Before Franklin Roosevelt declared December 7 to be a "e;date which will live in infamy"e;; before American soldiers landed on D-Day; before the B-17s, B-24s, and B-29s roared over Europe and Asia, there was Willow Run. Located twenty-five miles west of Detroit, the bomber plant at Willow Run and the community that grew up around it attracted tens of thousands of workers from across the United States during World War II. Together, they helped build the nation's "e;Arsenal of Democracy,"e; but Willow Run also became the site of repeated political conflicts over how to build suburbia while mobilizing for total war.In Planning the Home Front, Sarah Jo Peterson offers readers a portrait of the American people-industrialists and labor leaders, federal officials and municipal leaders, social reformers, industrial workers, and their families-that lays bare the foundations of community, the high costs of racism, and the tangled process of negotiation between New Deal visionaries and wartime planners. By tying the history of suburbanization to that of the home front, Peterson uncovers how the United States planned and built industrial regions in the pursuit of war, setting the stage for the suburban explosion that would change the American landscape when the war was won.

In the middle of the eighteenth century, something new made itself felt in European culture-a tone or style that came to be called the sentimental. The sentimental mode went on to shape not just literature, art, music, and cinema, but people's very structures of feeling, their ways of doing and being.?In what is sure to become a critical classic, An Archaeology of Sympathy challenges Sergei Eisenstein's influential account of Dickens and early American film by tracing the unexpected history and intricate strategies of the sentimental mode and showing how it has been reimagined over the past three centuries. James Chandler begins with a look at Frank Capra and the Capraesque in American public life, then digs back to the eighteenth century to examine the sentimental substratum underlying Dickens and early cinema alike. With this surprising move, he reveals how literary spectatorship in the eighteenth century anticipated classic Hollywood films such as Capra's It Happened One Night, Mr. Deeds Goes to Town, and It's a Wonderful Life. Chandler then moves forward to romanticism and modernism-two cultural movements often seen as defined by their rejection of the sentimental-examining how authors like Mary Shelley, Joseph Conrad, James Joyce, and Virginia Woolf actually engaged with sentimental forms and themes in ways that left a mark on their work.?Reaching from Laurence Sterne to the Coen brothers, An Archaeology of Sympathy casts new light on the long eighteenth century and the novelistic forebears of cinema and our modern world.

Das Rheingold, Die Walkre, and Siegfried. Parsifal. Tristan und Isolde. Both revered and reviled, Richard Wagner conceived some of the nineteenth century's most influential operas-and created some of the most indelible characters ever to grace the stage. But over the course of his polarizing career, Wagner also composed volumes of essays and pamphlets, some on topics seemingly quite distant from the opera house. His influential concept of Gesamtkunstwerk-the "e;total work of art"e;-famously and controversially offered a way to unify the different media of an opera into a coherent whole. Less well known, however, are Wagner's strange theories on sexuality-like his ideas about erotic acoustics and the metaphysics of sexual difference. Drawing on the discourses of psychoanalysis, evolutionary biology, and other emerging fields of study that informed Wagner's thinking, Adrian Daub traces the dual influence of Gesamtkunstwerk and eroticism from their classic expressions in Tristan und Isolde into the work of the generation of composers that followed, including Zemlinsky, d'Albert, Schreker, and Strauss. For decades after Wagner's death, Daub writes, these composers continued to grapple with his ideas and with his overwhelming legacy, trying in vain to write their way out from Tristan's shadow.

Some marriages are made in heaven . . . Some are not.What happens when "the happiest day of your life" turns into a nightmareForget the drunken best man or the bridesmaid dresses from the '80s . . . none of these wedding day disasters can compare to a cursed bride determined to make it down the aisle, or a vampire who is about to disrupt your wedding.Join New York Times bestselling authors Maggie Shayne and Jeaniene Frost, USA Today bestseller Kathryn Smith, as well as Terri Garey in four unforgettable tales of unholy matrimony . . . where the grooms are dark, dangerous, and mostly dead, and to love and cherish till death takes on a whole new meaning.

Bed-and-breakfast hostess Judith McMonigle and her policeman beau Joe Flynn hgave finally gotten hitched-and they're off on a sunny honeymoon to beautiful Buccaneer Beach.But an unfortunate confrontation with a dune buggy run amok puts hubby Joe in hospital traction-leaving his beleaguered blushing bride stranded in paradise with a bad case of ennui by the sea. Luckily irrepressible cousin Renie has selflessly agreed to keep Judith company. And when the landlady of their cozy, costly cottage by the shore turns up dead in their living room, the cousins suddenly have a murderous mystery to keep them afloat. Rumors of a fortune in buried pirate gold add spice to their adventure. But digging up both a treasure and a killer is dirty business-and Judith and Renie might end up digging their own graves.

Van Gogh-ing...going...gone! Poor Judith McMonigle Flynn! All she wants is a much-needed break from the rigors of running Hillside Manor. But she and cousin Renie have barely set foot in their family's backwoods vacation cottage...and already they're having a brush with the local law. It appears someone has painted their neighbor, world-renowned artist Riley Tobias, permanently out of the picture. And the artful slayer has managed to frame luckless Judith for the crime! But the model amateur sleuth isn't about to sit still for this , as she and her cuz canvas the countryside in search of a killer. Judith is certain the culprit can be found in the rogues' gallery of oily agents, malicious mistresses, and crafty critics who inhabited the defunct da Vinci's surrealistic world. But the cousins could be painting themselves into a dangerous corner with this unofficial investigation...and setting themselves up for another fatal art attack.Poor Judith McMonigle Flynn! All she wants is a much-needed break from the rigors of running Hillside Manor. But she and cousin Renie have barely set foot in their family's backwoods vacation cottage...and already they're having a brush with the local law. It appears someone has painted their neighbor, world-renowned artist Riley Tobias, permanently out of the picture. And the artful slayer has managed to frame luckless Judith for the crime! But the model amateur sleuth isn't about to sit still for this, as she and her cuz canvas the countryside in search of a killer. Judith is certain the culprit can be found in the rogues' gallery of oily agents, malicious mistresses, and crafty critics who inhabited the defunct da Vinci's surrealistic world. But the cousins could be painting themselves into a dangerous corner with this unofficial investigation...and setting themselves up for another fatal art attack.Poor Judith McMonigle Flynn! All she wants is a much-needed break from the rigors of running Hillside Manor. But she and cousin Renie have barely set foot in their family's backwoods vacation cottage...and already they're having a brush with the local law. It appears someone has painted their neighbor, world-renowned artist Riley Tobias, permanently out of the picture. And the artful slayer has managed to frame luckless Judith for the crime! But the model amateur sleuth isn't about to sit still for this, as she and her cuz canvas the countryside in search of a killer. Judith is certain the culprit can be found in the rogues' gallery of oily agents, malicious mistresses, and crafty critics who inhabited the defunct da Vinci's surrealistic world. But the cousins could be painting themselves into a dangerous corner with this unofficial investigation...and setting themselves up for another fatal art attack.

Michael "Mad Dog" Hertzog lived for soldiering but he wasn't willing to die following the orders of bureaucrats and incompetents. Now he and his private army of warriors-for-hire are doing war Dog's way. Hertzog's right hand man has vanished . . . along with $30 million of Mad Dog's money. The evidence says a trusted British merc has gone rogue, but there may be a different, more virulent form of treachery at work here. There are answers waiting aboard a train racing east from Moscow, carrying Russian gangsters, stolen Siberian diamonds, a shadow team of Iranian agents . . . and a pair of nuclear warheads. Suddenly the stakes have gotten perilously high for Mad Dog, his team, and the world . . . as time ticks rapidly away on a terrifying plot to bathe the Middle East in nuclear fire.

Forty is fabulous for Tessa Craig. Heck, she has it all—a glamorous job as a political speechwriter, a Manhattan duplex, and a handsome boyfriend, Congressman David Weyburn, whose integrity, charisma, and good looks have made him his party's rising star. But her fabulosity fizzles when scandal strikes, and Tessa watches helplessly as her seemingly happy love life and successful career collapse like a house of cards. Tessa realizes it's time to embark on a new journey, one she should have made a long time ago. It's a trip that takes her to the Emerald Isle and back, leading her heart in unimagined directions. She makes new friends, unexpectedly adopts a new family (or do they adopt her?), and discovers unanticipated love with silver-tongued, green-eyed, aspiring pub owner, Jamie Doyle. And, most importantly, Tessa makes that uphill climb over the rainbow to find the ultimate pot of gold: Herself.

At the age of eight Brian Lackey is found bleeding under the crawl space of his house, having endured something so traumatic that he cannot remember an entire five hour period of time. During the following years he slowly recalls details from that night, but these fragments are not enough to explain what happened to him, and he begins to believe that he may have been the victim of an alien encounter. Neil McCormick is fully aware of the events from that summer of 1981. Wise beyond his years, curious about his developing sexuality, Neil found what he perceived to be love and guidance from his baseball coach. Now, ten years later, he is a teenage hustler, a terrorist of sorts, unaware of the dangerous path his life is taking. His recklessness is governed by idealized memories of his coach, memories that unexpectedly change when Brian comes to Neil for help and, ultimately, the truth.

When the garishly grotesque clan of wealthy carpet-sweeper magnate Otto Broadie sweeps down upon Judith McMonigle's Hillside Manor Inn, it looks like there'll be a wild night of drinking, dining, and fortune-telling in the offing. But when their soothsayer-for-hire Madame Gushenka drops dead after someone douses her tea leaves with bug killer, harried hostess Judith and her irrepressible cousin Renie are left to clean up the mess. One of the Brodie bunch would dearly love to sweep the Madame's murder under the rug, however, and that might mean eliminating the nosy Ms. McMonigle as well. But with the help of her one-time beau, policeman Joe Flynn, Judith is determined to rattle the dust off some closeted family skeletons, in order to coax a killer out of hiding before coffee is served.

A poet and biographer, Jay Parini is also a novelist whose fiction has been acclaimed as "dazzli/ng," (Los Angeles Times) "achingly beautiful," (Washington Post) and "a subtle masterpiece" (John Bayley in the Times Literary Supplement). In his new novel, The Apprentice Lover, Parini evokes the gorgeous Mediterranean island of Capri during the summer of 1970 as the setting for a sensuous, deeply affecting story of a young American's coming into his own and reconciling himself with his past. When Alex Massolini's brother is killed in Vietnam, he drops out of Columbia University and leaves his conservative family behind for Capri to become secretary to Rupert Grant, a famous British novelist and poet, who dominates the island like a latter-day Prospero. Alex soon finds himself ensnared in a web of love affairs, friendships, and rivalries within the eccentric community that inhabits the idyllic beauty of the isolated Italian island. Among that group are the selfish, cunning, and brilliant Rupert Grant; his wife Vera, a charming and sophisticated social manipulator; the elusive Holly and the mysterious Marisa, who act as Grant's research assistants; the young philosophy student from the Sorbonne, Patrice LaRue; and Father Aurelio, who is desperate for parishioners. The Apprentice Lover traces a young American's enchantment and disenchantment-with his American past, with his new European mentor, and with the various characters on an island famous for its characters. As Alex stumbles upon intrigues and secrets, he tries to balance what others demand of him with his own nascent desires. His apprenticeship in love, literature, and life unfolds with a combination of Mediterranean clarity, wry humor, wit, and emotional power that only a master of fiction could orchestrate.

The Simple Science of a Healthy Life From fitness to diets to emotional health and longevity, what do people who feel and look healthy do differently than those who are overtired, depressed, or out of shapeEvery day we face an avalanche of studies and statistics that tell us what we should or shouldn't eat, how long we need to exercise, or how to protect ourselves from secondhand smoke and the harmful rays from the sun. Not only are these studies often contradictory, but the actual scientific information is usually inaccessible. Moving beyond the myths and misinformation, the advice in these pages is not based on one person's opinions or one expert's study. For the first time the research available on the health of average Americans has been distilled into one hundred essential ways that we can become healthier and happier. Each of the core findings is accompanied by a real life example showing these results in action. ?Eat more often. Oxford University researchers found that people who ate five or six times a day had a 5 percent lower total cholesterol than average and were 45 percent more likely to be able to sustain their target weight than people who ate once or twice a day. ?Who says caffeine is bad for youThe majority of scientific evidence shows that, for a healthy adult, moderate quantities of caffeine (about three cups of coffee per day) pose no significant health risks. ?Home sweet home. People who described their home lives as satisfying were 24 percent more likely to live beyond normal life expectancy, according to a UCLA study.

In this wicked, laugh-out-loud debut novel, five miserable souls struggle to make their mark on Hollywood, the city of the soulless. Rachel Burt, starry-eyed and clueless, has left behind tiny Sugarland, Texas, and her position as Starbucks employee of the month, to pursue her dreams of becoming a screenwriter. The madness begins when she eagerly accepts a position as assistant to Victoria Rush, an aging television diva with "a little pill-popping problem that two tours of duty at Betty Ford couldn't remedy." Rachel learns the ropes from Michaela Marsh, a never-say-die, plastic-surgery perfect "midget Tai-Bo Barbie." Michaela has spent years (and years and years: she is -- gasp -- over thirty!) trying to break into Hollywood, which has given her a healthy respect for the casting couch; but even sleeping with her slimy agent hasn't landed her a meaty role, and the last pilot she almost got, some ten years ago, went to that little nobody, Lisa Kudrow. Jeb, who operates on pure rage, has been fired from more assistant jobs than he cares to count, and he currently teeters on the edge of insanity under Randall Blume, one of the sleaziest agents in Hollywood. Kecia Christy, a no-nonsense Pisces pining for love and addicted to Krispy Kremes, works for Travis Trask, the hottest teen heartthrob since "that other white boy, Leo." More interested in smoking prizewinning pot with his bonehead buddies than in his next movie, Travis is always looking for the next good party -- until his ex-con brother shows up at the front door. Griffin's intelligence and ambition fail to shield him from endless humiliation at the hands of Johnny Treadway, a crass A-list manager with pec and cheek implants and a perpetual tan, courtesy of the Tropical Rays tanning bed he keeps in his office. Johnny takes all the credit while Griffin does all the real work, and Griffin has begun to suspect that selling his soul might not be worth that overdue promotion after all. Once a week, Rachel, Michaela, Jeb, Griffin, and Kecia meet at a dark, unhip watering hole to commiserate. Soon enough, however, the system spits them out, and they must learn to survive through sheer determination, hard-won industry savvy, and luck. At turns hilarious, poignant, and sinfully gossipy, The Assistants will keep you glued to your seat until the final page is turned.

"e;What a strange invention marriage is!"e; wrote Kierkegaard. "e;Is it the expression of that inexplicable erotic sentiment, that concordant elective affinity of souls, or is it a duty or a partnership . . . or is it a little of all that?"e;Like Kierkegaard a few decades later, many of Germany's most influential thinkers at the turn of the eighteenth century wondered about the nature of marriage but rejected the easy answers provided by biology and theology. In Uncivil Unions, Adrian Daub presents a truly interdisciplinary look at the story of a generation of philosophers, poets, and intellectuals who turned away from theology, reason, common sense, and empirical observation to provide a purely metaphysical justification of marriage.Through close readings of philosophers like Fichte and Schlegel, and novelists like Sophie Mereau and Jean Paul, Daub charts the development of this new concept of marriage with an insightful blend of philosophy, cultural studies, and theory. The author delves deeply into the lives and work of the romantic and idealist poets and thinkers whose beliefs about marriage continue to shape ideas about gender, marriage, and sex to the present day.

Despite their influence in our culture, sports inspire dramatically less philosophical consideration than such ostensibly weightier topics as religion, politics, or science. Arguing that athletic playfulness coexists with serious underpinnings, and that both demand more substantive attention, Daniel Dombrowski harnesses the insights of ancient Greek thinkers to illuminate contemporary athletics.Dombrowski contends that the ideas of Plato, Aristotle, and Plotinus shed important light on issues-such as the pursuit of excellence, the concept of play, and the power of accepting physical limitations while also improving one's body-that remain just as relevant in our sports-obsessed age as they were in ancient Greece. Bringing these concepts to bear on contemporary concerns, Dombrowski considers such questions as whether athletic competition can be a moral substitute for war, whether it necessarily constitutes war by other means, and whether it encourages fascist tendencies or ethical virtue. The first volume to philosophically explore twenty-first-century sport in the context of its ancient predecessor, Contemporary Athletics and Ancient Greek Ideals reveals that their relationship has great and previously untapped potential to inform our understanding of human nature.

In 1345, when Petrarch recovered a lost collection of letters from Cicero to his best friend Atticus, he discovered an intimate Cicero, a man very different from either the well-known orator of the Roman forum or the measured spokesman for the ancient schools of philosophy. It was Petrarch's encounter with this previously unknown Cicero and his letters that Kathy Eden argues fundamentally changed the way Europeans from the fourteenth through the sixteenth centuries were expected to read and write.The Renaissance Rediscovery of Intimacy explores the way ancient epistolary theory and practice were understood and imitated in the European Renaissance.Eden draws chiefly upon Aristotle, Cicero, and Seneca-but also upon Plato, Demetrius, Quintilian, and many others-to show how the classical genre of the "e;familiar"e; letter emerged centuries later in the intimate styles of Petrarch, Erasmus, and Montaigne. Along the way, she reveals how the complex concept of intimacy in the Renaissance-leveraging the legal, affective, and stylistic dimensions of its prehistory in antiquity-pervades the literary production and reception of the period and sets the course for much that is modern in the literature of subsequent centuries. Eden's important study will interest students and scholars in a number of areas, including classical, Renaissance, and early modern studies; comparative literature; and the history of reading, rhetoric, and writing.

During the seventeenth century, England was beset by three epidemics of the bubonic plague, each outbreak claiming between a quarter and a third of the population of London and other urban centers. Surveying a wide range of responses to these epidemics-sermons, medical tracts, pious exhortations, satirical pamphlets, and political commentary-Plague Writing in Early Modern England brings to life the many and complex ways Londoners made sense of such unspeakable devastation.Ernest B. Gilman argues that the plague writing of the period attempted unsuccessfully to rationalize the catastrophic and that its failure to account for the plague as an instrument of divine justice fundamentally threatened the core of Christian belief. Gilman also trains his critical eye on the works of Jonson, Donne, Pepys, and Defoe, which, he posits, can be more fully understood when put into the context of this century-long project to "e;write out"e; the plague. Ultimately, Plague Writing in Early Modern England is more than a compendium of artifacts of a bygone era; it holds up a distant mirror to reflect our own condition in the age of AIDS, super viruses, multidrug resistant tuberculosis, and the hovering threat of a global flu pandemic.

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An offensive, in-your-face, brutally honest and completely hilarious look at male inner life and sexual fantasy. In the course of this hilariously honest book, our narrator suffers through a relationship with his vapid wannabe-actress girlfriend until he finds the perfect girl. But when he moves into the new relationship, he slowly learns that all women are pretty much the same, that man's true desires will never be fulfilled, and the decision between living life alone or biting the marriage bullet must be made.Includes an excerpt from the forthcoming sequel The Average American Marriage.

1803, the colony of Texas Marianne Phillips, the daughter of a wealthy rancher, has never agreed with her father's harsh treatment of the poor mestizos who first inhabited the colony of Texas. When rebels kidnap Marianne, in hopes her father will trade back their land for her freedom, she realizes her loyalty lies with her abductors, not her father, who plans to marry her off to the don of a nearby estate. Armando Garcia is the locals' reluctant leader, but his people revere and depend on him. Knowing that without his leadership they'd be forced from their land, Armando accepts his role, but does not approve of the latest attempt to manipulate their enemy. When he learns that Marianne actually speaks his language, of her loyalty to his people, and of the faith that keeps her strong, Armando is faced with a difficult decision. Will his newfound love keep him from letting her goOr will he set her free and risk losing their land forever?

Bakerton is a community of company houses and church festivals, of union squabbles and firemen's parades. Its neighborhoods include Little Italy, Swedetown, and Polish Hill. For its tight-knit citizens -- and the five children of the Novak family -- the 1940s will be a decade of excitement, tragedy, and stunning change. Baker Towers is a family saga and a love story, a hymn to a time and place long gone, to America's industrial past, and to the men and women we now call the Greatest Generation. It is a feat of imagination from an extraordinary voice in American fiction, a writer of enormous power and skill.