THE MAN IN THE MOON.THE Man in the MoonCame tumbling down,And asked his way to Norwich;They told him south,And he burnt his mouthWith eating cold pease-porridge. TO MARKET, TO MARKET.TO market, to market, to buy a fat Pig;Home again, home again, dancing a jig. The Man In the Moon.To Market, to Market.There Was a Man.The Lion and the Unicorn.Little Miss Muffet.Oranges and Lemons.Goosey, Goosey Gander.Humpty Dumpty.Baa, Baa, Black Sheep.The Three Wise Men of Gotham. STORIES: - The Man In the Moon.- To Market, to Market.- There Was a Man.- The Lion and the Unicorn.- Little Miss Muffet.- Oranges and Lemons.- Goosey, Goosey Gander.- Humpty Dumpty.- Baa, Baa, Black Sheep.- The Three Wise Men of Gotham.

A Magánügyb?l megismert magánnyomozó, Dave Bexley ismét úgy érzi, minek elvállalni egy ügyet, ha kett?t is lehet - aztán j?n a t?bbi magától. El?sz?r egy bánatos víg ?zvegy orvul meggyilkolt férjének gyilkosát kell el?keríteni, majd egy bájakkal er?sen megáldott h?lgy zsarolóit megállítani. Tetejében még megtalálja a titkosszolgálat is, hogy elveszett biológiai fegyverek után kutasson. ?s, mivel a nap 24 órából áll, képbe kerül a korábban elt?ntnek hitt, titokzatos Leslie Morton is, és az általa hajszolt mágnesfegyver.Bár Dave néha úgy érzi, csupán gyalog a sakktáblán - de tudjuk jól, akár egy gyalog is képes játékokat eld?nteni.

Collection of classic fairy tales. According to Wikipedia: "Andrew Lang (March 31, 1844, Selkirk ? July 20, 1912, Banchory, Kincardineshire) was a prolific Scots man of letters. He was a poet, novelist, and literary critic, and contributor to anthropology. He now is best known as the collector of folk and fairy tales." With the active (hyperlinked) table of contents, click on a story title to go to that story.

Collection of classic Henry James long stories. According to Wikipedia: "Henry James, (1843 – 1916), son of theologian Henry James Sr., brother of the philosopher and psychologist William James and diarist Alice James, was an American-born British author. He is one of the key figures of 19th century literary realism; the fine art of his writing has led many academics to consider him the greatest master of the novel and novella form. He spent much of his life in England and became a British subject shortly before his death. He is primarily known for a series of major novels in which he portrayed the encounter of America with Europe. His plots centered on personal relationships, the proper exercise of power in such relationships, and other moral questions. His method of writing from the point of view of a character within a tale allowed him to explore the phenomena of consciousness and perception, and his style in later works has been compared to impressionist painting."

Collection of stories, including: The Heritage of Dedlow Marsh, A Knight-Errant of the Foot-Hills, A Secret of Telegraph Hill, and Captain Jim's Friend. According to Wikipedia: "Bret Harte (August 25, 1836[2] – May 6, 1902) was an American author and poet, best remembered for his accounts of pioneering life in California. He was born in Albany, New York. ... He moved to California in 1853, later working there in a number of capacities, including miner, teacher, messenger, and journalist. He spent part of his life in the northern California coast town now known as Arcata, then just a mining camp on Humboldt Bay. His first literary efforts, including poetry and prose, appeared in The Californian, an early literary journal edited by Charles Henry Webb. In 1868 he became editor of The Overland Monthly, another new literary magazine, but this one more in tune with the pioneering spirit of excitement in California. His story, "The Luck of Roaring Camp," appeared in the magazine's second edition, propelling Harte to nationwide fame... Determined to pursue his literary career, in 1871 he and his family traveled back East, to New York and eventually to Boston, where he contracted with the publisher of The Atlantic Monthly for an annual salary of $10,000, "an unprecedented sum at the time." His popularity waned, however, and by the end of 1872 he was without a publishing contract and increasingly desperate. He spent the next few years struggling to publish new work (or republish old), delivering lectures about the gold rush, and even selling an advertising jingle to a soap company. In 1878 Harte was appointed to the position of United States Consul in the town of Krefeld, Germany and then to Glasgow in 1880. In 1885 he settled in London. During the thirty years he spent in Europe, he never abandoned writing, and maintained a prodigious output of stories that retained the freshness of his earlier work. He died in England in 1902 of throat cancer and is buried at Frimley."

To the irreverent—and which of us will claim entire exemption from that comfortable classification—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw. He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox). Indeed he knows no more about the dramatic art than, according to his own story in "The Man of Destiny," Napoleon at Tavazzano knew of the Art of War. But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre. Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric. There never was an author who showed less predilection for a specific medium by which to accomplish his results. He recognized, early in his days, many things awry in the world and he assumed the task of mundane reformation with a confident spirit. It seems such a small job at twenty to set the times aright. He began as an Essayist, but who reads essays now-a-days—he then turned novelist with no better success, for no one would read such preposterous stuff as he chose to emit. He only succeeded in proving that absolutely rational men and women—although he has created few of the latter—can be most extremely disagreeable to our conventional way of thinking. As a last resort, he turned to the stage, not that he cared for the dramatic art, for no man seems to care less about "Art for Art's sake," being in this a perfect foil to his brilliant compatriot and contemporary, Wilde. He cast his theories in dramatic forms merely because no other course except silence or physical revolt was open to him. For a long time it seemed as if this resource too was doomed to fail him. But finally he has attained a hearing and now attempts at suppression merely serve to advertise their victim. It will repay those who seek analogies in literature to compare Shaw with Cervantes. After a life of heroic endeavor, disappointment, slavery, and poverty, the author of "Don Quixote" gave the world a serious work which caused to be laughed off the world's stage forever the final vestiges of decadent chivalry. The institution had long been outgrown, but its vernacular continued to be the speech and to express the thought "of the world and among the vulgar," as the quaint, old novelist puts it, just as to-day the novel intended for the consumption of the unenlightened must deal with peers and millionaires and be dressed in stilted language. Marvellously he succeeded, but in a way he least intended. We have not yet, after so many years, determined whether it is a work to laugh or cry over. "It is our joyfullest modern book," says Carlyle, while Landor thinks that "readers who see nothing more than a burlesque in 'Don Quixote' have but shallow appreciation of the work." Shaw in like manner comes upon the scene when many of our social usages are outworn. He sees the fact, announces it, and we burst into guffaws. The continuous laughter which greets Shaw's plays arises from a real contrast in the point of view of the dramatist and his audiences. When Pinero or Jones describes a whimsical situation we never doubt for a moment that the author's point of view is our own and that the abnormal predicament of his characters appeals to him in the same light as to his audience. With Shaw this sense of community of feeling is wholly lacking. He describes things as he sees them, and the house is in a roar. Who is right If we were really using our own senses and not gazing through the glasses of convention and romance and make-believe, should we see things as Shaw does Must it not cause Shaw to doubt his own or the public's sanity to hear audiences laughing boisterously over tragic situations And yet, if they did not come to laugh, they would not come at all. Mockery is the price he must pay for a hearing. Or has he calculated to a nicety the power of reaction Does he seek to drive us to aspiration by the portrayal of sordidness, to disinterestedness by the picture of selfishness, to illusion by disillusionment It is impossible to believe that he is unconscious of the humor of his dramatic situations, yet he stoically gives no sign. He even dares the charge, terrible in proportion to its truth, which the most serious of us shrinks from—the lack of a sense of humor. Men would rather have their integrity impugned. In "Arms and the Man" the subject which occupies the dramatist's attention is that survival of barbarity—militarism—which raises its horrid head from time to time to cast a doubt on the reality of our civilization. No more hoary superstition survives than that the donning of a uniform changes the nature of the wearer. This

High-Low, supernatural teen fiction--Apartment 4A follows a struggling teen, Bree, who has to take care of herself in a less than ideal situation. Bree is an orpan living with her aunt who is suffering from dimentia. She also has a dodgy brother that drinks too much. She has no one to count on but herself, until she starts hearing noises from a nearby empty apartment. Written at a 2.0 reading level, each book contains approximately 2500 words. Books are not sold separately. Bree knew her boss was dealing drugs. But she needed the job. Her brother only came home to steal. And her aunt was ill. “Just one last job,” Bree thought.

High-Low, supernatural teen fiction--Apartment 4A follows a struggling teen, Bree, who has to take care of herself in a less than ideal situation. Bree is an orpan living with her aunt who is suffering from dimentia. She also has a dodgy brother that drinks too much. She has no one to count on but herself, until she starts hearing noises from a nearby empty apartment. Written at a 2.0 reading level, each book contains approximately 2500 words. Books are not sold separately. Bree turned the knob of apartment 4A. The door was unlocked. They walked in. It was empty. Andre looked around. “This is where we used to live.”

One day when she was younger and better-looking, and when her voice was stronger, Nikolay Petrovitch Kolpakov, her adorer, was sitting in the outer room in her summer villa. It was intolerably hot and stifling. Kolpakov, who had just dined and drunk a whole bottle of inferior port, felt ill-humoured and out of sorts. Both were bored and waiting for the heat of the day to be over in order to go for a walk.

Big raindrops were pattering on the dark windows. It was one of those disgusting summer holiday rains which, when they have begun, last a long time—for weeks, till the frozen holiday maker grows used to it, and sinks into complete apathy. It was cold; there was a feeling of raw, unpleasant dampness. The mother-in-law of a lawyer, called Kvashin, and his wife, Nadyezhda Filippovna, dressed in waterproofs and shawls, were sitting over the dinner table in the dining-room.

Just 32-pages each- eBooks for struggling readers power-packed with reading employment. Here are 40 exciting Hi-Lo books with various themes guaranteed to keep your students turning the pages until the very end! There's something odd about the attendants at the Painted Desert Resort. Brad can't shake the feeling that they never stop watching him.

Set during World War I England, this story centers on a Lady Vivian, a 29-year-old woman who goes to great lengths to secure admiration for her selfless devotion to her war work managing a supply depot and other war service organizations in her region. Though projecting an image of herself as extremely efficient, her refusal to delegate and desire for control creates obstacles for others and great deals of unnecessary work for herself and staff. Her staff of about three-dozen women initially admire her greatly, but with the arrival of a well-bred young lady from Wales, the irritated expostulations of the neighborhood doctor, and a few heartless actions of her own, this view changes (except among her two most devoted allies).?

Fingerprints. A single print, being unique - not even identical twins have the same fingerprints - that single print found in the right place at the right time is sufficient to disclose the perpetrator of a crime. ? Actually, there are those who claim that identifying and matching fingerprints is not sufficiently scientific and so the fingerprint doesn't carry the weight in court that it did only a decade ago. DNA is now the sexy evidence. ? In The Red Thumbmark by R Austin Freeman, published in 1907, a single fingerprint is found at the scene of a crime. When the police are able to identify that fingerprint, the case seems closed. ? But Dr Thorndyke, the detective/barrister/medical doctor who takes on defense of this suspect, thinks he can disprove the prosecution's case, based on that same fingerprint. ? It does not take Dr Thorndyke to figure out who the criminal is. The mystery in this wonderful detective tale is who the lovely heroine is in love with. The answer may surprise you.

To, aby se vrátil ?ivot na hrabství Wellnsburgov?ch do těch normálních kolejí, to by zde nesměl b?t dárek v?podobě t?í map ?elvích ostrov?, které dostali od samotného kapitána Geweryho, jen? jim je věnoval p?i odchodu z?jeho lodě, kterou mu v?ichni, v?etně ctihodn?ch sester Josephiny, Augustiny a Rosalindy pomohly opět získat z?rukou loupe?n?ch pirát?. Touha plavit se na ostrovy bude vyburcována samotn?m p?íchodem Kapitána Geweryho, kter? byl pozván na jejich svatby a o kterém si myslí, ?e jejich pozvání k?němu snad ani nedorazilo, kdy? se najednou z??ista jasna objeví v?kostele, aby jim osobně p?edal svou gratulaci. Jak to ale udělat, aby dostali svolení a mohli pou?ít jednu z?honosn?ch lodí hraběte Richarda Wellnsburga, kter? ji? nechce sly?et o ?ádném dobrodru?ství? Budou lhát a vyplují pod záminkou, ?e budou doprovázet svého hosta. Le? bude ale odhalena záhy poté co hrabě Richard, jeho dcera Katarine a Martrek dostanou zprávu od rychlého posla, ze které se dozvídá ?e ?lenové hraběcí rodiny jsou na ?elvích ostrovech, kde jim byla uloupená jejich honosná lo?. Kdo to udělal? Jak se s?tím vypo?ádají a jak?ch trik? pou?ijí ctihodné sestry – jejich sudi?ky, pro to aby pomohly?

Romance meets suspense in a very small town. A new life haunted by the old - or has Faryn stumbled into something worse than what she's running from? Faryn Miller wants to build a new life in a small town. It's her last chance to figure out, of all the roles she's played in her thirty-some years, which one truly fits. Her aim at simplicity sounds like the perfect medicine until she meets Kai Allen, who's spent his life doing everything the hard way and never bending for anyone. Lucky for Kai, Faryn has no preconceived notions about what he's done and who he is, unlike the rest of town.? When cryptic messages start sneaking their way into Faryn's apartment, then blatant threats, the two of them compile a long list of who could be stalking her. Unable to keep his frustration and rage hidden any longer, Kai explodes on everyone in his path, and Faryn can't help but wonder if the storm is closer than she thinks.

Algernon Blackwood's classic tale, The Wendigo. An influential novella by one of the most best-known writers of fantasy and horror, set in a place and time Blackwood knew well.

Haunted by the demons of childhood abuse at the hands of his father—a televangelist preacher. Eighteen-year old Adrian Luz is a militant atheist. When he starts his first semester at Yale University, he hopes to begin a new chapter. After a Satanic ritual at his ex-girlfriend’s house, he is plagued with a horrific chain of paranormal experiences from menacing voices pressuring him to let them in. With their threats comes humiliation, each encounter jeopardizing his ambitions. He seeks answers from a psychiatrist who diagnosis him with Complex Post-Traumatic Stress Disorder. Yet he denies the diagnosis as the root of his torment. Either he must learn to cope with his psychosis or shift his views before they decide for him.

Angelically beautiful Jean Briggerland is a sociopathic criminal, so lovely that none can see her guilt -- even in connection with the most blatant crimes! Can Jack Glover, best friend and lawyer to Jean's latest victim, bring her to justice before she murders her way to unspeakable wealth and power? ? This is a riveting tale which sets out with a man being sentenced for murder and a beautiful, innocent woman having had to testify against him. Except, what everyone thinks is exactly opposite to the truth, according to the condemned man's friend and attorney, Jack Glover. He claims that his friend was framed. Meanwhile, poverty-stricken Lydia gets pulled into this scenario completely out of the blue and is put in the situation of having to decide who to trust. One person is telling the truth and the other is out to murder her. We are not really ever in the dark about it, but watching Lydia's thinking and also seeing the behind-the-scenes machinations makes this a real page-turner.

Includes over 20,000 analytical, theoretical and practical works on American and British Law. It includes the writings of major legal theorists, including Sir Edward Coke, Sir William Blackstone, James Fitzjames Stephen, Frederic William Maitland, John Marshall, Joseph Story, Oliver Wendell Holmes, Jr. and Roscoe Pound, among others. Legal Treatises includes casebooks, local practice manuals, form books, works for lay readers, pamphlets, letters, speeches and other works of the most influential writers of their time. It is of great value to researchers of domestic and international law, government and politics, legal history, business and economics, criminology and much more.

Short stories that are unfulfilled episodes in the lives various characters without clear resolutions. There are no happy endings. Life just goes on, or doesn't. Checkhov negates all things fairy tale in favour of stark reality. Not one to read for escapism, but for some magnificent insights into the human condition.

Herland is a utopian novel from 1915, written by feminist Charlotte Perkins Gilman. The book describes an isolated society composed entirely of women, who reproduce via parthenogenesis (asexual reproduction). The result is an ideal social order: free of war, conflict, and domination. It first appeared as a serial in The Forerunner, a magazine edited and written by Gilman between 1909 and 1916. The book is the middle volume in her utopian trilogy; it was preceded by Moving the Mountain (1911), and followed with a sequel, With Her in Ourland (1916). It was not published in book form until 1979. ? The story is told from the perspective of Vandyck "Van" Jennings, a student of sociology who, along with two friends (Terry O. Nicholson and Jeff Margrave), forms an expedition party to explore an area of uncharted land where it is rumored lives a society consisting entirely of women. The three friends do not entirely believe the rumors because they are unable to think of a way how human reproduction could occur without males. The men speculate about what a society of women would be like, each guessing differently based on the stereotype of women which he holds most dear: Jeff regarding women as things to be served and protected; Terry viewing them as things to be conquered and won.