Living by Fiction is written for--and dedicated to--people who love literature. Dealing with writers such as Nabokov, Barth, Coover, Pynchon, Borges, García Márquez, Beckett, and Calvino, Annie Dillard shows why fiction matters and how it can reveal more of the modern world and modern thinking than all the academic sciences combined. Like Joyce Cary's Art and Reality, this is a book by a writer on the issues raised by the art of literature. Readers of Pilgrim at Tinker Creek and Holy the Firm will recognize Dillard's vivid writing, her humor, and the lively way in which she tackles the urgent questions of meaning in experience itself.

Both a great American adventure and a rare entry into asheltered world, Under the Big Top describes one man's pursuit of every child's fantasy: running away to join the circus. Bruce Feiler's unforgettable year as a clown will forever change your view of one of the world's oldest art forms and remind you of how dreams can go horribly wrong -- and then miraculously come true.

In Feeling Strong, noted psychoanalyst Ethel S. Person redefines the notion of power. Power is often narrowly understood as the force exerted by the politicians and business leaders who seem to be in charge and by the rich and famous who monopolize our headlines. The whiff of evil we often catch when the subject of power is in the air comes from this one conception of power-- the drive for dominance over other people, or, in its most extreme form, an overriding and often ruthless lust for total command. But this is far too limited a definition of power.Pointing to a more fulfilling sense of self-empowerment than is being touted in pop-psychology manuals of our time, Feeling Strong shows us that power is really our ability to produce an effect, to make something we want to happen actually take place. Power is a desire and a drive, and it central in our lives, dictating much of our behavior and consuming much of our interior lives.We all have a need to possess power, use it, understand it and negotiate it. This holds true not just in mediating our sex and love lives, our family lives and friendships, our work relationships but in seeking to realize our dreams, whether in pursuit of our ambitions, expression of our creative impulses, or in our need to identify with something larger than ourselves. These separate kinds of power are best described as interpersonal power and personal power, respectively, and they call on different parts of our psyche. Ideally, we acquire competence in both domains.Drawing from her expertise honed in clinical practice, as well as from examples in literature and true-life vignettes, Person shows how we can achieve authentic power, a fundamental and potentially benevolent part of human nature that allows us to experience ourselves as authentically strong. To find something that matters; to live life at a higher pitch; to feel inner certainty; to find a personality of your own and effectively plot our own life story -- these are the forms of power explored in the book. To achieve and maintain such empowerment always entails struggle and is a life-long journey. Feeling Strong will lead the way.

Annie Dillard has written eleven books, including the memoir of her parents, An American Childhood; the Northwest pioneer epic The Living; and the nonfiction narrative Pilgrim at Tinker Creek. A gregarious recluse, she is a member of the American Academy of Arts and Letters.

World-renowned novelist Mark Helprin offers a ringing Jeffersonian defense of private property in the age of digital culture, with its degradation of thought and language, and collectivist bias against the rights of individual creators. Mark Helprin anticipated that his 2007 New York Times op-ed piece about the extension of the term of copyright would be received quietly, if not altogether overlooked. Within a week, the article had accumulated 750,000 angry comments. He was shocked by the breathtaking sense of entitlement demonstrated by the commenters, and appalled by the breadth, speed, and illogic of their responses. Helprin realized how drastically different this generation is from those before it. The Creative Commons movement and the copyright abolitionists, like the rest of their generation, were educated with a modern bias toward collaboration, which has led them to denigrate individual efforts and in turn fueled their sense of entitlement to the fruits of other people's labors. More important, their selfish desire to stick it to the greedy corporate interests who control the production and distribution of intellectual property undermines not just the possibility of an independent literary culture but threatens the future of civilization itself.

In 1955 the murderers of Emmett Till, a black Mississippi youth, were acquitted of their crime, undoubtedly because they were white. Forty years later, O. J. Simpson, whom many thought would be charged with murder by virtue of the DNA evidence against him, went free after his attorney portrayed him as a victim of racism. Clearly, a sea change had taken place in American culture, but how had it happenedIn this important new work, distinguished race relations scholar Shelby Steele argues that the age of white supremacy has given way to an age of white guilt -- and neither has been good for African Americans.As the civil rights victories of the 1960s dealt a blow to racial discrimination, American institutions started acknowledging their injustices, and white Americans -- who held the power in those institutions -- began to lose their moral authority. Since then, our governments and universities, eager to reclaim legitimacy and avoid charges of racism, have made a show of taking responsibility for the problems of black Americans. In doing so, Steele asserts, they have only further exploited blacks, viewing them always as victims, never as equals. This phenomenon, which he calls white guilt, is a way for whites to keep up appearances, to feel righteous, and to acquire an easy moral authority -- all without addressing the real underlying problems of African Americans. Steele argues that calls for diversity and programs of affirmative action serve only to stigmatize minorities, portraying them not as capable individuals but as people defined by their membership in a group for which exceptions must be made.Through his articulate analysis and engrossing recollections of the last half-century of American race relations, Steele calls for a new culture of personal responsibility, a commitment to principles that can fill the moral void created by white guilt. White leaders must stop using minorities as a means to establish their moral authority -- and black leaders must stop indulging them. As White Guilt eloquently concludes, the alternative is a dangerous ethical relativism that extends beyond race relations into all parts of American life.

A Lord Not Meant to MarryHamish MacRae, a changed man, returned to his beloved Scotland intending to turn his back on the world. The proud, brooding lord wants nothing more than to be left alone, but an unwanted visitor to his lonely castle has defied his wishes. While it is true that this healer, Mary Gilly, is a beauty beyond compare, it will take more than her miraculous potions to soothe his wounded spirit. But Mary's tender heart is slowly melting Hamish's frozen one . . . awakening a burning need to keep her with him -- forever.A Lady Who Dares Not LoveNever before has Mary felt such an attraction to a man! The mysterious Hamish MacRae is strong and commanding, with a face and form so handsome it makes Mary tremble with wanting him. Already shadowy forces are coming closer, heartless whispers and cruel rumors abound, and it will take a love more pure and powerful than any other to divine the truth -- and promise a future neither had dreamed possible.

Three signs that something is very different with your mew man:1. He sleeps all day . . . which would be annoying except he's so attentive at night.2. He's attacked by sword-wielding assailants, yet insists he can handle it on his own.3. He never seems to age. Heather Westfield has always lived a quiet life, but that all changes when she helps a very handsome, very mysterious stranger. There's something not quite right about Jean-Luc, but still, she's never been with a man so charming, so attractive . . . so wonderful. Now if only a murderous villain wasn't after them, they might get their happily-ever-after.

Dear Avon Books,Where are my heroesWhenever I'm reading a book by one of my favorite authors I find I'm falling for the wrong guy -- not the hero, but the other man -- and what I really want is for him to have his own story.Like Jake Linley, from Someone to Watch Over Me by Lisa Kleypas that doctor could sit by my bedside if I ever got sick. And Ned Blydon in Splendid by Julia Quinn...he makes me want to learn to waltz! I never thought living in a drafty castle would be much fun until Simon of Ravenswood in Master of Desire by Kinley MacGregor came along.Anyway, I just wanted to let you know that these are my men -- when do they get their stories?Sincerely,A Romance FanSome books are so special that there is more than one hero to love, but only a single story is told. So if you find yourself asking, "Where is my hero?" you'll discover the answer right here in this delicious collection by New York Times bestseller Lisa Kleypas, New York Times bestseller Julia Quinn and USA Today bestseller Kinley MacGregor.

The constraints of quiet widowhood have become too much for Lady Caroline Pearson to bear especially now that her brother-in law has idiotically, and illegally, gambled away her house. Boldly, she confronts the new owner in person. But not only does the dashing rogue, James Ferrington, refuse to return Caroline's deed, he tries to take scandalous advantage of her as well. Sheepish and repentant, James arrives on Caroline's doorstep to make amends unaware that the young widow and her eccentric aunt are intent on retaliation. James merely meant to seduce a bewitching minx and have done with it and, suddenly, he's a kidnapped prisoner in Caroline's cellar. But most shocking of all, James realizes that he has no desire whatsoever to be free for the audacious Caroline has inflamed his senses, destroyed his reason . . . and completely captured his heart.

The darkly graceful poems in Mark Doty's seventh collection explore the ways in which we are educated by the implacable powers of time and desire. The world constantly renews itself, and the new brings both possibility and erasure. Given the limits of our own bodies, how are we to live within the inevitability of despair?This is the plainest of Doty's books, its language stripped and humbled. But whatever depths are sounded in these poems, their humane and open music sustains. Art itself instructs us. Lucian Freud's startling renditions of human skin, Virginia Woolf's ecstatic depiction of consciousness, Caravaggio's only-too-real people elevated to difficult glory -- all turn the light of human intelligence upon "the night of time."Formally inventive, warm, at once witty and disconsolate, School of the Arts represents a poet reinventing his own voice at midlife, finding a way through a troubled passage. Acutely attentive, insistently alive, this is a book of "fierce vulnerability."

You've met the Italian mobin The Godfather, now welcometo the real-life world of IrishAmerica's own murderous clanof organized crime The man who has remained silent for more than a decade finally speaks, revealing the gritty true story of his life inside the infamous South Boston Irish mob led by the elusive, Machiavellian kingpin Whitey Bulger, who to this day remains on the lam as one of the world's Ten Most Wanted criminals, second only to Osama bin Laden.John "Red" Shea was a top lieutenant in the South Boston Irish mob, rising to this position at the age of twenty-one. Thus began his tutelage under the notorious Irish godfather James "Whitey" Bulger. An ice-cold enforcer with a legendary red-hot temper, Shea was a legend among his Southie peers in the 1980s. From the first delivery truck he robbed at thirteen to the start of his twelve-year federal sentence for drug trafficking at twenty-seven, Shea was a portrait in American crime -- a terror, brutal and ruthlessly ambitious. Drug dealer, loan shark, money launderer, and multimillion-dollar narcotics kingpin, Shea was at the pinnacle of power -- until the feds came knocking and eventually obliterated the legendary mob in a well-orchestrated sweep of arrests, fueled by insider tips to the FBI and DEA. While Bulger's other top men turned informant to save their own hides, Shea alone kept his code of honor and his mouth shut -- loyalty that earned him a dozen years of hard time even as the man he was protecting turned out to be, himself, a rat. For in the end, in a remarkable show of betrayal, Bulger turned out to be the FBI's "main man" and top informant -- tipping off the feds for decades while still managing to operate one of the most murderous and profitable organized crime outfits of all time.In Rat Bastards, Shea brings that mysterious world and gritty urban Irish American street culture into sharp focus by telling his own story -- of his fatherless upbringing, his apprenticeship on the tough streets of Southie, and his love affair with trouble, boxing, and then the gangster life. In prose that is refreshingly honest, personal, and surprisingly tender, Shea tells his harrowing, unflinching, and unapologetic story. A man who did the crime, did the time, and held fast to the Irish code of silence, which he was raised to follow at any cost, Shea remains a man of honor and in doing so has become a living legend. One of the last of a dying breed, a true stand-up guy.Shea expects no forgiveness and makes no excuses for the life he chose. His story is intense, compelling, and in your face.

The Apollo lunar missions of the 1960s and 1970s have been called the last optimistic acts of the twentieth century. Twelve astronauts made this greatest of all journeys and were indelibly marked by it, for better or for worse. Journalist Andrew Smith tracks down the nine surviving members of this elite group to find their answers to the question "Where do you go after you've been to the Moon?"A thrilling blend of history, reportage, and memoir, Moondust rekindles the hopeful excitement of an incandescent hour in America's past and captures the bittersweet heroism of those who risked everything to hurl themselves out of the known world -- and who were never again quite able to accept its familiar bounds.

How is it possible to have vivid memories of something that never happenedHow can siblings remember the same event from their childhoods so differently?Do the selections and distortions of memory reveal a truth about the self?Why are certain memories tied to specific places?Does your memory really get worse as you get older?A new consensus is emerging among cognitive scientists: rather than possessing fixed, unchanging memories, we create recollections anew each time we are called upon to remember. As the psychologist Charles Fernyhough explains, remembering is an act of narrative imagination as much as it is the product of a neurological process. In Pieces of Light, he eloquently illuminates this compelling scientific breakthrough via a series of personal stories a visit to his college campus to see if his memories hold up, an interview with his ninety-three-year-old grandmother, conversations with those whose memories are affected by brain damage and trauma each illustrating memory's complex synergy of cognitive and neurological functions.Fernyhough guides readers through the fascinating new science of autobiographical memory, covering topics including imagination and the power of sense associations to cue remembering. Exquisitely written and meticulously researched, Pieces of Light brings together science and literature, the ordinary and the extraordinary, to help us better understand the ways we remember and the ways we forget.

A desperate need Sassy Grace Atwood never expected to find her proper self accidentally tumbling into a stranger's bed. If she weren't desperate for a man to lead a wagon train of brides to a woman-starved town out West, she never would have gone near Jackson Blake-former lawman or not. She should send the ruggedly charming Texan packing...only he's perfect for the job. Now if her mind would just stop going blank every time she looked at him, they might get this train to Kansas yet.A comsuming passion What's a man to do when a beautiful woman leans over his bed in the middle of the nightCome to think of it, that was the only time Blake's ever seen the straitlaced Miss Atwood the least bit ruffled. He's certain that beneath her buttoned-up appearance lies a passionate woman aching to break free. But though Blake longs to take her in his arms, all he can offer Grace is a life on the run. And when the demons from his past catch up with them, Blake is couaght between the ties that bind and a love that could last...always and forever.

Even the hardest heart can be softened by love ...Cassandra Zerek is a true innocent in a wild anddangerous place -- but her indomitable spirit and gentle soul make her stronger than anyone suspects.The owner of a Colorado mining empire, Luke Taggart's wealth and position can buy him anything, yet he has grown bored with a life of saloons, gambling, and loose women. Nothing soothes his restless inner yearning -- until he spies Cassandra, as fresh and pure as a spring morning, and vows he will possess her. The radiant, charmingly nave youngbeauty seems blind to the depth of Luke's desire or the lengths he is willing to go to seduce her. But the lady is wise, with an unwavering faith in the magical powers of love. And she's determined to awaken the good man hiding in Luke's tormented heart, for only one precious giftwill truly win her: his deep, passionate, and unsullied love.

New York Times bestselling author Barbara Delinsky captures the magic and truth of love in this delightful tale, first published in 1983, of opposites attracting.A controversial Boston radio talk-show host, Monica Grant is a strong, willful, and independent woman. She wants an equally strong man. Someone like the heroes in the romance novels she's addicted to . . . someone like Michael Shaw.A cop with the heart of a poet, Michael is looking for that special someone, too an old-fashioned, feminine woman. And for some reason he thinks Monica just might be the one. By turns infuriatingly chauvinistic and irresistibly attractive, Michael demands something from Monica that she doesn't know if she can give or even wants to. With Michael, can she find the happy ending of her own love story?

New York Times bestselling author Barbara Delinsky enthralls millions of readers with emotionally powerful stories that vividly demonstrate the heart's, power to love. Here, first published in 1984, is an unforgettable story of a woman who must discover who she is before she can give herself to the man she loves.Although he'd already heard a great deal about Rachel Busek, nothing prepared Jim Guthrie for the beautiful flutist's gentle grace. A rough-hewn private investigator, Jim is nearly overwhelmed with the urge to love and protect her. And Rachel is both amazed and delighted at the ease with which Jim slips into her life. Yet as quick passion gives way to leisurely love, Rachel finds herself holding back. Troubling pieces of her past remain a mystery even to her, and keep her from trusting her heart. Now, she must either discover the truth about her past or risk losing the first man in her life worth keeping.

A soaring new translation of Sophocles' final masterpiece in which blind and homeless Oedipus reclaims his stature as Athenian drama's greatest heroProduced after his death, Oedipus at Kolonos is Sophocles' final play and the last play in the Oedipus cycle. In it he explores anew the meaning of guilt and innocence, family loyalty and love, Athens' greatness, a hero's value after death, and the power of inscrutable gods to enhance all aspects of human life, including a hero's dying moments.Oedipus finds his way, guided by his daughter Antigone, to the grove of the Furies near Athens, where Apollo has promised he will meet an extraordinary fate. As war brews in Thebes between his two sons, King Theseus befriends and welcomes Oedipus to Athens. Suddenly his daughter Ismene arrives with alarming news: the Thebans plan to abduct him. Treacherous Kreon tries just that. Then his desperate son Polyneikes, who earlier betrayed his father, begs Oedipus to bless him so he may defeat his brother and recapture Thebes. Oedipus and Theseus repulse both villains. The voice of Zeus then resoundingly summons Oedipus into the Furies' grove to meet his gentle and mysterious death, described by Sophocles in soaring and uncanny poetry.This compelling new translation by Robert Bagg, modern in idiom while faithful to the original, brings Sophocles to a new generation.

A serial killer has one obsession . . .Claire Lambert walked into a nightmare on a rainy night in Washington, D.C. Stumbling upon a killer in the midst of his latest bloody crime, she ran for her life -- but not before a head injury caused her to lose her memory, along with her purse and ID. Now a monster knows who Claire is . . . and where she lives.Waking up in a hospital room the day after being attacked -- her mind stripped of all memory of what happened to her -- Claire can only listen with horror to the scenario Detective Sean Richter unfolds before her. A law officer fiercely dedicated to ending the wave of brutal killings that has struck the city, Sean knows that this brave and beautiful woman holds the key to stopping the murderer before he can strike again. Claire is the only victim who has seen the killer's face and lived -- which is why Sean needs her help and will risk everything to protect her . . .And why a depraved, relentless animal is determined that Claire Lambert must die.

A classic work on the African-American experience is revised for the nineties with essays reflecting the concerns of black children from the last three decades and commentary from today's sports stars, politicians, and inner-city gang members.