Egy nem mindennapi gyerekkori barátság lélegzetelállító t?rténete, amely kiállja az id? próbáját. Gustav Perle egy svájci kisvárosban n? fel, ahol a II. világháború sz?rny?ségeib?l csak halk visszhang jut el. Egyedüli gyerekként nevelkedik imádott édesanyjával, Emilie-vel, aki meglehet?en mogorván bánik vele. ?sszebarátkozik egy vele egykorú tehetséges és jó esz? zsidó fiúval Anton Zweibellel, az ígéretes zongoristapalántával.A regény Gustav családjának t?rténetét k?veti nyomon, feltárja az anya antiszemitizmusának gy?kereit, amelynek kihatása lesz fia és legkedvesebb barátjának életére is. Visszatekintés a háborús évekre és egy lelkiismereti ügy kellemetlen k?vetkezményeire, és el?re nézés két életútra, két karrierre; egy szállodatulajdonoséra és egy zongoram?vészére.A Gustav-szonáta a barátságról szól: a szenvedélyes szeretetr?l, az eltávolodásról és a küzdelemr?l. Er?teljes és mélyen megindító m? az egyik legnagyobb kortárs regényíró tollából.?A szeretet és irigység mesteri elbeszélése.” – The Guardian“Egy t?kéletes regény az élet t?kéletlenségér?l” – The Observer“Tremain egy géniusz.” – The Times"Végletes és fájdalmas szépség. Briliáns regény; Tremain a legnagyobb brit írók egyike.” -Salman RushdieRose Tremain 1943-ban született Londonban. Regényei és novellái világszerte 27 országban jelentek meg, számtalan díjat nyertek, beleértve a Sunday Express ?v K?nyve Díját a Restoration-nel (a regényt Booker-díjra is jel?lték). A Sacred Country-val Franciaországban elnyerte a ?Prix Femina Etranger”-díjat, a Music and Silence-szel a Whitbread ?v K?nyve díjat, és a Road Home-mal 2008-ban a regényeknek járó Orange-díjat. 1995-ben a Restoration-b?l Változások kora címmel filmet forgattak, és 2009-ben színpadra is vitték. Legújabb regénye a sokat dicsért Gustav-szonáta, amiben Rose ?páratlan tehetsége csúcsára érkezett” (Observer).Rose Tremain korábbi regénye Színarany címmel jelent meg magyarul a Park Kiadó gondozásában.

– Van valami, amiért még mindig haragszol az elmúlt évekbl – néztem a szemébe, amikor megálltunk a kapunkban. – Nem. Nincs – szólt szintén, némi tprengés után. – Neked – Azt hiszem, nincs – ismertem be, és komolyan is gondoltam. – Viszont – tettem hozzá, amolyan "azért ne nyugodj meg" pillantással – nehogy azt hidd, hogy Benot nem jelentett nekem sokat. – Gondolom. De a te kitalált barátodat Jérome-nak hívták – emlékeztetett mosolyogva. – Részletkérdés – nevettem el magam, aztán a vállába fúrva az arcom, szorosan átleltem. – rülk, hogy az elmúlt négy évem minden egyes napja rólad szólt – suttogtam alig hallhatóan. Cortez kissé eltolt magától, hogy a szemembe tudjon nézni, majd hosszasan megcsókolt, engem pedig elnttt a forróság a hajnali hvsben. Azt hiszem, ezt végleg megbeszéltük.”

When does life begin?... A well-known book says "forty". A well-known radio program says "eighty". Some folks say it's mental, others say it's physical. But take the strange case of Mel Carlson who gave a lot of thought to the matter. Mel felt as if he were floating on clouds in the deepest, most intense dark he had ever experienced. He tried opening his eyes but nothing happened, only a sharp pain. Little bits of memory flashed back and he tried to figure out what could have happened, where he was. The last thing he could remember was the little lab hidden back in the mountains in an old mine tunnel. Remote, but only an hour's drive from the city. What had he been doing? Oh yes, arguing with Neil again. He even recalled the exact words."Damn it, Mel," his partner had said. "We've gone about as far as possible working with animal brains. We've got to get a human one." "We can't," Mel had disagreed. "There'd be enough of an uproar if the papers got hold of what we've been doing with animals. If we did get someone in a hospital to agree to let us use his brain on death, they would close us up tighter than a drum.""But our lab's too well hidden, they'd never know." "It wouldn't work anyway. The brain might be damaged for lack of oxygen and all of our work would go for nothing. Worse, it might indicate failure where a fresh, healthy brain would mean success.""We'll never know unless we try," said Neil almost violently, dark eyes glittering. "Our funds aren't going to last forever."

To the irreverent—and which of us will claim entire exemption from that comfortable classification—there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw. He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox). Indeed he knows no more about the dramatic art than, according to his own story in "The Man of Destiny," Napoleon at Tavazzano knew of the Art of War. But both men were successes each in his way—the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre. Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric. There never was an author who showed less predilection for a specific medium by which to accomplish his results. He recognized, early in his days, many things awry in the world and he assumed the task of mundane reformation with a confident spirit. It seems such a small job at twenty to set the times aright. He began as an Essayist, but who reads essays now-a-days—he then turned novelist with no better success, for no one would read such preposterous stuff as he chose to emit. He only succeeded in proving that absolutely rational men and women—although he has created few of the latter—can be most extremely disagreeable to our conventional way of thinking. As a last resort, he turned to the stage, not that he cared for the dramatic art, for no man seems to care less about "Art for Art's sake," being in this a perfect foil to his brilliant compatriot and contemporary, Wilde. He cast his theories in dramatic forms merely because no other course except silence or physical revolt was open to him. For a long time it seemed as if this resource too was doomed to fail him. But finally he has attained a hearing and now attempts at suppression merely serve to advertise their victim. It will repay those who seek analogies in literature to compare Shaw with Cervantes. After a life of heroic endeavor, disappointment, slavery, and poverty, the author of "Don Quixote" gave the world a serious work which caused to be laughed off the world's stage forever the final vestiges of decadent chivalry. The institution had long been outgrown, but its vernacular continued to be the speech and to express the thought "of the world and among the vulgar," as the quaint, old novelist puts it, just as to-day the novel intended for the consumption of the unenlightened must deal with peers and millionaires and be dressed in stilted language. Marvellously he succeeded, but in a way he least intended. We have not yet, after so many years, determined whether it is a work to laugh or cry over. "It is our joyfullest modern book," says Carlyle, while Landor thinks that "readers who see nothing more than a burlesque in 'Don Quixote' have but shallow appreciation of the work." Shaw in like manner comes upon the scene when many of our social usages are outworn. He sees the fact, announces it, and we burst into guffaws. The continuous laughter which greets Shaw's plays arises from a real contrast in the point of view of the dramatist and his audiences. When Pinero or Jones describes a whimsical situation we never doubt for a moment that the author's point of view is our own and that the abnormal predicament of his characters appeals to him in the same light as to his audience. With Shaw this sense of community of feeling is wholly lacking. He describes things as he sees them, and the house is in a roar. Who is right If we were really using our own senses and not gazing through the glasses of convention and romance and make-believe, should we see things as Shaw does Must it not cause Shaw to doubt his own or the public's sanity to hear audiences laughing boisterously over tragic situations And yet, if they did not come to laugh, they would not come at all. Mockery is the price he must pay for a hearing. Or has he calculated to a nicety the power of reaction Does he seek to drive us to aspiration by the portrayal of sordidness, to disinterestedness by the picture of selfishness, to illusion by disillusionment It is impossible to believe that he is unconscious of the humor of his dramatic situations, yet he stoically gives no sign. He even dares the charge, terrible in proportion to its truth, which the most serious of us shrinks from—the lack of a sense of humor. Men would rather have their integrity impugned. In "Arms and the Man" the subject which occupies the dramatist's attention is that survival of barbarity—militarism—which raises its horrid head from time to time to cast a doubt on the reality of our civilization. No more hoary superstition survives than that the donning of a uniform changes the nature of the wearer. This

BOW-WOW AND MEW-MEW is one of the few books for beginners in reading that may be classed as literature. Written in words of mostly one syllable, it has a story to tell, which is related in so attractive a manner as to immediately win the favor of young children. It teaches English and English literature to the child in the natural way: through a love for the reading matter. It is the character of story that will, in the not distant future, replace the ordinary primer or reader with detached sentences, and which seldom possesses any relation to literature.The ultimate objects of any story can only be effected through the love for a story. The prominent point in this story is development of good character, which may well be regarded as the highest purpose of education. The transformation from bad to good traits in the dog and cat cannot but have a desirable effect on every child that reads the story. Bow-Wow and Mew-Mew become dissatisfied with their home and their surroundings, and ungrateful toward their benefactress. As the story tells, "They did not find good in any thing." But after running away and suffering hunger, neglect, and bad treatment, their characters begin to change. They naturally come to reflect their mistress's goodness. They learn the value of companionship and friendship, and the appreciation of a home. However, the ethical thoughts in the story are presented without a moral. The child really lives the scenes described. He has the emotions of the characters and feels their convictions. And this determines the worth of a story as an agent in character development.The narrative furnishes, further, the proper kind of exercise for the imagination. It affords abundant opportunity for the play of the dramatic instinct in the child, and effects a happy union of the "home world" and the "school world." The illustrations, drawn by Miss Hodge, have been planned and executed with considerable care.

A mérf?ldk?nek számító Sons of Anarchy - Kemény motorosok cím? televíziós sorozat negyedik évadja után játszódó t?rténetét Kurt Sutter, a széria vezet? producere találta ki. A klubtagság fele éppenhogy csak kiszabadult a Stockton állami b?rt?nb?l, de a Galindo drogkartell máris a nyakukban liheg, így nem unatkoznak a motorosok. Jax Teller, a SAMCRO aleln?ke mégis kénytelen egy másik problémával foglalkozni, amikor megtudja, hogy ír féltestvére, Trinity már hónapok óta az Egyesült ?llamokban tartózkodik - és az orosz Bratva-gengszterekkel lóg. Most azonban elt?nt, és Jax biztos abban, hogy ehhez az életét fenyeget? maffiaháborúnak van k?ze. Jax, Chibs és Opie társaságában Nevadába utazik, hogy megkeresse, és hazavigye. Trinity ugyan félig ír, félig viszont Teller, és ahol a Tellerek megjelennek, ott k? k?v?n nem marad. ?A Maffiózók óta nem uralta így a tévéképerny?t egy csapat izzadt, er?szakos vadállat...” - Rolling Stone. ?Els? osztályú... A mai napig az egyik legjobb tévésorozat.” - Newsday. ?Az egyik legjobb dráma a tévében.” - Time. ??t csillagból négy... A Sons csúcsra járatja a drámát.” - New York Daily News.?

Will you do the Gooners proud as you display an impressive knowledge of your favourite club, Arsenal, or will you instead prove yourself to be a complete goon, as trip over your own feet in search of the answers to the 1,000 cunning questions in this quiz book? Covering every aspect of the club's history from players to managers and from national to international competitions since its foundation over a century ago, and with a fitting Foreword by former Scotland and Arsenal goalkeeping legend and TV presenter, Bob Wilson, this book will challenge Gooners fans of all ages as well as providing fascinating facts and figures both to enthral and to trigger fond memories and ardent discussions. If you find yourself floundering, you can recover your dignity and find consolation in the fact that AGBP1.00 from the sale of every book will go to the Willow Foundation, a charity founded by Bob and Megs Wilson and dedicated to arranging individually tailored 'Special Days' for seriously ill young adults.

This short, diary-style novel, by a British army veteran chronicles the difficulties faced by Tommy, a 23-year-old squaddie, as he desperately tries to conquer post traumatic stress disorder (PTSD) - shell shock. His over-emotional responses to the stresses of everyday life - post-office queues, a trip to Ikea, and his relationship with his family and girlfriend - eventually lead to alienation and suicidal urges. Told in the vernacular, with humour and personal understanding, the story highlights the work of the Charity Combat Stress in rehabilitating returning troops.

A reflection on life, The Blood of Kings describes in raw emotion and evocative language all aspects of what it is to be a man, a poet, a soldier, a friend. This poetry, with a dark edge, covers the loss of love, death, religion, friendship, war and a philosophical outlook on what they all really mean. Not always easy reading, but with depth and passion, JB Brown describes a passage of rights where the juxtaposition of life, its highs and its accompanying pain are only too real.

So I had a problem. I felt like a peach. But aspired to be a coconut. Unsurprisingly, I concluded I was ill-equipped for life, doomed to feel exposed to outside variables. It felt like an unstoppable blizzard was constantly blowing through me. My mind was full of long, dark winter days. And peaches don't fare well in winter. Then, one day, I realised I did not need to be a coconut. In the midst of winter, I found within me an invincible summer. I uncovered innate resilience. Innate health. It is my birthright. It is the birthright of humanity.The one essential question to ask is this: Where do we think our feelings are coming from? And there is only one answer. Our feelings are always coming from the power of Thought in the moment. Never from anywhere else. Ever.Resilience is revealed when misunderstanding falls away. Realising the inside-out logic and wisdom of how our minds work reconnects us with what is true. And experiencing this truth is resilience.In these powerful reflective essays, Terry Rubenstein, author of the ground-breaking book Exquisite Mind and an avid student of the human dimension, reveals the logic and truth behind the extraordinary genius with which all human beings have been designed. This knowledge, which is self-evident when realised, eliminates the false assumption that we are non-resilient. It carries with it monumental implications and answers one of the most important questions that we can ever ask: Why would a peach ever want to be a coconut?

Squeezed between more powerful France and Spain, Catalonia has endured a violent history. Its medieval empire that conquered Naples, Sicily and Athens was crushed by Spain. Its geography, with the Pyrenees falling sharply to the rugged Costa Brava, is tormented, too.Michael Eaude traces this history and its monuments: Roman Tarragona, celebrated by the poet Martial; Greek Empuries, lost for centuries beneath the sands; medieval Romanesque architecture in the Vall de Boi churches (a World Heritage Site) and Poblet and Santes Creus monasteries. He tells the stories of several of Catalonia's great figures: Abbot Oliva, who brought Moorish learning to Europe, the ruthless mercenary, Roger de Flor, and Verdaguer, handsome poet-priest.Catalonia is famous today for its twentieth-century art. This book focuses on the revolutionary Art Nouveau buildings (including the Sagrada Familia) of Antoni Gaudi. It also explores the region's artistic legacy: the young Picasso painting Barcelona's vibrant slums; Salvador Dali, inspired by the twisted rocks of Cap de Creus to paint his landscapes of the human mind; and Joan Miro, discovering the colours of the red earth at Montroig.

Did you know that you're almost two thousand times more likely to die from an asteroid hitting the earth than you are from a terrorist attack? Would you be shocked to learn that almost half of pilots surveyed admitted to falling asleep during a flight? Do you think world population growth is increasing or declining? And does a regular social drinker earn more or less than their alcohol-free counterpart? This fascinating book contains over one hundred statistics that will surprise, shock and amaze you. With sections covering life, death, crime, education, the environment and much more, this is a great quick read for readers of any age.

What begins as a seemingly innocent invitation to dinner from a relative stranger turns into something more sinister. Persuaded to stay for three days in the stranger's isolated house, the guest hears six bizarre stories of people known to the host. The last of these chilling tales concerns the host himself and has an alarming ending. When the guest returns to his own home, the tales he's heard continue to haunt him and where they lead makes his own story the strangest of all.

The A-Z of Sega Mega Drive Games: Volume 1 features reviews of three different games for each letter of the alphabet. The games range from the very earliest releases in the mid-eighties to the modern homebrew games of today. This book shows you just how diverse the library of titles is for the Sega Mega Drive and how it became one of the most popular consoles of all-time.

Athens is an historical anomaly. Excavations date its first settlement to over seven thousand years ago, yet it only became the capital of Greece in 1834. During the intervening centuries it was occupied by almost every mobile culture in Europe: from its earliest likely settlers, tribes from what is now Albania, to Nazi forces during the second World War, and in between by successive waves of Persians, Macedonians, Romans, Slavs, Goths, Venetians, French, Catalans, Turks, Italians, Bulgarians and the clans of various kings and tyrants of the region's early city-states.There has been a structure on its 'high city', the acropolis, since at least the bronze age, although it was subsequently altered by successive occupiers, becoming a fort, castle, temple, mosque, church and even a harem. its 'Golden age' peaked in the fifth century BCE, with the great building projects of Pericles and Themistocles, and its later history is one of a city already nostalgic for its past, although at a time when other European cities had yet to begin constructing a past. Its standing as the birthplace of democracy and western civilisation, while based in fact, is largely a romantic fantasy dreamt up by nineteenth-century north European artists and intellectuals: democracy has a checkered history in Athens, and 'western civilisation' was an amalgam of many cultures. The city now is a jigsaw of pieces from its past, where you can still walk along streets laid by Romans and Ottoman Turks, and where the city's population is almost constantly refreshed by newer waves of arrivals.John Gill's cultural guide explores the origins, development and contemporary face of Athens, offering an accessible analysis of its social history, architecture and representation in painting, literature and film. Looking at the role of religion, migration and popular culture, its in-depth coverage of the city, past and present, goes beyond conventional guidebooks to provide a fresh insight into its living identity.

Since 1997 John Lichfield, The Independent's correspondent in France, has been sending dispatches back to the newspaper in London. More than transient news stories, the popular 'Our Man in Paris' series consists of essays on all things French. Sometimes serious, at other times light-hearted, they offer varied vignettes of life in the hexagone and trace the author's evolving relationship with his adopted country. Many of Lichfield's themes concern the mysteries of Paris and its people. Who is responsible for the city's extraordinary plumbing? How can you drive around the Arc de Triomphe and survive? He also ponders the phenomena that intrigue many foreigners, such as the eloquence of the capital's beggars and the identity of the intimidating but fast disappearing concierge. Visiting places as different as the Musee d'Orsay and Disneyland, he explores culture high and low as well as the everyday pleasures and problems of living in Paris.

Beyond the brash modern stereotypes of Essex there exists a landscape that has inspired some of England's finest writing. This book tracks the paths of those literary figures who have ventured into the wilder parts of Essex. Some are illustrious names: Shakespeare, Defoe, John Clare, Joseph Conrad, H. G. Wells, Arthur Ransome. Others may be lesser known but here are well remembered: Samuel Purchas, Sabine Baring-Gould, Margery Allingham, J. A. Baker. In ten chapters James Canton crosses five centuries into the furthest reaches of the county in search of writers and what can be seen of their work today. J. A. Baker follows the peregrines along the Chelmer valley to the Blackwater estuary at Maldon. John Clare wanders the hidden pathways of Epping Forest scribbling poetry while Arthur Ransome sails around the islands of the Hamford Waters. William Shakespeare appears in the woody glades beside Castle Hedingham, Joseph Conrad stares across the Essex marshes at Tilbury to the Thames, while Sabine Baring-Gould's Gothic heroine Mehalah lives upon a lone muddy stretch beside Mersea Island, where Margery Allingham sets her first tale of smuggling and murder; Daniel Defoe recounts the horror of the ague on the Dengie Peninsula; H. G. Wells writes a tale of the First World War from his home at Little Easton. Samuel Purchas tells such seafaring tales from his Southend vicarage as to inspire Samuel Taylor Coleridge to write Kubla Khan. Combining detailed literary detective work with personal responses to landscapes and their meanings, James Canton offers a fresh vision of Essex, its cultural history and its living legacy of wilderness and imagination.

The A-Z of Atari 2600 Games: Volume 2 features reviews of three different games for each letter of the alphabet. The games range from the very earliest releases in the 70s to the modern homebrew games of today. This book shows you just how diverse the library of titles is for the Atari 2600 and how it became one of the best selling consoles of all time.

The A-Z of Nintendo Game Boy Games: Volume 1 features reviews of three different games for each letter of the alphabet. The games range from the very earliest releases in 1989 to the modern homebrew games of today. This book shows you just how diverse the library of titles is for the Nintendo Game Boy and how it became one of the most popular consoles of all-time.

Elliott endures a long, fraught journey to Scotland with his family. Arriving at a loch-side holiday park, some things are familiar and others not quite right. He and his brother argue over different girls, one of whom has a strange request. A riddle leads the brothers into unexpected adventure, and a calamity from the past comes back to haunt them.

Part mystery, part love story, this Cold War thriller sees the enigmatic PK, the faithless son of a clergyman, seemingly involved in the disappearance of a schoolgirl. His close friend, Frank, certain that PK holds the key to the missing girl, is determined to find her. But Frank, a former soldier in Northern Ireland, is unaware that he is being targeted by a terrorist with a personal vendetta. Meanwhile, the nuclear countdown continues...This excellent, thoughtful and darkly comic page-turner is set in the decade before the end of the Cold War, and focuses on the twelve days leading up to a potential Armageddon. Will the schoolgirl be found and PK exonerated? Can Frank escape the terrorist's revenge? And, ultimately, what is the distraction that causes a US pilot to hesitate in his defence of the UK?Based on real-life events, finely crafted and realistic, Distraction will appeal to mystery and thriller enthusiasts alike.