satamazlar. Satamad??? topra?? ne yapacaklar? Gelip ekebilecekler mi? Sanm?yorum. ?ekip gidecekler, ?yle de?il mi?” dedi G?k ?akir. Habip: “Ta?layal?m vallahi, ta?land??? yere bir daha ad?mlar?n? atamazlar.” “Arkada?lar bu insanlarla y?llarca tarla kom?ulu?u yapm???z, birbirimizin lokmalar?n? yemi?iz, sonra babalar? da baba dostlar?d?r. Ay?p olmaz m? k?yden kuduz k?pek kovar gibi bu insanlar? ta?lamak!” G?k ?akir: “Ay?p diyorsun, ama toprak alacak para m? var?” “Oldu?u kadar veririz, gerisini harman kalk?m?ndan sonra deriz, olmad? taksit taksit ?deriz. Adamlar?n ba?ka bir se?ene?i g?rünmüyor gibi; kabul etmeyip de ne yapacaklar!” “??te ba?ka se?enekleri olmad??? i?in ta?layaca??z ya, ta?layal?m gitsinler!” deyip ?srar?n? sürdürdü G?k ?akir. “Hadi o zaman gazam?z mübarek olsun!”dedi onun silah arkada?? Habip. Zaten G?k ?akir ne derse ona uyard?. ?ünkü seferberlikte yaralan?p dü?tü?ünde kendisini omzuna al?p cephe gerisine ta??y?p kurtaran G?k ?akir’di. Ona bir can borcu vard?. O yüzden, o gün bu gün hep ayn? sibekten i?erlerdi. Karaca ne de olsa muhtard?. Bu i?e kar??mak istemiyordu. G?k ?akir ile Habip, birka? k?ylüyü yanlar?na ald?. Eli ta? tutan ne kadar ?oluk ?ocuk varsa toplad?lar. Mu?lal? toprak sahipleri, Karap?nar’?n ?nünde k?ylülerden gelecek haberi bekliyordu. K?ylüler, gizlendikleri yerden onlar? ta?a tuttular. Her bir yandan ya?mur gibi ta? ya??yordu. Toprak sahipleri neye u?rad?klar?n? anlayamad?lar. “Anam, yand?m! Can?n? seven ka?s?n!” “Hadi atla! “Tak tuk” Mu?lal?lar ka?arken ayaklar? k??lar?na yap???yordu. HAL?L ERDEM ?1961 Dirmil-Burdur do?umlu. Gazi ?niversitesi E?itim Fakültesi S?n?f ??retmenli?ini bitirdi. Türk?e B?lümünde lisans tamamlad?. Kar Ayd?nl??????? (Roman)?????? Fam Yay?nlar? 2014 Dirmil ?mürcüsü????? (Roman)?????? Fam Yay?nlar?2006- 2014 Goca Meryem? (Roman)?????? Fam Yay?nlar? 2014 Tokat??????????????? (?ocuk Roman?) Kendi Yay?n? 2013 Teke Y?resi Halk ?nan?lar? (Ara?t?rma - inceleme) Kendi Yay?n? 2008 Karacao?lan Gelene?inde Dirmil Güzellemeleri ve ?yküler (Ara?t?rma inceleme) 2011 Alter Yay. Gece Mavisinde A?k?????????????? (?iir)?????? Kendi Yay?n? 1998 Ve Al???ld? ?lüme???? (?iir )????? Temmuz Yay?nlar? 1990 Kardan Adam?? (?ocuk ?iirleri) Kendi Yay?n? 1998 I??k Avc?lar??????? (?ocuk ?iirleri) Kendi Yay?n?) 2013 ??pten ??rendi?im Hayat?? ?ocuk Kitab?????????? ????2015 G?l Hikayeleri?????????? (?ykü)???????????????????????????????????? 2015 ? ?iir ve yaz?lar?n? Bah?e, Mavi Umut, Bahar, ?al?, ??retmen Dünyas?, Dirmil, Noktam, Bezuvar, süje, Kar dergilerinde yay?nlad?. Beykonak E?itim ve Kültür Vakf? Yirce ?iir Yar??mas?nda. Ne-Var Yok ?iiriyle Birincilik ald?.(2004) Resim ?al??malar?n? da yürüten Halil ERDEM 3 ki?isel, 25 karma resim sergi etkinli?inde bulundu.

Bir ?ocu?un, ya?ad??? ?ehirden k?rsalda ya?ayan babaannesinin yan?nda gidip yaz tatilini ge?irirken ya?ad??? maceray? anlat?r Tokat??. 85 ya??ndaki babaannesinin dikti?i a?a?larla nas?l ya?ama ba?land???n?, kendi kedine eme?iyle nas?l ayakta kald???n? anlatan, ?ocuklar?n aya??n? yere bast?racak ger?ekli?in romand?r. Tokat?? karakteriyle g?revi k?tüye kullanman?n sonu?lar?n? ya?ayarak g?ren Bar?? bir atla ve ba? bek?isi k?z arkada??yla ge?irdikleri unutulmaz bir yaz maceras?n?n yan?nda bilgiye ula?may?, bilimselli?i ara?t?rma sonunda ??renen ?ocuklar?n ?yküsüdür Tokat??. ?AM KARDE?L??? ? Nisan sonlar?yd?. Hava ?oktan ?s?nm??, b?rtü b?cek hareketlenmi?ti. Toprakta bin bir tohum canlanm??, yeryüzünü ye?ile boyam??t?. Bademler, ?eftaliler, elma a?a?lar?, bütün do?a tomurcuk patlamas?yla ba? d?ndürücü bir güzelli?e bürünmü?tü. A?a?lar duva??n? takm?? gelin gibiydi. 23 Nisan co?kusu bütün ?ocuklar?n i?indeydi. Okullarda bayraklar, fenerler, ?e?it ?e?it el i?i süslemeler okul pencerelerinde ?ocuklara, gen?lere; hatta bütün ulusa k?van?la bak?yordu. Zil ?ald?. ?ocuklar ko?ullanm?? zil sesiyle bah?eyi bo?alt?p s?n?flara girdi. ?ocuklar?n sesleriyle yank?lanan bo?luk, ayak izlerini ta??yan bah?e, d??ar?da kald?. S?n?fa giren ??retmen: —?ocuklar, size güzel bir haberim var, Pamukkale’ye bir gezi yapaca??z, dedi. S?n?ftaki bütün ??renciler bir a??zdan: —Oley! diye sevin? ???l??? att?lar. Planlama ve haz?rl?klar yap?ld?. Yola ??k?ld?. May?s ay?n?n ilk haftas?yd?. Otobüs Antalya’dan ??k?p yükseklere do?ru yol ald?k?a, ?ocuklar havan?n serinledi?ini fark ettiler. ?? ?Denizli’ye girmeden mola verip piknik yapmak istiyorlard?. Her ?ocu?un geziden beklentileri ayr? ayr?yd?. Kimi ?i?eklerin i?inde oyunlar kuracakt?. Kimi a?a?lara t?rmanacakt?. Kimi de belgesellerde g?rdü?ü canl?larla kar??la?abileceklerini hayal ediyordu. ?imdilik onlara d?rt duvarl? s?n?ftan ??kmak bile yetmi?ti. ??? Otobüs, derin bir vadide bir süre ilerledikten sonra ?ay?r? ?imeni bol, ho? bir düzlükte durdu. ??retmen kap? a??lmadan gerekli uyar?lar? yapt?. Kap? a??ld?. ?ocuklar s?rayla indiler. Hava s?cakt?. Ku?lar?n, b?rtü b?ceklerin güzel sesleri bitmeyen bir ?ark? gibiydi. Yaban ?ilekleri, b??ürtlenler, al??lar, da? elmas?, ku?burnular hepsi ama hepsi ?i?eklerini ?oktan a?m??, yapraklar? tomurcuklanm??t?. ??? ?ocuklar, ?imenin yumu?akl???n? hissedince, ko?maktan kendini alam?yordu. K?zlar ?i?ekten ba?lar?na ta? yap?yor, ar?lar o ?i?ekten ?tekine u?u?urken, onlarla yar???rcas?na hoplay?p z?pl?yorlard?. ??? Bar??, g?züne kestirdi?i bir ?am a?ac?na y?nelip t?rmanmaya ba?lad?. Bar??’? g?ren ?ocuklar ??retmene g?sterdiler. ??retmen ?am a?ac?na bakt?: HAL?L ERDEM ? 1961 Dirmil-Burdur do?umlu. Gazi ?niversitesi E?itim Fakültesi S?n?f ??retmenli?ini bitirdi. Türk?e B?lümünde lisans tamamlad?. Kar Ayd?nl??????????? (Roman)?????? Fam Yay?nlar? 2014 Dirmil ?mürcüsü (Roman)?????? Fam Yay?nlar?2006- 2014 Goca Meryem????? (Roman)?????? Fam Yay?nlar? 2014 Tokat?????????????????????? (?ocuk Roman?) Kendi Yay?n? 2013 Teke Y?resi Halk ?nan?lar? (Ara?t?rma - inceleme) Kendi Yay?n? 2008 Karacao?lan Gelene?inde Dirmil Güzellemeleri ve ?yküler (Ara?t?rma inceleme) 2011 Alter Yay. Gece Mavisinde A?k???? (?iir)?????? Kendi Yay?n? 1998 Ve Al???ld? ?lüme?????????? (?iir )????? Temmuz Yay?nlar? 1990 Kardan Adam??????? (?ocuk ?iirleri) Kendi Yay?n? 1998 I??k Avc?lar???????????? (?ocuk ?iirleri) Kendi Yay?n?) 2013 ??pten ??rendi?im Hayat?? ?ocuk Kitab?????????????? 2015 G?l Hikayeleri?????????? (?ykü)???????????????????????????????????? 2015 ? ?iir ve yaz?lar?n? Bah?e, Mavi Umut, Bahar, ?al?, ??retmen Dünyas?, Dirmil, Noktam, Bezuvar, süje, Kar dergilerinde yay?nlad?. Beykonak E?itim ve Kültür Vakf? Yirce ?iir Yar??mas?nda. Ne-Var Yok ?iiriyle Birincilik ald?.(2004) Resim ?al??malar?n? da yürüten Halil ERDEM 3 ki?isel, 25 karma resim sergi etkinli?inde bulundu.

ngerii i rsu-plnsu reprezint un caleidoscop de proze scurte, diverse ca registru narativ i plasament tipologic, realiste sau misterioase n explorarea unor universuri afective imprevizibile n dezvoltarea ideaiei. n mare, e aici ceea ce s-ar numi Active Fictions Show. Naraiunile sunt de un laconism galo-latin, dar, n anumite pasaje, sintagme, discursuri ceva mai ample, dndu-i drumul“ spre o fantazare lingvistic, verbocreatorie, sau cvasiverbocreatorie, n descrierea existenei uor surdinizate, interiorizate, spre vis, spre supra-realitate a posibilitii noastre de a ne imagina cu ochii nchii, mijii sau chiar larg deschii. n diversitatea textelor s-ar ntmpla parc o multipl deschidere de ui, dar i plasare de antene pentru captarea semnalelor din psihocosmicitatea existenei n fantastic, n basm (intelectual, modern), n vis. E o concomiten (i interaciune) a cercetrii prin art i a intuiiei, a veridicului i a inefabilului. Leo Butnaru este un diavol cu barb care scapr din copite de sidef la mijloc de ru i de bine, adic ntr-o lume din scoar de mr domnesc plutind pe creasta valurilor ce le nal Prutul. Se vrea gladiator de destine, dar nu tie s i-l pzeasc pe al su, ceea ce nseamn c este un poet adevrat.Leo, ridic vslele i las vntul s te poarte spre limanul Nistrului romnesc, spre Delta uimirilor ce le adun Europa lng Ceatalul Ismail, spre misterele Carpailor. (Fnu Neagu) Dei tritor n lumea Prutului de dincolo, Leo aparine organic literaturii romne. Ai spune c triete la Bucureti, Rduti sau Rmnicu Srat... (Mihail Glanu)

ansa jocului i comunicrii cu necuvnttoarele“ – animale, psri, peti i alte lighioane, graie sensibilitii, mrinimiei, intuiiei, aduce copiilor foloase existeniale, recunoscute de psihologi, pedagogi, puericultori, artiti, savani, recent chiar de politicieni europeni verzi“ ce susin importana relaionrii omului cu Natura, calitile ei formative i estetice, aportul ei de vitalitate, echilibru, normalitate. Cartea de fa se refer, prin mijloacele poeziei i desenului – apte adesea a fi nelese mai uor de cei mici, dect de maturi – la bogia subiectelor vizuale i afective naturale, ce nc ne stau la dispoziie, alturi de lumea artificial pe care ne-o completeaz. Poezioare i imagini reformuleaz virtual un univers slbatic diminuat ct s ncap n raftul bibliotecii, n viziunea sever a printelui grijuliu, circumspect fa de orice pericole din planul fizic, dar mai ales n orizontul deschis al legitimei investigaii infantile. Strofele scrise n limbile romn, englez, francez dau un plus de universalitate unui ndemn generic: Admirai i iubii animalele!

"Hast thou seen that lordly castle,?That castle by the sea??Golden and red above it?The clouds float gorgeously." ??Do you remember Gratian—Gratian Conyfer, the godson of the four winds, the boy who lived at the old farmhouse up among the moors, where these strange beautiful sisters used to meet? Do you remember how full of fancies and stories Gratian's little head was, and how sometimes he put them into words to please Fergus, the lame child he loved so much? ??The story I am now going to tell you is one of these. I think it was their favourite one. I can not say that it is in the very words in which Gratian used to tell it, for it was not till long, long after those boyish days that it came to be written down. But all the same it is his story. About Author: Mary Louisa Molesworth, née Stewart (1839 – 1921) was an English writer of children's stories who wrote for children under the name of Mrs Molesworth. Her first novels, for adult readers, Lover and Husband (1869) to Cicely (1874), appeared under the pseudonym of Ennis Graham. She was born in Rotterdam, a daughter of Charles Augustus Stewart (1809–1873) who later became a rich merchant in Manchester and his wife Agnes Janet Wilson (1810–1883). Mary had three brothers and two sisters. She was educated in Great Britain and Switzerland: much of her girlhood was spent in Manchester. In 1861 she married Major R. Molesworth, nephew of Viscount Molesworth; they legally separated in 1879. Mrs Molesworth is best known as a writer of books for the young, such as Tell Me a Story (1875), Carrots (1876), The Cuckoo Clock (1877), The Tapestry Room (1879), and A Christmas Child (1880). She has been called "the Jane Austen of the nursery," while The Carved Lions (1895) "is probably her masterpiece." In the judgement of Roger Lancelyn Green: Mary Louisa Molesworth typified late Victorian writing for girls. Aimed at girls too old for fairies and princesses but too young for Austen and the Brontes, books by Molesworth had their share of amusement, but they also had a good deal of moral instruction. The girls reading Molesworth would grow up to be mothers; thus, the books emphasized Victorian notions of duty and self-sacrifice. Typical of the time, her young child characters often use a lisping style, and words may be misspelt to represent children's speech—"jography" for geography, for instance.She took an interest in supernatural fiction. In 1888, she published a collection of supernatural tales under the title Four Ghost Stories, and in 1896 a similar collection of six tales under the title Uncanny Stories. In addition to those, her volume Studies and Stories includes a ghost story entitled "Old Gervais" and her Summer Stories for Boys and Girls includes "Not exactly a ghost story." A new edition of The Cuckoo Clock was published in 1914.

Recuerdo que en cierta ocasión tuve en mis manos un ejemplar de la Gaceta Imperial de Pekín, y al revolver sus finas hojas de papel de arroz, entre las apretadas columnas de misteriosos caracteres, sólo encontré dos anuncios comprensibles por sus grabados: el que llaman vulgarmente tío del bacalao, ó sea el marinero que lleva á sus espaldas un enorme pez, pregonando las excelencias de la Emulsión Scott, y una botella de largo cuello con la etiqueta ?Vichy-?tat?. Pocas empresas en el mundo habrán hecho la propaganda que la Compa?ía Arrendataria de las aguas de Vichy. Circulan por las calles de la peque?a y elegante ciudad francesa los pesados carromatos cargados de cajones, camino de la estación del ferrocarril. Marchan las botellas alineadas en apretadas filas al salir de Vichy, para luego esparcirse como una esperanza de salud. ?Adonde van?... ? ?AUTOR: Vicente Blasco Ibanez nacio el 29 de enero de 1867 en Valencia (Espana). Era hijo de Ramona Ibanez y del comerciante Gaspar Blanco. Estudio Derecho en la Universidad de Valencia. Participo en la politica uniendose al Partido Republicano". En 1894 fundo el periodico El pueblo. En el ano 1896, fue detenido y condenado a varios meses de prision. En 1889 contrajo matrimonio con Maria Blasco del Cacho, hija del magistrado Rafael Blasco y Moreno. Cuando subio al poder Canovas del Castillo, el escritor se exilio brevemente en la ciudad de Paris. Fue un autor vinculado en muchos aspectos al naturalismo frances. Por otra parte, la explicita intencion politicosocial de algunas de las novelas de Blasco Ibanez, aunada al escaso bagaje intelectual del autor, lo mantuvo alejado de los representantes de la Generacion del 98. Murio el 28 de enero de 1928 en Menton (Francia)a los 60 anos. Entre sus titulos destacan: "Arroz y Tartana" (1894), "La Barraca" (1898), "Entre Naranjos (1900), "Canas y Barro" (1902), "La Horda" (1905), "Sangre y Arena" (1908) o "Los Cuatro Jinetes Del Apocalipsis" (1916).