A few years ago, while visiting or, rather, rummaging about Notre-Dame, the author of this book found, in an obscure nook of one of the towers, the following word, engraved by hand upon the wall:— ? ? ? ? ? ? ? ANArKH. These Greek capitals, black with age, and quite deeply graven in the stone, with I know not what signs peculiar to Gothic caligraphy imprinted upon their forms and upon their attitudes, as though with the purpose of revealing that it had been a hand of the Middle Ages which had inscribed them there, and especially the fatal and melancholy meaning contained in them, struck the author deeply. He questioned himself; he sought to divine who could have been that soul in torment which had not been willing to quit this world without leaving this stigma of crime or unhappiness upon the brow of the ancient church. Afterwards, the wall was whitewashed or scraped down, I know not which, and the inscription disappeared. For it is thus that people have been in the habit of proceeding with the marvellous churches of the Middle Ages for the last two hundred years. Mutilations come to them from every quarter, from within as well as from without. The priest whitewashes them, the archdeacon scrapes them down; then the populace arrives and demolishes them. Thus, with the exception of the fragile memory which the author of this book here consecrates to it, there remains to-day nothing whatever of the mysterious word engraved within the gloomy tower of Notre-Dame,—nothing of the destiny which it so sadly summed up. The man who wrote that word upon the wall disappeared from the midst of the generations of man many centuries ago; the word, in its turn, has been effaced from the wall of the church; the church will, perhaps, itself soon disappear from the face of the earth. It is upon this word that this book is founded.

Janka a csinos, 31 éves pincérn? legh?bb vágya, hogy belépjen életébe a nagy szerelem. Amikor megismerkedik Dáviddal, a híres énekessel, úgy érzi, benne megtalálta azt, akit mindig is keresett. Kapcsolatuk mégsem alakul felh?tlenül, bármilyen szenvedélyesen szerelmes is a popsztárba. Ahogy egyre jobban megismeri Dávidot, kiderül a férfi s?tét oldala. Janka azonban nem tud t?le elszakadni... A regény?arra keresi a választ, hogy milyen egy bántalmazó férfi és egy bántalmazói kapcsolat. Hogyan lehet egy ilyen kapcsolaton túljutni és ?nmagunkra találni annak ellenére, hogy képtelennek érezzük magunkat az elszakadásra? Hogyan lehet egy fájdalmas kapcsolaton túl is újra boldognak lenni?

The Odyssey (Greek:Odysseia) is one of two major ancient Greek epic poems attributed to Homer. It is, in part, a sequel to the Iliad, the other work ascribed to Homer. The poem is fundamental to the modern Western canon, and is the second oldest extant work of Western literature, the Iliad being the oldest. It is believed to have been composed near the end of the 8th century BC, somewhere in Ionia, the Greek coastal region of Anatolia. The poem mainly centers on the Greek hero Odysseus (known as Ulysses in Roman myths) and his journey home after the fall of Troy. It takes Odysseus ten years to reach Ithaca after the ten-year Trojan War. In his absence, it is assumed he has died, and his wife Penelope and son Telemachus must deal with a group of unruly suitors, the Mnesteres or Proci, who compete for Penelope's hand in marriage. It continues to be read in the Homeric Greek and translated into modern languages around the world. Many scholars believe that the original poem was composed in an oral tradition by an aoidos (epic poet/singer), perhaps a rhapsode (professional performer), and was more likely intended to be heard than read. The details of the ancient oral performance, and the story's conversion to a written work inspire continual debate among scholars. The Odyssey was written in a poetic dialect of Greek—a literary amalgam of Aeolic Greek, Ionic Greek, and other Ancient Greek dialects—and comprises 12,110 lines of dactylic hexameter. Among the most noteworthy elements of the text are its non-linear plot, and the influence on events of choices made by women and serfs, besides the actions of fighting men. In the English language as well as many others, the word odyssey has come to refer to an epic voyage. The Odyssey has a lost sequel, the Telegony, which was not written by Homer. It was usually attributed in Antiquity to Cinaethon of Sparta, but in one source was said to have been stolen from Musaeus by Eugamon or Eugammon of Cyrene (see Cyclic poets). ABOUT AUTHOR: Homeros, In the Western classical tradition, Homer (Ancient Greek: Homeros) is the author of the Iliad and the Odyssey, and is revered as the greatest of ancient Greek epic poets. These epics lie at the beginning of the Western canon of literature, and have had an enormous influence on the history of literature. When he lived is unknown. Herodotus estimates that Homer lived 400 years before his own time, which would place him at around 850 BC, while other ancient sources claim that he lived much nearer to the supposed time of the Trojan War, in the early 12th century BC. Most modern researchers place Homer in the 7th or 8th centuries BC. The formative influence of the Homeric epics in shaping Greek culture was widely recognized, and Homer was described as the teacher of Greece. Homer's works, which are about fifty percent speeches, provided models in persuasive speaking and writing that were emulated throughout the ancient and medieval Greek worlds. Fragments of Homer account for nearly half of all identifiable Greek literary papyrus finds. PeriodFor modern scholars "the date of Homer" refers not to an individual, but to the period when the epics were created. The consensus is that "the Iliad and the Odyssey date from around the 8th century BC, the Iliad being composed before the Odyssey, perhaps by some decades," i.e. earlier than Hesiod, the Iliad being the oldest work of Western literature. Over the past few decades, some scholars have argued for a 7th-century BC date. Oliver Taplin believes that the conclusion of modern researchers is that Homer dates to between 750 to 650 BC. Some of those who argue that the Homeric poems developed gradually over a long period of time give an even later date for the composition of the poems; according to Gregory Nagy for example, they only became fixed texts in the 6th century BC. The question of the historicity of Homer the individual is known as the "Homeric question"; there is no reliable biographical information handed down from classical antiquity. The poems are generally seen as the culmination of many generations of oral story-telling, in a tradition with a well-developed formulaic system of poetic composition. Some scholars, such as Martin West, claim that "Homer" is "not the name of a historical poet, but a fictitious or constructed name."

Bels? irányt?nk ahhoz az élethez vezet el, amelyr?l mindig is álmodtunk. Célunk felé tartva ráismerünk azokra a pontokra, ahol irányt kell változtatnunk, hogy kihasználhassuk teljes bels? potenciálunkat. Ez az inspiráló utazás minden életterületen átvezet: segít, hogy felismerjük életfeladatunkat, hogy meghozzuk a helyes d?ntéseket, hogy megvalósítsuk legrejtettebb vágyainkat. A híres életmódtanár ezúttal gyakorlati útmutatót ad ahhoz, miként menedzselhetjük sikeresen a saját életünket. "Már maga az a felismerés, hogy minden élethelyzetben igent mondhatok az életre, hihetetlenül gazdaggá tette a hétk?znapjaimat. ?jra meg újra próbára tettem, hogyan tudom az éveken át gy?jt?tt élettapasztalatokat és az új látásmódot alkalmazni, és az eredmények mindig azt igazolták, hogy minden egyes esetben lehetséges változást elérni. ?ppen csak meg kell teremteni a változás el?feltételeit." (a Szerz?) A K?nyvjelz? magazin 2015. májusi számában megjelent cikk: Okosabban kéne élni

On the Origin of Species, published on 24 November 1859, is a work of scientific literature by Charles Darwin which is considered to be the foundation of evolutionary biology. Its full title was On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life. For the sixth edition of 1872, the short title was changed to The Origin of Species. Darwin's book introduced the scientific theory that populations evolve over the course of generations through a process of natural selection. It presented a body of evidence that the diversity of life arose by common descent through a branching pattern of evolution. Darwin included evidence that he had gathered on the Beagle expedition in the 1830s and his subsequent findings from research, correspondence, and experimentation. Various evolutionary ideas had already been proposed to explain new findings in biology. There was growing support for such ideas among dissident anatomists and the general public, but during the first half of the 19th century the English scientific establishment was closely tied to the Church of England, while science was part of natural theology. Ideas about the transmutation of species were controversial as they conflicted with the beliefs that species were unchanging parts of a designed hierarchy and that humans were unique, unrelated to other animals. The political and theological implications were intensely debated, but transmutation was not accepted by the scientific mainstream. The book was written for non-specialist readers and attracted widespread interest upon its publication. As Darwin was an eminent scientist, his findings were taken seriously and the evidence he presented generated scientific, philosophical, and religious discussion. The debate over the book contributed to the campaign by T. H. Huxley and his fellow members of the X Club to secularise science by promoting scientific naturalism. Within two decades there was widespread scientific agreement that evolution, with a branching pattern of common descent, had occurred, but scientists were slow to give natural selection the significance that Darwin thought appropriate. During the "eclipse of Darwinism" from the 1880s to the 1930s, various other mechanisms of evolution were given more credit. With the development of the modern evolutionary synthesis in the 1930s and 1940s, Darwin's concept of evolutionary adaptation through natural selection became central to modern evolutionary theory, and it has now become the unifying concept of the life sciences. Summary of Darwin's theory: Darwin's theory of evolution is based on key facts and the inferences drawn from them, which biologist Ernst Mayr summarised as follows: ? Every species is fertile enough that if all offspring survived to reproduce the population would grow (fact).? Despite periodic fluctuations, populations remain roughly the same size (fact).? Resources such as food are limited and are relatively stable over time (fact).? A struggle for survival ensues (inference).? Individuals in a population vary significantly from one another (fact).? Much of this variation is inheritable (fact).? Individuals less suited to the environment are less likely to survive and less likely to reproduce; individuals more suited to the environment are more likely to survive and more likely to reproduce and leave their inheritable traits to future generations, which produces the process of natural selection (inference).? This slowly effected process results in populations changing to adapt to their environments, and ultimately, these variations accumulate over time to form new species (inference).

Editura Corint Junior aduce in aceasta toamna un alt titlu de succes al scriitoarei Gwyneth Rees – Surori in luna de miere. Dusmanie la catarama. Prietenie la cutite, o fictiune pentru copii si adolescenti, peste 8 ani. Din familia lui Poppy au facut parte intotdeauna si un fratior vitreg sau o surioara vitrega. Dar cand mama ei anunta ca un nou copil adoptat urma sa li se alature, Poppy nu se astepta sa fie chiar Sadie Show. Sadie e tare ca piatra, rece ca gheata, mai dura ca o tigroaica – si este fata nou venita in clasa lui Poppy. Niciodata nu fusesera vazute impreuna in public. Acum trebuie sa imparta aceeasi baie. Cum de mama se lasa pacalita de linguselile lui Sadie, cand Poppy stie prea bine cum este ea in realitate? O carte care va tine cu sufletul la gura si in care aventurile celor doua surori iau tot felul de intorsaturi.?

De data aceasta, Domnul Lemoncello a invitat mai multe echipe din toata America sa concureze la prima Olimpiada din Biblioteca. Oare va fi la fel de antrenanta ca Jocurile Olimpice? Dar cum se spune in reclama: Hei, doar e un joc Lemoncello! Dar cand din biblioteca incep sa dipara cartile si concurentii nu mai pot duce probele la bun sfarsit, copiii trebuie sa dezlege un mister mai adanc decat si-au inchipuit vreodata. De aici inainte, Olimpiada nu va mai fi un joc, iar alegerea campionilor va depinde in primul rand de rezolvarea misterului. Aceasta continuare trepidanta a bestsellerului Evadare din Biblioteca Domnului Lemoncello invita cititorii sa se inscrie la Olimpiada - enigmele, indiciile si surprizele fiind acum nu doar un test de cultura generala, ci si un test al prieteniei si al spiritului de echipa.

Amit az olvasó a kezében tart, a F?ld kül?nb?z? pontjain feltárt lel?helyekr?l és a bennük található leletekr?l szól. Kül?nleges ablakot nyit elfeledett világokba, amiket a legt?bb ember nehezen tud elképzelni. Ezek a helyek olyan k?rülmények k?z?tt j?ttek létre, amik k?vetkeztében halált hoztak a figyelmetlenekre, legyenek azok kicsik vagy hatalmasak. Ebben a k?nyvben végigmegyünk kül?nb?z? f?ldt?rténeti korokon, mik?zben megtudjuk, hogy ezek a csapdák hogyan keletkeztek, hogyan m?k?dtek, és a bennük elpusztultak maradványaiból rekonstruáljuk a rég elfeledett él?lényeket.

Félelem helyett bizalom. Versengés helyett együttm?k?dés. Hogyan alakul át társadalmi-gazdasági k?rnyezetünk, mik a kihívások, mik a lehet?ségek? Mit jelent a tanulás a digitális korban? Mit jelent a karrier? Milyen szervezeti formákban zajlik a munka, milyen emberi min?ségeket keresnek a cégek?

Solu?ia Chopra pentru o sc?dere ?n greutate permanent?, stare de bine ?i lini?te sufleteasc? Via?a ?nseamn? ?mplinire! La ce t?nje?ti acum? La m?ncare? Iubire? Stim? de sine? Lini?te sufleteasc?? De ce m?nc?m uneori mai mult dec?t avem nevoie? Deepak Chopra ne r?spunde: fiindc? nu reu?im s? g?sim mul?umirea ?i lini?tea sufleteasc? de care avem nevoie, transform?m m?ncarea ?n substitut al satisfac?iei emo?ionale. C?nd motivele dezechilibrului emo?ional dispar, organismul se autoregleaz? ?i cere c?t ?i trebuie. Deepak Chopra identific? mai ?nt?i cauzele care ne ?mpiedic? s? ne schimb?m atitudinea: obiceiurile proaste, teama de schimbare, descurajarea de a urma ?nc? o diet? sau dimpotriv?, credin?a naiv? c? urm?toarea diet? va func?iona, al?turi de poftele cotidiene, mai ales pentru alimentele s?rate, dulci ?i grase ?i de faptul c? ritmul modern de via?? aproape c? ne impune alegerea alimentelor nes?n?toase.Solu?ia Chopra este o abordare holistic?, bazat? pe leg?tura dintre minte ?i corp. Ca s? ajungem la o stare ideal? de ?mplinire sufleteasc? ?i form? fizic? optim? trebuie s? ne hr?nim zilnic trupul cu alimente s?n?toase, inima cu bucurie, compasiune ?i iubire, mintea cu noi informa?ii, iar spiritul cu calm ?i con?tiin?? de sine.Cartea se ?ncheie cu o sec?iune de re?ete delicioase ?i s?n?toase inspirate din meniurile Centrului Chopra ?i bazate pe principiile alimentare ayurvedice, adaptate la via?a occidental? modern?.Oriunde te afli ?n via??, cartea de fa?? te va ajuta s? alegi direc?ia potrivit?.

"Miklóska nagyon boldog volt, hogy újra láthatja a cica-babát és megint játszhatik vele, Kandur bátya sem adta meg a cica-babának azt a pofont és azt a pár karmolást, amit?l a cica-baba félt. Egyébként Kandur bátya csakhamar hazautazott, a cica-baba ellenben Budapesten maradt s Miklóskával együtt megy haza nyaralni a nagymamához."

Documentele publicate sub egida Institutului de Istorie ?George Bari?iu“ al Academiei Rom?ne au fost structurate ?n dou? p?r?i: Emigra?ia albgardist? ?i Biserica Rus? din Bucure?ti. Prima parte cuprinde r?spunsul direc?iilor regionale la Ordinul Direc?iei Generale a Securit??ii Statului nr. 354/81558 privind albgardi?tii din raza acestora de competen??, iar cea de a doua – materiale ale Direc?iei Regionale a Securit??ii Bucure?ti despre personalul, emigran?ii ?i refugia?ii care frecventeaz? Biserica Rus?. Sursele relev? destinul, starea de spirit ?i material? a fo?tilor membri ai armatelor ruse ?i ucrainene stabili?i ?n Rom?nia, supravie?uitori ai celor dou? r?zboaie mondiale, liderii fiind deja aresta?i.Din sinteza informativ? a Direc?iei Regionale a Securit??ii Bac?u din 27 octombrie 1951:??n urma ac?iunilor contrarevolu?ionare desf??urate ?n t?n?rul Stat Sovietic de c?tre bandele conduse de Denikin, Kerenski ?i Vranghel, bande ce au fost distruse de c?tre t?n?ra Armat? Ro?ie Sovietic? ?i alungate peste grani?ele Statului Sovietic, ?i ?n ?ar? la noi au venit o serie de elemente ce au f?cut parte din aceste armate, care ?i-au stabilit domiciliul ?n diferite ora?e ale ??rii noastre, unde sub regimul burghezo-mo?ieresc ce se afla ?n acel timp la c?rma ??rii noastre au g?sit azil ?i ocrotire.Astfel ?i ?n regiunea Bac?u din aceste elemente identificate p?n? ?n prezent sunt ?n num?r de 6 persoane, ?i anume: Mateevski Konstantin, ?n prezent domiciliat ?n Piatra-Neam?, de profesie electrician ?i mecanic, angajat ?n aceast? func?ie la Sovromlemn Piatra-Neam?; Petrovski Vasile, fost colonel de artilerie ?i avia?ie ?n armata alb? a lui Vranghel, ?n prezent domiciliat ?n Piatra-Neam?, fiind angajat ca magazioner la fabrica Bistri?a din Piatra-Neam?; Galini?cenko Alexandru, domiciliat ?n Piatra-Neam?, f?r? ocupa?ie, ?n prezent fiind b?tr?n; Kazimirov Mark, de profesie ?ofer angajat ?n aceast? calitate la fabrica ?Reconstruc?ia“ Piatra-Neam?, fost ofi?er ?n Armata Alb? ucrainean?, ?n prezent lucreaz? ca t?mplar, ?i Babici Ifrim, fost ofi?er ?n armata lui Vranghel, actualmente domiciliat ?n comuna Tarc?u, raionul Piatra-Neam?, cu serviciul la Sovromlemn.?n leg?tur? cu susnumi?ii trebuie s? ar?t?m c? dac? ?n trecut existau unele rela?ii de prietenie ?ntre d?n?ii, ?nt?lniri ?n care ??i reaminteau cu pl?cere de trecutul lor, ast?zi, fiind elemente b?tr?ne, nu se mai observ? aceste leg?turi, mai ales c? majoritatea sunt c?s?tori?i cu cet??ence rom?ne ?i parte dintre d?n?ii au chiar ?i copii.De asemeni, din cele cunoscute de noi rezult? c? ace?tia nu ?ntre?in leg?turi prin coresponden?? cu str?in?tatea ?i nici cu elementele dubioase ?i du?m?noase din locurile unde tr?iesc ei. S-a putut constata c? aceste elemente sunt extrem de fricoase ca nu cumva s? vin? o dispozi?ie care s?-i pun? ?n situa?ia s? se ?ntoarc? ?n URSS, obliga?i. Comentarii ?n acest gen au fost extrem de multe ?n r?ndurile lor, ?n special ?ntre anii 1945-1946, c?nd ei credeau sigur c? vor fi evacua?i din ?ara noastr? ?i trimi?i ?n Uniunea Sovietic?. Totu?i ?i ?n prezent, de?i b?tr?ni, exist? ?i ?n r?ndurile lor unele comentarii ?i nemul?umiri, pe care ?ns? ?i le arat? ?n anturajul restr?ns pe care eventual ?l au.“

Poeziile lui Giorgio Baffo (1694-1768), mentor al lui Casanova, sunt de o sinceritate dezarmant?. Un limbaj poetic picant, cu un efect direct asupra cititorului. Erotismul abund? ?n rostogoliri de imagini fierbin?i, iar sonetele autorului italian par o petrecere ?n rime, care iau peste picior bunele moravuri ale epocii.?F?r? Baffo, n?am avea idee de decaden?a voluptuoas? a Serenissimei Republici. Prin el, cunoa?tem via?a sexual? a Vene?iei, cu serb?ri, cu osterii, cu cazinouri, cu jocuri de noroc, cu dansatoare ?i cu c?lug?ri?e liber?tine“ – Guillaume Apollinaire

Volumul de proz? scurt? al lui Dorin David reune?te dou?zeci ?i trei de scrieri, o parte din ele publicate ?n perioada 2001-2013 ?n revistele Calende, Vatra, Tribuna ?i Astra, restul fiind inedite.Povestirile penduleaz? ?ntre dou? universuri – cel al realit??ii imediate, cu personaje ?i situa?ii palpabile, ?i cel al fic?iunii literare, chiar al magicului –, care la un moment dat ??i confund? grani?ele, cititorul trec?nd , gra?ie ?u?ilor“ ?i ?ferestrelor“ sugerate cu subtilitate de autor, dintr-o dimensiune ?n alta.

"A lányok még viharosabban nevettek. Kelepei azonban t?prengve szítta a fogát. Azon gondolkodott, mi lenne, ha csakugyan idek?lt?zne? Lelki szeme el?tt egész csomó dolog jelent meg. A jó koszt, a dunyhás ágy, amellyel talán minden együtt jár, ingyen, ami a Háznak specialitása, ha az ember itt lakik helyben."

Volumul lui Cornel Mihai Ungureanu cuprinde interesante interviuri cu mari personalit??i ale culturii rom?ne?ti, din sfere multiple. Printre al?ii, Ana Blandiana, Gabriel Andreescu, Liviu Antonesei, Gellu Dorian, Bogdan Suceav?, Lucian Dan Teodorovici sau Daniel Cristea?Enache. Cititorul va g?si ?n paginile c?r?ii comentarii provocatoare privind operele ?i biografiile intervieva?ilor, precum ?i pagini din istoria tulbure din perioada comunist? ?i din cea contemporan?.

Borbély Szilárd új prózak?tete tematikusan is kapcsolódik a Halotti pompa lírai requiemjéhez. Itt is a k?nyv centrumában a 2000. év karácsony t?rtént brutális kett?s gyilkosság és a szül?k elvesztésének fájdalma áll. De immár a próza nyelvén és eszk?zeivel: a dokumentumok, rend?rségi jegyz?k?nyvek és a személyes emlékek megidézésével azért t?rténik az írói nyomozás, hogy valamiképpen megérthesse az anya meggyilkolásának tragédiáját, illetve a b?ntény lezáratlanságát, azaz a b?n?s?k szabadon engedését (Egy b?ntény mellékszálai).

Amúgy is knnyen ragadtatom magam e knyv kapcsán a mindig gyanús szuperlatívuszokra: mesterm. A regény nyelve és tárgya hibátlanul találkozott, csndes ragyogása van a szvegnek. Pontos és drámai korrajz, lélekrajz, emberrajz. Mit jelent a nincsben lenni, mit jelent a nincs agresszivitásában élni Mit jelent, amikor minden totális, kint is, bent is, a kiszolgáltatottság, a szorongás, az állam, az apa, minden totális. Mit jelent éhezni Mit jelent, amikor semminek sem lehet lenni, jónak se Amikor szeretni sem szabad. De azért mégis szeretünk. Elegáns és nyomasztó knyv. Bátor knyv, amely ismeri a félelmet. Mint a jó irodalom mindig, rólunk szól, éljünk bárhol is a világon.“ (Esterházy Péter)

Cunoa?te-te pe tine ?nsu?i Aceast? inscrip?ie reliefat? pe frontonul templului lui Apolo din Delfi a devenit principiul fundamental al filosofiei lui Socrate. Remarc?m de altfel c? majoritatea religiilor ?i ?nv???turilor antice ne ?ndeamn? c?tre aceea?i cunoa?tere fundamental?. ?Cunoa?te-te pe tine ?nsu?i!” s-a transformat ?ntr-o maxim? ?i un ?ndemn de urmat pentru majoritatea oamenilor, fiecare urm?ndu-?i propria cale. Ce ?nseamn? s? ne cunoa?tem? Ce suntem noi ?n realitate ?i ce este de (re)cunoscut referitor la fiin?a noastr?? Care este numitorul comun al tuturor ac?iunilor noastre? Care este aspira?ia l?untric? a fiec?ruia dintre noi, pentru ce facem tot ce facem ?i care este natura adev?ratei fericiri? Toat? c?utarea noastr? se rezum? la un lucru foarte simplu: g?sirea propriei identit??i. Poate fi adev?rata noastr? identitate o stare, o manifestare sau o experien??? Toate acestea sunt trec?toare, astfel c? dac? am fi fost una din ele, am fi disp?rut odat? cu ea. Nimic din ceea ce este supus schimb?rii, nimic din ceea ce apare ?i dispare nu poate constitui esen?a noastr?. Ceea ce suntem ?n realitate este permanent aici, percep?nd schimb?rile, apari?iile ?i dispari?iile experien?elor ?i a obiectelor din ele.

Volumul Marianei Damian reconstituie via?a celui mai iubit poet latin, Publius Ovidius Naso, ?n contextul istoric, politic ?i cultural al perioadei lui Augustus. Cartea este o radiografie am?nun?it? a fr?m?nt?rilor poetului roman ?n urma exil?rii sale la marginea imperiului, pe malul M?rii Negre, invit?ndu-i pe cititori la o relectur? a operei ovidiene din perspectiva motivelor ?nstr?in?rii, singur?t??ii ?i nostalgiei.

Un b?iat de ?ase ani care a impresionat-o pe ?mp?r?teasa Austriei cu geniul s?u muzical Un compozitor care a scris peste 600 de concerte, sonate, simfonii ?i opere ?n cei treizeci ?i cinci de ani c?t a tr?it Un muzician serios c?ruia ?i pl?cea s? spun? glume stupide Toate cele de mai sus! ? Afl? mai multe despre adev?ratul Wolfgang Amadeus Mozart ?n aceast? biografie amuzant? ?i minunat ilustrat?!