William Shakespeare was born in Stratford-upon-Avon in late April 1565 and baptised there on 26th April. He was one of eight children. Little is known about his life but what is evident is the enormous contribution he has made to world literature. His writing was progressive, magnificent in scope and breathtaking in execution. His plays and sonnets helped enable the English language to speak with a voice unmatched by any other. William Shakespeare died on April 23rd 1616, survived by his wife and two daughters. He was buried two days after his death in the chancel of the Holy Trinity Church. The epitaph on the slab which covers his grave includes the following passage, Good friend, for Jesus's sake forbear, To dig the dust enclosed here. Blessed me the man that spares these stones, And cursed be he that moves my bones. Here we publish his comedy from 1593 'The Taming of the Shrew'.

William Butler Yeats (1865 - 1939) is best described as Ireland's national poet in addition to being one of the major twentieth-century literary figures of the English tongue. To many literary critics, Yeats represents the 'Romantic poet of modernism,' which is quite revealing about his extraordinary style that combines between the outward emphasis on the expression of emotions and the extensive use of symbolism, imagery and allusions. Yeats also wrote prose and drama and established himself as the spokesman of the Irish cause. His fame was greatly boosted mainly after he received the Nobel Prize in Literature in 1923. His life was marked by his many love stories, by his great interest in oriental mysticism and occultism as well as by political engagement since he served as an Irish senator for two terms. Today, although William Butler Yeats's contribution to literary modernism and to Irish nationalism remains incontestable. Here we publish a collection of his remarkable plays that allow us to fully immerse ourselves in his talents.

Set in 17th-century New England, Nathaniel Hawthorne's masterpiece, The Scarlet Letter, is a novel that combines the romantic style with the historical genre and a number of Gothic conventions and themes, namely the themes of sin, guilt, repentance and mortification. The book tells the tragic story of Hester Prynne who has to wear the letter "e;A"e; on her breast as a token of shame for having committed adultery and given birth to an illegitimate child that she named Pearl . Furthermore, Prynne is doubly punished for not accepting to reveal the identity of her lover. As her stigmatization by the conservative community intensifies, a highly respected minister, Arthur Dimmesdale, intervenes with local authorities to prevent her separation from her child. The narrative then focuses on the character of the churchman who appears to be suffering from poor physical and psychological health. It is only later in the story that readers understand the secret behind Dimmesdale's self-inflicted tortures. Being Pearl's biological father, he lacks the courage to publically assume his responsibilities the way Prynne does. As the narrative approaches its end, one its most emotional climactic scenes shows the three members of the cursed family together on the public scaffold where Dimmesdale finally recognizes his sin and passes away on the spot.

Thomas Dekker was a playwright, pamphleteer and poet who, perhaps, deserves greater recognition than he has so far gained. Despite the fact only perhaps twenty of his plays were published, and fewer still survive, he was far more prolific than that. Born around 1572 his peak years were the mid 1590's to the 1620's - seven of which he spent in a debtor's prison. His works span the late Elizabethan and Caroline eras and his numerous collaborations with Ford, Middleton, Webster and Jonson say much about his work. His pamphlets detail much of the life in these times, times of great change, of plague and of course that great capital city London a swirling mass of people, power, intrigue.

Thomas Middleton was born in London in April 1580 and baptised on 18th April. Middleton was aged only five when his father died. His mother remarried but this unfortunately fell apart into a fifteen year legal dispute regarding the inheritance due Thomas and his younger sister. By the time he left Oxford, at the turn of the Century, Middleton had and published Microcynicon: Six Snarling Satirese which was denounced by the Archbishop of Canterbury and publicly burned. In the early years of the 17th century, Middleton wrote topical pamphlets. One - Penniless Parliament of Threadbare Poets was reprinted several times and the subject of a parliamentary inquiry. These early years writing plays continued to attract controversy. His writing partnership with Thomas Dekker brought him into conflict with Ben Jonson and George Chapman in the so-called War of the Theatres. His finest work with Dekker was undoubtedly The Roaring Girl, a biography of the notorious Mary Frith. In the 1610s, Middleton began another playwriting partnership, this time with the actor William Rowley, producing another slew of plays including Wit at Several Weapons and A Fair Quarrel. The ever adaptable Middleton seemed at ease working with others or by himself. His solo writing credits include the comic masterpiece, A Chaste Maid in Cheapside, in 1613. In 1620 he was officially appointed as chronologer of the City of London, a post he held until his death. The 1620s saw the production of his and Rowley's tragedy, and continual favourite, The Changeling, and of several other tragicomedies. However in 1624, he reached a peak of notoriety when his dramatic allegory A Game at Chess was staged by the King's Men. Though Middleton's approach was strongly patriotic, the Privy Council silenced the play after only nine performances at the Globe theatre, having received a complaint from the Spanish ambassador. What happened next is a mystery. It is the last play recorded as having being written by Middleton. Thomas Middleton died at his home at Newington Butts in Southwark in the summer of 1627, and was buried on July 4th, in St Mary's churchyard which today survives as a public park in Elephant and Castle.

Alfred Tennyson was born on August 6th, 1809, in Somersby, Lincolnshire, the fourth of twelve children. Most of Tennyson's early education was under the direction of his father, although he did spend four unhappy years at a nearby grammar school. He left home in 1827 to join his elder brothers at Trinity College, Cambridge, more to escape his father than a desire for serious academic work. At Trinity he was living for the first time among young men of his own age who knew little of his problems. He was delighted to make new friends; he was handsome, intelligent, humorous, a gifted impersonator and soon at the center of those interested in poetry and conversation. That same year, he and his brother Charles published Poems by Two Brothers. Although the poems in the book were of teenage quality, they attracted the attention of the "e;Apostles,"e; a select undergraduate literary club led by Arthur Hallam. The "e;Apostles"e; provided Tennyson with friendship and confidence. Hallam and Tennyson became the best of friends; they toured Europe together in 1830 and again in 1832. Hallam's sudden death in 1833 greatly affected the young poet. The long elegy In Memoriam and many of Tennyson's other poems are tributes to Hallam. In 1830, Tennyson published Poems, Chiefly Lyrical and in 1832 he published a second volume entitled simply Poems. Some reviewers condemned these books as "e;affected"e; and "e;obscure."e; Tennyson, stung by the reviews, would not publish another book for nine years. In 1836, he became engaged to Emily Sellwood. When he lost his inheritance on a failed investment in 1840, the engagement was cancelled. In 1842, however, Tennyson's Poems [in two volumes] was a tremendous critical and popular success. In 1850, with the publication of In Memoriam, Tennyson's reputation was pre-eminent. He was also selected as Poet Laureate in succession to Wordsworth and, to complete a wonderful year, he married Emily Sellwood. At the age of 41, Tennyson had established himself as the most popular poet of the Victorian era. The money from his poetry [at times exceeding 10,000 pounds per year] allowed him to purchase a home in the country and to write in relative seclusion. His appearance-a large and bearded man, he regularly wore a cloak and a broad brimmed hat-enhanced his notoriety. In 1859, Tennyson published the first poems of Idylls of the Kings, which sold more than 10,000 copies in a fortnight. In 1884, he accepted a peerage, becoming Alfred Lord Tennyson. On October 6th, 1892, an hour or so after midnight, surrounded by his family, he died at Aldworth. It is said that the moonlight was streaming through the window and Tennyson himself was holding open a volume of Shakespeare. He was buried in Westminster Abbey.

If ever a writer needed an introduction Arthur Conan Doyle would not be considered that man. After all, Sherlock Holmes is perhaps the foremost literary detective of any age. Add to this canon his stories of science fiction and his poems, his historical novels, his plays, his political campaigning, his efforts in establishing a Court Of Appeal and there is little room for anything else. Except he was also an exceptional writer of short stories of the horrific and macabre. Something very different from what you might expect. Born in Arthur Conan Doyle was born on 22 May 1859 at 11 Picardy Place, Edinburgh, Scotland. From 1876 - 1881 he studied medicine at the University of Edinburgh following which he was employed as a doctor on the Greenland whaler Hope of Peterhead in 1880 and, after his graduation, as a ship's surgeon on the SS Mayumba during a voyage to the West African coast in 1881. Arriving in Portsmouth in June of that year with less than GBP10 (GBP700 today) to his name, he set up a medical practice at 1 Bush Villas in Elm Grove, Southsea. The practice was initially not very successful. While waiting for patients, Conan Doyle again began writing stories and composed his first novel The Mystery of Cloomber. Although he continued to study and practice medicine his career was now firmly set as a writer. And thereafter great works continued to pour out of him.

Johan August Strindberg was born on January 22nd 1849 in Stockholm in Sweden. It was only at the age of 32 that Strindberg managed to break through as a playwright with 'Master Olef'. Of course with a predecessor as famous as Henrik Ibsen overshadowing everything it was difficult, perhaps, to make headway. However Stringberg took to the task, exploring a wide range of styles, experimenting at every opportunity and with The Red Room wrote what is lauded as the first modern Swedish novel. His career spanned some 60 plays and another 30 novels and associated texts. Whilst he was prolific writer he was also something of a polymath, a telegrapher, theosophist, painter, photographer and alchemist. Much of the 1890's was spent abroad but several psychotic attacks between 1894 to 1896 (referred to as his "e;Inferno crisis"e;) led to his hospitalisation and return to Sweden. His works continued to expand and reshape the boundaries of theatre and many are considered classics and deservedly so. Strindberg became ill with pneumonia during Christmas 1911 and never recovered completely. On April 9th 1912 he at last premiered in New York at the Berkeley Theatre with 'The Father'. He died on 14 May 1912 at the age of 63. Strindberg was interred in the Norra begravningsplatsen in Stockholm.

Thomas Middleton was born in London in April 1580 and baptised on 18th April. Middleton was aged only five when his father died. His mother remarried but this unfortunately fell apart into a fifteen year legal dispute regarding the inheritance due Thomas and his younger sister. By the time he left Oxford, at the turn of the Century, Middleton had and published Microcynicon: Six Snarling Satirese which was denounced by the Archbishop of Canterbury and publicly burned. In the early years of the 17th century, Middleton wrote topical pamphlets. One - Penniless Parliament of Threadbare Poets was reprinted several times and the subject of a parliamentary inquiry. These early years writing plays continued to attract controversy. His writing partnership with Thomas Dekker brought him into conflict with Ben Jonson and George Chapman in the so-called War of the Theatres. His finest work with Dekker was undoubtedly The Roaring Girl, a biography of the notorious Mary Frith. In the 1610s, Middleton began another playwriting partnership, this time with the actor William Rowley, producing another slew of plays including Wit at Several Weapons and A Fair Quarrel. The ever adaptable Middleton seemed at ease working with others or by himself. His solo writing credits include the comic masterpiece, A Chaste Maid in Cheapside, in 1613. In 1620 he was officially appointed as chronologer of the City of London, a post he held until his death. The 1620s saw the production of his and Rowley's tragedy, and continual favourite, The Changeling, and of several other tragicomedies. However in 1624, he reached a peak of notoriety when his dramatic allegory A Game at Chess was staged by the King's Men. Though Middleton's approach was strongly patriotic, the Privy Council silenced the play after only nine performances at the Globe theatre, having received a complaint from the Spanish ambassador. What happened next is a mystery. It is the last play recorded as having being written by Middleton. Thomas Middleton died at his home at Newington Butts in Southwark in the summer of 1627, and was buried on July 4th, in St Mary's churchyard which today survives as a public park in Elephant and Castle.

John Dryden was born on August 9th, 1631 in the village rectory of Aldwincle near Thrapston in Northamptonshire. As a boy Dryden lived in the nearby village of Titchmarsh, Northamptonshire. In 1644 he was sent to Westminster School as a King's Scholar. Dryden obtained his BA in 1654, graduating top of the list for Trinity College, Cambridge that year. Returning to London during The Protectorate, Dryden now obtained work with Cromwell's Secretary of State, John Thurloe. At Cromwell's funeral on 23 November 1658 Dryden was in the company of the Puritan poets John Milton and Andrew Marvell. The setting was to be a sea change in English history. From Republic to Monarchy and from one set of lauded poets to what would soon become the Age of Dryden. The start began later that year when Dryden published the first of his great poems, Heroic Stanzas (1658), a eulogy on Cromwell's death. With the Restoration of the Monarchy in 1660 Dryden celebrated in verse with Astraea Redux, an authentic royalist panegyric. With the re-opening of the theatres after the Puritan ban, Dryden began to also write plays. His first play, The Wild Gallant, appeared in 1663 but was not successful. From 1668 on he was contracted to produce three plays a year for the King's Company, in which he became a shareholder. During the 1660s and '70s, theatrical writing was his main source of income. In 1667, he published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London in 1666. It established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate (1668) and then historiographer royal (1670). This was truly the Age of Dryden, he was the foremost English Literary figure in Poetry, Plays, translations and other forms. In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697), which was published by subscription. It was a national event. John Dryden died on May 12th, 1700, and was initially buried in St. Anne's cemetery in Soho, before being exhumed and reburied in Westminster Abbey ten days later.

Jane Austen's Emma (1815) explores the life of women in Regency England, combining romance with some aspects of the comedy of manners. The story centers around the eponymous character who, unlike Austen's other popular heroines, is an upper middle-class young woman with no pecuniary concerns. Emma Woodhouse is rather a strong-headed, beautiful young woman who lives with her father and who has resolved not to marry. Yet, she spends considerable time and energy trying to make matches for the other people around her and tends to draw amusement and satisfaction from such practice. After one successful experience, Emma tries to match her friend Harriet to a man named Mr. Elton. Her earnest and honest friend George Knightley warns her of Mr. Elton's snobbish nature. Nonetheless, Emma starts by making her friend Harriet reject a marriage proposal. Surprisingly, while she believes Mr. Elton's attention is drawn towards Harriet, the man ends up declaring his love for the match-maker herself. When Emma informs Mr. Elton of her intention to match him to her friend, he feels insulted, considering Harriet's inferior social class. He leaves the town while Emma keeps on trying to find a husband for Harriet. By the end of the novel, Emma marries Mr. Knightley to finally give up her favorite hobby while Harriet marries Robert Martin. We've also included a concise and informative biography of Jane's works and life at the end of the book. We hope it helps to give a little context and colour about how her life interacted with her art.

Booth Tarkington was born on July 29, 1869 in Indianapolis, Indiana. He is one of only three novelists to win the Pulitzer Prize more than once. When you look through the quality of his work it is easy to understand why. The Magnificent Ambersons, Alice Adams, Penrod, Penrod And Sam - all classics. The Penrod novels depict a typical upper-middle class American boy of 1910 vintage, revealing a fine, bookish sense of American humor. At one time, his Penrod series was as well known andregarded as Twain's Huckleberry Finn. Much of Tarkington's work consists of satirical and closely observed studies of the American class system and its foibles. Coming as he did from a patrician Midwestern family that lost much of its wealth after the Panic of 1873 the foundations for that outlook are clear. Today, he is best known for his novel The Magnificent Ambersons which contrasted the decline of the "e;old money"e; Amberson dynasty with the rise of "e;new money"e; industrial tycoons in the years between the American Civil War and World War I. In this volume you have an opportunity to read one his plays, The Gibson Upright

John Marston was born to John and Maria Marston nee Guarsi, and baptised on October 7th, 1576 at Wardington, Oxfordshire.Marston entered Brasenose College, Oxford in 1592 and earned his BA in 1594. By 1595, he was in London, living in the Middle Temple. His interests were in poetry and play writing, although his father's will of 1599 hopes that he would not further pursue such vanities.His brief career in literature began with the fashionable genres of erotic epyllion and satire; erotic plays for boy actors to be performed before educated young men and members of the inns of court.In 1598, he published 'The Metamorphosis of Pigmalion's Image and Certaine Satyres', a book of poetry. He also published 'The Scourge of Villanie', in 1598. 'Histriomastix' regarded as his first play was produced 1599. It's performance kicked off an episode in literary history known as the War of the Theatres; a literary feud between Marston, Jonson and Dekker that lasted until 1602.However, the playwrights were later reconciled; Marston wrote a prefatory poem for Jonson's 'Sejanus' in 1605 and dedicated 'The Malcontent' to him. Beyond this episode Marston's career continued to gather both strength, assets and followers. In 1603, he became a shareholder in the Children of Blackfriars company. He wrote and produced two plays with the company. The first was 'The Malcontent' in 1603, his most famous play. His second was 'The Dutch Courtesan', a satire on lust and hypocrisy, in 1604-5.In 1605, he worked with George Chapman and Ben Jonson on 'Eastward Ho', a satire of popular taste and the vain imaginings of wealth to be found in the colony of Virginia.Marston took the theatre world by surprise when he gave up writing plays in 1609 at the age of thirty-three. He sold his shares in the company of Blackfriars. His departure from the literary scene may have been because of further offence he gave to the king. The king suspended performances at Blackfriars and had Marston imprisoned.On 24th September 1609 he was made a deacon and them a priest on 24th December 1609. In October 1616, Marston was assigned the living of Christchurch, Hampshire.He died (accounts vary) on either the 24th or 25th June 1634 in London and was buried in the Middle Temple Church.

Edgar Rice Burroughs was born on September 1, 1875, in Chicago, Illinois. His early career was unremarkable. After failing to enter West Point he enlisted in the 7th Calvary but was discharged after heart problems were diagnosed. A series of short term jobs gave no indication as to a career path but finally, in 1911, married and with two young children, he turned his hand to writing. He aimed his works squarely at the very popular pulp serial magazines. His first effort 'Under The Moons Of Mars' ran in Munsey's Magazine in 1912 under the pseudonym Norman Bean. With its success he began writing full time. A continuing theme of his work was to develop series so that each character had ample opportunities to return in sequels. John Carter was in the Mars series and there was another on Venus and one on Pellucidar among others. But perhaps the best known is Tarzan. Indeed Burroughs wanted so much to capitalise upon the brand that he introduced a syndicated Tarzan comic strip, movies and merchandise. He purchased a large ranch north of Los Angeles, California, which he named "e;Tarzana."e; The surrounding communities outside the ranch voted in 1927 to adopt the name as their own. By 1932 Burroughs set up his own company to print his own books. Here we publish the ninth in the Tarzan series 'Tarzan & The Golden Lion'. Another cultural classic.

The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over. Gilbert's sharp, funny words and Sullivan's deliciously lively and hummable tunes create a world that is distinctly British in view but has the world as its audience. Both men were exceptionally talented and gifted in their own right and wrote much, often with other partners, that still stands the test of time. However, together as a team they created Light or Comic Operas of a standard that have had no rivals equal to their standard, before or since. That's quite an achievement. To be recognised by the critics is one thing but their commercial success was incredible. The profits were astronomical, allowing for the building of their own purpose built theatre - The Savoy Theatre. Beginning with the first of their fourteen collaborations, Thespis in 1871 and travelling through many classics including The Sorcerer (1877), H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1885), The Gondoliers (1889) to their finale in 1896 with The Grand Duke, Gilbert & Sullivan created a legacy that is constantly revived and admired in theatres and other media to this very day.

自出版以来，《神奇的魁地奇球》便成为了《霍格沃茨图书馆》中最受欢迎的书之一。包括哈利·波特、赫敏·格兰杰在内的许多学生都曾读过这本书，它成了魔法世界最流行游戏的必备指南。 从11世纪的魁地奇沼泽到如今的复杂运动，《神奇的魁地奇球》将为你展示魁地奇比赛中那些令人兴奋的胜利和绝望的时刻（比如支持查德里火炮队）。 了解比赛的全部历史和规则，从700种犯规中的一部分（以及那些在世界杯决赛中出现的所有剩余部分）到特兰西瓦尼亚假动作与伍朗贡之字形飞行术间的区别。 《霍格沃茨图书馆》的书架同样也是更多其它迷人书籍的家。如果你喜欢《神奇的魁地奇球》这本书，那么你肯定也会对以下两本著作感兴趣：《神奇动物在哪里》以及《诗翁彼豆故事集》。 Lumos Foundation是英国注册慈善机构，编号1112575（英格兰/威尔士地区）。Pottermore Limited将从此电子书的销售所得*中，提取15%用于支持该基金会在英国及全球的工作，包括改善儿童与青少年的生存发展状况。 *"所得"指扣除销售税后的实际现金收入或现金等价金额。

The Storm Builds Etan Griffith loves his life in Chicago, far from his native Blue Ridge Mountains. Alex Collins escaped Wisconsin to a career he loves, in a city that welcomes him more than his own family. Both seek the missing piece to their puzzle. Dreams and patterns. Restless and searching. Then one snowy night sets their shared destiny in motion. An excerpt from Joining the Storm: “I never wanted you to know about the dreams,” Etan said. “I feel crazy enough without you confirming it.” “Crazy isn’t the question,” Alex said, stroking Etan’s hair. “Unless it’s both of us. You missed me saying every word feels true.” “I don’t even know what the dreams are, Alex. I know I have them, but I never remember a thing. That’s not exactly stable.” “Well, have a drink and let me enlighten you.” Etan sat up, managing to keep himself from curling up into a knot of fear again. He drained the whiskey, watching Alex do the same. “What you tell me in the middle of the night is all about how we can’t stay here much longer. Something bad is going to happen, with the food supply I think, and none of the cities are going to be safe anymore. And we don’t have much time to get ready before we’re trapped along with everyone else who’s not going to make it out.”

For the first time ever, get the first three books of "The Superhero's Son" in one convenient discounted ebook box set! In "The Superhero's Test," Kevin Jason becomes the superhero Bolt in order to defend himself and his family from a dangerous supervillain; in "The Superhero's Team," Bolt must uncover a conspiracy in the superhero community that threatens to destroy the country before it is too late; and in "The Superhero's Summit," Bolt must figure out who is trying to provoke conflict between the two largest superhero organizations in the country before all-out war breaks out between them.

Wayne shows you how to make the leap from traditional employment and create the business and income to pursue your dreams outside of work. The book provides the tools that a new entrepreneur needs in straight talk, no fluff. This is based on the experience with his own lean startup venture. Includes many personal notes from the journal that he kept during his startup phase. This hands-on book will launch you on your way. ?Easy to use guide ?Avoid the mistakes that sink startups' ?Locate customers: how to capture, keep and grow customers ?Learn which advisors you need and the ones to avoid ?Make more intelligent decisions ?Elevate your startup to repeatable profits

‘If you had not already realised it, this is a very strange house you are come to.’ The Scions of the House of Werth are all born normal. It is what happens afterwards that sets them apart. It is not easy being the most supernatural family in England. Nell talks to the dead; Lord Werth is too often to be found out in the churchyard at the dead of night; and the less said about Lord Bedgberry, the better. Only Miss Gussie Werth has missed out on the family curse. She sups on chocolate, not blood; she's blissfully oblivious to spectres (except for Great-Aunt Honoria, of course); and she hasn't the smallest inclination to turn into a beast upon the full moon, and go ravening about the countryside. But there's more to the Wyrde than meets the eye. When a visit to a neighbouring family goes spectacularly, deliciously wrong, Gussie's ideas about her own nature undergo a swift and serious change. Far from being the most ordinary of the bunch, she may just prove to be the most disastrous Werth of them all... Refined Regency sensibilities meet gothic comedy to delightfully absurd effect in Wyrde and Wayward, a fresh new series from the author of Modern Magick and the Malykant Mysteries.

After suddenly receiving custody of his five year old son, Ben must learn how to be a dad. The fact that he'd even fathered a child was news to him. Not only does this mean restructuring his sixty-hour workweek and becoming responsible for another human being, but also Kyle has autism. Enter the school system and a shaky beginning. Under the guidance of a gifted teacher, Ben and Kyle take tentative steps to becoming father and son. Teacher Melanie Nicols sees Ben as a deadbeat dad, but grudgingly comes to admire how he hangs in, determined to learn for his son’s sake. Her admiration grows to more as father and son come to rely on Melanie being a part of their lives. When parents receive the news that their child has autism, they spend countless hours researching the subject, usually at night, after an exhausting day. Teachers, when they hear that they'll have a student with an autism spectrum disorder, also try to learn as much as they can. This novel was written for such parents and teachers - an entertaining read that offers information on autism and strategies that work. Dr. Sharon A. Mitchell has worked in schools as a teacher, counselor, psychologist and consultant for decades. Her Master's and Doctorate degrees focused on autism. She has delivered workshops and seminars to thousands participants including at national conferences. She continues to write and teaches university classes about students who learn differently.