《安娜·卡列宁娜》是托尔斯泰第二部里程碑式的长篇小说，成功塑造了安娜这一极富艺术真实性、*美丰满的女性艺术形象。小说首次成功采用了互相对照、相辅相成的平行线式结构，通过贵妇安娜追求自由爱情而失败的悲剧——在矛盾与绝望中卧轨自杀，庄园主列文进行庄园改革失败的结局——梦想破灭后皈依宗教，揭露了十九世纪六七十年代俄罗斯上流社会的丑恶与虚伪，反映了农奴制改革后俄国整个社会在政治、经济、道德、心理等方面的矛盾，表达了作者对伦理、灵魂、社会等因素的思考与探索。

Wedding Planner

Learn Spanish for Beginners: Easy Step-by-Step Method to Start Learning Spanish Today

TOPIK(韓国語能力試験)高級(5?6級)単語?文法(リストダウンロード付き)

This incredibly useful book will appeal to writers, public speakers and anyone else who would like to improve their vocabulary. It contains a huge number of phrases which you can use in everyday speech and at special occasions, which will help you express your thoughts, ideas and feelings in a brand new way. A classic reference work, this edition has been specially formatted for today's e-readers.

The Ismay Line charts the rise and fall of one of the most eminent British shipping companies - and tells the story of the family behind it. The founder of the White Star Line, T H Ismay, pioneered a revolutionary design of iron steamships, built for him by Harland & Wolff of Belfast. By the time of his death in 1899 he had become the most successful steamship owner in the world. He was succeeded by his son, Bruce Ismay, who in April 1912 was aboard his latest ship, Titanic, when it collided with an iceberg on its maiden voyage. Ismay survived by boarding the last lifeboat to leave the starboard side of the sinking liner: and thus began one of the greatest witch-hunts of modern times. The Ismay Line draws on many previously unpublished family diaries and correspondence and offers a robust defence of Bruce Ismay's conduct. Originally published in 1961, the book has been out of print for many years and is now a sought-after collector's item.

One of the few surviving writers of Roman theatre, Terence wrote modern plays that exemplified the brilliance of the genre New Comedy, offering a realistic and detailed portrayal of daily life in Ancient Rome. This comprehensive eBook presents the complete extant works of Terence in English and Latin, with beautiful illustrations, concise introductions and the usual Delphi bonus material. (2MB Version 1) * Beautifully illustrated with images relating to Terence's life and works * Features the complete extant works of Terence, in both English translation and the original Latin * Concise introductions to the plays * Includes Henry Thomas Riley’s celebrated prose translations * Excellent formatting of the texts * Easily locate the scenes or works you want to read with individual contents tables * Features two bonus biographies - discover Terence's ancient world * Scholarly ordering of texts into chronological order and literary genres CONTENTS: The Translations THE GIRL FROM ANDROS THE MOTHER-IN-LAW THE SELF-TORMENTOR PHORMIO THE EUNUCH THE BROTHERS The Latin Texts LIST OF LATIN TEXTS The Biographies THE LIFE OF TERENCE by Suetonius ROMAN COMEDY AND TERENCE by C. E. Freeman

Summary: The Subtle Art Of Not Giving A F*ck: A Counterintuitive Approach to Living a Good Life

Pocket Polish Dictionary

ハングル(韓国語)漢字対応表4162(リストダウンロード付き)

A collection of essays about writing: "On some technical elements of style in literature", "The morality of the profession of letters", "Books which have influenced me", "A note on realism", "My first book: ‘Treasure Island’", "The genesis of ‘the master of Ballantrae’" & "Preface to ‘the master of Ballantrae’".

The Elements of Style is an American English writing style guide. It is one of the most influential and best-known prescriptive treatments of English grammar and usage in the United States. It originally detailed eight elementary rules of usage, ten elementary principles of composition, and "a few matters of form" as well as a list of commonly misused words and expressions. Updated editions of the paperback book are often required reading for American high school and college composition classes.

Really Simple Writing & Publishing

J'APE: Just Another Publicity

On the Art of Writing

"To those who think Europe matters, and even more so, to those who don’t”… Michael Tracy’s “Memoirs” recount his experiences from boyhood in wartime Scotland, through hi life in “public school” and university, to postings in various international organisations and a senior position within the European Union in Brussels; then to involvement in Russia and other Central/European countries in the 1990s. The book concludes with an assessment of current issues facing both the EU and Russia; also Britain in its relations with the EU. . . . . . Michael Tracy grew up in Scotland during the war of 193945. After gaining scholarships to Fettes College in Edinburgh, then to Cambridge University (studying Modern Languages, then Economics), he worked in international organisations and for ten years was a Director in the Council Secretariat of the European Union. He also pursued an academic career, writing on agricultural policy and economics and lecturing in various European universities, including Wye College in England and the College of Europe in Bruges. In Moscow in 1991 he witnessed at close quarters the collapse of the Soviet Union, and subsequently was involved in a new institute in St. Petersburg. Subsequently he had advisory and teaching roles in the countries of Central/Eastern Europe during their transition to market economies and accession to the European Union. His final chapter assesses the issues currently facing both the European Union and Russia. Taking the story up to May 2010, it discusses the prospects for the eurozone, and the implications of Britain’s new coalition government for Britain’s relations with the EU (a subject which he has followed from the outset in the late 1950s). This is not a history: it is a personal, lively and often humorous account of Michael Tracy’s experiences, in which personal contacts figure largely. Nor is it a tract for or against the European Union; on the other hand, it sheds a more human light on proceedings in “Brussels”. Graham Dalton of the University of Aberdeen admires the depth of knowledge at the heart of Michael Tracy’s memoir and concludes: “His thoughts on Europe are wellfounded, rounded and are to be taken seriously.” Michael Tracy has been President of the British Agricultural Economics Society and is an honorary member of the Académie d’Agriculture de France. His other main works are: Government and Agriculture in Western Europe, 18801988 (3rd edn. 1989); Food and Agriculture in a Market Economy – an introduction to theory, practice and policy (1993); and in retirement: The World of the Edwardian Child, as seen in Arthur Mee’s Children’s Encyclop?dia 19081910 (2008). c After retirement, Michael continues to live mainly in Belgium, where he and his wife have a “hobby farm” with pedigree sheep. He also spends time in an Andalucian mountain village. His main hobby in both places is as an amateur pianist, is making music with friends.

Maksym Rylsky (1895-1964) is one of the most outstanding Ukrainian poets of the the 20th century and master of the genres of the modern sonnet and the long narrative poem. He was closely associated with the Neoclassicist group of Ukrainian poets, who employed traditional poetic forms with rhyme and meter, wrote in a clear and accessible contemporary idiom, and often referenced Ancient Greek and Roman mythology as well as numerous other authors from world literature in their poetry. Rylsky was also a prolific translator from English, French, German, and Polish as well as a folklore and literary scholar, who worked most of the earlier part of his life as a teacher of philology. He published his first book of poetry at the precocious age of fifteen—On White Islands in 1910. His other early books of poetry include The Edge of the Forest: Idylls (1918), Under Autumn Stars (1918), The Blue Distance (1922), Long Poems (1924), Through a Storm and Snow (1925), Beneath Autumn Stars (1926), Thirteenth Spring (1926), Where Roads Meet (1929), and Echo and Re-echo (1929). Rylsky gained considerable popularity among the Ukrainian reading public for his neo-romantic contemplative musings and intimate lyrical poetry that focused on love, life and nature. While his poetry was completely apolitical, at the end of the Ukrainian cultural renaissance in the 1920s that was crushed by Stalin, Rylsky was sternly rebuked in the state-controlled press for focusing on the personal and not writing in service to the state. In 1931 the Soviet secret police, the NKVD, arrested and publicly humiliated him. He was released in 1932 after he agreed to write in the style of socialist realism and was one of the few prominent Ukrainian writers to survive the Stalinist purges of the 1930s. During the wartime period he wrote two masterful long poems that deviated from socialist realism—“Thirst” (1942) and “Journey to Youth” (1941-4), for which he was again publicly chastised. In 1942 he became Director of the Institute of Fine Arts, Folklore and Ethnography in Kyiv, a post that he held until his death in 1964. The Institute now bears his name. He published some 30 collections of original poetry during his lifetime as well as numerous translations and scholarly works. By 1974 almost five million copies of his works in the original or in translation had appeared in the USSR. In his last two books—In the Shadow of the Lark (1961) and Winter Notes (1964) published during The Thaw, a period of relaxed censorship during the reign of Nikita Khrushchev, Rylsky’s poetic voice returned to the stature of his early poetry. This selected works edition includes poetry from virtually all of Rylsky’s early collections of poetry, with selection primarily based on esthetic principles; the powerful long poem “Thirst,” penned during the darkest days of World War II for Ukraine; and other poems from various periods of his life. Translated by Michael M. Naydan. With a guest introduction by Maria Zubrytska

Guaranteed Not to Be Confusing Don't Ever Be Confused by Grammar Again. Take a "bite" out of Grammar with No Mistakes Grammar Bites. It seems as if many dictionaries and books on grammar do their best to confuse people. Words and explanations are defined using grammatical terminology that is difficult to understand; in fact, if you knew that terminology, you probably wouldn't have to look up the words to begin with. We're aiming to get rid of that and explain things in plain English, using language that is easy to understand. Try it out and see for yourself. If you find these books confusing, write to me and get a refund; they're guaranteed.

Guaranteed Not to Be Confusing Don't Ever Be Confused by Grammar Again. Take a "bite" out of Grammar with No Mistakes Grammar Bites. It seems as if many dictionaries and books on grammar do their best to confuse people. Words and explanations are defined using grammatical terminology that is difficult to understand; in fact, if you knew that terminology, you probably wouldn't have to look up the words to begin with. We're aiming to get rid of that and explain things in plain English, using language that is easy to understand. Try it out and see for yourself. If you find these books confusing, write to me and get a refund; they're guaranteed.

Pavlo Tychyna (1891-1967) is arguably the greatest Ukrainian poet of the twentieth century and has been described as a “tillerman’s Orpheus” by Ukrainian poet and literary critic Vasyl Barka. With his innovative poetics, deep spirituality and creative word play, Tychyna deserves a place among the pantheon of his European contemporaries such as T.S. Eliot, Ezra Pound, Rainer Maria Rilke, Federico Garcia Lorca, and Osip Mandelstam. His early collections Clarinets of the Sun (1918), The Plow (1920), Instead of Sonnets and Octaves (1920), The Wind from Ukraine (1924), and his poetic cycle In the Orchestra of the Cosmos (1921) mark the pinnacle of his creativity and poetically document the emotional and spiritual toll of the Revolution of 1917 as well as the Civil War and its aftermath in Ukraine. Tychyna coined the term “Clarinetism” to describe his earliest works, which intrinsically exhibit the clarity and the haunting sound of a clarinet. He harkens back to ancient Greek literature to form what has been called the “tragic lyric” in his short collection Instead of Sonnets and Octaves, which gives a personal, humanistic understanding to the tragic events of the Revolution. John Fizer has noted Tychyna’s close affinity with Walt Whitman’s cosmism, particularly in his cycle In the Orchestra of the Cosmos. While Tychyna in may ways displays the moral conscience of his times in his early works, later in his life he acquiesced to Soviet authorities in order to survive the horrors of Stalin’s regime. He was forced by authorities to refuse a nomination for the Nobel Prize, the only reason for which would have been his Ukrainian ethnicity. This edition of Tychyna’s complete early works includes translations of all his major early collections as well as his poetic masterpieces “Mother was Pealing Potatoes,” “Funeral of My Friend,” and his highly patriotic “In Memory of the Thirty.” The volume includes a guest introduction by eminent Ukrainian poet Viktor Neborak. Translated by Michael M. Naydan.

Who Said That? provides an entertaining and authoritative reference for the origins and meanings of our common figures of speech. Who said 100+ famous expressions? Who really said them? What did they actually say? What did they actually mean? Why did they say them that way? Who repeated what was said? Surprisingly true, sometimes strange, always fascinating, the stories about whence came these expressions will entertain, educate, and even amaze you.