In our post-9/11 world, the figure of the stranger-the foreigner, the enemy, the unknown visitor-carries a particular urgency, and the force of language used to describe those who are "e;different"e; has become particularly strong. But arguments about the stranger are not unique to our time. In Romanticism and the Question of the Stranger, David Simpson locates the figure of the stranger and the rhetoric of strangeness in romanticism and places them in a tradition that extends from antiquity to today.?Simpson shows that debates about strangers loomed large in the French Republic of the 1790s, resulting in heated discourse that weighed who was to be welcomed and who was to be proscribed as dangerous. Placing this debate in the context of classical, biblical, and other later writings, he identifies a persistent difficulty in controlling the play between the despised and the desired. He examines the stranger as found in the works of Coleridge, Austen, Scott, and Southey, as well as in depictions of the betrayals of hospitality in the literature of slavery and exploration-as in Mungo Park's Travels and Stedman's Narrative-and portrayals of strange women in de Stal, Rousseau, and Burney. Contributing to a rich strain of thinking about the stranger that includes interventions by Ricoeur and Derrida, Romanticism and the Question of the Stranger reveals the complex history of encounters with alien figures and our continued struggles with romantic concerns about the unknown.

Today few would think of astronomy and astrology as fields related to theology. Fewer still would know that physically absorbing planetary rays was once considered to have medical and psychological effects. But this was the understanding of light radiation held by certain natural philosophers of early modern Europe, and that, argues Mary Quinlan-McGrath, was why educated people of the Renaissance commissioned artworks centered on astrological themes and practices.?Influences is the first book to reveal how important Renaissance artworks were designed to be not only beautiful but also-perhaps even primarily-functional. From the fresco cycles at Caprarola, to the Vatican's Sala dei Pontefici, to the Villa Farnesina, these great works were commissioned to selectively capture and then transmit celestial radiation, influencing the bodies and minds of their audiences. Quinlan-McGrath examines the sophisticated logic behind these theories and practices and, along the way, sheds light on early creation theory; the relationship between astrology and natural theology; and the protochemistry, physics, and mathematics of rays.?An original and intellectually stimulating study, Influences adds a new dimension to the understanding of aesthetics among Renaissance patrons and a new meaning to the seductive powers of art. ?

Castles, Battles, and Bombs reconsiders key episodes of military history from the point of view of economics-with dramatically insightful results. For example, when looked at as a question of sheer cost, the building of castles in the High Middle Ages seems almost inevitable: though stunningly expensive, a strong castle was far cheaper to maintain than a standing army. The authors also reexamine the strategic bombing of Germany in World War II and provide new insights into France's decision to develop nuclear weapons. Drawing on these examples and more, Brauer and Van Tuyll suggest lessons for today's military, from counterterrorist strategy and military manpower planning to the use of private military companies in Afghanistan and Iraq.?"e;In bringing economics into assessments of military history, [the authors] also bring illumination. . . . [The authors] turn their interdisciplinary lens on the mercenary arrangements of Renaissance Italy; the wars of Marlborough, Frederick the Great, and Napoleon; Grant's campaigns in the Civil War; and the strategic bombings of World War II. The results are invariably stimulating."e;-Martin Walker, Wilson Quarterly?"e;This study is serious, creative, important. As an economist I am happy to see economics so professionally applied to illuminate major decisions in the history of warfare."e;-Thomas C. Schelling, Winner of the 2005 Nobel Prize in Economics

Exhorting people to volunteer is part of the everyday vocabulary of American politics. Routinely, members of both major parties call for partnerships between government and nonprofit organizations. These entreaties increase dramatically during times of crisis, and the voluntary efforts of ordinary citizens are now seen as a necessary supplement to government intervention.But despite the ubiquity of the idea of volunteerism in public policy debates, analysis of its role in American governance has been fragmented. Bringing together a diverse set of disciplinary approaches, Politics and Partnerships is a thorough examination of the place of voluntary associations in political history and an astute investigation into contemporary experiments in reshaping that role. The essays here reveal the key role nonprofits have played in the evolution of both the workplace and welfare and illuminate the way that government's retreat from welfare has radically altered the relationship between nonprofits and corporations.

On the 19th May 2018, Prince Harry and Meghan Markle tied the knot in a beautiful royal wedding ceremony. But just how much do you know about the Prince and his former actress wife? This fascinating eBook contains over one hundred amazing facts about the royal couple, covering everything from how the two of them met through to the many ways in which Meghan has broken the mould of a traditional princess. Whether you're interested in the royal rule book and official protocols, or you simply want to know more about the controversies that have surrounded both of these two prominent figures, this is the perfect book for you!

Which king's guards massacred a group of his supporters by mistake? Who had an oversized tongue and had to slobber when they ate food? Who was so large when they died that they had to be buried in a square coffin? Who survived seven assassination attempts? As you can tell from the bizarre questions above, it wasn't all thrones and sceptres for British kings and queens. Some of them were completely batty, and others were downright vicious. On the other hand, some monarchs were an icon to the people and represented the power and importance of Britain and England. 'Kings & Queens, A Very Peculiar History' explores some of the most marvellous monarchs to have ruled Britain and ekes out their bizarre habits and idiosyncracies, featuring quirky stories and fascinating facts and lists.

The Tudors were an odd bunch, even weirder than their subjects, perhaps. When they weren't beheading wives and enemies they were threatening to, or going around earning themselves nicknames like 'Bloody Mary' and 'The 9 Day Queen'. 'The Tudors: A Very Peculiar History; tells the story of the Tudor monarchs, their castles, their lives and their subjects in a time when it was fashionable to slash up your clothes for that 'fresh from battle' look. The book details each monarch's reign and casts light on the more bizarre elements of their time in power, right down to an analysis of their seals and signatures and the various torture and execution methods they liked to use.

This compelling autobiography details the true life story of one woman's fight for survival. It details the depth of resilience that some extraordinary individuals can display when facing their own mortality. Fight for your dream epitomises Elaine's life story and personal struggle with breast cancer, OCD and depression. It is an inspirational, honest and often humourous account of how one Alpaca and one Llama gave Elaine a lifeline to hang onto and formed the catalyst to change her life forever. From government office worker, to award winning Alpaca breeder, businesswoman and self made millionairess this is Elaine's true life story. This amazing read gives a heart warming and moving account into her incredible journey to success.

This excellent quick-read biography of the life so far of Prince William and Kate Middleton is a fascinating read, and will make an wonderful addition to the library of any fan of the British Royal Family. Tracking William's life from birth, through school, the death of his mother Princess Diana, university, his career in the forces, his engagement to Kate and more, it also looks at Miss Middleton's background and is full of interesting facts about their lives. Containing many colour pictures, this royal mini biography has been specially formatted for today's e-readers and is written by top-selling celebrity biographer Chris Peacock.

This is the true story of reporter Nellie Bly, who pretends to be insane, and manages to get herself committed into an insane asylum in the USA. This revised second digital edition is a fascinating account, specially formatted for today's e-readers by Andrews UK.

Plan for six weeks of learning covering all six areas of learning and development of the EYFS through the topic of numbers. The Planning for Learning series is a series of topic books written around the Early Years Foundation Stage designed to make planning easy. This book takes you through six weeks of activities on the theme of numbers. Each activity is linked to a specific Early Learning Goal, and the book contains a skills overview so that practitioners can keep track of which areas of learning and development they are promoting. This book also includes a photocopiable page to give to parents with ideas for them to get involved with their children's topic, as well as ideas for bringing the six weeks of learning together. The weekly themes in this book include: finding numbers outdoors, musical numbers, cooking with numbers, arty numbers, shopping with numbers, and we love numbers. This book is a great way to bring numbers and early problem solving and numeracy skills into all areas of the curriculum so children learn about them in a fun and unpressured way.

Plan for six weeks of learning covering all six areas of learning and development of the EYFS through the topic of nursery rhymes. The Planning for Learning series is a series of topic books written around the Early Years Foundation Stage designed to make planning easy. This book takes you through six weeks of activities on the theme of nursery rhymes. Each activity is linked to a specific Early Learning Goal, and the book contains a skills overview so that practitioners can keep track of which areas of learning and development they are promoting. This book also includes a photocopiable page to give to parents with ideas for them to get involved with their children's topic, as well as ideas for bringing the six weeks of learning together. The weekly themes in this book include: Humpty Dumpty, Little Miss Muffet, Jack and Jill, The Grand Old Duke of York, Hickory Dickory Dock and Little Bo Peep.

Plan for six weeks of learning covering all six areas of learning and development of the EYFS through the topic of where I live. The Planning for Learning series is a series of topic books written around the Early Years Foundation Stage designed to make planning easy. This book takes you through six weeks of activities on the theme of the local area and where children live. Each activity is linked to a specific Early Learning Goal, and the book contains a skills overview so that practitioners can keep track of which areas of learning and development they are promoting. This book also includes a photocopiable page to give to parents with ideas for them to get involved with their children's topic, as well as ideas for bringing the six weeks of learning together.The weekly themes in this book include: on the high street; people where I live; parks and gardens; safe and strong; getting around and big buildings.

Plan for six weeks of learning for each season with this bumper edition, covering all six areas of learning and development of the EYFS. This bumper edition contains all the material contained in Planning for Learning Through Spring, Summer, Autumn and Winter in one value book. Ideal for helping young children to explore the seasons, whatever the time of year, with this step-by-step guide to planning fun activities that cover a wide range of Early Learning Goals. This title comes with advice on observing and assessing children's learning, as well as how to record evidence of learning. It also includes photocopiable sheets for parents to take and extend the learning at home. A must-have for any early years setting wanting easy to dip into planning all year round.

Pride and Prejudice by Jane Austen, is considered as one of the worlds top book classics. It was initially published in 1813 and was the authors second novel which also became her most popular novel. The scene is set in England in early 19th century with 20 year old Elizabeth Bennett, the second eldest of five daughters developing a relationship with the single, handsome and wealthy gentleman, Mr Darcy. Elizabeth endures issues of upbringing, independence, social manners, morality, education and marriage within a high aristocrat society. As their love unfolds, Mr Darcy overcomes his pride of being with someone of a lower social class and Elizabeth overcomes her prejudice of Mr Darcy. A classic love story and one of the most famous novels in English literature.This digital edition is beautifully formatted with an active Table of Contents that goes directly to each chapter. Mermaids Classics, an imprint of Mermaids Publishing brings the very best of old book classics to a modern era of digital reading by producing high quality books in ebook format.

John Webster is known primarily for his two Jacobean tragedies, The Duchess of Malfi and The White Devil. Much of the detail and chronology of his life that led to these two pivotal works is, however, unknown. His father, a carriage maker also named John Webster, married a blacksmith's daughter, Elizabeth Coates, on November 4th, 1577, and it is likely that Webster was born within a year or two in or near London. The family lived in St. Sepulchre's parish. Both his father and his uncle, Edward Webster, were Freemen of the Merchant Taylors' Company and Webster attended Merchant Taylors' School in Suffolk Lane, London. Some accounts say he began to study law but nothing is certain although there are some legal aspects to his later works to suggest this may have been so. By 1602, Webster was employed working as part of various teams of playwrights on history plays, though unfortunately most were never printed and therefore do not survive. These include a tragedy Caesar's Fall (written with Michael Drayton, Thomas Dekker, Thomas Middleton and Anthony Munday), and a collaboration with Thomas Dekker; Christmas Comes but Once a Year (1602). This factory line assembly of plays may seem rather odd to us today but plays then ran for much shorter durations and consequently a steady supply had to be assured. Webster's relationship with Dekker seems to have been a good one. Together they wrote Sir Thomas Wyatt, printed in 1607, although it is thought first performed in 1602 and two city comedies, Westward Ho! in 1604 and Northward Ho! in 1605. It seems Webster also adapted, in 1604, John Marston's The Malcontent for staging by the King's Men. On March 18th, 1606 Webster married the 17-year-old Sara Peniall at St Mary's Church, Islington. Sara was 7 months pregnant and marrying during Lent required the issuing of a special permit, hence the certainty of the date. Their first child, John, was baptised at the parish of St Dunstan-in-the-West on March 8th, 1606. Records show that on the death of a neighbour, who died in 1617, several bequests were made to the Webster family and it is therefore thought that other children were born to the couple. Despite his ability to write comedy, and to collaborate with others, Webster is remembered best for his sole authorship on two brooding English tragedies based on Italian sources. The White Devil, retells the intrigues involving Vittoria Accoramboni, an Italian woman assassinated at the age of 28. It was performed at the open-air Red Bull Theatre in 1612 but was unsuccessful, perhaps being too high brow for a working-class audience. In 1614 The Duchess of Malfi was first performed by the King's Men, most probably in the indoor Blackfriars Theatre and to a more high-brow audience. It proved to be more successful. The play Guise, based on French history, was also written but him but no text has survived. Webster wrote one more play on his own: The Devil's Law Case (c. 1617-1619), a tragicomedy. He continued to write thereafter but always in collaboration and usually city comedies; Anything for a Quiet Life (c. 1621), with Thomas Middleton, and A Cure for a Cuckold (c. 1624), with William Rowley. In 1624, he also co-wrote a topical play about a recent scandal, Keep the Widow Waking (with John Ford, Rowley and Dekker). The play itself is lost, although its plot is known from a court case. There is also some certainty that he contributed to the tragicomedy The Fair Maid of the Inn with John Fletcher, John Ford, and Phillip Massinger. His Appius and Virginia, was probably written with Thomas Heywood, and is of uncertain date. It is believed, mainly from Thomas Heywood's Hierarchie of the Blessed Angels (licensed 7 November 1634) that speaks of him in the past tense that John Webster had died at some point in that year of 1634.

James Shirley was born in London in September 1596. His education was through a collection of England's finest establishments: Merchant Taylors' School, London, St John's College, Oxford, and St Catharine's College, Cambridge, where he took his B.A. degree in approximately 1618. He first published in 1618, a poem entitled Echo, or the Unfortunate Lovers. As with many artists of this period full details of his life and career are not recorded. Sources say that after graduating he became "e;a minister of God's word in or near St Albans."e; A conversion to the Catholic faith enabled him to become master of St Albans School from 1623-25. He wrote his first play, Love Tricks, or the School of Complement, which was licensed on February 10th, 1625. From the given date it would seem he wrote this whilst at St Albans but, after its production, he moved to London and to live in Gray's Inn. For the next two decades, he would write prolifically and with great quality, across a spectrum of thirty plays; through tragedies and comedies to tragicomedies as well as several books of poetry. Unfortunately, his talents were left to wither when Parliament passed the Puritan edict in 1642, forbidding all stage plays and closing the theatres. Most of his early plays were performed by Queen Henrietta's Men, the acting company for which Shirley was engaged as house dramatist. Shirley's sympathies lay with the King in battles with Parliament and he received marks of special favor from the Queen. He made a bitter attack on William Prynne, who had attacked the stage in Histriomastix, and, when in 1634 a special masque was presented at Whitehall by the gentlemen of the Inns of Court as a practical reply to Prynne, Shirley wrote the text-The Triumph of Peace. Shirley spent the years 1636 to 1640 in Ireland, under the patronage of the Earl of Kildare. Several of his plays were produced by his friend John Ogilby in Dublin in the first ever constructed Irish theatre; The Werburgh Street Theatre. During his years in Dublin he wrote The Doubtful Heir, The Royal Master, The Constant Maid, and St. Patrick for Ireland. In his absence from London, Queen Henrietta's Men sold off a dozen of his plays to the stationers, who naturally, enough published them. When Shirley returned to London in 1640, he finished with the Queen Henrietta's company and his final plays in London were acted by the King's Men. On the outbreak of the English Civil War Shirley served with the Earl of Newcastle. However when the King's fortunes began to decline he returned to London. There his friend Thomas Stanley gave him help and thereafter Shirley supported himself in the main by teaching and publishing some educational works under the Commonwealth. In addition to these he published during the period of dramatic eclipse four small volumes of poems and plays, in 1646, 1653, 1655, and 1659. It is said that he was "e;a drudge"e; for John Ogilby in his translations of Homer's Iliad and the Odyssey, and survived into the reign of Charles II, but, though some of his comedies were revived, his days as a playwright were over. His death, at age seventy, along with that of his wife, in 1666, is described as one of fright and exposure due to the Great Fire of London which had raged through parts of London from September 2nd to the 5th. He was buried at St Giles in the Fields, in London, on October 29th, 1666.

Victor Marie Hugo was born on 26th February 1802 and is revered as the greatest of all French writers. A poet, novelist, dramatist and painter he was a passionate supporter of Republicanism and made a notable contribution to the politics of his Country.His life was paralleled by the immense political and social movements of the 19th Century. When he was two Napoleon was proclaimed Emperor but before he was eighteen the Bourbon Monarchy was restored.It was only with his Mother's death in 1821 that he felt confident enough to marry Adele Foucher, a relationship he had kept secret from his mother. Their first child was born inside a year but died in infancy. Leopoldine was born the following year, followed by three further siblings.Hugo published his first novel the year following year, Han d'Islande, (1823). Three years later his second, Bug-Jargal (1826).Between 1829 and 1840 he would publish five further volumes of poetry solidifying his reputation as one of the greatest elegiac and lyric poets of his time. His reputation was growing not only in France but across Europe.In 1841 he was elected to the Academie Francaise, cementing his position in the world of French arts and letters. Hugo also now began to turn his attention to an involvement in French politics.Elevated to the peerage by King Louis-Philippe in 1841 he spoke eloquently and at length against the death penalty and social injustice as well as passionately in favour of freedom of the press and self-government for Poland.When Napoleon III seized power in 1851, and established an anti-parliamentary constitution, Hugo openly declared him a traitor to France and began a long exile, based mainly in Guernsey.In exile, Hugo published his famous political pamphlets; Napoleon le Petit and Histoire d'un crime. Although the pamphlets were banned in France, they nonetheless made a strong impact there. His exile also seemed to have a creative impetus. He composed or published some of his greatest work including Les Miserables, and three widely honoured collections of poetry (Les Chatiments, 1853; Les Contemplations, 1856; and La Legende des siecles, 1859).In 1870 the Third Republic was established and Hugo finally returned home, where he was elected to the National Assembly and the Senate. That same year War erupted between France and Prussia and the French were badly beaten.With the end of the War Hugo began his campaign for a great valuation and protection for the rights of artists and copyright. He was a founding member of the Association Litteraire et Artistique Internationale, which led to the Berne Convention for the Protection of Literary and Artistic Works.Victor Hugo's death on 22nd May 1885, at the age of 83, generated intense nation-wide mourning. Revered not only as a towering figure in literature, he was a statesman who had helped to shape the Third Republic and democracy in France.

Wuthering Heights (1847) by Emily Bronte (1818 -1848) is a classic novel initially published under the pen name Ellis Bell. The story is about the love between Catherine Earnshaw and Heathcliff who is her fathers adopted son and the controversies that arise as a result. Mermaids Classics, an imprint of Mermaids Publishing brings the very best of old classic literature to a modern era of digital reading by producing high quality books in ebook format. All of the Mermaids Classics epublications are reproductions of classic antique books that were originally published in print format, mostly over a century ago and are now republished in digital format as ebooks. Begin to build your collection of digital books by looking for more literary gems from Mermaids Classics.

Henry Fielding was born at Sharpham Park, near Glastonbury, in Somerset on April 22nd 1707. His early years were spent on his parents' farm in Dorset before being educated at Eton.An early romance ended disastrously and with it his removal to London and the beginnings of a glittering literary career; he published his first play, at age 21, in 1728.He was prolific, sometimes writing six plays a year, but he did like to poke fun at the authorities. His plays were thought to be the final straw for the authorities in their attempts to bring in a new law. In 1737 The Theatrical Licensing Act was passed. At a stroke political satire was almost impossible. Fielding was rendered mute. Any playwright who was viewed with suspicion by the Government now found an audience difficult to find and therefore Theatre owners now toed the Government line.Fielding was practical with the circumstances and ironically stopped writing to once again take up his career in the practice of law and became a barrister after studying at Middle Temple. By this time he had married Charlotte Craddock, his first wife, and they would go on to have five children. Charlotte died in 1744 but was immortalised as the heroine in both Tom Jones and Amelia. Fielding was put out by the success of Samuel Richardson's Pamela, or Virtue Rewarded. His reaction was to spur him into writing a novel. In 1741 his first novel was published; the successful Shamela, an anonymous parody of Richardson's novel. Undoubtedly the masterpiece of Fielding's career was the novel Tom Jones, published in 1749. It is a wonderfully and carefully constructed picaresque novel following the convoluted and hilarious tale of how a foundling came into a fortune.Fielding was a consistent anti-Jacobite and a keen supporter of the Church of England. This led to him now being richly rewarded with the position of London's Chief Magistrate. Fielding continued to write and his career both literary and professional continued to climb. In 1749 he joined with his younger half-brother John, to help found what was the nascent forerunner to a London police force, the Bow Street Runners. Fielding's ardent commitment to the cause of justice in the 1750s unfortunately coincided with a rapid deterioration in his health. Such was his decline that in the summer of 1754 he travelled, with Mary and his daughter, to Portugal in search of a cure. Gout, asthma, dropsy and other afflictions forced him to use crutches. His health continued to fail alarmingly.Henry Fielding died in Lisbon two months later on October 8th, 1754.

Later revised by James ShirleyOr The Little Thief. A Comedy.As it was presented by her Majesties Servants, at the Private House in Drury LaneJohn Fletcher was born in December, 1579 in Rye, Sussex. He was baptised on December 20th.As can be imagined details of much of his life and career have not survived and, accordingly, only a very brief indication of his life and works can be given.Young Fletcher appears at the very young age of eleven to have entered Corpus Christi College at Cambridge University in 1591. There are no records that he ever took a degree but there is some small evidence that he was being prepared for a career in the church.However what is clear is that this was soon abandoned as he joined the stream of people who would leave University and decamp to the more bohemian life of commercial theatre in London.The upbringing of the now teenage Fletcher and his seven siblings now passed to his paternal uncle, the poet and minor official Giles Fletcher. Giles, who had the patronage of the Earl of Essex may have been a liability rather than an advantage to the young Fletcher. With Essex involved in the failed rebellion against Elizabeth Giles was also tainted.By 1606 John Fletcher appears to have equipped himself with the talents to become a playwright. Initially this appears to have been for the Children of the Queen's Revels, then performing at the Blackfriars Theatre.Fletcher's early career was marked by one significant failure; The Faithful Shepherdess, his adaptation of Giovanni Battista Guarini's Il Pastor Fido, which was performed by the Blackfriars Children in 1608.By 1609, however, he had found his stride. With his collaborator John Beaumont, he wrote Philaster, which became a hit for the King's Men and began a profitable association between Fletcher and that company. Philaster appears also to have begun a trend for tragicomedy.By the middle of the 1610s, Fletcher's plays had achieved a popularity that rivalled Shakespeare's and cemented the pre-eminence of the King's Men in Jacobean London. After his frequent early collaborator John Beaumont's early death in 1616, Fletcher continued working, both singly and in collaboration, until his own death in 1625. By that time, he had produced, or had been credited with, close to fifty plays.