Eugene Gladstone O'Neill was born on October 16, 1888 in a hotel bedroom in what is now Times Square, New York. Much of his childhood was spent in the comfort of books at boarding schools whilst his actor father was on the road and his Mother contended with her own demons. He spent only a year at University - Princeton - and various reasons have been given for his departure. However whatever his background and education denied or added to his development it is agreed amongst all that he was a playwright of the first rank and possibly America's greatest. His introduction of realism into American drama was instrumental in its development and paved a path for many talents thereafter. Of course his winning of both the Pulitzer Prize (4 times) and the Nobel Prize are indicative of his status. His more famous and later works do side with the disillusionment and personal tragedy of those on the fringes of society but continue to build upon ideas and structures he incorporated in his early one act plays. Eugene O'Neill suffered from various health problems, mainly depression and alcoholism. In the last decade he also faced a Parkinson's like tremor in his hands which made writing increasingly difficult. But out of such difficulties came plays of the calibre of The Iceman Cometh, Long Day's Journey Into Night, and A Moon for the Misbegotten. Eugene O'Neill died in Room 401 of the Sheraton Hotel on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "e;I knew it. I knew it. Born in a hotel room and died in a hotel room."e;

Edgar Rice Burroughs was born on September 1, 1875, in Chicago, Illinois. His early career was unremarkable. After failing to enter West Point he enlisted in the 7th Calvary but was discharged after heart problems were diagnosed. A series of short term jobs gave no indication as to a career path but finally, in 1911, married and with two young children, he turned his hand to writing. He aimed his works squarely at the very popular pulp serial magazines. His first effort 'Under The Moons Of Mars' ran in Munsey's Magazine in 1912 under the pseudonym Norman Bean. With its success he began writing full time. A continuing theme of his work was to develop series so that each character had ample opportunities to return in sequels. John Carter was in the Mars series and there was another on Venus and one on Pellucidar among others. But perhaps the best known is Tarzan. Indeed Burroughs wanted so much to capitalise upon the brand that he introduced a syndicated Tarzan comic strip, movies and merchandise. He purchased a large ranch north of Los Angeles, California, which he named "e;Tarzana."e; The surrounding communities outside the ranch voted in 1927 to adopt the name as their own. By 1932 Burroughs set up his own company to print his own books. Here we publish 'Sweetheart Primeval' in the hands of Edgar Rice Burroughs a few steps back in time is just the start of an extraordinary journey.....

The life of William Shakespeare, arguably the most significant figure in the Western literary canon, is relatively unknown. Shakespeare was born in Stratford-upon-Avon in 1565, possibly on the 23rd April, St. George's Day, and baptised there on 26th April. Little is known of his education and the first firm facts to his life relate to his marriage, aged 18, to Anne Hathaway, who was 26 and from the nearby village of Shottery. Anne gave birth to their first son six months later. Shakespeare's first play, The Comedy of Errors began a procession of real heavyweights that were to emanate from his pen in a career of just over twenty years in which 37 plays were written and his reputation forever established. This early skill was recognised by many and by 1594 the Lord Chamberlain's Men were performing his works. With the advantage of Shakespeare's progressive writing they rapidly became London's leading company of players, affording him more exposure and, following the death of Queen Elizabeth in 1603, a royal patent by the new king, James I, at which point they changed their name to the King's Men. By 1598, and despite efforts to pirate his work, Shakespeare's name was well known and had become a selling point in its own right on title pages. No plays are attributed to Shakespeare after 1613, and the last few plays he wrote before this time were in collaboration with other writers, one of whom is likely to be John Fletcher who succeeded him as the house playwright for the King's Men. William Shakespeare died two months later on April 23rd, 1616, survived by his wife, two daughters and a legacy of writing that none have since yet eclipsed.

If ever a writer needed an introduction Arthur Conan Doyle would not be considered that man. After all, Sherlock Holmes is perhaps the foremost literary detective of any age. Add to this canon his stories of science fiction and his poems, his historical novels, his plays, his political campaigning, his efforts in establishing a Court Of Appeal and there is little room for anything else. Except he was also an exceptional writer of short stories of the horrific and macabre. Something very different from what you might expect. Born in Arthur Conan Doyle was born on 22 May 1859 at 11 Picardy Place, Edinburgh, Scotland. From 1876 - 1881 he studied medicine at the University of Edinburgh following which he was employed as a doctor on the Greenland whaler Hope of Peterhead in 1880 and, after his graduation, as a ship's surgeon on the SS Mayumba during a voyage to the West African coast in 1881. Arriving in Portsmouth in June of that year with less than GBP10 (GBP700 today) to his name, he set up a medical practice at 1 Bush Villas in Elm Grove, Southsea. The practice was initially not very successful. While waiting for patients, Conan Doyle again began writing stories and composed his first novel The Mystery of Cloomber. Although he continued to study and practice medicine his career was now firmly set as a writer. And thereafter great works continued to pour out of him.

Henry Fielding was born at Sharpham Park, near Glastonbury, in Somerset on April 22nd 1707. His early years were spent on his parents' farm in Dorset before being educated at Eton.An early romance ended disastrously and with it his removal to London and the beginnings of a glittering literary career; he published his first play, at age 21, in 1728.He was prolific, sometimes writing six plays a year, but he did like to poke fun at the authorities. His plays were thought to be the final straw for the authorities in their attempts to bring in a new law. In 1737 The Theatrical Licensing Act was passed. At a stroke political satire was almost impossible. Fielding was rendered mute. Any playwright who was viewed with suspicion by the Government now found an audience difficult to find and therefore Theatre owners now toed the Government line.Fielding was practical with the circumstances and ironically stopped writing to once again take up his career in the practice of law and became a barrister after studying at Middle Temple. By this time he had married Charlotte Craddock, his first wife, and they would go on to have five children. Charlotte died in 1744 but was immortalised as the heroine in both Tom Jones and Amelia. Fielding was put out by the success of Samuel Richardson's Pamela, or Virtue Rewarded. His reaction was to spur him into writing a novel. In 1741 his first novel was published; the successful Shamela, an anonymous parody of Richardson's novel. Undoubtedly the masterpiece of Fielding's career was the novel Tom Jones, published in 1749. It is a wonderfully and carefully constructed picaresque novel following the convoluted and hilarious tale of how a foundling came into a fortune.Fielding was a consistent anti-Jacobite and a keen supporter of the Church of England. This led to him now being richly rewarded with the position of London's Chief Magistrate. Fielding continued to write and his career both literary and professional continued to climb. In 1749 he joined with his younger half-brother John, to help found what was the nascent forerunner to a London police force, the Bow Street Runners. Fielding's ardent commitment to the cause of justice in the 1750s unfortunately coincided with a rapid deterioration in his health. Such was his decline that in the summer of 1754 he travelled, with Mary and his daughter, to Portugal in search of a cure. Gout, asthma, dropsy and other afflictions forced him to use crutches. His health continued to fail alarmingly.Henry Fielding died in Lisbon two months later on October 8th, 1754.

Sir Henry John Newbolt, CH was born on 6th June 1862 in Bilston, Wolverhampton, the son of the vicar of St Mary's Church, the Rev. Henry Francis Newbolt, and his second wife, Emily nee Stubbs. After his father's death, in 1866, the family moved to Walsall.There Newbolt attended Queen Mary's Grammar School, Walsall, and Caistor Grammar School, from where he gained a scholarship to Clifton College, where he was head of the school and editor of the school magazine. Upon graduation from Corpus Christi College, Oxford, he was called to the bar at Lincoln's Inn in 1887 and practised until 1899.He married Margaret Edwina nee Duckworth, of the prominent publishing family, and they had two children: Margaret Cecilia (1890) and Arthur Francis (1893).Behind the steady Edwardian facade lay intimate complications; a menage a trois. His wife had a long-running affair with her cousin, Laura Isabella 'Ella' Coltman to whom Newbolt had dedicated one of his own poems and was also involved with. Newbolt divided his time between the two women so there was no jealousy. Although it could equally be argued they divided their time.His first book was a novel, 'Taken from the Enemy' (1892), and this was followed in 1895 by a play, the tragedy, 'Mordred'. But it was with 'Admirals All' (1897), that his reputation was set. There followed further volumes of uplifting verse, including 'The Island Race' (1898), 'The Sailing of the Long-ships' (1902), 'Songs of the Sea' (1904) and 'Songs of the Fleet' (1910). Among the most stirring and patriotically heroic of his poems are the often anthologised 'Vitai Lampada' and 'Drake's Drum'.As well as writing he was also, from October 1900 to September 1904, the editor of the Monthly Review. In 1914, Newbolt published Aladore, a fantasy novel about a bored, dutiful knight who abandons his estate to pursue his heart's desire and woo a half-fae enchantress. As the First World War engulfed Europe, Newbolt, and another 20 British writers, were absorbed into the War Propaganda Bureau. Their talents were put to use promoting Britain's interests and to maintain public opinion in favour of the war.He was knighted in 1915 and became the Controller of Telecommunications at the Foreign Office. Among his war poems was 'The War Films', printed in The Times on 14th October 1916, in reference to the shock cinema audiences felt on seeing footage of the Battle of the Somme.Newbolt was knighted in 1915 and was appointed Companion of Honour in 1922.In 1921 he authored the government Report 'The Teaching of English in England' which helped to establish the foundations for modern English Studies and professionalised the teaching of English Literature. With it he established a canon, and was unequivocal that English must become the linguistic and literary standard throughout the Empire.Newbolt was also part of an inner advisory circle of Asquith's government and also advised on policy in Ireland.Sir Henry John Newbolt, CH died at his home in Campden Hill, Kensington, London, on 19th April 1938, at the age of 75. He is buried in the churchyard of St Mary's church on an island in the lake on the Orchardleigh Estate of the Duckworth family in Somerset.

For many of us DH Lawrence was a schoolboy hero. Who can forget sniggering in class at the mention of Women In Love or Lady Chatterley's Lover? Lawrence was a talented if nomadic writer whose novels were passionately received, suppressed at times and generally at odds with Establishment values. This of course did not deter him. At his death in 1930 at the young age of 44 he was more often thought of as a pornographer but in the ensuing years he has come to be more rightly regarded as one of the most imaginative writers these shores have produced. As well as his novels and of course his poetry - he wrote in excess of 800 of them he was also a very talented playwright. These works have not been given quite the attention they deserve. Here we publish 'The Widowing of Mrs Holroyd.

The partnership between William Schwenck Gilbert and Arthur Seymour Sullivan and their canon of Savoy Operas is rightly lauded by all lovers of comic opera the world over. Gilbert's sharp, funny words and Sullivan's deliciously lively and hummable tunes create a world that is distinctly British in view but has the world as its audience. Both men were exceptionally talented and gifted in their own right and wrote much, often with other partners, that still stands the test of time. However, together as a team they created Light or Comic Operas of a standard that have had no rivals equal to their standard, before or since. That's quite an achievement. To be recognised by the critics is one thing but their commercial success was incredible. The profits were astronomical, allowing for the building of their own purpose built theatre - The Savoy Theatre. Beginning with the first of their fourteen collaborations, Thespis in 1871 and travelling through many classics including The Sorcerer (1877), H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1885), The Gondoliers (1889) to their finale in 1896 with The Grand Duke, Gilbert & Sullivan created a legacy that is constantly revived and admired in theatres and other media to this very day.

John Webster is known primarily for his two Jacobean tragedies, The Duchess of Malfi and The White Devil. Much of the detail and chronology of his life that led to these two pivotal works is, however, unknown. His father, a carriage maker also named John Webster, married a blacksmith's daughter, Elizabeth Coates, on November 4th, 1577, and it is likely that Webster was born within a year or two in or near London. The family lived in St. Sepulchre's parish. Both his father and his uncle, Edward Webster, were Freemen of the Merchant Taylors' Company and Webster attended Merchant Taylors' School in Suffolk Lane, London. Some accounts say he began to study law but nothing is certain although there are some legal aspects to his later works to suggest this may have been so. By 1602, Webster was employed working as part of various teams of playwrights on history plays, though unfortunately most were never printed and therefore do not survive. These include a tragedy Caesar's Fall (written with Michael Drayton, Thomas Dekker, Thomas Middleton and Anthony Munday), and a collaboration with Thomas Dekker; Christmas Comes but Once a Year (1602). This factory line assembly of plays may seem rather odd to us today but plays then ran for much shorter durations and consequently a steady supply had to be assured. Webster's relationship with Dekker seems to have been a good one. Together they wrote Sir Thomas Wyatt, printed in 1607, although it is thought first performed in 1602 and two city comedies, Westward Ho! in 1604 and Northward Ho! in 1605. It seems Webster also adapted, in 1604, John Marston's The Malcontent for staging by the King's Men. On March 18th, 1606 Webster married the 17-year-old Sara Peniall at St Mary's Church, Islington. Sara was 7 months pregnant and marrying during Lent required the issuing of a special permit, hence the certainty of the date. Their first child, John, was baptised at the parish of St Dunstan-in-the-West on March 8th, 1606. Records show that on the death of a neighbour, who died in 1617, several bequests were made to the Webster family and it is therefore thought that other children were born to the couple. Despite his ability to write comedy, and to collaborate with others, Webster is remembered best for his sole authorship on two brooding English tragedies based on Italian sources. The White Devil, retells the intrigues involving Vittoria Accoramboni, an Italian woman assassinated at the age of 28. It was performed at the open-air Red Bull Theatre in 1612 but was unsuccessful, perhaps being too high brow for a working-class audience. In 1614 The Duchess of Malfi was first performed by the King's Men, most probably in the indoor Blackfriars Theatre and to a more high-brow audience. It proved to be more successful. The play Guise, based on French history, was also written but him but no text has survived. Webster wrote one more play on his own: The Devil's Law Case (c. 1617-1619), a tragicomedy. He continued to write thereafter but always in collaboration and usually city comedies; Anything for a Quiet Life (c. 1621), with Thomas Middleton, and A Cure for a Cuckold (c. 1624), with William Rowley. In 1624, he also co-wrote a topical play about a recent scandal, Keep the Widow Waking (with John Ford, Rowley and Dekker). The play itself is lost, although its plot is known from a court case. There is also some certainty that he contributed to the tragicomedy The Fair Maid of the Inn with John Fletcher, John Ford, and Phillip Massinger. His Appius and Virginia, was probably written with Thomas Heywood, and is of uncertain date. It is believed, mainly from Thomas Heywood's Hierarchie of the Blessed Angels (licensed 7 November 1634) that speaks of him in the past tense that John Webster had died at some point in that year of 1634.

Eugene Gladstone O'Neill was born on October 16, 1888 in a hotel bedroom in what is now Times Square, New York. Much of his childhood was spent in the comfort of books at boarding schools whilst his actor father was on the road and his Mother contended with her own demons. He spent only a year at University - Princeton - and various reasons have been given for his departure. However whatever his background and education denied or added to his development it is agreed amongst all that he was a playwright of the first rank and possibly America's greatest. His introduction of realism into American drama was instrumental in its development and paved a path for many talents thereafter. Of course his winning of both the Pulitzer Prize (4 times) and the Nobel Prize are indicative of his status. His more famous and later works do side with the disillusionment and personal tragedy of those on the fringes of society but continue to build upon ideas and structures he incorporated in his early one act plays. Eugene O'Neill suffered from various health problems, mainly depression and alcoholism. In the last decade he also faced a Parkinson's like tremor in his hands which made writing increasingly difficult. But out of such difficulties came plays of the calibre of The Iceman Cometh, Long Day's Journey Into Night, and A Moon for the Misbegotten. Eugene O'Neill died in Room 401 of the Sheraton Hotel on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "e;I knew it. I knew it. Born in a hotel room and died in a hotel room."e;

George Farquhar was born in Derry, Ireland in 1677, one of seven children. Farquhar was educated at Foyle College and later, aged 17, he entered Trinity College, Dublin. He departed after only two years, accounts vary as to why, and he took to acting on the Dublin stage. As an actor he seems to have had no real talent. A terrible accident, when he failed to distinguish between a tipped foil and a deadly rapier, and seriously wounded a fellow actor, resolved Farquhar to give up acting for good. His first play, Love and a Bottle, was well received at London's Drury Lane Theatre in 1699 and was admired "e;for its sprightly Dialogue and busy Scenes."e; With the play a success Farquhar settled his talents on a career as a playwright. He had a second play open that same year; The Constant Couple. Again, it was warmly received on debuting at Drury Lane and proved a great success. However, another interest and opportunity now unfolded into his life. He received a commission in the regiment of the Earl of Orrery. His time now became divided between the duties of a successful new playwright and the vocations of soldier. In 1701 Farquhar wrote and debuted a sequel to the Constant Couple, called and based on its main character; Sir Harry Wildair. The following year was to be prolific for the young playwright. He penned both The Inconstant or, The Way To Win and The Twin-Rivals as well as publishing Love and Business, a collection that included letters, verse, and A Discourse Upon Comedy. His work for the army, recruiting soldiers to fight in the War of the Spanish Succession, occupied much of his time for the next three years, and he was to write little except The Stage Coach, in 1774. Farquhar was able, however, to draw upon these years of recruiting experience for his next comedy, The Recruiting Officer in 1706. Early in 1707, Farquhar wrote what was to be his masterpiece: The Beaux Stratagem. In these last two plays his real contribution to the English drama is all the more apparent. He introduced a verbal vigour and sparring, as well as a love of character that are more usually associated with Elizabethan dramatists and laid much of the foundations for Sheridan and Congreve to build upon. George Farquhar, aged only 40, died on April 29th, 1707, almost two months after the debut of his greatest work. He was buried in the Church of St. Martin in the Fields, London, on May 3rd, 1707.

Fyodor Dostoyevsky's Notes from the Underground is both a fictional and philosophical work. It is considered by many critics as an early existentialist novella. The narrative takes the form of notes written by an unnamed narrator and is divided into two parts. In the first part entitled "e;Underground,"e; the protagonist is presented as a pessimist misanthrope who comments on a number of philosophical concepts such as the duality between determinism and free will. Basing his criticism on the work of Nikolay Chernyshevsky, he attacks modern schools of thought that purport to be founded solely on logical reasoning, namely utilitarianism and positivism. The second part of the book, entitled "e;Apropos of the Wet Snow,"e; is closer to fiction than to philosophical analysis. It rather seems to serve as a practical part for the theories exposed in the former through relating some events that happened to the narrator when he was a young man. The narrator often finds difficulty in socializing and even in interacting with the different people around him. Total misunderstanding and mistrust make him feel alienated in society. His feeling of indecision keeps on haunting him until the very end of the narrative when it is revealed that he has even been hesitating to conclude his notes.

The life of William Shakespeare, arguably the most significant figure in the Western literary canon, is relatively unknown. Shakespeare was born in Stratford-upon-Avon in 1565, possibly on the 23rd April, St. George's Day, and baptised there on 26th April. Little is known of his education and the first firm facts to his life relate to his marriage, aged 18, to Anne Hathaway, who was 26 and from the nearby village of Shottery. Anne gave birth to their first son six months later. Shakespeare's first play, The Comedy of Errors began a procession of real heavyweights that were to emanate from his pen in a career of just over twenty years in which 37 plays were written and his reputation forever established. This early skill was recognised by many and by 1594 the Lord Chamberlain's Men were performing his works. With the advantage of Shakespeare's progressive writing they rapidly became London's leading company of players, affording him more exposure and, following the death of Queen Elizabeth in 1603, a royal patent by the new king, James I, at which point they changed their name to the King's Men. By 1598, and despite efforts to pirate his work, Shakespeare's name was well known and had become a selling point in its own right on title pages. No plays are attributed to Shakespeare after 1613, and the last few plays he wrote before this time were in collaboration with other writers, one of whom is likely to be John Fletcher who succeeded him as the house playwright for the King's Men. William Shakespeare died two months later on April 23rd, 1616, survived by his wife, two daughters and a legacy of writing that none have since yet eclipsed.

Henry Fielding was born at Sharpham Park, near Glastonbury, in Somerset on April 22nd 1707. His early years were spent on his parents' farm in Dorset before being educated at Eton.An early romance ended disastrously and with it his removal to London and the beginnings of a glittering literary career; he published his first play, at age 21, in 1728.He was prolific, sometimes writing six plays a year, but he did like to poke fun at the authorities. His plays were thought to be the final straw for the authorities in their attempts to bring in a new law. In 1737 The Theatrical Licensing Act was passed. At a stroke political satire was almost impossible. Fielding was rendered mute. Any playwright who was viewed with suspicion by the Government now found an audience difficult to find and therefore Theatre owners now toed the Government line.Fielding was practical with the circumstances and ironically stopped writing to once again take up his career in the practice of law and became a barrister after studying at Middle Temple. By this time he had married Charlotte Craddock, his first wife, and they would go on to have five children. Charlotte died in 1744 but was immortalised as the heroine in both Tom Jones and Amelia.Fielding was put out by the success of Samuel Richardson's Pamela, or Virtue Rewarded. His reaction was to spur him into writing a novel. In 1741 his first novel was published; the successful Shamela, an anonymous parody of Richardson's novel.Undoubtedly the masterpiece of Fielding's career was the novel Tom Jones, published in 1749. It is a wonderfully and carefully constructed picaresque novel following the convoluted and hilarious tale of how a foundling came into a fortune.Fielding was a consistent anti-Jacobite and a keen supporter of the Church of England. This led to him now being richly rewarded with the position of London's Chief Magistrate. Fielding continued to write and his career both literary and professional continued to climb.In 1749 he joined with his younger half-brother John, to help found what was the nascent forerunner to a London police force, the Bow Street Runners. Fielding's ardent commitment to the cause of justice in the 1750s unfortunately coincided with a rapid deterioration in his health. Such was his decline that in the summer of 1754 he travelled, with Mary and his daughter, to Portugal in search of a cure. Gout, asthma, dropsy and other afflictions forced him to use crutches. His health continued to fail alarmingly.Henry Fielding died in Lisbon two months later on October 8th, 1754.

2050. The global village has disintegrated. The Third World War, ending in a stalemate, has left the planet split between two hostile powers, each with a captive sphere of influence. The Atlantic Ocean has become an American sea. West Africa is a desert of failed states and anarchy, dotted with mines and oil rigs, stockaded and armed by U. S. corporations. From their island outpost of St. Thomas, the Americans dispatch expeditions of geologists and mining engineers into the dangerous interior of the Dark Continent to search for untapped mineral resources. One such expedition has gone missing. Ekem “Crash” Ferguson, born in the U.S. in 2008 of African parents and abandoned to the care of foster parents, is a Captain in the Marine Corps. His career blocked and his marriage failing, he accepts an offer to proceed to Ghana on a one-man mission to find the missing experts. Unknown to his handlers, he has another mission. His arrival in Africa is inauspicious: in a shack amongst the coconut palms he comes across two human skeletons. This is only the first incident in what turns out to be a journey of discovery and self-discovery. “Magnificently crafted political fiction.” Andre Vltchek, author of Aurora and Exposing the Lies of the Empire.

Called to a crime scene, caught in a pursuit that will change his life forever. Or end it. Chief Deputy Randall Steadman knows how to read people, making him tough to face in the interrogation room. He learns the hard way those tactics don't apply at the poker table. Watching the last of his money disappear in a pile of plastic chips, Steadman thinks it can’t get worse. Then new disaster strikes, spinning him off on a quest to catch a killer and protect an innocent girl, aided only by his new and untried partner, Detective Cory Frost. Extortion, a deadly volcano, and a triple homicide mark the beginning of a long and winding road for Steadman and Frost. If you like books by C.J. Box, Thomas Perry, and Jeffery Deaver, you’ve just found a new favorite in Steadman’s Blind!

Greg Heffley has always been in a hurry to grow up. But is getting older really all it’s cracked up to be?   Greg suddenly finds himself dealing with the pressures of boy-girl parties, increased responsibilities, and even the awkward changes that come with getting older—all without his best friend, Rowley, at his side. Can Greg make it through on his own? Or will he have to face the “ugly truth”?

The pressure’s really piling up on Greg Heffley. His mom thinks video games are turning his brain to mush, so she wants her son to put down the controller and explore his “creative side.”   As if that’s not scary enough, Halloween’s just around the corner and the frights are coming at Greg from every angle.   When Greg discovers a bag of gummy worms, it sparks an idea. Can he get his mom off his back by making a movie . . . and will he become rich and famous in the process? Or will doubling down on this plan just double Greg’s troubles?

The Clever Teens' Guide to The Russian RevolutionThe communist system unleashed by the Russian Revolution of 1917 was the greatest political experiment ever conducted. The revolution promised freedom from the shackles of imperialism, corruption and exploitation but until its collapse in 1991, the peoples of the vast Soviet empire endured 70 years of misguided socialism and totalitarianism.The Clever Teens’ Guide to the Russian Revolution covers all the major facts and events giving you a clear and straightforward overview: from the circumstances behind the rise of Lenin and the Bolsheviks, to the consequences of their struggle for a new socialist utopia.Ideal for your “clever teenager”.

At long last, this is the definitive Wet Hot American Summer book fans have been clamoring for! Screenwriters David Wain and Michael Showalter take pen to page and create a hilarious, behind-the-scenes annotated version of the original screenplay that launched a thousand Halloween costumes. They provide commentary on and insight into how and why they made the artistic decisions they did while writing and filming the movie that went on to become a true cult classic, as well as an ongoing Netflix series. The book will also feature reproduced ephemera from filming-photos, original (and scathing) reviews, AIM chat conversations, marked up script pages, and so much more. Written and curated by Wain and Showalter, this will be the must-have guide to all things Wet Hot.

After the tragic sinking of a cargo ship, one solitary lifeboat remains bobbing on the wild, blue Pacific. The only survivors from the wreck are a sixteen-year-old boy named Pi, a hyena, a zebra with a broken leg, a female orang-utan - and a 450-pound Royal Bengal tiger. Since it was first published in 2002, Life of Pi has entered mainstream consciousness and remains one of the most extraordinary works of fiction in recent years. In October 2005 Canongate launched a competition with The Times to find an artist to illustrate Yann Martel's international bestseller. Soon the competition expanded as the Globe and Mail and The Age newspapers also launched a search in Canada and Australia. From thousands of entries, Croatian artist Tomislav Torjanac was chosen as the illustrator for this new edition of Life of Pi. Now readers can enjoy this extraordinary tale with his glorious colour illustrations.